DOCSLIB.ORG

Pigmente.Com 2020 UNSER NEUER 2021 KATALOG 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pigmente.Com 2020 UNSER NEUER 2021 KATALOG 2020 2020 / 2021 www.kremer-pigmente.com 2020 UNSER NEUER 2021 KATALOG 2020 Sehr geehrte Damen und Herren, liebe Kundinnen und Kunden, Kremer Pigmente bietet ein umfassendes Leistungsspektrum an. Auf der nächsten Seite finden Sie die Inhaltsübersicht unsers Sortiments für die Restaurierung, die anspruchsvolle Malerei, den Denkmalschutz und handwerkliche Arbeiten. Sonder- / Spezialanfertigungen · Auf Wunsch produzieren wir für Sie gerne individuelle Öl-, Acryl-, Aquarell-, Wand- und Alkydharzfarben. · Streichfertige Künstlerfarben stellen wir in fast jedem Bindemittel kurzfristig in den benötigten Farben und Mengen her. · Von Kunden angelieferte Rohmaterialien verarbeiten wir bei Machbarkeit gerne zu Pigmenten. Mit unseren speziellen Maschinen können wir schonend temperaturempfindliche Erden genauso gut verarbeiten wie Edelsteine (wie z.B. Rubin oder Smaragd). Im Kundenauftrag zerkleinern, mahlen und sieben wir ganz unterschiedliche Materialien auf jede gewünschte Feinheit. Wir helfen Ihnen gerne die benötigten Materialien für Ihr Kunstobjekt zu organisieren. Sollten Sie ein gewünschtes Produkt nicht in unserem Sortiment finden, unterstützen wir Sie gerne bei der Beschaffung. Mit bunten Grüßen aus der Farbmühle, David Kremer & Dr. Georg Kremer 3 Neue Produkte NEUE PRODUKTE /// Sets zur Farbherstellung »Künstlerprodukt 2020« 72 14304 Kremer Pigmente Aquarellset 72 14306 Kremer Pigmente Ölset /// Pigmente 29 11814 – 11818 Marienglas aus Sizilien 38 17290 Bohnerz, Eisenstein 24 23065 Phthaloblau, Cyanblau transparent, PB 15:4 10 23614 Alizarin-Krapplack mittel 57 26160 XSL Lasurorange, PR 101 57 26550 XSL Phthalo Grün gelbstichig, PG 36 11 42060 Zirkonrot, lachsrosa 19 44101 – 44105 Kobaltgrün PG 50 26 45320 YInMn-Blue 34 49710 Eisenchromit 47 50091 IRIODIN® 9605 Blue-Shade Silver SW, Silber-Grau 51 50095 XIRALLIC® NXT M260-70 SW Amur Black, Schwarz 50 50622 IRIODIN® 9444 Moss Green WR, Moosgrün /// Binde- & Klebemittel 117 79255 Kremer Tempera 121 97255 C-Bond Glashärter 159 881602 Sicry - Fixativ 159 881603 Fixativ für Silikat-Kreiden /// Gebrauchsfertige Farben 32 12455 – 12456 Künstlerholzkohle 165 8096593 Gamblin Classical 24-Color HP Set 143 881039 Kremer Aquarellkasten Wiener Maler - Klein 144 881043 Kremer Aquarellkasten Perlglanzpigmente - Klein 144 881044 Kremer Aquarellkasten Blau /// Pinsel & Bürsten 189 85003904 – 85003908 Reisepinsel Meisterklasse S, rund, Gr. 4 - 8 189 85004002 – 85004008 Reisepinsel Rotmarder, rund, Gr. 2 - 8 189 85004502 – 85004506 Retouchierpinsel Rotmarder, gebogene Zwinge, Gr. 5/0 - 0 187 85022702 – 85022710 Fächerpinsel Meisterklasse S, Gr. 2 - 10 186 8506410 – 8506440 Flächenstreicher Meisterklasse, Gr. 25 - 200 187 8508210 – 8508213 Kammpinsel, Gr. 1/4 - 3/4 190 850824 Federpinsel 195 864922 Ersatzbündel V2A Stahldraht für Glasfaser-Radierstifte 197 8649545 Universal-Staubsaugerbürste mit reinem Ziegenhaar /// Werkzeuge, Verpackung & Zubehör 148 881021 Näpfchen rund PP, weiß 148 881022 Porzellanschale für Wasserfarbe 213 883020 DrawScope 213 883025 RGB-Drehscheibe 209 883359 Palette, weiß emailliert 209 883372 – 883373 Porzellanpalette Etchr 209 883561 Saugschwamm - klein 206 885728 Schabemesser 213 891020 Elektrischer Leimtopf 200 963030 Holzkasten leer, 34,8 x 24,4 x 4,4 cm /// Fachliteratur 220 990902 A. Paetz gen. Schieck: Zeitkolorit Mode und Chemie 220 990903 Kerstin Neumüller / Douglas Luhanko: Indigo 220 991008 Alexander Kraft: Berliner Blau 223 992214 Banik / Brückle: Paper and Water 223 992305 P. Dietemann: Tempera Painting 1800-1950 4 Pigments Inhaltsverzeichnis Pigmente 01 Farbstoffe & 2020 INHALTS- Pflanzenfarben 2021 VERZEICHNIS 02 Füllstoffe & Baustoffe 03 Mal-, Binde- & Klebemittel 04 Lösemittel, Chemikalien & Hilfsmittel 05 7 01 Pigmente Gebrauchsfertige Farben, 79 02 Farbstoffe & Pflanzenfarben Restaurierungs- & 87 03 Füllstoffe & Baustoffe Vergolderprodukte 06 101 04 Mal-, Binde- & Klebemittel Malgründe, 127 05 Lösemittel, Papier & Folien Chemikalien & Hilfsmittel 139 06 Gebrauchsfertige Farben, 07 Restaurierungs- & Pinsel & Bürsten Vergolderprodukte 173 07 Malgründe, Papier & Folien 08 179 08 Pinsel & Bürsten Werkzeuge, Verpackung & 199 09 Werkzeuge, Zubehör Verpackung & Zubehör 09 215 10 Fachliteratur & Farbkarten Fachliteratur 227 11 Allgemeine Informationen & Farbkarten 10 Allgemeine Informationen 11 5 01 Pigmente 01 6 Pigmente 01 01 01 PIGMENTE 8 Orange / Rot 12 Gelb 16 Grün 21 Blau / Violett 28 Weiß 30 Braun / Schwarz 35 Erden 43 Eisenoxide & Lasurpigmente 46 Spezial- & Effektpigmente 57 XSL-Pigmente 58 Gläser 62 IWA – Enogu® Mineralpigmente 64 Sortimente »Nur dort, wo die geschichtliche und farbige Qualität eines Pigments mit den anderen Pigmenten im Bild korrespondiert, kann Schönheit aus der Farbe entstehen.« [Dr. Georg Kremer] Mit der Herstellung historischer Pigmente begann die Geschichte der 1977 gegründeten Firma Kremer Pigmente GmbH & Co. KG. Seit damals sind viele weitere historische, moderne und synthetisch her- gestellte Pigmente wie auch Naturfarbstoffe hinzugekommen, die in der Farbmühle in Aichstetten im Allgäu in Handarbeit und nach alten Rezepturen produziert werden. Wir freuen uns, Ihnen unser neu struk- turiertes Kapitel 01 Pigmente vorstellen zu dürfen. Alle Pigmente sind nun nach Farben sortiert. Durch die Farbabbildungen der einzelnen Pigmente wird Ihnen eine grobe Vorstellung vom Farbton gegeben. 7 01 Pigmente ORANGE / ROT /// Eigene Herstellung Unsere Pigmente aus eigener Herstellung werden in der Farbmühle in Aichstetten in Handarbeit 01 und nach alten Rezepturen produziert. Unser Snaefellsjoekull Rot, Burgunder Ocker, Spanischer Ocker, Marokkanischer Ocker und Rötel in Stücken finden Sie in diesem Kapitel unter Erden / Rote Erden. /// Nelkenfarbe Mit ihrem Altrosaton stellt Nelkenfarbe ein ungewöhnliches Pigment dar. Es gibt eine hellere und eine dunklere Variante. In etwa ähneln beide dem Ultramarinrot, sind aber etwas wärmer und gebrochener im Ton. In der modernen Fachliteratur sowie als Wasserfarbe in Farbsortimenten ist Nelkenfarbe nicht oft zu finden. Um die Mitte des 18. Jahrhunderts hingegen schien sie relativ häufig verwendet worden zu sein. Das bis dahin einzige Rosa, das unbeständige Krapprosa, konnte gut durch diese neue lichtechte Mineralfarbe ersetzt werden. Neben der Verwendung durch Restauratoren kann Nelkenfarbe auch heute für den Künstler sehr interessant sein. Reizvoll ist der Einsatz z.B. in Öl/Tempera-Mischtechniken. In jedem Fall sollte die Nelkenfarbe sehr gut angerieben werden, was vor allem bei der Zubereitung von Ölfarbe wichtig ist. Es ist unter Umständen ratsam, das Pigment vor dem eigentlichen Anreiben zunächst mit Wasser bzw. Terpentinöl so fein wie möglich zu zerkleinern, da dies die malerischen Einsatzmöglichkeiten vergrößert. Es ist in jeder Art von Malmittel absolut beständig. 50 g 100 g 1 kg 10150 Nelkenfarbe, lichtecht, < 38 µ 17,60 33,10 310,50 10154 Nelkenfarbe dunkel, sehr lichtecht, < 38 µ 17,60 33,10 310,50 /// Zinnober Kremer Pigmente bietet Zinnober, das traditionelle Rotpigment an, welches bereits im alten China als Zeichen der Kaiserwürde getragen wurde. Seit vielen Jahrtausenden präpariert man in China den Zinnober. Dies hat zur Folge, dass der chinesische Zinnober seit langer Zeit als beste Qualität gilt. Wir bieten den chinesischen Zinnober in vier Korngrößen an, wobei die Mahlung mit einer Korngröße von 50 - 63 µ am farbstärksten ist. Da Zinnober aber ein Quecksilbersulfid ist, ist es möglich, dass dieses Pigment zukünftig von der Europäischen Union als Gefahrstoff eingestuft oder gar verboten wird - wir werden Sie aber rechtzeitig darüber informieren. Der Zinnober Monte Amiata (#10610) stammt aus den hydrothermalen Zinnobervorkommen am ehemaligen Vulkan Monte Amiata. 10 g 50 g 100 g 1 kg 10610 Zinnober Monte Amiata, < 63 µ, 18,65 84,85 164,55 1.588,70 Quecksilbersulfid 10620 Zinnober, aus Mineral, China 20,70 87,95 165,60 1.588,70 10624 Zinnober, feinst, chien t’ou, 23,80 113,85 222,50 2.173,50 das hellste Zinnoberpigment, < 20 µ 10625 Zinnober, fein, chu piao, 20 - 50 µ 20,70 98,30 191,45 1.914,75 Zinnober chu piao ist etwas gröber als chien t´ou, aber farbkräftiger. 10627 Zinnober, mittel, chu sha oder yin chu, 23,80 113,85 222,50 2.173,50 farbstärkster Zinnober, 50 - 63 µ 10628 Zinnober, dunkel, p´i sha, 63 - 100 µ, 19,65 87,95 181,15 1.759,50 etwas gröber, weniger brillant Alle Preise sind Nettopreise in Euro. Es gilt die jew. gesetzl. MwSt. Aufgrund schwankender Rohstoffpreise alle Angaben ohne Gewähr. 8 Orange / Rot Rechtsgültige Preise finden Sie unter www.kremer-pigmente.com. Pigmente 01 /// 50 g 100 g 1 kg 11300 Roter Jaspis, halbtransparent, 0 - 120 µ 17,10 33,10 317,75 Durch Eisen-(III) rot gefärbter amorpher Quarz. 11302 Opalrot, warmes Rot, feiner 63 µ 8,30 15,00 137,65 01 Opalite ist ein Halbedelstein, welcher eine Vorstufe zu Opal darstellt. Opalite kann in vielen verschiedenen Farben auftreten, ist aber noch nicht wie echter Opal durchsichtig und irisierend. Der rote Opalite wird in Arizona bergmännisch abgebaut. 20 g 100 g 11308 Rubin, blassrosa, fein gemahlen, < 100 µ 46,55 207,00 Rubin ist ein durch Chrom gefärbter, sehr harter Korund (Mohs 9) und als blaustichig-roter Edelstein besonders als Schmuckstein bekannt. Das feine Pulver ist fast farblos, schwach rosa gefärbt. 20 g 100 g 1 kg 11312 Thulit, rosa-hautfarben, feiner 63 µ 7,75 33,10 320,85 Sehr lichtechtes und bindemittelbeständiges Pigment. Thulit ist eine rosa-rot gefärbte Zoisit-Spezialität aus Norwegen. Der Farbton eignet sich zusammen mit Kremerweiß hervorragend für Inkarnat zur Abbildung von Hautfarbe. /// Cadmiumpigmente
Load more

Recommended publications
  • Yinmn Blue Revolutionary Blue for Industrial and Artist Color Materials
    YInMn Blue Revolutionary Blue for Industrial and Artist Color Materials In September 2017, The Shepherd Color Company The high temperature calcination production process makes announced the groundbreaking "YInMn Blue" technology for the Blue 10G513 highly inert. While it is highly IR refl ective, commercial sale for use in industrial coatings and plastics. it is extremely opaque in the visible and UV parts of the As of May 2020, YInMn has U.S. EPA TSCA approval. This solar spectrum. The inertness means that it can be used in means that YInMn blue is now fully approved for use in a wide range of coatings and plastics and have excellent industrial applications, including artist color materials. weathering properties. Commercially known as Blue 10G513, this pigment Blue 10G513 is ideal for: represents one example of Shepherd Color’s dedication • High-performance IR-refl ective building products to providing new and impactful pigment chemistries to the - Pre-painted metal coatings, plastics and other materials markets. YInMn Blue - Roofi ng granules 10G513 follows our one-of-a-kind NTP Yellow and RTZ - Polymeric roofi ng Orange, which together push the edge of the durable color - Roofi ng tiles envelope. • Anti-counterfeiting features • Glass enamels The new Blue is revolutionary because it is a new pigment - Spandrel and decorative chemistry that expands the range of colors available that • Artist color materials stay cooler when exposed to the sun, allowing building material manufacturers to meet regulatory requirements and building owners to potentially save energy. ABOUT THE SHEPHERD COLOR COMPANY Founded in 1981, The Shepherd Color Company produces a wide range of high-performance Complex Inorganic Color Pigments (CICPs) used in a variety of industries.
    [Show full text]
  • The Blue Miracle by Kai Kupferschmidt
    The Blue Miracle By Kai Kupferschmidt Picture 1: Semi-precious stone lapis lazuli - one of the most important sources to make ultramarine pigments – its weight was judged by the value of gold. (Picture: Mauritius Images) The favorite color of most people, however hardly common among animals and plants. It is very difficult to produce artificially. Consequently, scientists are eagerly working on creating new blue pigments. Part 1: Can we really be sure where the color blue has its origin? Throughout history, it was a tedious and laborious process – or a stroke of luck. Pure Coincidence His most famous discovery came like out of a blue sky. Mas Subramanian, a solid-state chemist at the chemical company Dupont, published hundreds of papers and dozens of patents. He had already discovered a new superconductor and a more environ- mentally friendly way to produce the che- mical fluorobenzene. After joining Ore- gon State University in 2006, he worked on so-called multiferroics, a material with special electric and magnetic properties, which could lead to faster computers. Ba- sed on his idea, the PhD student, Andrew Smith, mixed indium oxide, manganese oxide and yttrium oxide and heated the mixture in an oven. The desired effect did not show, but its color was very blue. “There is something about blue that just fascinates people” First Subramanian thought that Smith Says Mas Subramanian, discoverer of YInMn blue. made a mistake. Then he remembered that someone at Dupont had once told him how difficult it was to make the co- The arthistorian Simon Schama, described lor blue.
    [Show full text]
  • 2Bbb2c8a13987b0491d70b96f7
    An Atlas of Rare & Familiar Colour THE HARVARD ART MUSEUMS’ FORBES PIGMENT COLLECTION Yoko Ono “If people want to make war they should make a colour war, and paint each others’ cities up in the night in pinks and greens.” Foreword p.6 Introduction p.12 Red p.28 Orange p.54 Yellow p.70 Green p.86 Blue p.108 Purple p.132 Brown p.150 Black p.162 White p.178 Metallic p.190 Appendix p.204 8 AN ATLAS OF RARE & FAMILIAR COLOUR FOREWORD 9 You can see Harvard University’s Forbes Pigment Collection from far below. It shimmers like an art display in its own right, facing in towards Foreword the glass central courtyard in Renzo Piano’s wonderful 2014 extension to the Harvard Art Museums. The collection seems, somehow, suspended within the sky. From the public galleries it is tantalising, almost intoxicating, to see the glass-fronted cases full of their bright bottles up there in the administra- tive area of the museum. The shelves are arranged mostly by hue; the blues are graded in ombre effect from deepest midnight to the fading in- digo of favourite jeans, with startling, pleasing juxtapositions of turquoise (flasks of lightest green malachite; summer sky-coloured copper carbon- ate and swimming pool verdigris) next to navy, next to something that was once blue and is now simply, chalk. A few feet along, the bright alizarin crimsons slake to brownish brazil wood upon one side, and blush to madder pink the other. This curious chromatic ordering makes the whole collection look like an installation exploring the very nature of painting.
    [Show full text]
  • Swatch Name HLS RGB HEX Absolute Zero 217° 36% 100% 0 72
    Swatch Name HLS RGB HEX Absolute Zero 217° 36% 100% 0 72 186 #0048BA Acid green 65° 43% 76% 176 191 26 #B0BF1A Aero 206° 70% 70% 124 185 232 #7CB9E8 Aero blue 151° 89% 100% 201 255 229 #C9FFE5 African violet 288° 63% 31% 178 132 190 #B284BE Air superiority blue 205° 60% 39% 114 160 193 #72A0C1 Alabaster 46° 90% 27% 237 234 224 #EDEAE0 Alice blue 208° 97% 100% 240 248 255 #F0F8FF Alloy orange 27° 42% 85% 196 98 16 #C46210 Almond 30° 87% 52% 239 222 205 #EFDECD Amaranth 348° 53% 78% 229 43 80 #E52B50 Amaranth (M&P) 328° 40% 57% 159 43 104 #9F2B68 Amaranth pink 338° 78% 75% 241 156 187 #F19CBB Amaranth purple 342° 41% 63% 171 39 79 #AB274F Amaranth red 356° 48% 73% 211 33 45 #D3212D Amazon 147° 35% 35% 59 122 87 #3B7A57 Amber 45° 50% 100% 255 191 0 #FFBF00 Amber (SAE/ECE) 30° 50% 100% 255 126 0 #FF7E00 Amethyst 270° 60% 50% 153 102 204 #9966CC Android green 74° 50% 55% 164 198 57 #A4C639 Antique brass 22° 63% 47% 205 149 117 #CD9575 Antique bronze 52° 26% 55% 102 93 30 #665D1E Antique fuchsia 316° 46% 22% 145 92 131 #915C83 Antique ruby 350° 31% 66% 132 27 45 #841B2D Antique white 34° 91% 78% 250 235 215 #FAEBD7 Ao (English) 120° 25% 100% 0 128 0 #008000 Apple green 74° 36% 100% 141 182 0 #8DB600 Apricot 24° 84% 90% 251 206 177 #FBCEB1 Aqua 180° 50% 100% 0 255 255 #00FFFF Aquamarine 160° 75% 100% 127 255 212 #7FFFD4 Swatch Name HLS RGB HEX Arctic lime 72° 54% 100% 208 255 20 #D0FF14 Army green 69° 23% 44% 75 83 32 #4B5320 Artichoke 76° 53% 13% 143 151 121 #8F9779 Arylide yellow 51° 67% 74% 233 214 107 #E9D66B Ash gray 135° 72% 8% 178 190
    [Show full text]
  • From Artist Materials to High-Heat Applications Say Goodbye to the Moody Blues, and Hello to Shepherd's High Performance Blues
    From Artist Materials to High-Heat Applications Say Goodbye to the Moody Blues, and Hello to Shepherd's High Performance Blues One of the primary colors, lying between violet and green, is The Shepherd Color Company's roots originate in the the beautiful Blue hue. From the sky to the deep blue sea, 1920s in the ceramic industry, where we supplied colors to a shiny sapphire, blue is the color of trust, excellence, for porcelain enamels. It's no surprise that Blue has been and performance in business. Blue can also be associated one of our first inorganic color pigments. From Blue 299, to sadness, as everyone has felt a little blue at times. This which is the standard “Cobalt Blue” used in artist materials, color can also be perceived as calm and cooling, a lot like to our newest Blue 10G513, better known as YInMn Blue, Shepherd Color’s Arctic® pigments. which expands the range of colors available for building manufacturers that keep products cooler when exposed to An important color in art and ancient times, Ultramarine the sun, Shepherd Color has a blue pigment to meet your Blue was created by lapis lazuli and was mainly mined in high-performance application. Afghanistan and extremely expensive. The invention of synthetic Ultramarine Blue pigments had interesting color, With a vast array of red-shade to green-shade blue pigments but inadequate exterior durability limits its use. available from Shepherd, all have high temperature stability, are resistant to acids, bases, and solvents, and have Cobalt Blue historically has been a excellent weathering, opacity, and reflectivity.
    [Show full text]
  • College of Science Annual Report 2017–2019 (Pdf)
    College of Science 2017–2019 Stepping up to the world’s greatest challenges. College of Science highlights for the fiscal years beginning July 1, 2017 and ending June 30, 2019. Oregon State is a profoundly public-spirited university characterized by world-class researchers and collaborative community-builders intent on serving people across the state, the nation and the world. This powerful drive reflects our institution’s status not only as a Land-Grant university, but also a Space-Grant, Sun-Grant and Sea-Grant university. These designations signal Oregon State’s ability to receive federal funding for research projects that benefit the larger community. Science plays a key role in that quest. The College of Science is deeply engaged in solving many of the most pressing challenges we face as a society. Together we ignite a passion for science in all learners and move discoveries from the lab to people’s lives. The university’s broad research, scholarship, teaching, service and discovery enterprise encompasses all areas of science. From ploughs to touch screens Science has played a founding role in carrying out Oregon State’s Land Grant mission from its origins in the Morrill Act of 1862. The College’s pioneering programs and research in biohealth, the life sciences, marine and environmental sciences, and statistics help us adapt to changing social and economic needs. Through evidence-based programs, science provides both a body of evidence and a mode of inquiry that leads to world-changing discoveries. Local, state and global industries have profited from sustainable materials that began as lab experiments in Gilbert Hall, from more efficient batteries and greener touch screens, to a new heat-resistant paint using a historic new blue pigment discovered here.
    [Show full text]
  • How Lithium Batteries Work a Lithium Battery Consists of Two Electrodes Separated by an Electrolyte
    Mackinaw Newsby Sandy Planisek Cabin Fever Dinner, curbside Audie’s, 4 - 6 pm, $10 Historical Society talk on geology of Headlands, Zoom, 7pm March 15, Monday Ice shanty removal deadline Blood drive, St. Anthony’s, noon - 5 pm Reservations 231-445-0151 or versiti.org/miblood with zip 49701 Band concert on Facebook - details to follow St. Anthony’s 10 am St. Anthony’s 7 pm Good Friday church service for Church of Straits and St. Anthony’s at St. Anthony’s, 1 pmMASKS REQUIRED Church of the Straits 10:30 am St. Anthony’s 10 am Job Fair 11 am - 1 pm Jeep the Mac, 3 - 6 pm March 7, 2021 page 1 Mackinaw News by Sandy Planisek EASTER is coming Church of the Straits Easter Plans -MASKS REQUIRED • Ecumenical Good Friday service, April 2, 1 pm at St. Anthony’s • Easter Service, April 4, 10:30 am St. Anthony’s Easter Plans -MASKS REQUIRED. • Palm Sunday Mass with blessing of palms, March 28, at 10 am • Holy Thursday Mass of the Lord’s Supper, April 1, 7 pm, followed by Adoration in the Blessed Sacrament Chapel until 11 pm • Ecumenical Good Friday service, April 2, 1 pm at St. Anthony’s • Easter Sunday Mass,April 4, 10 am • Bible Church Plans are still being developed, check in later March 7, 2021 page 2 Mackinaw News by Sandy Planisek Layers - what does it mean? Monday, March 8, Zoom Come to the Historical Society’s Zoom to learn what glacial history of our area created these different layers. Libby Ives will explain how glaciers formed the layers under our feet.
    [Show full text]
  • The Named Colors List Contains Over 1.500 Color Names with HEX and RGB Values, from "Absolute Zero" to "Zomp"
    The Named Colors list contains over 1.500 color names with HEX and RGB values, from "Absolute Zero" to "Zomp". Color Preview Color Name Hex RGB Absolute Zero 0048BA 0, 72, 186 Acid green B0BF1A 176, 191, 26 Aero 7CB9E8 124, 185, 232 Aero blue C9FFE5 201, 255, 229 African violet B284BE 178, 132, 190 Air superiority blue 72A0C1 114, 160, 193 Alabama crimson AF002A 175, 0, 42 Alabaster F2F0E6 242, 240, 230 Aliceblue F0F8FF 240, 248, 255 Alloy orange C46210 196, 98, 16 Almond EFDECD 239, 222, 205 Aloeswood brown (Tonocha) 5A6457 90, 100, 87 Aloewood-color (Kyara-iro) 6A432D 106, 67, 45 Amaranth E52B50 229, 43, 80 Amaranth deep purple 9F2B68 159, 43, 104 Amaranth pink F19CBB 241, 156, 187 Amaranth purple AB274F 171, 39, 79 Amaranth red D3212D 211, 33, 45 Amazon 3B7A57 59, 122, 87 Amber FFBF00 255, 191, 0 Amber (Kohaku-iro) CA6924 202, 105, 36 Amber (SAE/ECE) FF7E00 255, 126, 0 Amethyst 9966CC 153, 102, 204 Amur cork tree (Kihada) F3C13A 243, 193, 58 Anti-flash white F2F3F4 242, 243, 244 Antique brass CD9575 205, 149, 117 Antique bronze 665D1E 102, 93, 30 Antique fuchsia 915C83 145, 92, 131 Color Preview ACnotlioqru eN arumbey H8e4x1B2D R1G32B, 27, 45 Antiquewhite FAEBD7 250, 235, 215 Apple 66B447 102, 180, 71 Apple green 8DB600 141, 182, 0 Apricot FBCEB1 251, 206, 177 Aqua 00FFFF 0, 255, 255 Aqua Blue color (Mizu-iro) 86ABA5 134, 171, 165 Aquamarine 7FFFD4 127, 255, 212 Arctic lime D0FF14 208, 255, 20 Army green 4B5320 75, 83, 32 Artichoke 8F9779 143, 151, 121 Arylide yellow E9D66B 233, 214, 107 Ash gray B2BEB5 178, 190, 181 Asparagus 87A96B
    [Show full text]
  • The Chemistry of Colorants Dyes & Pigments
    The Chemistry of Colorants Dyes & Pigments 28 June 2018 The Chemistry of Colorants Dyes & Pigments 28 June 2018 1. (Brief) History of colorants 2. Classifications 3. Physical chemistry 4. Types of dyes and pigments 5. Eight modern research examples 6. Why you might care/current industry History of dyes and pigments Basic red 51 •Dyes have been derived from plants, animals, and minerals •Indigoid dye represents the arguably oldest natural dye •From plant Indigofera tinctoria •Used in India for ~4000 years •Woad was another source of blue in Europe •From Isatis tinctoria •Used in Bronze Age Europe (2500-800 BC) •Tyrian purple produced the royal color •From shell fish Purpura and Murex •Made in Tyre and Sidon since 800 BC •Produced an awful smell •Only source of purple for thousands of years Samanta AS, Agarwal P (2009) Application of natural dyes on textiles. Indian J Fibre Text 34:384–399 Schaefer B (2014) Colourants. In: Schaefer B (ed) Natural products in the chemical ındustry. Springer-Verlag, Berlin, Germany, pp 13–44 Melo MJ (2009) Natural colorants in textile dyeing. In: Mussak RAM, Bechtold T (eds) Handbook of natural colorants. Wiley, Chichester, UK, pp 3–20 History of dyes and pigments Direct red 81 •Many natural dyes have a low chemical affinity to textiles •It was a multistep process to prepare fibers: 1. A mordant (metal salt) is used to impregnate the fibers • Metal ion complexes with functional groups • Often Al, Fe, Sn, Cr, Cu • Commonly used were potash alum [KAl(SO4)2 ·12H2O] and iron sulfate [FeSO4 ·7H2O] and (SnCl2) • Treatment of fabric occurred often in metal vats or with iron nails present 2.
    [Show full text]
  • Kremer Watercolors 881000-881008E
    Kremer Pigmente Watercolors Kremer watercolors are produced following historic recipes and are all handmade in Germany. The use of a selected group of pure pigments, both modern and historic, as well as natural and traditional binding media, ensures unique luminous quality. 881000 Kremer Watercolor Set I watercolor box, with 14 full pans, very lightfast and pure pigments 230008 Phthalo Green Dark, PG 7 405108 Venetian Red 231808 Red DPP BO, PR 254 407208 Burnt Umber, dark brown 231828 Ruby DPP TR, PR 264 433008 Titanium Orange 233108 Permanent Yellow medium 442008 Chrome Oxide Green 233708 Pyramid-Yellow medium 457008 Cobalt Blue dark 404008 Raw Sienna, Italian 457208 Cobalt Blue Light 404308 Dark Burnt Sienna 457508 Cobalt Blue Turquoise Light 881002 Kremer Watercolor Set Earth Colors watercolor box with 14 full pans 111118 Russian Green Earth 405108 Venetian Red 115728 Burgundy Yellow Ochre, fine 406128 Raw Umber, greenish dark 115748 Burgundy Red Ochre, fine 408108 Bohemian Green Earth 118108 Selenite, Marienglas 409208 Slate Gray, gray-green 170008 Jarosite, from Cyprus 410008 Van Dyck Brown 170508 Natural Sienna, Monte Amiata 488008 Magnetite, very fine 404308 Dark Burnt Sienna 489338 Iron Glimmer Violet page 1 of 13 Kremer Pigmente GmbH & Co. KG · Hauptstr. 41-47 · DE-88317 Aichstetten · Tel. 07565 914480 · [email protected] · www.kremer-pigmente.com We do not assume any warranty for the guidance shown above. In any case, we recommend production and evaluation of samples. 881004 Kremer Watercolor Set Landscape Painting watercolor
    [Show full text]
  • College of Science • Winter 2019
    COLLEGE OF SCIENCE • WINTER 2019 Impact Winter 2019.indd 1 11/12/18 8:01 PM WINTER 2019 Editor Debbie Farris Contents Writers Katharine de Baun Srila Nayak Passion & Purpose Faculty and student excellence Designer Sharon Betterton Thinkers & Doers College of Science Science alumni transform Roy Haggerty, Dean the world. Publisher College of Science 128 Kidder Hall Oregon State University Corvallis, OR 97331 Synergies Unleashed An interdisciplinary approach to human health and disease On the cover — High-population cities like Miami (pictured) have longer-lasting flu seasons. Climate conditions actually play a relatively smaller role in flu transmission. Read more on p. 9. News Science that matters Real Estate = Real Opportunity Your gift of property can open doors at OSU Learn how you can boost your retirement Discover Research, breakthroughs plans through a life-income gift, eliminate capital gains taxes, and create life-changing and innovation opportunities for students. All with real estate! Contact us today. Julie Irmer, 800-336-8217 • [email protected] osufoundation.org/giftplanning Impact Winter 2019.indd 2 11/12/18 8:01 PM a science degree. I believe that Science offers students, and society, the greatest opportunity for innovation, creativity and discovery to solve the 21st century problems that affect us all. As an example, the College Salary Report states that the average mid-career employee with a biology degree earns $77,200 per year. Employees with a biochemistry and molecular biology degree average $103,400 per year. For physics graduates, it is $110,000 per year, similar for those with mathematics degrees. Most of these employees do not hold jobs with titles like “biologist, “physicist” This fall, we welcomed 700 first-year has forced students and parents to or “mathematician.” However, students.
    [Show full text]
  • Branding Guide
    MOSAIC BRANDING GUIDE JOHN DOE LEAD DESIGNER MOSAIC JOHN DOE 555.555.5555 LEAD DESIGNER www.mosaic.com 1 Open Tech Drive MOSAIC Boulder, CO 80301 555.555.5555 www.mosaic.com 1 Open Tech Drive Boulder, CO 80301 • LOGO DESIGN FAVICON • BUSINESS CARDS • LETTERHEAD • HOME ABOUT PORTFOLIO SERVICES CONTACT DESIGN MOBILE APP DEVELOPMENT + DESIGN MOSAIC We are mobile DEVELOPMENT app developers, dedicated to honest consulting and quality end products. We ensure excellent user experience and beautiful interface design. We are the future of mobile. We are MOSAIC. WEBSITE HOMEPAGE • • TYPEFACE ABCDEFGHIJKLMNOPQRSTUVWXYZ BEBAS NEUE BOLD IS FOR HEADERS ABCDEFGHIJKLMNOPQRSTUVWXYZ MONTSERRAT REGULAR IS FOR SUB-HEADINGS abcdefghijklmnopqrstuvwxyz Montserrat Light is for body copy STYLE GUIDE Bebas is heavy, condensed and clean. Montserrat is round and fine. The pairing of the two makes for a tidy, geometric and contemporary feel. COLOR PSYCHOLOGY The color blue exudes confidence, success, and trustworthiness. It’s standard compliment is the orange below; it’s true compliment per it’s RGB values is the green below. Blue should be used as the dominant color in MOSAIC branding. Per triad color harmony standards, the orange and green should be used as accents. R - 39 G - 59 B - 190 The color orange displays creativity and enthusiasm. It adds warmth and approachability. It is best used to balance the vibrancy of the blue. R - 224 G - 109 B - 62 The color green gives MOSAIC branding its crisp, fresh feel. It is best used in subtle accents, with the understanding that it adds additional vibrancy when used with the blue. R - 181 G - 192 B - 70 LOGOS + FAVICON • Included logo versions are white, grayscale, and full color.
    [Show full text]