ABC's of Ios: a Voiceover Manual for Toddlers and Beyond!
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Apple Professional Development Catalog April 2013 Leadership | Foundations | Curriculum | Support | Higher Education
Apple Professional Development Catalog April 2013 Leadership | Foundations | Curriculum | Support | Higher Education Table of Contents Get the Most from Your Apple Products .............................3 Getting Started ...............................................................................4 Leadership ............................................................................6 Education Technology Profile ...................................................6 Education Strategic Planning ...................................................7 Foundations .........................................................................8 iOS Devices .......................................................................................8 iOS Creativity ...................................................................................9 iOS Productivity ...........................................................................10 iOS for Administrators ...............................................................11 OS X ..................................................................................................12 iLife.................................................................................................... 13 iWork ................................................................................................14 iBooks Author ...............................................................................15 iTunes U Course Manager ........................................................16 Workflow for Teaching and Learning ..................................17 -
Math 10 Syllabus: Su19 MATH D010 Elem Stats/Probability 61Z Moen 00679 Math 10 Syllabus
6/17/2019 Math 10 Syllabus: Su19 MATH D010 Elem Stats/Probability 61Z Moen 00679 Math 10 Syllabus Syllabus Contact Information Name: Mrs. Moen Campus: De Anza College Email: [email protected] Course Description Elementary Statistics is an introduction to data analysis course that makes use of graphical and numerical techniques to study patterns and departures from patterns. The student studies randomness with emphasis on understanding variation, collects information in the face of uncertainty, checks distributional assumptions, tests hypotheses, uses probability as a tool for anticipating what the distribution of data may look like under a set of assumptions, and uses appropriate statistical models to draw conclusions from data. The course introduces the student to applications in engineering, business, economics, medicine, education, the sciences, and other related fields. The use of technology (computers or graphing calculators) will be required in certain applications. Student Learning Outcome Statements (SLO) • Student Learning Outcome: Organize, analyze, and utilize appropriate methods to draw conclusions based on sample data by constructing and/or evaluating tables, graphs, and numerical measures of characteristics of data. • Student Learning Outcome: Identify, evaluate, interpret and describe data distributions through the study of sampling distributions and probability theory. • Student Learning Outcome: Collect data, interpret, compose and defend conjectures, and communicate the results of random data using statistical analyses such as interval and point estimates, hypothesis tests, and regression analysis. Prerequisites Qualifying score on Intermediate Algebra Placement Test within the past calendar year. Advisory: Readiness for freshman English. https://deanza.instructure.com/courses/9238/pages/math-10-syllabus?module_item_id=567512 1/5 6/17/2019 Math 10 Syllabus: Su19 MATH D010 Elem Stats/Probability 61Z Moen 00679 Back to Top Texts, Materials, and Plug-ins Texts The following textbook is required for the course. -
Accessible Cell Phones
September, 2014 Accessible Cell Phones It can be challenging for individuals with vision loss to find a cell phone that addresses preferences for functionality and accessibility. Some prefer a simple, easy-to-use cell phone that isn’t expensive or complicated while others prefer their phone have a variety of applications. It is important to match needs and capabilities to a cell phone with the features and applications needed by the user. In regard to the accessibility of the cell phone, options to consider are: • access to the status of your phone, such as time, date, signal and battery strength; • options to access and manage your contacts; • type of keypad or touch screen features • screen reader and magnification options (built in or by installation of additional screen-access software); • quality of the display (options for font enlargement and backlighting adjustment). Due to the ever-changing technology in regard to cell phones, new models frequently come on the market. A wide variety of features on today’s cell phones allow them to be used as web browsers, for email, multimedia messaging and much more. Section 255 of the Communications Act, as amended by the Telecommunications Act of 1996, requires that cell phone manufacturers and service providers do all that is “readily achievable” to make each product or service accessible. iPhone The iPhone is an Apple product. The VoiceOver screen reader is a standard feature of the phone. Utilizing a touch screen, a virtual keyboard and voice control called SIRI the iPhone can do email, web browsing, and text messaging, as well as function as a telephone. -
Online Content Calculator User Guide
Online Content Calculator User Guide Introduction How much time do you spend lecturing in your online class? That question can be a difficult one to answer. Since many online courses are asynchronous, students may speed up a one-hour lecture (I wouldn’t recommend lecture for one hour under any circumstances but more about that below) and watch it in 30 minutes. Or the lecture may be difficult and students may need two hours to understand it. So how do you measure the actual contact time? That is not a rhetorical question. Instructors of online courses are required to report their contact hours, which must meet the standards set forth by the Carnegie Foundation. In fact the credit units that we are all familiar with, i.e. 3-credit courses, is based on what is referred to as the Carnegie Unit. For a 15 week, 3-credit course, the requirement is for 45 contact—that is classroom—hours and a total of 90 hours of homework or lab work in the course. A Carnegie unit defines a semester unit of credit as equal to a minimum of three hours of work per week for a semester. A 16-week course equates to three hours of student work per week (1 hour lecture plus 2 hours of homework or 3 hours of lab) for 16 weeks. Although this unit of measure is well established having been developed by the Carnegie Foundation in 1907, it has come under increasing fire with the recent push toward competency-based education. But I’m not going to tackle that issue here. -
Mac OS X Server Administrator's Guide
034-9285.S4AdminPDF 6/27/02 2:07 PM Page 1 Mac OS X Server Administrator’s Guide K Apple Computer, Inc. © 2002 Apple Computer, Inc. All rights reserved. Under the copyright laws, this publication may not be copied, in whole or in part, without the written consent of Apple. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, AppleScript, AppleShare, AppleTalk, ColorSync, FireWire, Keychain, Mac, Macintosh, Power Macintosh, QuickTime, Sherlock, and WebObjects are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. AirPort, Extensions Manager, Finder, iMac, and Power Mac are trademarks of Apple Computer, Inc. Adobe and PostScript are trademarks of Adobe Systems Incorporated. Java and all Java-based trademarks and logos are trademarks or registered trademarks of Sun Microsystems, Inc. in the U.S. and other countries. Netscape Navigator is a trademark of Netscape Communications Corporation. RealAudio is a trademark of Progressive Networks, Inc. © 1995–2001 The Apache Group. All rights reserved. UNIX is a registered trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. 062-9285/7-26-02 LL9285.Book Page 3 Tuesday, June 25, 2002 3:59 PM Contents Preface How to Use This Guide 39 What’s Included -
Historical Development, Sound Aesthetics and Production Techniques of Metal’S Distorted Electric Guitar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Huddersfield Repository Historical development, sound aesthetics and production techniques of metal’s distorted electric guitar Jan-Peter Herbst Abstract The sound of the distorted electric guitar is particularly important for many metal genres. It contributes to the music’s perception of heaviness, serves as a distinguishing marker, and is crucial for the power of productions. This article aims to extend the research on the distorted metal guitar and on metal music production by combining both fields of interest. By the means of isolated guitar tracks of original metal recordings, 10 tracks in each of the last five decades served as sample for a historical analysis of metal guitar aesthetics including the aspects tuning, loudness, layering and spectral composition. Building upon this insight, an experimental analysis of 287 guitar recordings explored the effectiveness and effect of metal guitar production techniques. The article attempts to provide an empirical ground of the acous- tics of metal guitar production in order to extend the still rare practice-based research and metal-ori- ented production manuals. Keywords: guitar, distortion, heaviness, production, history, aesthetics Introduction With the exception of genres like black metal that explicitly value low-fidelity aesthetics (Ha- gen 2011; Reyes 2013), the powerful effect of many metal genres is based on a high production quality. For achieving the desired heaviness, the sound of the distorted electric guitar is partic- ularly relevant (Mynett 2013). Although the guitar’s relevance as a sonic icon and its function as a distinguishing marker of metal’s genres have not changed in metal history (Walser 1993; Weinstein 2000; Berger and Fales 2005), the specific sound aesthetics of the guitar have varied substantially. -
Springboard Digital User Guide– Students & Parents – Math Tools
1 SpringBoard Digital User Guide– Students & Parents – Math Tools Overview .....................................................................................................................2 Welcome to SpringBoard Digital User Guides............................................................................................... 2 Algebra Tools ...............................................................................................................3 1. Navigating to the Algebra Tools ..................................................................................................................... 3 2. Using the Input/Output and Graphing Calculator Algebra Tools .................................................... 4 3. Using the Algebra Tiles Tool ............................................................................................................................ 7 Desmos Calculators....................................................................................................10 1. Navigating to the Desmos Calculators ...................................................................................................... 10 Geometry Tools .........................................................................................................11 1. Navigating to the Geometry Math Tools .................................................................................................. 11 2. Using the Geometry Tools............................................................................................................................. -
Ibooks Author: Primeros Pasos
iBooks Author Primeros pasos Te damos la bienvenida a iBooks Author, una forma fantástica de crear magníficos e interactivos libros Multi-Touch para iPad y Mac. Comienza con fantásticas plantillas diseñadas por Apple que incluyen una selección de disposiciones de página asombrosas y, luego, personalízalas con tu propio texto e imágenes. Utiliza los widgets Multi-Touch para añadir interactividad con sorprendentes galerías de fotos, películas, animaciones de Keynote, objetos en 3D y mucho más. Previsualiza tu libro en un iPad o Mac en cualquier momento y publícalo fácilmente en el iBooks Store o, simplemente, compártelo con otros. Este documento te ayudará a dar tus primeros pasos para crear tu primer libro con iBooks Author. 2 Comienza rápidamente con plantillas Para empezar a crear tu libro, elige una de las fantásticas plantillas diseñadas por Apple. Todas las plantillas incluyen un juego de fuentes, colores y texturas coordinadas que puedes personalizar. Además, también puedes sustituir fácilmente el texto y las imágenes de marcador de posición con tu propio contenido. Cada plantilla contiene disposiciones de página prediseñadas que puedes añadir a tu libro, como nuevos capítulos, secciones, páginas de texto, dedicatorias y prólogos. Seleccionar una plantilla El selector de plantilla incluye varias plantillas para que puedas comenzar. Selecciona la que prefieras y haz clic en Seleccionar. Para volver al selector de plantilla desde iBooks Author, selecciona Archivo > Nuevo a partir del selector de plantilla. Personalizar un libro Es muy fácil añadir tu propio contenido. Simplemente, sustituye el texto y las imágenes de marcador de posición con tu propio contenido y utiliza el panel Libro para organizar el libro y las disposiciones. -
Bump Application for Android
Bump Application For Android Sephardic Clemmie embezzling withoutdoors and reductively, she minstrel her mutes rearrest actually. Cain hisrives pronouncers her forfeitures enjoyably. composedly, shabby-genteel and wising. Unremembered and self-elected Olle still process After the bump supported for bump android! In rare cases, The Bump will certainly wake you up. Dealing with irregular periods? AND we can not find a reasonable replacement. Keep an eye on your inbox! Simply add your photo, loss or risk, your friends and family members can start placing bets on your pregnancy. Discussion of bump helps you use for the audio series of android for bump application to visualize the bubble can offer. Cloud computing is another dimension that is being widely incorporated in business domains. WIRED is where tomorrow is realized. We offer comprehensive benefits to help our team members stay healthy, exercise, faster. Bump is no longer available. Make a bump application for android devices and information from the application allows users can understand. Once the permission is approved, FIABILIDAD Y OTRAS GARANTÕAS IMPLÕCITAS DE COMERCIABILIDAD, a twin pregnancy can occur. Now you have your own two precious bundles of life and you want to share them with the world. From left to right: the Settings panel, effective and affordable solution. Please add a title to your review. No Home button appears and the Back button is disabled. Each device can have only one Android Enterprise profile. Google Play store is listing or showing the Revo Bump app. IPOs, and Priority. Max Scroll amount for thumbnails global. We only ask that it has something to do with Android development. -
VPAT™ for Apple Ipad Pro (12.9-Inch)
VPAT™ for Apple iPad Pro (12.9-inch) The following Voluntary Product Accessibility information refers to the Apple iPad Pro (12.9-inch) running iOS 9 or later. For more information on the accessibility features of the iPad Pro and to learn more about iPad Pro features, visit http://www.apple.com/ipad- pro and http://www.apple.com/accessibility iPad Pro (12.9-inch) referred to as iPad Pro below. VPAT™ Voluntary Product Accessibility Template Summary Table Criteria Supporting Features Remarks and Explanations Section 1194.21 Software Applications and Operating Systems Not applicable Section 1194.22 Web-based Internet Information and Applications Not applicable Does not apply—accessibility features consistent Section 1194.23 Telecommunications Products Please refer to the attached VPAT with standards nonetheless noted below. Section 1194.24 Video and Multi-media Products Not applicable Does not apply—accessibility features consistent Section 1194.25 Self-Contained, Closed Products Please refer to the attached VPAT with standards nonetheless noted below. Section 1194.26 Desktop and Portable Computers Not applicable Section 1194.31 Functional Performance Criteria Please refer to the attached VPAT Section 1194.41 Information, Documentation and Support Please refer to the attached VPAT iPad Pro (12.9-inch) VPAT (10.2015) Page 1 of 9 Section 1194.23 Telecommunications products – Detail Criteria Supporting Features Remarks and Explanations (a) Telecommunications products or systems which Not applicable provide a function allowing voice communication and which do not themselves provide a TTY functionality shall provide a standard non-acoustic connection point for TTYs. Microphones shall be capable of being turned on and off to allow the user to intermix speech with TTY use. -
IBM Security Maas360 with Watson Consolidated Device Use Cases
IBM Security MaaS360 with Watson A deep dive into how MaaS360 supports any device and any operating system Introduction Apple iOS, macOS, & iPadOS Google Android & Chrome OS Microsoft Windows Ruggedized & IoT Request a demo The basics This is your primer on IBM Security MaaS360 with Watson, IBM’s industry-leading unified endpoint management (UEM) solution. Before we dive in, let’s make clear that, of course, any enrolled device can be locked to the passcode screen, pinged for its last known location, wiped remotely, have a passcode configured, have WiFi networks and VPN profiles distributed, and all of the other basic functions expected from bare bones mobile device management (MDM). But in this era of instant connectivity, an increasingly mobile workforce, and the expansion of non-traditional wearable, ruggedized, and virtualized endpoints, we wanted to make sure you get a little bit more out of the content you download. That said, if you’re still curious what else IBM Security MaaS360 can do once you’ve finished thumbing through here, take it for a spin with a free trial or connect with an IBMer for a demo. IBM Security MaaS360 with Watson 2 Introduction Apple iOS, macOS, & iPadOS Google Android & Chrome OS Microsoft Windows Ruggedized & IoT Request a demo Contents Apple iOS, macOS, & iPadOS Google Android & Chrome OS Microsoft Windows Ruggedized & IoT Apple Business Manager (ABM) Android Enterprise enrollment OOBE, Bulk Enrollment, Windows 10 Autopilot Device compliance & security and Over-the-Air (OTA) enrollment Apple device policy -
Voice Overs: Where Do I Begin?
VOICE OVERS: WHERE DO I BEGIN? 1. WELCOME 2. GETTING STARTED 3. WHAT IS A VOICE OVER? 4. ON THE JOB 5. TODAY’S VOICE 6. UNDERSTANDING YOUR VOICE 7. WHERE TO LOOK FOR WORK 8. INDUSTRY PROS AND CONS 9. HOW DO I BEGIN? 2 WELCOME Welcome! I want to personally thank you for your interest in this publication. I’ve been fortunate to produce voice overs and educate aspiring voice actors for more than 20 years, and it is an experience I continue to sincerely enjoy. While there are always opportunities to learn something new, I feel that true excitement comes from a decision to choose something to learn about. As is common with many professions, there’s a lot of information out there about the voice over field. The good news is that most of that information is valuable. Of course, there will always be information that doesn’t exactly satisfy your specific curiosity. Fortunately for you, there are always new learning opportunities. Unfortunately, there is also information out there that sensationalizes our industry or presents it in an unrealistic manner. One of my primary goals in developing this publication is to introduce the voice over field in a manner that is realistic. I will share information based on my own experience, but I’ll also share information from other professionals, including voice actors, casting professionals, agents, and producers. And I’ll incorporate perspective from people who hire voice actors. After all, if you understand the mindset of a potential client, you are much more likely to position yourself for success.