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Preparing Musicians Making New Sound Worlds
PREPARING MUSICIANS MAKING NEW SOUND WORLDS new musicians new musics new processes Compiled by Orlando Musumeci PREPARING MUSICIANS MAKING NEW SOUND WORLDS new musicians new musics new processes Proceedings of the SEMINAR of the COMMISSION FOR THE EDUCATION OF THE PROFESSIONAL MUSICIAN Escola Superior de Música de Catalunya – Barcelona – SPAIN 5-9 JULY 2004 Compiled by Orlando Musumeci Published by the Escola Superior de Música de Catalunya Catalan texts translated by Mariam Chaib Babou (except for Rosset i Llobet) Spanish texts translated by Orlando Musumeci (except for Estrada, Mauleón and Rosset i Llobet) Copyright © ISME. All rights reserved. Requests for reprints should be sent to: International Society for Music Education ISME International Office P.O. Box 909 Nedlands 6909, WA, Australia T ++61-(0)8-9386 2654 / F ++61-(0)8-9386-2658 [email protected] ISBN: 0-9752063-2-X ISME COMMISSION FOR THE EDUCATION OF THE PROFESSIONAL MUSICIAN DIANA BLOM [email protected] University of Western Sydney – AUSTRALIA PHILEMON MANATSA [email protected] Morgan Zintec – ZIMBABWE ORLANDO MUSUMECI (Chair) [email protected] Institute of Education – University of London – UK Universidad de Quilmes – Universidad de Buenos Aires – Conservatorio Alberto Ginastera – ARGENTINA INOK PAEK [email protected] University of Sheffield – UK VIGGO PETTERSEN [email protected] Stavanger University College – NORWAY SUSAN WHARTON CONKLING [email protected] Eastman School of Music – USA GRAHAM BARTLE (Special Advisor) [email protected] -
Affective Timelines Towards the Primary-Process Emotions Of
AFFECTIVE TIMELINES TOWARDS THE PRIMARY-PROCESS EMOTIONS OF MOVIE WATCHERS: MEASUREMENTS BASED ON SELF- EXPERIENCE AND INTERACTION ANNOTATION AND AFFECTIVE NEUROSCIENCE Marko Radeta, Zhabiz Shafieyoun and Marco Maiocchi SIP Lab | Studies on Interaction and Perception | Desi!n Department, Politecnico di Milano marko@ siplab.or!, zhabiz@ siplab.or!, marco@ siplab.or! ABSTRACT The economic success of a movie depends on audience satisfaction and on how much they are emotionally en!a!ed while watchin! it. Our research is related to the identification of such kinds of emotions felt by movie watchers durin! screenin! movie screenin!. We endorse the model of 7 Primary-process emotions from A#ective Neuroscience (SEEKING, PLAY, CARE, FEAR, GRIEF, RAGE and LUST) and ask subjects to watch 14 movies and match them with these 7 emotions. We provide a self-annotatin! application and reveal “A#ective Timelines” of clicks with arousal scenes. We verify that it is possible to discriminate movie watchers’ emo- tions accordin! to their self-annotation by obtainin! 0.51 - 0.81 ran!e of accordance in an- notatin! 14 movies and comparin! them with the authors of this study. These timelines will be matched with physiolo!ical sensors in future research. KEYWORDS: A ect Annotation, Primary-process Emotions, Movie Watchers, Movie Analysis, A ective Computing. INTRODUCTION arousal scale by using the FEELTRACE (Cowie, 2000) emo- tion annotation tool. Participants viewed the films and, in Influencing the emotions is a key factor in satisfying a movie real-time, annotated their emotional responses by moving audience and for the overall success of the movie. Movies the mouse pointer on a square two-dimensional area rep- are art-forms that involve affective, perceptual and intellec- resenting the valence-arousal emotional space. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Document Title
Kabul Eden Kurumlar PTE Academic dünya çapında, aralarında Stanford University, Harvard University ve Imperial College London gibi prestijli eğitim kurumlarının da bulunduğu, binlerce kurum tarafından kabul edilmektedir. PTE Academic aynı zamanda Avustralya ve Yeni Zelanda devletleri tarafından vize ve göçmenlik başvuruları için de kabul edilmektedir. Avustralya Australian Capital Alphacrucis College Australian Pacific College Territory (ACT) Apex Institute of Education Australian Pilot Training Alliance APM College of Business and Australian Vocational Learning Australasian Osteopathic Communication Centre Accreditation Council (AOAC) ARC - Accountants Resource Australis Institute of Technology Australian National University Centre and Education (ANU) Asia Pacific International College Avondale College of Higher Australian Nursing and Midwifery Australasian College of Natural Education Accreditation Council (ANMAC) Therapies Bedford College Canberra Institute of Technology Australasian College of Physical Billy Blue College of Design Canberra. Create your future - Scientists and Engineers in Blue Mountains International ACT Government Medicine Hotel Management School Endeavour Scholarships and Australian Academy of Commerce (BMIHMS) Campion College Fellowships Australian Academy of Australia Engineers Australia Management & Science Carrick Education National Accreditation Authority Australian College of Commerce Castle College for Translators and Interpreters and Information Technology CATC Design School (Commercial Ltd (ACCIT) Arts Training -
Saw 3 1080P Dual
Saw 3 1080p dual click here to download Saw III UnRated English Movie p 6CH & p Saw III full movie hindi p dual audio download Quality: p | p Bluray. Saw III UnRated English Movie p 6CH & p BluRay-Direct Links. Download Saw part 3 full movie on ExtraMovies Genre: Crime | Horror | Exciting. Saw III () Saw III P TORRENT Saw III P TORRENT Saw III [DVDRip] [Spanish] [Ac3 ] [Dual Spa-Eng], Gigabyte, 3, 1. Download Saw III p p Movie Download hd popcorns, Direct download p p high quality movies just in single click from HDPopcorns. Jeff is an anguished man, who grieves and misses his young son that was killed by a driver in a car accident. He has become obsessed for. saw dual audio p movies free Download Link . 2 saw 2 mkv dual audio full movie free download, Keyword 3 saw 2 mkv dual audio full movie free. Our Site. IMDB: / MPA: R. Language: English. Available in: p I p. Download Saw 3 Full HD Movie p Free High Quality with Single Click High Speed Downloading Platform. Saw III () BRRip p Latino/Ingles Nuevas y macabras aventuras Richard La Cigueña () BRRIP HD p Dual Latino / Ingles. Horror · Jigsaw kidnaps a doctor named to keep him alive while he watches his new apprentice Videos. Saw III -- Trailer for the third installment in this horror film series. Saw III 27 Oct Descargar Saw 3 HD p Latino – Nuevas y macabras aventuras del siniestro Jigsaw, Audio: Español Latino e Inglés Sub (Dual). Saw III () UnRated p BluRay English mb | Language ; The Gravedancers p UnRated BRRip Dual Audio by. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Open Days 2021
OPEN DAYS 2021 NEW SOUTH WALES Institution Open Day Date Website Virtual Tour University of Sydney Saturday August 28 University of NSW Saturday September 4 ADFA Saturday August 21 Macquarie University Saturday August 14 University of Newcastle Saturday July 31 - Ourimbah Saturday August 28 - Callaghan and City Campuses University of Wollongong Saturday August 7 Charles Sturt University Sunday August 15 - Albury Wodonga Sunday August 22 - Bathurst OPEN Saturday September 4 - Dubbo Sunday August 29 - Orange Sunday August 1 - Port Macquarie Sunday August 8 - Wagga Wagga 20 and 22 June - Virtual (Online) Friday August 13 – Coffs Harbour DAYS Saturday August 14 – Lismore Southern Cross University Sunday August 15 – Gold Coast University of New England Cancelled University of Technology - Sydney Saturday August 28 Tuesday August 31 (Online) Western Sydney University Sunday August 15 Australian Catholic University Saturday August 7 - Strathfield Saturday July 31 - Blacktown Saturday August 14 - North Sydney NEW SOUTH WALES Institution Open Day Date Website Virtual Tour La Trobe University (Sydney) Sunday August 1 CQ University (Sydney) Saturday July 31 - Virtual Open Day Saturday August 14 - Virtual Open Day Thursday August 26 - Sydney Session University of Tasmania University of Notre Dame Avondale University College Wednesday August 18 Torrens University Saturday August 21 Australian College of Applied OPEN Psychology Academy of Interactive Entertainment Sunday August 15 AIT Saturday August 14 DAYS JMC Academy Saturday August 14 Endeavour -
Darrenmcfarlane(2018CV)
Darren McFarlane 34 Riddell Parade Profile Elsternwick, VIC 3185 M 0412 948 183 From a PhD in Polymer Chemistry to working on TVC’s, Australian and US features, [email protected] Australian Drama, and to then being approached by Leigh Whannell and James Wan to produce a short film version of their feature script, “Saw” - a highly experienced production person with a great breadth of credits, enthusiasm for challenges, strong work ethic, a positive ‘can do’ attitude and a sense of humour. Features Line Producer - “High Ground”, High Ground Pictures - 2018 Directed by Stephen Johnson. Produced by David Jowsey, Greer Simpkin & Maggie Miles. Line Producer - “Brothers’ Nest”, Jason Byrne Productions - 2017 Directed by Clayton Jacobson. Produced by Jason Byrne. Production Manager - “Guilty”, ABC Co Production - 2017 Directed by Matthew Sleet. Produced by Maggie Miles. Construction Co-ordinator - “The Moon and the Sun”, Lightstream Films - 2014 Produced by Paul Currie and Bill Mechanic. Production Assistant - “Charlotte’s Web”, Paramount Pictures - 2005 Directed by Gary Winick and produced by Jordan Kerner. Additional AD - “The Extra”, Ruby Entertainment - 2005 Directed by Kev Carlin and produced by Stephen Luby and Mark Ruse. Additional AD - “Three Dollars”, Arenafilm - 2005 Directed by Rob Connolly and produced by John Maynard. Dance Club/Rave Scene Producer - “One Perfect Day”, Lightstream Films - 2004 Directed by Paul Currie and produced by Charles Morton. TV Series Producer - “Seconds”, Head Space Entertainment - 2019 Director Tony Rogers, Writer Jaime Brown (6 x 60 min episodes) - In Development. Production Manager - “Superwog”, ABC/Princess Pictures - 2018 Produced by Paul Walton & Amanda Reedy (6 x 30 min episodes). -
Career Calendar
Career Calendar 1 September 2016 29th Aug - 4th Sep National Skills Week 2016 http://www.nationalskillsweek.com.au/ 3rd Sep University of New South Wales Open Day http://www.futurestudents.unsw.edu.au/open-day 4th Sep CQUniversity, Gladstone campus Open Day https://www.cqu.edu.au/calendar 9th Sep Aerospace Gateway Schools Direct Entry Scheme applications to be submitted to the University of Queensland https://www.eait.uq.edu.au/agsp 9th Sep Cut-off date for applications to QUT for all creative industry courses with additional entry requirements http://www.qut.edu.au 9th Sep Country to Canberra Leadership Competition application due date http://countrytocanberra.com.au/enter-the-competition/enter-the-competition 10th Sep CQUniversity, Townsville campus Open Day http://www.cqu.edu.au/calendar 12th Sep Griffith University Aptitude for Engineering Assessment (AEA) examination applications close http://www.griffith.edu.au/engineering-information-technology/griffith-school- engineering/future-students/aptitude-engineering-assessment 13th Sep QUT Return to Study Seminar at Gardens Point campus https://www.qut.edu.au/study/events/return-to-study-seminar 2 14th Sep Australian Catholic University Passion for Business (P4B) applications close http://www.acu.edu.au/732703 14th Sep QUT Return to Study Seminar at North Lakes https://www.qut.edu.au/study/events/return-to-study-seminar 14th Sep Japanese Language and Careers Engagement Forum at the University of Queensland https://languages-cultures.uq.edu.au/event/1525/japanese-language-and-careers- -
Resourcing Tertiary Education
OECD THEMATIC REVIEW OF TERTIARY EDUCATION COUNTRY BACKGROUND REPORT AUSTRALIA ANNEX – TABLES AND FIGURES Department of Education, Science and Training Canberra April 2007 LIST OF TABLES AND FIGURES Chapter 2 Table 2.1: Schedule A, B and C and other approved higher education providers under the Higher Education Support Act 2003 (HESA) ............1 Table 2.2: All students by mode of attendance, type of attendance and gender, 1995 to 2005 ................................................................................2 Table 2.3: All students by broad field of education, 1995 to 2005 ...........................................................................................................................3 Table 2.4: All students by level of course, 1994 to 2005, % of total ........................................................................................................................3 Table 2.7: Estimated unmet demand for university places by State, 2001 to 2006 ...................................................................................................4 Table 2.8: Domestic students by age group, 2005 .....................................................................................................................................................5 Figure 2.5: Estimated unmet demand, 2001 to 2006 ..................................................................................................................................................6 Figure 2.6: Eligible applicants and offers for undergraduate domestic places at -
Nouveautés Mai 2021
NOUVEAUTÉS MAI 2021 "Titre" © production "Titre" © production "Titre" © production "Titre" © production "Titre" © production "Titre" © production "Sankara n'est pas mort" © Les Films du Bilboquet ; " Jumbo" © Insolence Prod.; " Bad education" © Automatik ; " The secret garden " © STX Films ; " Mine 9 " © Autumn Bailey Entertainement ; " Waiting for the barbarians " © Iervolino Entertainment 1 Berlin in naher Zukunft: Nach einem wirtschaftlichen und gesellschaftlichen FILMS Zusammenbruch regiert auf den Straßen der Stadt die Gesetzlosigkeit. Die zwei Freunde Tan und Javid sind abtrünnige Geächtete auf der Suche nach dem D’ACTION Mann, der ihre Familien getötet hat. Bei einer Schießerei in einem Kebap-Laden töten Tan und Eagle eye = Eagle eye : ausser Javid versehentlich die Eltern der jungen Studentin Eliana und sind fortan Ziel einer Vendetta. Die Kontrolle beiden Freunde haben keine Ahnung was ihnen bevorsteht, bis sie eines Tages ein mysteriöses Eagle eye = Eagle eye : ausser Kontrolle Drehbuch finden, in dem ihre eigene Geschichte Jerry and Rachel are two strangers thrown together erzählt wird. Es ist das Drehbuch zu einem Film by a mysterious phone call from a woman they have namens „Schneeflöckchen“. Egal was Tan und never met. Threatening their lives and family, she Javid machen, alles passiert genau so, wie es pushes Jerry and Rachel into a series of geschrieben steht. Und so versuchen sie increasingly dangerous situations, using the verzweifelt, aus der Handlung auszubrechen, die sie technology of everyday life to track and control their auf einen katastrophalen Höhepunkt bringt. every move. 1 DVD vidéo (ca 116 min.) Cote: ACT KOLs 1 DVD (ca 113 min.) Cote: ACT CARe Breaking surface = Breaking Mine 9 surface : tödliche Tiefe written and dir. -
UNIVERSAL PICTURES Presents a BLUMHOUSE/GOALPOST
UNIVERSAL PICTURES Presents A BLUMHOUSE/GOALPOST Production In Association with NERVOUS TICK PRODUCTIONS ELISABETH MOSS ALDIS HODGE STORM REID HARRIET DYER MICHAEL DORMAN and OLIVER JACKSON-COHEN Executive Producers LEIGH WHANNEL COUPER SAMUELSON BEATRIZ SEQUEIRA JEANETTE VOLTURNO ROSEMARY BLIGHT BEN GRANT Produced by JASON BLUM, p.g.a. KYLIE DU FRESNE, p.g.a. Screenplay and Screen Story by LEIGH WHANNELL Directed by LEIGH WHANNELL The Invisible Man_Production Information 2 PRODUCTION INFORMATION What you can’t see can hurt you. Emmy Award winner ELISABETH MOSS (Us, Hulu’s The Handmaid’s Tale) stars in a terrifying modern tale of obsession inspired by Universal’s classic Monster character. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister Emily (HARRIET DYER, NBC’s The InBetween), their childhood friend James (ALDIS HODGE, Straight Outta Compton) and his teenage daughter Sydney (STORM REID, HBO’s Euphoria). But when Cecilia’s abusive ex, Adrian (OLIVER JACKSON-COHEN, Netflix’s The Haunting of Hill House), commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turn lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see. JASON BLUM produces The Invisible Man for Blumhouse Productions. The Invisible Man is written, directed and executive produced by LEIGH WHANNELL, one of the original conceivers of the Saw franchise who most recently directed Upgrade and Insidious: Chapter 3.