Metal Feature Set Tables
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Apple US Education Price List
US Education Institution – Hardware and Software Price List April 30, 2021 For More Information: Please refer to the online Apple Store for Education Institutions: www.apple.com/education/pricelists or call 1-800-800-2775. Pricing Price Part Number Description Date iMac iMac with Intel processor MHK03LL/A iMac 21.5"/2.3GHz dual-core 7th-gen Intel Core i5/8GB/256GB SSD/Intel Iris Plus Graphics 640 w/Apple Magic Keyboard, Apple Magic Mouse 2 8/4/20 1,049.00 MXWT2LL/A iMac 27" 5K/3.1GHz 6-core 10th-gen Intel Core i5/8GB/256GB SSD/Radeon Pro 5300 w/Apple Magic Keyboard and Apple Magic Mouse 2 8/4/20 1,699.00 MXWU2LL/A iMac 27" 5K/3.3GHz 6-core 10th-gen Intel Core i5/8GB/512GB SSD/Radeon Pro 5300 w/Apple Magic Keyboard & Apple Magic Mouse 2 8/4/20 1,899.00 MXWV2LL/A iMac 27" 5K/3.8GHz 8-core 10th-gen Intel Core i7/8GB/512GB SSD/Radeon Pro 5500 XT w/Apple Magic Keyboard & Apple Magic Mouse 2 8/4/20 2,099.00 BR332LL/A BNDL iMac 21.5"/2.3GHz dual-core 7th-generation Core i5/8GB/256GB SSD/Intel IPG 640 with 3-year AppleCare+ for Schools 8/4/20 1,168.00 BR342LL/A BNDL iMac 21.5"/2.3GHz dual-core 7th-generation Core i5/8GB/256GB SSD/Intel IPG 640 with 4-year AppleCare+ for Schools 8/4/20 1,218.00 BR2P2LL/A BNDL iMac 27" 5K/3.1GHz 6-core 10th-generation Intel Core i5/8GB/256GB SSD/RP 5300 with 3-year AppleCare+ for Schools 8/4/20 1,818.00 BR2S2LL/A BNDL iMac 27" 5K/3.1GHz 6-core 10th-generation Intel Core i5/8GB/256GB SSD/RP 5300 with 4-year AppleCare+ for Schools 8/4/20 1,868.00 BR2Q2LL/A BNDL iMac 27" 5K/3.3GHz 6-core 10th-gen Intel Core i5/8GB/512GB -
Historical Development, Sound Aesthetics and Production Techniques of Metal’S Distorted Electric Guitar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Huddersfield Repository Historical development, sound aesthetics and production techniques of metal’s distorted electric guitar Jan-Peter Herbst Abstract The sound of the distorted electric guitar is particularly important for many metal genres. It contributes to the music’s perception of heaviness, serves as a distinguishing marker, and is crucial for the power of productions. This article aims to extend the research on the distorted metal guitar and on metal music production by combining both fields of interest. By the means of isolated guitar tracks of original metal recordings, 10 tracks in each of the last five decades served as sample for a historical analysis of metal guitar aesthetics including the aspects tuning, loudness, layering and spectral composition. Building upon this insight, an experimental analysis of 287 guitar recordings explored the effectiveness and effect of metal guitar production techniques. The article attempts to provide an empirical ground of the acous- tics of metal guitar production in order to extend the still rare practice-based research and metal-ori- ented production manuals. Keywords: guitar, distortion, heaviness, production, history, aesthetics Introduction With the exception of genres like black metal that explicitly value low-fidelity aesthetics (Ha- gen 2011; Reyes 2013), the powerful effect of many metal genres is based on a high production quality. For achieving the desired heaviness, the sound of the distorted electric guitar is partic- ularly relevant (Mynett 2013). Although the guitar’s relevance as a sonic icon and its function as a distinguishing marker of metal’s genres have not changed in metal history (Walser 1993; Weinstein 2000; Berger and Fales 2005), the specific sound aesthetics of the guitar have varied substantially. -
ABC's of Ios: a Voiceover Manual for Toddlers and Beyond!
. ABC’s of iOS: A VoiceOver Manual for Toddlers and Beyond! A collaboration between Diane Brauner Educational Assistive Technology Consultant COMS and CNIB Foundation. Copyright © 2018 CNIB. All rights reserved, including the right to reproduce this manual or portions thereof in any form whatsoever without permission. For information, contact [email protected]. Diane Brauner Diane is an educational accessibility consultant collaborating with various educational groups and app developers. She splits her time between managing the Perkins eLearning website, Paths to Technology, presenting workshops on a national level and working on accessibility-related projects. Diane’s personal mission is to support developers and educators in creating and teaching accessible educational tools which enable students with visual impairments to flourish in the 21st century classroom. Diane has 25+ years as a Certified Orientation and Mobility Specialist (COMS), working primarily with preschool and school-age students. She also holds a Bachelor of Science in Rehabilitation and Elementary Education with certificates in Deaf and Severely Hard of Hearing and Visual Impairments. CNIB Celebrating 100 years in 2018, the CNIB Foundation is a non-profit organization driven to change what it is to be blind today. We work with the sight loss community in a number of ways, providing programs and powerful advocacy that empower people impacted by blindness to live their dreams and tear down barriers to inclusion. Through community consultations and in our day to -
Managing Research with the Ipad
Managing Research with the iPad Center for Innovation in Teaching and Research Presenter: Sara Settles Instructional Technology Systems Manager Email: [email protected] ©Copyright 2013 Center for Innovation in Teaching and Research Western Illinois University * Contact S. Settles for Permission to Reprint or Copy (V1.2) 1 Overview iPads have brought new abilities to research within the education field adding mobility and ease of use. With the mobility of the iPad along with the development of many apps there are numerous ways the iPad can be used for research. Researchers can now take the iPad into the field and record data and information in a timelier manner. The iPad is being used to record audio, movies, and enter statistics as a means of collecting and analyzing data. Below are iPad apps which can easily be used in research. Dragon Dictation (Free) – Voice recognition uses Dragon® NaturallySpeaking® technology. This application records the users voice and turns into text allowing editing and the ability to share with others via email or SMS. Google Forms – Use Google Docs > Forms to create forms on a laptop or desktop computer. Information can then be entered on the mobile iPad. Login to Google Docs and use the Create > Form button. Create the form using the settings and save. The information can then be accessed using the iPad. Center for Innovation in Teaching & Research • Malpass Library 637 • Phone: 309.298.2434 2 Grafio Lite – Diagrams & Ideas (Formerly - iDesk Lite) (Free) Mind Mapping – Create diagrams with this application. Users can brainstorm creating mind mapping diagrams and flow charts. -
Apple Buys Digital Magazine Subscription Service 12 March 2018
Apple buys digital magazine subscription service 12 March 2018 producing beautifully designed and engaging stories for users." The Texture application launched in 2012, the product of a joint venture created two years earlier. "We could not imagine a better home or future for the service," Texture chief executive John Loughlin said. Despite Apple's spectacular trajectory in the decade since the introduction of the iPhone, the California technology titan is facing challenges on whether it can continue growth. Apple is buying digital magazine subscription service While iPhone sales are at the heart of Apple's Texture, adding to the side of its business aimed at money-making machine, the company has taken to making money from online content or services spotlighting revenue from the App Store, iCloud, Apple Music, iTunes and other content and services people tap into using its devices. Apple announced Monday it is buying digital Texture could add digital magazine subscription magazine subscription service Texture, adding to revenue to that lineup. the side of its business aimed at making money from online content or services. Apple reported that it finished last year with cash reserves of $285 billion—much of that stashed The iPhone maker did not disclose financial terms overseas. of the deal to buy Texture from its owners—publishers Conde Nast, Hearst, Meredith, The company said it would bring back most of its Rogers Media and global investment firm KKR. profits from abroad to take advantage of a favorable tax rate in legislation approved by Texture gives subscribers unlimited access to Congress last year. more than 200 magazines, such as Forbes, Esquire, GQ, Wired, People, The Atlantic and The repatriation will result in a tax bill of about $38 National Geographic for a $10 monthly fee. -
For Immediate Release
FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AND REHAB ENTERTAINMENT PARTNER WITH AUTHOR/ILLUSTRATOR KAREN KATZ ON LENA!, A NEW ANIMATED PRESCHOOL SERIES Original Series Inspired by Katz’s Award-Winning Title “The Colors of Us” and the Upcoming “My America” Hollywood, CA (July 28, 2020) Rehab Entertainment and The Jim Henson Company are partnering with award- winning author and illustrator Karen Katz to develop Lena!, an original 2D animated preschool series inspired by Katz’s acclaimed picture book The Colors of Us and her upcoming release My America, a new book from MacMillan Publishers (spring, 2021) that celebrates the experiences and stories of U.S. immigrants. Created by Katz and Sidney Clifton, Lena! follows a 7-year-old Guatemalan girl who uses her unique and imaginative way of thinking to explore her culturally diverse neighborhood, identifying ways to help her friends and neighbors along the way. There’s no problem too big or too unusual for Lena's whimsical approach to creative problem-solving in this series all about connection, and she draws from the rich diversity in her community for the resources, support, and inspiration she needs to succeed. For more than twenty years, prolific author and illustrator Karen Katz has released over 85 picture books and board books for children that have been recognized and embraced by critics and parents. Her award-winning titles, including the number-one best-selling Where is Baby’s Bellybutton? and Counting Kisses, have sold 16 million copies worldwide, in over a dozen countries. Katz and Clifton will executive produce Lena! along with John W. -
Music 5 September 2020 Content
St. Michael-Albertville Middle School Music 5 Teacher: Michael Hilden September 2020 Content Skills Learning Targets Assessment Resources & Technology CEQ: A. Tone Color A. Tone Color A. Tone Color A. Tone Color WHAT ARE THE A1-2. "Tone Color ELEMENTS OF A1. Identify tone Digital Video with student MUSIC? color aurally 1. I can identify the CFA A1-2. Tone Color UEQ: "phones" by what they are study guide A1. Identify tone made of and how they Quiz. What do tone colors color producers visually. produce their sound. A1-2. Notebook/SM sound like? ART board World A1. Identify the 2. I can organize Instrument file What instruments create characteristics of tone instruments into their tone colors and what do color correct families. A1-2. GarageBand they look like? computer program A2. Identify tone How do you produce color aurally A1-2. Pachelbel's tone colors? "Canon" MIDI piece on A2. Identify tone A. Tone Color color producers visually. GarageBand A1. Vocal A1-2. Mac computer A2. Identify the characteristics of tone with MIDI keyboard A2. Instrument color controller A2. Choose A1-2. "Bach's Fight appropriate tone colors for For Freedom" DVD. a MIDI piece www.curriculummapper.com 114 Music 5 St. Michael-Albertville Middle Schools October Content Skills Learning Targets Assessment Resources & Technology ACEQ: A. Tone Color 1. I can identify the A. Tone Color A. Tone Color "phones" by what they are WHAT ARE THE made of and how they A1-2. Britten's ELEMENTS OF A1. Identify tone produce their sound. "Young Person's Guide to A1-2. -
Voice Overs: Where Do I Begin?
VOICE OVERS: WHERE DO I BEGIN? 1. WELCOME 2. GETTING STARTED 3. WHAT IS A VOICE OVER? 4. ON THE JOB 5. TODAY’S VOICE 6. UNDERSTANDING YOUR VOICE 7. WHERE TO LOOK FOR WORK 8. INDUSTRY PROS AND CONS 9. HOW DO I BEGIN? 2 WELCOME Welcome! I want to personally thank you for your interest in this publication. I’ve been fortunate to produce voice overs and educate aspiring voice actors for more than 20 years, and it is an experience I continue to sincerely enjoy. While there are always opportunities to learn something new, I feel that true excitement comes from a decision to choose something to learn about. As is common with many professions, there’s a lot of information out there about the voice over field. The good news is that most of that information is valuable. Of course, there will always be information that doesn’t exactly satisfy your specific curiosity. Fortunately for you, there are always new learning opportunities. Unfortunately, there is also information out there that sensationalizes our industry or presents it in an unrealistic manner. One of my primary goals in developing this publication is to introduce the voice over field in a manner that is realistic. I will share information based on my own experience, but I’ll also share information from other professionals, including voice actors, casting professionals, agents, and producers. And I’ll incorporate perspective from people who hire voice actors. After all, if you understand the mindset of a potential client, you are much more likely to position yourself for success. -
3Aa7da6d3554e07e7abc52fb2b
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLI-B7, 2016 XXIII ISPRS Congress, 12–19 July 2016, Prague, Czech Republic SCENE CLASSFICATION BASED ON THE SEMANTIC-FEATURE FUSION FULLY SPARSE TOPIC MODEL FOR HIGH SPATIAL RESOLUTION REMOTE SENSING IMAGERY Qiqi Zhua,b,Yanfei Zhonga,b,* , Liangpei Zhanga,b a State Key Laboratory of Information Engineering in Surveying, Mapping and Remote Sensing, Wuhan University, Wuhan 430079, China – [email protected], (zhongyanfei, zlp62)@whu.edu.cn b Collaborative Innovation Center of Geospatial Technology, Wuhan University, Wuhan 430079, China Commission VII, WG VII/4 KEY WORDS: Scene classification, Fully sparse topic model, Semantic-feature, Fusion, Limited training samples, High spatial resolution ABSTRACT: Topic modeling has been an increasingly mature method to bridge the semantic gap between the low-level features and high-level semantic information. However, with more and more high spatial resolution (HSR) images to deal with, conventional probabilistic topic model (PTM) usually presents the images with a dense semantic representation. This consumes more time and requires more storage space. In addition, due to the complex spectral and spatial information, a combination of multiple complementary features is proved to be an effective strategy to improve the performance for HSR image scene classification. But it should be noticed that how the distinct features are fused to fully describe the challenging HSR images, which is a critical factor for scene classification. In this paper, a semantic-feature fusion fully sparse topic model (SFF-FSTM) is proposed for HSR imagery scene classification. In SFF- FSTM, three heterogeneous features—the mean and standard deviation based spectral feature, wavelet based texture feature, and dense scale-invariant feature transform (SIFT) based structural feature are effectively fused at the latent semantic level. -
6 Universal Texture Compression Format Mar17
Universal Texture Compression Format WebGL/WebVR/glTF Meetup Stephanie Hurlburt Introduction I work at Binomial, a company building a texture compressor called Basis. I’m currently fully focused on building this up with my business partner, Rich Geldreich. Since Basis uniquely solves a texture compression problem, especially in the WebGL/WebVR pipelines, we are more than happy to donate our texture file format specification and transcoder as a standard to the Khronos Group. We are standardizing this as a part of glTF. Using JPEG for textures A common way to handle texture data is to compress to JPEG, and store uncompressed on the GPU It has decent reasoning behind it CPU-side (JPEGs are small!), but truly limits your graphical capacity. GPU formats were made to improve upon this pipeline! We should use them! (Side note: You don’t want to compress to JPEG and then turn that into a GPU format. Great CPU storage, but heavy runtime processing and double-artifacts and poor GPU compression) Using GPU formats for textures This is what we want to do, but there exists a problem in the existing pipeline. Right now web developers have to store a copy of every GPU format they want to support (at least ETC for Android/Metal iOS, PVRTC for non-Metal (older) iOS, and DXT for desktop-- and more if you want better quality!) To give some perspective-- even if you’re only storing one GPU format, GPU formats are not meant for CPU storage and are still very big. This is where Basis comes in One format, the size of JPEG, that turns into the GPU format you need when you need it. -
The Effects of Napping on Night Shift Performance February 2000 6
DOT/FAA/AM-00/10 The Effects of Napping on Office of Aviation Medicine Washington, D.C. 20591 Night Shift Performance Pamela S. Della Rocco Carlos Comperatore Lynn Caldwell Crystal Cruz Civil Aeromedical Institute Federal Aviation Administration Oklahoma City, Oklahoma 73125 February 2000 Final Report This document is available to the public through the National Technical Information Service, Springfield, Virginia 22161. U.S. Department of Transportation Federal Aviation Administration NOTICE This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The United States Government assumes no liability for the contents thereof. Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. DOT/FAA/AM-00/10 4. Title and Subtitle 5. Report Date The Effects of Napping on Night Shift Performance February 2000 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. Della Rocco, P.S., Comperatore, C., Caldwell, L., and Cruz, C. 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) FAA Civil Aeromedical Institute P.O. Box 25082 Oklahoma City, OK 73125 11. Contract or Grant No. 12. Sponsoring Agency name and Address 13. Type of Report and Period Covered Office of Aviation Medicine Federal Aviation Administration 14. Sponsoring Agency Code 800 Independence Ave., S.W. Washington, DC 20591 15. Supplemental Notes 16. Abstract This study represents a collaborative effort between the Federal Aviation Administration’s Civil Aeromedical Institute and the US Army Aeromedical Research Laboratory to investigate the effects of napping on the midnight shift as a potential countermeasure to sleepiness during the shift. -
2021-01-14-RECON-IMAGER-Manual.Pdf
MANUAL 1.Introduction 4 2. Version Comparisons 4 3. Supported Hardware 6 3.1 MODE A - SUPPORTED HARDWARE (Version 4.0.0) 6 3.2 MODE B - BOOT SUPPORTED HARDWARE (Version 5.0.0) 6 3.3 MODE C - SUPPORTED HARDWARE (Version 5.0.2 A1) 7 4. Before You Start 7 4.1 How Will You Process The Image? 7 4.2 What To Image? 8 4.3 What Image Format Should I Use? 8 5. Key Concepts To Understand 9 5.1 Apple File System (APFS) 9 5.2 Apple Extended Attributes 9 5.3 Fusion Drives 10 5.4 Core Storage 10 5.5 FileVault 11 5.6 T2 Security Chipset 11 5.7 Local Time Machine Snapshots (APFS) 12 5.8 Apple Boot Camp 12 6. Booting RECON IMAGER 13 6.1 Instant On - Portable Macs 13 6.2 Firmware Password 13 6.3 Connecting RECON IMAGER 14 6.4 Connecting Your Destination Drive 15 6.5 Starting RECON IMAGER 15 7. Using RECON Imager 17 7.1 Disk Manager 18 7.1.1 Refresh To Detect Changes 19 RECON IMAGER Copyright © 2010-2020 SUMURI LLC 1 of 59 7.1.2 Formatting a Collection Drive 20 7.1.3 Decrypting A FileVault Volume 22 7.1.4 System Date and Time 24 7.2 Disk Imager 24 7.2.1 Source 25 7.2.2 Image Type 25 7.2.3 Compression Options 27 7.2.4 Processing Local Time Machine Snapshots (APFS) 27 7.2.5 Destination 28 7.2.6 Image Name 28 7.2.7 Segment Size 29 7.2.8 Evidence Descriptor Fields 29 7.2.9 Hashing and Verification 30 8.