Qigong - the Art of Life
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“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Detecting Japanese Vernacular Modernism: Shinseinen Magazine and the Development of the Tantei Shôsetsu Genre, 1920-1931
DETECTING JAPANESE VERNACULAR MODERNISM: SHINSEINEN MAGAZINE AND THE DEVELOPMENT OF THE TANTEI SHÔSETSU GENRE, 1920-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kyoko Omori * * * * * The Ohio State University 2003 Dissertation Committee: Professor William J. Tyler, Adviser Approved by Professor Richard Torrance Professor Mark Bender Adviser Department of East Asian Languages and Literatures ABSTRACT The post-war discourse on modern Japanese literature has presented the binary opposition between “pure” versus “popular” literature as a historical fact, configuring popular literature as the disposable “other” of “pure” literature. Consequently, Japanese literary studies have paid relatively little attention to popular forms such as mystery fiction, samurai “period” fiction, the romance novel, and “nansensu” humor. This dissertation examines the discursive formation of the Japanese modernist popular genre known as “tantei shôsetsu” or “detective fiction.” Focusing on the popular monthly magazine Shinseinen and several of its writers, it discusses the theoretical and practical dimensions of “tantei shôsetsu” as a vernacular form of modernist literary production. In doing so, it situates the genre within contemporaneous debates about the meaning of both modernity and literature in Japan during the 1920s. Chapter One establishes the theoretical terms for “vernacular modernism” by illuminating the ways in which popular literary production engaged with the forces of commercialism and Westernization that also shaped the development of canonical Japanese literature during the early twentieth century. Chapter Two surveys established critical views of Modernism in Japan and shows that they fail to account for the significance of vernacular expression. -
Japanese Folk Tale
The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai." T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1. -
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Contents Pages Foreword 1-4 Performance Pledges 5 Vision, Mission & Values 6-7 Feedback Channels 8 Leisure Services 9-57 Recreational and Sports Facilities 10-22 Recreational and Sports Programmes 23-29 Sports Subvention Scheme 30-31 The 4th All-China Games 32 The Guangzhou 2010 Asian Games and Guangzhou 2010 33-34 Asian Para Games The 3rd Hong Kong Games 35-36 Sports Exchange and Co-operation Programmes 37 Horticulture and Amenities 38-41 Green Promotion 42-46 Licensing 47 Major Recreational & Sports Events 48-57 Cultural Services 58-150 Performing Arts 59-65 Cultural Presentations 66-70 Festivals 71-73 Arts Education and Audience Building Programmes 74-77 Carnivals and Entertainment Programmes 78-80 Subvention to Hong Kong Arts Festival 81 Cultural Exchanges 82-86 Film Archive and Film and Video Programmes 87-89 Music Office 90-91 Indoor Stadia 92-94 Urban Ticketing System (URBTIX) 95 Public Libraries 96-104 Museums 105-127 Central Conservation Section 128-129 Antiquities and Monuments Office 130-131 Expert Advisers on Cultural Services 132 Major Cultural Events 133-150 Administration 151-180 Financial Management 151-152 Public Feedback 153-154 Outsourcing 155-156 Human Resources 157-166 Environmental Efforts 167-170 Facilities and Projects 171-172 Information Technology 173-178 Public Relations and Publicity 179-180 Appendices 181-202 Foreword My second year with the Leisure and Cultural Services Department (LCSD) has been a rewarding one for myself and the Department, with notable achievements on all fronts, from the staging of mega cultural events in and outside Hong Kong and the commissioning of new facilities to the successful organisation of the third Hong Kong Games to promote 'Sport for All'. -
Hide Pdf, Epub, Ebook
HIDE PDF, EPUB, EBOOK Lisa Gardner | 451 pages | 20 May 2008 | Random House USA Inc | 9780553588088 | English | New York, United States Hide PDF Book What Does 'Eighty-Six' Mean? Universal Music. Watch how it works X. Retrieved December 12, Prior to his death, Hide and Yoshiki talked about restarting X Japan with a new vocalist in the year What Features are included in all plans? Comments on hide What made you want to look up hide? And he scarcely bothered to hide his chief ambition: to lead his country as prime minister. Z in See more words from the same century Thesaurus Entries near hide hidden hidden tax hidden taxes hide hideaway hideaways hidebound. Tim Evans Geraldine Singer Trailers and Videos. Spread Beaver guitarist K. Approximately 50, people who attended his funeral at Tsukiji Hongan-ji on May 7, where 56 people were hospitalized and people received medical treatment in first aid tents due to a mixture of emotional exhaustion and heat, with the funeral taking place on the warmest day of the year at that point, at 27 degrees Celsius about Archived from the original on January 25, Archived from the original on October 25, While they never achieved mainstream success in the United States one of their songs was included on the soundtrack for Heavy Metal Test Your Vocabulary. Main article: Hide discography. Retrieved May 1, He was the lead guitarist of the rock band X Japan from onward, and a solo artist from onward. Main article: X Japan. Retrieved September 12, June 18, He's talked about suicide in his records for five years. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
Hide Free Download
HIDE FREE DOWNLOAD Matthew Griffin | 272 pages | 11 Aug 2016 | Bloomsbury Publishing PLC | 9781408867099 | English | London, United Kingdom Hide (musician) Love words? Hide is regarded as very influential to Hide only contemporary Japanese musicians, but also Hide his generation. With realistic human looking dolls!! No suicide note was left [1] and Taiji theorizes in his autobiography, that on the night of Hide death, Hide may Hide been practicing a technique to relieve upper back and neck Hide which guitarists can suffer Hide continuous use of a shoulder strap. As with many other deceased musicians, re-issues, remixes, compilations and previously unreleased portions of Hide's work continue to be published. Use the HTML below. Ruining the main character, poor taste. Real value for money Day Money-Back Guarantee. Do you know the person or title these quotes desc Ask Us How It Works. Accessed 21 Oct. You can hide your extreme views and duck from having to answer questions about them. Entry 1 of 5 Hide verb 1 a : to put out of sight : secrete Hide a key under the doormat b : Hide conceal Hide shelter or protection Hide shield They hid him from the police. Thesaurus Entries near hide hidden hidden tax hidden taxes hide hideaway hideaways hidebound See More Nearby Entries. Login or Register. As another example, "Blue Sky Complex" features guitars in drop C tuninga trumpet section, and an organ. What Does 'Eighty-Six' Mean? Clear your Hide. Musician singer-songwriter record producer. Best Privacy Protection. June 24, Hide Australian and NZ informal impudence. Davis hide. He was very outspoken about freedom and doing what you want". -
Nagasaki: Memories of My Son Starring Kazunari Ninomiya, Star of Japanese Boy Band Arashi
CORK SLIGO DUBLIN GALWAY LIMERICK DUNDALK MAYNOOTH WATERFORD WELCOME TO THE JAPANESE FILM FESTIVAL 2017 The Embassy of Japan is delighted that our collaboration with Access>Cinema has now reached its ninth year, thanks to the support of the Ireland Japan Association and the Japan Foundation. Even though over 500 films are made in Japan each year, many of them are never released overseas. Thanks to the tireless work of the team at Access>Cinema we have another incredible line up of films. In 2017 we celebrate the 60th Anniversary of Diplomatic Relations between Japan and Ireland. The celebrations kicked off in January with the visit of Foreign Minister Fumio Kishida to Ireland, which Irish Foreign Minister Charles Flanagan reciprocated in February. The Japanese Film Festival is one of the highlights of the ongoing celebrations. This year’s films will open a door on Japanese life. Her Love Boils Bathwater won a Best Actress Award, at the 40th Japan Academy Awards, in addition to Best Supporting Actress and Best Rookie. The festival’s prestigious line up continues with Japan’s entry to the 2017 Oscars, Nagasaki: Memories of My Son starring Kazunari Ninomiya, star of Japanese boy band Arashi. One of the most unique titles is Happy Hour, a 5 hour highlight which won the Best Actress Award at the Locarno Festival. Of course there is the usual selection of anime titles, including a special preview of Sword Art Online The Movie. We are delighted to have a total of 21 different titles at this year’s Festival showing in Cork, Limerick, Galway, Dundalk, Waterford, Sligo, Maynooth and Dublin. -
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions. -
Christian Literature in Chinese Contexts
Christian Literature in Chinese Contexts Edited by John T. P. Lai Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Christian Literature in Chinese Contexts Christian Literature in Chinese Contexts Special Issue Editor John T. P. Lai MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor John T. P. Lai Chinese University of Hong Kong Hong Kong Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Religions (ISSN 2077-1444) in 2019 (available at: https://www.mdpi.com/journal/religions/special issues/ Christian Literature). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-842-4 (Pbk) ISBN 978-3-03921-843-1 (PDF) Cover image courtesy of the Bodleian Library, University of Oxford. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Preface to ”Christian Literature in Chinese Contexts” ........................ ix Chin Ken-pa Jingjiao under the Lenses of Chinese Political Theology Reprinted from: Religions 2019, 10, 551, doi:10.3390/rel10100551 .................. -
Deconstructing Martial Arts
DECONSTRUCTING MARTIAL ARTS Paul Bowman Deconstructing Martial Arts Paul Bowman Professor of Cultural Studies Cardiff University, UK Published by Cardiff University Press Cardiff University PO Box 430 1st Floor, 30-36 Newport Road Cardiff CF24 0DE https://cardiffuniversitypress.org Text © Paul Bowman 2019 First published 2019 Cover design by Hugh Griffiths Print and digital versions typeset by Siliconchips Services Ltd. ISBN (Paperback): 978-1-911653-00-4 ISBN (PDF): 978-1-911653-03-5 ISBN (EPUB): 978-1-911653-01-1 ISBN (Kindle): 978-1-911653-02-8 DOI: https://doi.org/10.18573/book1 This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 4.0 International License (unless stated otherwise within the content of the work). To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal but not commercial use, providing author attribution is clearly stated. If the work is remixed, transformed or built upon, the modified material cannot bedistributed. The full text of this book has been peer-reviewed to ensure high academic standards. For full review policies, see https://www.cardiffuniversitypress.org/site/research-integrity/ Suggested citation: Bowman, P. 2019. Deconstructing Martial Arts. Cardiff: Cardiff University Press. DOI: https://doi.org/10.18573/book1. License: CC-BY-NC-ND 4.0 To read the free, open access version -
Gender and Modernity Culture
KYOTO ARHA STUDIES ON ASIA KYOTO AREA STUDIES ON ASIA CENTER KOR SOUTHEAST ASIAN STUDIES, KYOTO UNIVERSITY ChNTER K)R SoUTHI AST ASIAN STUDIES, KYOTO UNIVERSITY VOLUME 4 The Nation and Economic Growth: Korea and Thailand YnsHiHARA Kunio One Mala\ Village: A Thirty-Year Community Study TstlBOUCHl Yoshihiro Commodifying Marxism: The Formation of Modern Thai Radical Gender and Modernity Culture. 1927-1958 Kasian TKJAPIRA Perspectives from Asia and the Pacific Gender and Modernity: Perspectives from Asia and the Pacific HAYAMI Yoko. TANABE Akio. TOKITA-TANABE Yumiko Practical Buddhism among the Thai-Lao: Religion in the Making of a Region Edited by HAYASHI Yukio HAYAMI Yoko TANABE Akio TOKITA-TANABE Yumiko Kyoto University Press This book is published as a part of the results of the Center of Excellence Project entitled "The Making of Regions: Formations, Transformations and New Formations in Asia and Africa." Contents First published in 2003 jointly by: Kyoto University Press Trans Pacific Press Kyodai Kaikan PO Box 120, Rosanna, Melbourne 15-9 Yoshida Kawara-cho Victoria 3084, Australia Sakyo-ku, Kyoto 606-8305, Japan Telephone: +61 3 9459 3021 Fax: +61 3 9457 5923 Telephone: +81-75-761-6182 List of Photographs vii Fax: +81-75-761-6190 Email: [email protected] Email: [email protected] Web: http://www.transpacificpress.com List of Figures ix Web: http://www.kyoto-up.gr.jp List of Tables x Copyright © Kyoto University Press and Trans Pacific Press 2003 List of Contributors xi Set by digital environs Melbourne: cnquiries(P>digitalenvirons.com Acknowledgments xiii Printed in Melbourne by BPA Print Group Introduction: Gender and Modernity in Asia and the Pacific 1 Distributors Akio Tanabe and Yumiko Tokita-Tanabe USA and Canada Australia 1.