Untitled“, Adam Linder‘S „Some Proximity“ and „Auto Ficto Reflexo“, and Liz Kinoshita‘S „Volcano“
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Key Title Information IT's URGENT!
Key title information IT’S URGENT! Product Details A LUMA Project curated by Hans Ulrich Obrist £28.00 Editor(s) Luma Foundation Publisher Walther Koenig ISBN 9783960989363 “The point of departure for IT’S URGENT! is an exhibition model that I Format softback started (with Christian Boltanski and Betrand Lavier) in 1993 with DO Pages 320 IT. For this on-going, flexible and open-ended show, we invite artists to Illustrations 152 colour, 5 b&w write instructions, scores and recipes that can then be interpreted by others each time they are presented.” – Hans Ulrich Obrist Dimensions 310mm x 210mm Weight 1589 This book features all 153 original posters created by the 127 artists invited to participate in IT’S URGENT!, an open form touring exhibition. Publication Date: Feb 2021 IT’S URGENT! aims to make the artists’ ideas available to all, open up to new audiences and insert them into public life and the community at large. Artists from all over the world responded to this invitation to address the most pressing themes of our times – ecology, inequality, common future, solidarity, anti-racism and social justice had a profound presence in this vast ensemble of creative endeavour. Artists include – Etel Adnan, Tania Bruguera, Olafur Eliasson, Hans Haacke, Wolfgang Tillmans, Rirkrit Tiravanija, David Adjaye, Mark Bradford, Judy Chicago, Douglas Coupland, Jimmie Durham, Formafantasma, Cao Fei, Fernando Garcia-Dory, Liam Gillick, Renée Green, Newton Harrison, Luchita Hurtado, Pierre Huyghe, Koo Jeong A, Josh Kline, Suzanne Lacy, Yoko Ono, Trevor Paglen, Raymond Pettibon, Raqs Media Collective, Peter Saville, Stephen Shore, Lawrence Weiner, and Stanley Whitney. -
Anohni: Miracle Now
ANOHNI: MIRACLE NOW EN INTRODUKTION TIL UDSTILLINGEN / AN INTRODUCTION TO THE EXHIBITION MAY 24 – AUGUST 5 2018 MIRACLE NOW “Does nature evolve, or does She just change? So much information can now be stored in a tiny space. Scientists have said recently that ancestral trauma changes our genome in detectable ways. I imagine that in the future we shall put a drop of water into a machine and it will reveal to us every moment that its atoms have ever ex- perienced, and every living and inanimate body that it has ever been a part of. When I first staged the play Miracle Now in 1995, my dream was that Nature would remem- ber every one of Her vanished faces, and that this knowledge would somehow inform Her next iteration. This was a hopeful idea to me, in the face of impending eco-col- lapse.” – ANOHNI “Nothing goes unrecorded. Every word of leaf and snowflake and particle of dew, as well as earthquake and avalanche, is writ- ten down in Nature’s book.” – John Muir, 1872 ANOHNI: “Where do we go when we die?” Nola Taylor: “Back to country.” – Conversation with Nola Taylor, Martu elder, Western Australian desert, 2015. Video Stills: Miracle Now, 1996/2018, ANOHNI/James Elaine MIRAKLERNES TID ANOHNI I NIKOLAJ KUNSTHAL Det er en stor ære at vise den første store Med udstillingen i Nikolaj Kunsthal håber vi soloudstilling med ANOHNI i Norden i at åbne op for spørgsmål og diskussioner Nikolaj Kunsthal. ANOHNI er bedst kendt omkring frigørelse, filosofi og miljø i en som musiker, men udtrykker en dybt en- bredere forstand – og ikke mindst håber vi, gageret tilgang til verden gennem sin visu- at miraklernes tid ikke er forbi endnu. -
Workshops & Research
WORKSHOPS & RESEARCH 20 JULY - 16 AUGUST 2014 Workshops in Contemporary Dance and Bodywork for all levels from beginners to professional dancers. Seven phases which can be attended independently from each other (each week- workshop: 1 class per day, each intensive-workshop: 2 classes per day) «impressions'14»: 20 July ! Week1: 21 - 25 July Intensive1: 26 + 27 July Week2: 28 July - 01 August! Intensive2: 02 + 03 August! Week3: 04 - 08 August! Intensive3: 09 + 10 August! Week4: 11 - 15 August ! «expressions'14»: 16 August Index 3 Artists listed by departments 4 - 133 All workshop descriptions listed by artists 134 - 149 All Field Project descriptions listed by artists 149 - 150 Pro Series description 2 CONTEMPORARY DANCE Jose Agudo | Conny Aitzetmueller | Kristina Alleyne | Sadé Alleyne | Laura Arís | Iñaki Azpillaga | Susanne Bentley | Marco Berrettini | Bruno Caverna | Marta Coronado | Zoi Dimitriou | Frey Faust | Ori Flomin | Saju Hari | Sascha Hauser aka CIONN | Kathleen Hermesdorf | Damien Jalet | Peter Jasko | German Jauregui | Kira Kirsch | Kerstin Kussmaul | Juliana Neves | Sabine Parzer | Rasmus Ölme | Francesco Scavetta | Rakesh Sukesh | Samantha Van Wissen | Hagit Yakira | David Zambrano IMPROVISATION Marco Berrettini | Adriana Borriello | Alice Chauchat | Ivo Dimchev | Zoi Dimitriou | Defne Erdur | Judith Grodowitz | Miguel Gutierrez | Francesca Harper | Andrew Harwood de Lotbinière | Keith Hennessy | Damien Jalet | Martin Kilvády | Barbara Kraus | Aiko Kazuko Kurosaki | Jennifer Lacey | Benoît Lachambre | Nita Little | Eroca -
Frieze New York
FRIEZE NEW YORK Press Release Precious Okoyomon Wins 2021 Frieze Artist Award at Frieze New York New York, US (February 25, 2021) – New York-based artist Precious Okoyomon is the winner of the 2021 Frieze Artist Award. Supported by the Luma Foundation, the award presents a major opportunity for an emerging artist to debut an ambitious new commission at Frieze New York. Launched in 2018, the initiative furthers the established program of Artist Award commissions at Frieze London. Previous recipients of the award at Frieze New York include Lauren Halsey and Kapwani Kiwanga. This year, Frieze New York will take place for the first time at The Shed in Manhattan, from May 5 – 9, 2021. The fair is supported by global lead partner Deutsche Bank, continuing a shared commitment to artistic excellence. Okoyomon’s commission was selected by a jury chaired by Jenny Schlenzka (Executive Artistic Director at Performance Space New York), and featuring Ralph Lemon (Artistic Director, Cross Performance), Vassilis Oikonomopoulos (Senior Curator, Luma Arles), and Stuart Comer (Chief Curator of Media and Performance Art, MOMA). Loring Randolph, Director of Programming for Frieze New York said: ‘In recent years, the Frieze Artist Award in New York and Luma Foundation have debuted significant large- scale sculptures by leading international artists. In 2021, we could not be more excited to work with an exceptional New Yorker, Precious Okoyomon on realizing their live project in collaboration with The Shed. It has been hugely beneficial to work with Jenny Schlenzka of Performance Space, a leading institution moving boundaries in New York, and our expert jury who are the world’s tastemakers in performance art amongst much more.’ Jenny Schlenzka, Executive Artistic Director at Performance Space New York added: ‘The jury is proud to present Precious Okoyomon with the Frieze Artist Award. -
25Th Anniversary
25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times. -
The New Museum, LUMA Arles, and the LUMA Foundation Present Forty
FOR IMMEDIATE RELEASE PRESS CONTACTS: May 8, 2017 Paul Jackson, Communications Director [email protected] 212.219.1222 x217 [email protected] The New Museum, LUMA Arles, and the LUMA Foundation Present Forty-Two International Fellows Will Participate in a Five-Day Residency Program in Arles Leading up to a Public Conference on May 27, 2017 LUMA Foundation’s Parc des Ateliers, Arles Photo: Victor Picon New York, NY…The New Museum is pleased to announce the program and featured participants of IdeasCity Arles, held in partnership with LUMA Arles and the LUMA Foundation, extending a collaboration that began at IdeasCity Detroit and continued at IdeasCity Athens. Led by IdeasCity Director, Joseph Grima, IdeasCity Arles will take place from May 22 to 27, 2017, and will feature an intensive five-day residency program with forty-two Fellows, culminating in a public conference featuring Kunlé Adeyemi, Amale Andraos, Michel Bauwens, Raphaële Bidault-Waddington, Bouchra Khalili, Rem Koolhaas, Ben Vickers, and Amanda Williams, among others. The public conference, which will be free and open to the public, will feature a keynote lecture by Rem Koolhaas and will take place on Saturday, May 27, 2017, at the Grande Halle, Parc des Ateliers in Arles. IdeasCity—the New Museum’s platform to explore the future of cities—will work in partnership with local community organizations in Arles to tackle key issues specific to the region. Building upon discussions initiated in Detroit and Athens, IdeasCity Arles will address the future city, looking at key forces that shape Arles and the Camargue region today. Working alongside local stakeholders in Arles to investigate the countryside as a place where urban change is accelerating, IdeasCity will develop “scenarios for a City in a Bioregion” through the following themes: City of Culture & Agriculture, Twenty-First-Century Factory Town, City as Campus, UNESCO City 3.0, and Global Village. -
The Long Term You Cannot Afford
e LONG TERM you caot aÿord. on e distribuon of e TOXIC INVOCATIONS .– WITH Edna Bonhomme BPoC Environmenta and Cimate Justice Coective (Imeh Ituen and Rebecca Abena Kennedy-Asante) Center for Intersectiona Justice (Emiia Roig) Yoanda Ariadne Coins Discard Studies (Aex Zahara and Josh Lepawsky) Angea Fournoy The Forest Curricuum (Pujita Guha and Abhijan Toto) Hazardous Traves (Ayushi Dhawan, Maximiian Feichtner and Simone Müer) Hyoung-Min Kim and Gabrie Gaindez Cruz Jessika Khazrik Laboratory for Aesthetics and Ecoogy (Ida Bencke) Latedjou Liping Ting Mother the Verb (Ivan “Ivy” Monteiro) Franziska Pierwoss Raqs Media Coective (Shuddhabrata Sengupta) Matana Roberts Huda Rós Guðnadóttir Tomás Saraceno and the Aerocene Foundation Aexis Shotwe Stephan Thierbach Françoise Vergès Wearebornfree! Empowerment Radio (Moro Yapha) XR Extinction Rebeion (Kate Sagovsky) among others CURATORS Antonia Aampi Caroine Ektander CO¨CURATORS Jasmina A-Qaisi Kamia Metway ARTISTIS DIRECTOR Bonaventure Soh Bejeng Ndikung PROJECT TEAM Monioa Iupeju António Pedro Mendes Oa Zieińska CURATORIAL ASSISTANT Mahnoor Zehra Lodhi MANAGEMENT Lema Sikod Lynhan Baatbat-Hebock COMMUNICATION Anna Jäger GRAPHIC DESIGN Esa Westreicher Lii Somogyi SOUND ENGINEER Kay Bennet Kruthoff LIVE STREAM Boiing Head The project is funded by Hauptstadtkuturfonds and the Foundation for Arts Initiatives. With additiona support by the Mondriaan Fund, Goethe-Institut / Max Mueer Bhavan Kokata, Goethe Institut Pakistan, White Space Beijing, The Visua Arts Fund Iceand, DAAD Artists-in-Berin Program and the Berin Senate Department for Cuture and Europe. SAVVY Contemporary T Laboratory of Form-Ideas THE LONG TERM YOU CANNOT AFFORD. ON THE DISTRIBUTION OF THE TOXIC is the third chapter of SCHEDULE our ong-term investigation THE INVENTION OF SCIENCE. -
Ben Harper and Charlie Musselwhite Nightclub
Ben Harper And Charlie Musselwhite Nightclub Posts about Carole King written by thedailyrecord. Mostrando entradas con la etiqueta Ben Harper. “It was heartwarming, because there’s a genuine affection for the Belly Up and the artists are able to support the club with these albums. Bobby Johnson - Get Up and Dance (2013) Funk, R&B, Soul | 320 kbps | MP3 | 148. We were so pleased to recieve the message that […] Do you like it? 16. Their first album, 2012’s Get Up! , spurred, at least in my mind at the time, comparisons to other blues and jazz artists such as John Lee Hooker and Muddy Waters. It’s the coolest makeover on the record, enigmatic and slinky as its originator. El llegendari músic va pensar que tots dos havien de tocar junts. Su destino Hamburgo, donde todavía vive con ochentaytantos años. Protoje, 9 p. 15 Dec 2019 - New at #TopMusic 7 days (15 Dec): 'The Way It Used To Be' by Trent Reznor & Atticus Ross; 'Nightclub' by Ben Harper & Charlie Musselwhite;. Download Ben Harper With Charlie Musselwhite "Get Up!" Now:iTunes: http://smarturl. Ben Harper & Charlie Musselwhite "When I Go": When I leave here I'll have no place to go And it's much too late to change my name I'm gonna take y. 08/03/2018 - Ben Harper & Charlie Musselwhite @ The Gothic Theatre - Englewood, CO Ben Harper & Charlie Musselwhite played the Gothic Theatre off Broadway to a sold out crowd last night. Get Up! is an album by the American musicians Charlie Musselwhite and Ben Harper , their twenty-ninth and eleventh album, respectively. -
Psaudio Copper
Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs. -
Uncovering the Cover
Uncovering the Cover Reading Authenticity and Subjectivity in Cover Songs Master thesis in musicology, Institute of Musicology, University of Oslo Spring, 2012 Åste Jensen Sjøvaag Contents Acknowledgements..................................................................................................................................... 3 Chapter 1. Introduction............................................................................................................................... 5 Research questions...................................................................................................................................... 6 The cover song............................................................................................................................................ 9 Theoretical concepts................................................................................................................................. 12 Method - the reading process.................................................................................................................... 24 The music.................................................................................................................................................. 29 Synopsis.................................................................................................................................................... 34 Chapter 2. “Fields of Gold”...................................................................................................................... -
Memory Is Fragile Garbage Lasts Forever
MEMORY IS FRAGILE GARBAGE LASTS FOREVER INDEX CONSTANZA MACRAS |DORKYPARK SHOWS OPEN FOR EVERYTHING HERE/AFTER BERLIN ELSEWHERE THE OFFSIDE RULES MEGALOPOLIS OEDIPUS REX HELL ON EARTH BRICKLAND I´M NOT THE ONLY ONE SURE, SHALL WE TALK ABOUT IT? NO WONDER BIG IN BOMBAY BACK TO THE PRESENT UPCOMING PIECES PIECES FOR TOURING TOURING CONTACT CONSTANZA MACRAS Constanza Macras was born in Buenos Aires, Argentina, where she In 2008 Constanza Macras received the GOETHE-INSTITUT Award for an outstanding German studied dance and fashion design, at the Buenos Aires University production for her piece Hell On Earth. (UBA). She continued her dance studies in Amsterdam and New York (Merce Cunningham Studios). In 1995, Macras moved to Berlin and In 2010 she was awarded with the Arts at MIT (Massachusetts Institute of Technology) William danced for various companies. In 1997, she founded her own first L. Abramowitz Residency. Since 1961, the series has brought renowned performing artists and company TAMAGOTCHI Y2K. writers to MIT to perform, present public lectures, and collaborate with students in free Between 1998 and 2000, TAMAGOTCHI Y2K presented four pieces: programs. Wild Switzerland (1998), Face One (1999), In Between (2000) and Dolce Vita (2000), a site-specific live music performance that com- In the same year Constanza Macras was awarded the national German theater-prize DER FAUST bined artists from various disciplines. It was created as a one-time for best choreography for the piece Megalopolis. event for each specific location. Next to her productions with her company Constanza Macras | DorkyPark, Constanza Macras From 2001 to 2002, Macras developed and presented the trilogy MIR: has also created: A Love Story. -
Orff-Schulwerk Elementare Musik- Und Tanzpädagogik Elemental Music and Dance Pedagogy
Sommer 2016 Orff-Schulwerk Elementare Musik- und Tanzpädagogik Elemental Music and Dance Pedagogy 94 Interkulturalität in der Elementaren Musik- und Tanzerziehung II Interculturality in Elemental Music and Dance Pedagogy II Publikationen II Publications - Winter 2015 CHANGES?! Orff-Schulwerk Elementare Musik- und Tanzpädagogik 9. INTERNATIONALES Elemental Music and Dance Pedagogy ORFF-SCHULWERK SYMPOSIUM Elementare Musik- und Tanzpädagogik im WANDEL der Medien Interculturality in the Elemental Music and Dance Pedagogy in the Elemental Music Interculturality / 93 Interkulturalität in der Elementaren Musik- und Tanzerziehung Interculturality in the Elemental Music and Interkulturalität in der Elementaren Musik- und Tanzpädagogik Musik- in der Elementaren Interkulturalität Dance Pedagogy Orff-Schulwerk Weitere Informationen siehe Rückseite. Informationen siehe Weitere furtherFor information see back page. ISSNISSN 2312-8895 2305-9079 Schutzgebühr 5,– Euro 93 odh93_umschlag_def.indd 1 02.12.15 16:32 Zum Titelthema werden in Theorie und Praxis Three main questions have been asked in “The- drei großen Fragen nachgegangen: Warum, ory and Practice”: Why, what and how? Reports Was und Wie? Projektberichte ergänzen das of projects expand the theme clearly. They have Thema anschaulich. Dabei geht es vor allem to do above all with advocating music, dance and darum Musik, Tanz und Sprache und die an- speech and the other arts to further a sensibility deren Künste auch einzusetzen um interkul- to intercultural competence in thinking, feeling turelle Kompetenzen zu fördern, d. h. Sensi- and activities with people from other cultures – bilisierung zu fördern um Denken, Fühlen to learn understanding and respect. und Handeln von Menschen aus anderen Kul- turen verstehen und respektieren zu lernen. This approach has been distinctive to the Orff Institute for years.