Hifi/Stereo Review July 1959
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
We Are One June 16, 2018
We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito. -
Aus Der Neuen Welt Aus Der Neuen Welt
Sonntag, 19. Juni 2011 · 17.00 Uhr · Klosterkirche Mariental Samstag, 25. Juni 2011 · 19.00 Uhr · Kaiserdom Königslutter Chor- und Orchesterkonzert Aus der neuen Welt Antonín Dvořák (1841-1904) Messe D-Dur op. 86 Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Symphonie Nr. 9 e-Moll op. 95 „Aus der neuen Welt“ Allegro - Allegro molto Largo Scherzo. Molto vivace Allegro con fuoco Te Deum op. 103 Te deum laudamus Tu rex gloria Aeterna fac cum sanctis tuis Dignare domine · · · Danuta Dulska (Sopran) Kathrin Hildebrandt (Alt) Jörn Lindemann (Tenor) Peter Schüler (Bass-Bariton) Michael Vogelsänger (Orgel) Helmstedter Kammerchor Propsteikantorei Königslutter Camerata Instrumentale Berlin Leitung: Andreas Lamken (19. Juni) und Matthias Wengler (25. Juni) DANUTA DULSKA wurde in Danzig geboren. Nach dem Be- such des Musikgymnasiums absolvierte sie ihr Studium an der Staatlichen Musikakademie Danzig in den Fächern Kla- vier, Sologesang und Schauspiel. Das Konzertexamen für Sologesang legte sie an der Hoch- schule für Musik in Dresden in der Klasse von Prof. Christian Elsner erfolgreich ab. Weitere Studien führten sie u. a. zu: Adele Stolte (Potsdam), André Orlowitz (Kopenhagen), Neil Semer (New York), Helmut Kretschmar (Detmold). Von 1990 bis 1995 war sie als Dozentin für Liedbegleitung und später für Gesang an der Musikakademie Danzig tätig. Von 1996 bis 1999 war sie Ensemblemitglied an der Staats- oper Hamburg. Zurzeit arbeitet sie als Lehrerin für Gesang und Klavier an der Musischen Akademie im CJD Braunschweig sowie an der Braunschweiger Domsingschule. Seit 1989 tritt Danuta Dulska international als Konzert- und Oratoriensängerin auf, u. a. in Deutschland, Polen, Holland, Finnland, Schweden, Frankreich, Russland, Tschechien, der Schweiz und der Slowakei, wo sie auch bei Rundfunkaufnahmen und Live-Übertra- gungen mitgewirkt hat. -
Findbuch Als
Inhaltsverzeichnis Vorwort II 1.0 Orgelkonzerte 1 2.0 Internationale Orgeltage 24 3.0 Geistliche Konzerte 57 4.0 Weihnachtsmusik / Christmetten 90 5.0 Pfingstkonzerte 105 6.0 Passionsmusik 110 7.0 Besondere Anlässe 126 8.0 Einzelne Komponisten 135 8.1 Bach 136 8.2 Haydn 139 8.3 Händel 141 9.0 Sonstiges 144 I Vorwort Vorwort Der Bestand setzt sich aus digitalisierten Aufnahmen der Marienkantorei zu- sammen. Vorhanden sind v.a. diverse Konzertmitschnitte von Auftritten der Marienkantorei oder befreundeter Künstler/Gruppen. Wer im Einzelnen die Mitschnitte angefertigt hat, ist unklar. Die Digitalisierung der analogen Vorlagen erfolgte über die MarienKantorei. Die Tonaufnahmen liegen als wav-Dateien vor. Die eigentlichen Audioaufnahmen (Tonbänder, Tonkassetten...) befinden sich im Bestand NL 12 Nachlass Marienkantorei Lemgo/Kantor Walther Schmidt. Benutzung des Bestandes Die Benutzung des Bestandes (d.h. das Hören der Digitalaufnahmen) erfolgt nur nach vorheriger Genehmigung durch den Vorstand der MarienKantorei Lemgo im Benutzersaal des Stadtarchivs. Verweis Das Schriftgut und Bild/Videomaterial der Marienkantorei Lemgo befindet sich im Bestand NL 12 - Nachlass Marienkantorei Lemgo/Kantor Walther Schmidt. Dort auch weitere Verweise und Literaturangaben. II 1.0 Orgelkonzerte 1.0 Orgelkonzerte NL 12 a - Kass. C5 Byrd-Fantasia Byrd - In Assumptione - Beatae Mariae Virginis Messeproprius Vokalensemble Chanticleer-Nicholas Danby St.Marien MarienKantorei Digitalisat auf mobiler Festplatte Nr. 1 2015/008 NL 12 a - 11.3.8 Lieder und Dvorak-Messe Johannes Homburg,Orgel St.Marien MarienKantorei Digitalisat auf mobiler Festplatte Nr. 1 2015/008 NL 12 a - 18.98 02.11.1958 Chor- und Orgelkonzert des Pres:Kyrie, Sanctus und Agnus dei aus Missa de beata virgine, Brixi: Concerto F-dur, Reichel: Con- certo f.Orgel, Muffat: Toccata Nr. -
FRENCH KLEINDEUT8CH POLICY in 1848. the University Of
This dissertation has been microfilmed exactly as received 6 8» 724 CHASTAIN, James Garvin, 1939- FRENCH KLEINDEUT8CH POLICY IN 1848. The University of Oklahoma, Ph.D., 1967 History, modern University Microfilms, Inc., Ann Arbor, Michigan ©COPYRIGHT BY JAMES GARVIN CHASTAIN 1968 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE FRENCH KLEINDEUTSCH POLICY IN 1848 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY JAMES GARVIN CHASTAIN Norman, Oklahoma 1967 FRENCH KLEINDEUTSCH POLICY IN 1848 APPROVED BY A • l \ ^ DISSERTATION COMMITTEE PREFACE This work is the outgrowth of an interest in French Diplomatic History and 1848 which I experienced under the questioning encourage ment of Professor Brison D. Gooch. I have especially appreciated the helpful suggestions of Professor William Savage. I am indebted to Professors William H. Maehl and Kenneth I, Dailey for their demanding insistence on detail and fact which balanced an earlier training in broad generalization by Professors H. Stuart Hughes, John Gaus and Herbert Spiro. For the idea of the French missionary feeling to export liberty, which characterized Lamartine and Bastide, the two French Foreign Ministers of 1848, I must thank the stimulating sem inar at the University of Munich with Dr. Hubert Rumpel, To all of these men I owe a deep gratitude in helping me to understand history and the men that have guided politics. I want to thank the staff of the French Archives of the Min istry of Foreign Affairs, which was always efficient, helpful and friendly even in the heat of July. Mr. -
Hosch News 01-07
01 HOSCH news 2008 The International HOSCH Magazine • HOSCH Power for Poland’s Energy Network • HOSCH do Brasil at Full Throttle Technology convincing in power and mining industries Daughter company celebrates 10th anniversary • New Warehouse Extends Headquarters • HOSCH S.A. Produce HD Prototype Factory II creates space for new products First trial runs look promising www.hosch.de 02 HOSCH news Editorial selves just as strongly to the well-being of our employees. That way, we will manage to grow further as a world-wide family Score Points with Innovations of companies. Dear HOSCH employees! Every day, the HOSCH companies around the world show how successful good teamwork is and what an important part Innovations and constant improvement of the individual per- motivated and satisfied employees play – from the youngest formance is the key to success in a further globalising and HOSCH company in Italy to the eldest daughter company in rapidly progressing world. HOSCH accepts this challenge South Africa. Through their great effort, all of them make a with pleasure. With our innovative products and our full considerable contribution to the success of the HOSCH family service we have succeeded in strengthening our position on of companies. We would like to thank you for all your com- the world-wide markets and even expanding our business. mitment – and assure you that we will do anything within our powers to make our own contribution to the growth and inno- Innovations are the driving force behind success – this is re- vations through constant investment in product improvements flected in the latest issue of the HOSCH news. -
Roger Quilter
ROGER QUILTER 1877-1953 HIS LIFE, TIMES AND MUSIC by VALERIE GAIL LANGFIELD A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Music School of Humanities The University of Birmingham February 2004 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Roger Quilter is best known for his elegant and refined songs, which are rooted in late Victorian parlour-song, and are staples of the English artsong repertoire. This thesis has two aims: to explore his output beyond the canon of about twenty-five songs which overshadows the rest of his work; and to counter an often disparaging view of his music, arising from his refusal to work in large-scale forms, the polished assurance of his work, and his education other than in an English musical establishment. These aims are achieved by presenting biographical material, which places him in his social and musical context as a wealthy, upper-class, Edwardian gentleman composer, followed by an examination of his music. Various aspects of his solo and partsong œuvre are considered; his incidental music for the play Where the Rainbow Ends and its contribution to the play’s West End success are examined fully; a chapter on his light opera sheds light on his collaborative working practices, and traces the development of the several versions of the work; and his piano, instrumental and orchestral works are discussed within their function as light music. -
The Inventory of the Angela Lansbury Collection #787
The Inventory of the Angela Lansbury Collection #787 Howard Gotlieb Archival Research Center Lansbury, Angela January 1981 Outline of Inventory I, MATERIAL RELATED TO STAGE PLAYS AND MUSICALS II, MATERIAL RELATED TO FILMS III, CORRESPONDENCE IV, PHOTOGRAPHS V, PRINTED ITEMS vr. MATERIAL RELATED TO LECTURES, DINNERS AND PUBLIC APPEARANCES VII, AWARD NOMINATIONS VITI., TAPE RECORDINGS LANSBURY, ANGELA January 1981 Box 1 I, MATERIAL RELATED TO STAGE PLAYS and MUSICALS IN WHICH MISS LANSBURY PERFORMED (May include script, programs, printed reviews, ads, photographs, correspondence), A. "All Over" by Edward Albee (London, Aldwych Theatre, 1971-72), 1, Script, with AL's holo notations. Typescript, 59p,, Aug. Nov. 1970. 2. Program, 3. Newsclippings and photocopies of reviews, c,22 items. (#2) B. "Gypsy" by Arthur Laurents, Stephen Sondheim and Jule Styne. 1, London (Piccadilly Theatre, May - Dec.1973), a. Reviews. Newsclippings and magazine tearsheets from various London publications. c,65 items, (#3) b. Publicity, (#4) i. Advertisements, c.25, ii, Program. iii.Souvenir book (2 copies), c, Correspondence (many cards and notes from people at opening and closing involved with show). Ca,30 pieces incl,: Charisse, Zan, ANS (on birthday card from cast and others). Dowd, M'el, ALS, Jan.16, 1973, Hancock, Sheila, TLS, June 8, 1973. Ingham, Barrie, ANS (on birthday card from cast and others). Shaw, Peter. ANS, no date [oct,197~, Lansbur:y 1 Angela Janua!)'.'y 19.81 Page 2 Box l d, Photographs, Gf 5) i, Scenes fvom "Gypsy'''~ 2 8" x 10" black and white. AL~ ch±ldren, and unidentified man in car ("Baby Jane and He:i, Newsboys,,. -
Leonard Stein Papers PASC-M.0270
http://oac.cdlib.org/findaid/ark:/13030/kt1s20351n No online items Finding Aid for the Leonard Stein Papers PASC-M.0270 Finding aid prepared by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated 2021 January 4. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Leonard Stein PASC-M.0270 1 Papers PASC-M.0270 Contributing Institution: UCLA Library Special Collections Title: Leonard Stein papers Creator: Stein, Leonard Identifier/Call Number: PASC-M.0270 Physical Description: 29 Linear Feet(58 boxes) Date (inclusive): 1930-2004 Abstract: The collection consists of printed scores (including scores with performance annotations, analysis, and/or composers' inscriptions), lecture notes, sound recordings, correspondence, and other papers relating to the life and work of the musicologist and pianist. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIO MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audio materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. All requests to access processed audio materials must be made in advance using the request button located on this page. -
Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives.