FCCJ Magazine October 2018
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7(Thu) 2021.1
24(###)-27(###) 2021.1 1(FRI)-3(SUN) 2021.1 24 SUN. 25 MON. 26 TUE. 27 WED. 1 FRI. 2 SAT. 3 SUN. PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA 2:05 Siberia(2018)*1 2:15 La Liga 20-21 Season*2 2:50 Beruseruku Ougon Jidai Hen 2:15 La Liga 20-21 Season*2 2:30 Tokyo Jihen 00 The Big Shot 2:00 Eternal Love of 2:40 La Liga 20-21 Season*2 3:00 The Vow from Hiroshima*1 15 Eiga Kobo*5 25 Songland*5 3:15 K-20 Kaijin 20 3:00 X-Men*1 2:45 La Liga 20-21 Season*2 15 Enter the 0:00 MOZU Season 1...*4 2:45 La Liga 20-21 Season*2 3:45 Creed II*1 0:00 MOZU Season 1...*4 2:15 La Liga 20-21 Season*2 20 Hanbun no Sekai*1 45 La Liga 20-21 50 Ford v Ferrari*1 45 La Liga 20-21 2020.7.24 Uruu (2019)*1 4 Dream*4 45 Tenisugurandosuramu 30 Little Monsters 35 Inside Man*1 Menso Den*1 58 La Liga 20-21 Dragon(1973)*1 4 55 Night at the 45 La Liga 20-21 30 Spider-Man: 45 La Liga 20-21 45 Han Ochi*1 Season*2 Season*2 vision Tokuban Mei Shobu Sen*2 (2018)*1 Season*2 Museum*1 Season*2 Homecoming*1 Season*2 News Flash*3 20 Level Up*1 15 CONTACT ART ~ Harada 00 X-Men United 5 50 ~~~ ~ Kyukyoku 45 Don't Sleep*1 (X2)*1 5 00 The 15 The Great Kakutougi ~ UFC 00 Parallel World 00 Kumo no Su Jo 257*2 Flintstones*1 6 45 Kimu~ Namuju× War*1 45 Kimu~ Namuju× Love Story*1 6 45 Night at the *1 45 Spider-Man: Far 05 CONTACT ART ~ Harada 25 Shuto 05 Kimu~ Namuju× Chi~jini~ Chi~jini~ Misutei Chi~jini~ Misutei 15 X-Men: The Last 00 UEFA EUROTM Museum: Battle 05 Excite Match from Home*1 05 Hajimete no Danshi 00 -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Rassegna INDICE RASSEGNA STAMPA Rassegna
rassegna INDICE RASSEGNA STAMPA rassegna Si parla di noi Repubblica Firenze 14/10/2017 p. XIV Searching for X Japan Il nostro drammma rock" Fulvio Paloscia 1 Tirreno 14/10/2017 p. 23 Il cult X Japan stasera al Festival dei Popoli 3 Corriere Fiorentino 14/10/2017 p. 14 GIAPPONE ROCK 4 D - La Repubblica 14/10/2017 p. 14 BIG IN JAPAN 5 Delle Donne Si gira in Toscana Bisenzio 7 13/10/2017 p. 44 Girata l'ultima scena del diavolo di Rimondeto 6 Indice Rassegna Stampa Pagina I Festival dei PopoliAlla Compagnia Yoshiki, il leader della band giapponese e il film su una storia di successi e ferite (stasera) SearchingforXJapan nostro (1ranmiaroc Si parla di noi Pagina 1 FULVIO PALOSCIA arretrato quando si parla di rock». prattutto il ritratto di Yoshiki, della fra- IL DOCUMENTARIO Si conoscono e formano la band appe- gilità fisica e psicologica che si porta Alcune scene di "We OSHIKi deve essere grato a na quindicenni. A 20 anni la Sony li dietro fin da quando, da bambino, assi- are >("che racconta Stephen Kijiak, il regista mette sotto contratto. Con il loro abbi- ste al suicidio del padre, gesto che ha la storia degli X del documentario We are X gliamento che rilegge il glam con spiri- cercato più volte di ripercorrere lui stes- Japan, la più grande che racconta tutta, ma pro- to manga e che scavalcai generi sessua- so: «Un nostro produttore dice che, sin rock band del prio tutta la storia degliX Ja- li, con i loro capelli punk e le loro canzo- da ragazzo, emanavo un senso di mor- Giappone. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
1(Tue)-3(Thu) 2018.5
24(THU)-27(SUN) 2018.5 1(TUE)-3(THU) 2018.5 24 THU. 25 FRI. 26 SAT. 27 SUN. 1 TUE. 2 WED. 3 THU. PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA PRIME LIVE CINEMA 00 Fantastic Beasts 2:00 NBA Basketball 3:00 Yoshida Rui...*1 00 Passengers 2:00 NBA Basketball 00 Kaze Tachinu 3:30 Rugby French 2:00 NBA Basketball 1:45 Tsuioku(2017)*1 2:00 NBA Basketball 00 Women's Golf 3:00 Pirates of the 2:30 Shizumanu 3:20 Liga Espanola 00 X-Men: 1:00 Shizumanu 2:00 NBA Basketball 00 The Conjuring 2 1:20 Shizumanu 2:30 Liga Espanola...*2 2:45 Source Code*1 and Where to 17-18 Season 30 Shunkinsho (2016)*1 17-18 Season (1976)*1 4 League TOP 14 17-18 Season 30 Terms of 17-18 Season LPGA Tour Caribbean :Dead Taiyo*4 17-18 Season*2 Apocalypse*1 4 Taiyo*4 17-18 Season*2 *1 Taiyo*4 30 Endeavour*4 30 Moon(2009)*1 Find Them*1 Playoffs Final*2 Playoffs Final*2 17-18 Season Playoffs Final*2 Playoffs Final*2 2018 Michigan Man's Chest*1 (1976)*1 Endearment*1 10 Nonfiction W*5 00 The Bleeder Playoffs LPGA Volvik 5 5 (Chuck)*1 30 2.5 Jigen Danshi 30 MUCC 45 Fai bei sogni*1 Semifinals 45 Yogaku BREAK*3 30 Storks*1 Championship 45 Pirates of the 15 Hayaoki Oshi TV*5 10 La vita possibile 15 Hayaoki 20 Shunen (Live Coverage) 00 Excite Match Day-3 Caribbean: At 15 Hayaoki Rakugo 00 Liga Espanola 15 Hayaoki Rakugo 15 Hollywood Kinen LIVE World's End*1 Rakugo*5 *1 Rakugo*5 6 *2 World 45 Eiga Kobo*5 (Live Coverage) *5 17-18 Season 6 *5 45 Women's Golf 30 Salt(2010)*1 45 Eiga Kobo*5 Express*5 Nippon Professional *2 Real -
The Sermons of Edwin Sandys
S E R M N S MISCELLANEOUS PIECES ARCHBISHOP SANDYS. Cfjc ^arfter *<metg. SnetituteD a.H. i*l. ©<£<£<£. Sit. jFor ttje ^uolication of tfj* ffiftlorfee of tfjc ^Fatfjere anD (fParlp ftgUritcre of tlje Urformrn THE SERMONS EDWIN SANDYS, D- D., SUCCESSIVELY BISHOP OF WORCESTER AND LONDON, AND ARCHBISHOP OF YORK; TO WHICH ARI ADDED SOME MISCELLANEOUS PIECES, THE SAME AUTHOR. EDITED FOR BY THE REV. JOHN AYRE, M.A., MINISTER OF ST JOHN'S CHAPEL, HAMPSTEAP. CAMBRIDGE: PRINTED AT THE UNIVERSITY PRESS. M.DCCC.XLII. ( ONT K N T S. Biographical Notice of Archbishop Sandys i Epistle to the Reader i Order and Matter of the Sermons 5 Sermons 7 MISCELLANEOUS PIECES. Advice concerning Rites and Ceremonies in the Synod I5fi2 438 Orders for the Bishops and Clergy 434 Advertisement to the translation of Luther's Commentary on Galatians 435 Epistola Pastoralis Episcopo Cestrensi 43'! The same translated 430 Prayers to be used at Hawkshead School 443 Preamble to the Archbishop's will 440 Notes 453 BIOGRAPHICAL NOTICE ARCHBISHOP SANDYS. Edwin Sandys or Sandes was born in the year 1519, near Havvkshead, in the part of Lancashire called Furness Fells. He was the third son of William Sandys, Esq. and Margaret his wife, a descendant of the ancient barons of Kendal. As Easthwaite Hall was the principal resi- dence of the father, it is probable that it was in this house that Edwin first saw the light. It is not certainly known at what seminary the future archbishop received the rudiments of his education : it has however been conjectured with some plausibility by a bio- grapher that, as the school of Furness Abbey was then highly distinguished, and as his family were feudatories of that house, he was a pupil of the monks. -
Detecting Japanese Vernacular Modernism: Shinseinen Magazine and the Development of the Tantei Shôsetsu Genre, 1920-1931
DETECTING JAPANESE VERNACULAR MODERNISM: SHINSEINEN MAGAZINE AND THE DEVELOPMENT OF THE TANTEI SHÔSETSU GENRE, 1920-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kyoko Omori * * * * * The Ohio State University 2003 Dissertation Committee: Professor William J. Tyler, Adviser Approved by Professor Richard Torrance Professor Mark Bender Adviser Department of East Asian Languages and Literatures ABSTRACT The post-war discourse on modern Japanese literature has presented the binary opposition between “pure” versus “popular” literature as a historical fact, configuring popular literature as the disposable “other” of “pure” literature. Consequently, Japanese literary studies have paid relatively little attention to popular forms such as mystery fiction, samurai “period” fiction, the romance novel, and “nansensu” humor. This dissertation examines the discursive formation of the Japanese modernist popular genre known as “tantei shôsetsu” or “detective fiction.” Focusing on the popular monthly magazine Shinseinen and several of its writers, it discusses the theoretical and practical dimensions of “tantei shôsetsu” as a vernacular form of modernist literary production. In doing so, it situates the genre within contemporaneous debates about the meaning of both modernity and literature in Japan during the 1920s. Chapter One establishes the theoretical terms for “vernacular modernism” by illuminating the ways in which popular literary production engaged with the forces of commercialism and Westernization that also shaped the development of canonical Japanese literature during the early twentieth century. Chapter Two surveys established critical views of Modernism in Japan and shows that they fail to account for the significance of vernacular expression. -
Japanese Folk Tale
The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai." T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
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Contents Pages Foreword 1-4 Performance Pledges 5 Vision, Mission & Values 6-7 Feedback Channels 8 Leisure Services 9-57 Recreational and Sports Facilities 10-22 Recreational and Sports Programmes 23-29 Sports Subvention Scheme 30-31 The 4th All-China Games 32 The Guangzhou 2010 Asian Games and Guangzhou 2010 33-34 Asian Para Games The 3rd Hong Kong Games 35-36 Sports Exchange and Co-operation Programmes 37 Horticulture and Amenities 38-41 Green Promotion 42-46 Licensing 47 Major Recreational & Sports Events 48-57 Cultural Services 58-150 Performing Arts 59-65 Cultural Presentations 66-70 Festivals 71-73 Arts Education and Audience Building Programmes 74-77 Carnivals and Entertainment Programmes 78-80 Subvention to Hong Kong Arts Festival 81 Cultural Exchanges 82-86 Film Archive and Film and Video Programmes 87-89 Music Office 90-91 Indoor Stadia 92-94 Urban Ticketing System (URBTIX) 95 Public Libraries 96-104 Museums 105-127 Central Conservation Section 128-129 Antiquities and Monuments Office 130-131 Expert Advisers on Cultural Services 132 Major Cultural Events 133-150 Administration 151-180 Financial Management 151-152 Public Feedback 153-154 Outsourcing 155-156 Human Resources 157-166 Environmental Efforts 167-170 Facilities and Projects 171-172 Information Technology 173-178 Public Relations and Publicity 179-180 Appendices 181-202 Foreword My second year with the Leisure and Cultural Services Department (LCSD) has been a rewarding one for myself and the Department, with notable achievements on all fronts, from the staging of mega cultural events in and outside Hong Kong and the commissioning of new facilities to the successful organisation of the third Hong Kong Games to promote 'Sport for All'. -
Hide Pdf, Epub, Ebook
HIDE PDF, EPUB, EBOOK Lisa Gardner | 451 pages | 20 May 2008 | Random House USA Inc | 9780553588088 | English | New York, United States Hide PDF Book What Does 'Eighty-Six' Mean? Universal Music. Watch how it works X. Retrieved December 12, Prior to his death, Hide and Yoshiki talked about restarting X Japan with a new vocalist in the year What Features are included in all plans? Comments on hide What made you want to look up hide? And he scarcely bothered to hide his chief ambition: to lead his country as prime minister. Z in See more words from the same century Thesaurus Entries near hide hidden hidden tax hidden taxes hide hideaway hideaways hidebound. Tim Evans Geraldine Singer Trailers and Videos. Spread Beaver guitarist K. Approximately 50, people who attended his funeral at Tsukiji Hongan-ji on May 7, where 56 people were hospitalized and people received medical treatment in first aid tents due to a mixture of emotional exhaustion and heat, with the funeral taking place on the warmest day of the year at that point, at 27 degrees Celsius about Archived from the original on January 25, Archived from the original on October 25, While they never achieved mainstream success in the United States one of their songs was included on the soundtrack for Heavy Metal Test Your Vocabulary. Main article: Hide discography. Retrieved May 1, He was the lead guitarist of the rock band X Japan from onward, and a solo artist from onward. Main article: X Japan. Retrieved September 12, June 18, He's talked about suicide in his records for five years. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.