Man-Like Gods and Deified Men in Mexican Cosmolore
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Aztec Mythology
Aztec Mythology One of the main things that must be appreciated about Aztec mythology is that it has both similarities and differences to European polytheistic religions. The idea of what a god was, and how they acted, was not the same between the two cultures. Along with all other native American religions, the Aztec faith developed from the Shamanism brought by the first migrants over the Bering Strait, and developed independently of influences from across the Atlantic (and Pacific). The concept of dualism is one that students of Chinese religions should be aware of; the idea of balance was primary in this belief system. Gods were not entirely good or entirely bad, being complex characters with many different aspects and their own desires and motivations. This is highlighted by the relation between Quetzalcoatl and Tezcatlipoca. When the Spanish arrived with their European sensibilities, they were quick to name one good and one evil, identifying Quetzalcoatl with Christ and Tezcatlipoca with Satan during their attempts to integrate the Nahua peoples into Christianity. But to the Aztecs neither god would have been “better” than the other; they are just different and opposing sides of the same duality. Indeed, their identities are rather nebulous, with Quetzalcoatl often being referred to as “White Tezcatlipoca” and Tezcatlipoca as “Black Quetzalcoatl”. The Mexica, as is explained in the history section, came from North of Mexico in a location they named “Aztlan” (from which Europeans developed the term Aztec). During their migration south they were exposed to and assimilated elements of several native religions, including those of the Toltecs, Mayans, and Zapotecs. -
The Myths of Mexico and Peru
THE MYTHS OF MEXICO AND PERU by Lewis Spence (1913) This material has been reconstructed from various unverified sources of very poor quality and reproduction by Campbell M Gold CMG Archives http://campbellmgold.com --()-- 1 Contents Contents .................................................................................................................................................. 2 Illustrations .............................................................................................................................................. 3 Map of the Valley of Mexico ................................................................................................................ 3 Ethnographic Map of Mexico ............................................................................................................... 4 Detail of Ethnographic Map of Mexico ................................................................................................. 5 Empire of the Incas .............................................................................................................................. 6 Preface .................................................................................................................................................... 7 Chapter 1 - The Civilisation of Mexico .................................................................................................... 9 Chapter 2 - Mexican Mythology ........................................................................................................... -
The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923). -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
157. Templo Mayor (Main Temple). Tenochtitlan (Modern Mexico City, Mexico)
157. Templo Mayor (main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375-1520 C.E. Stone (temple); volcanic stone (The Coyolxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone). (4 images) dedicated simultaneously to two gods, Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases 328 by 262 ft) at its base, dominated the Sacred Precinct rebuilt six times After the destruction of Tenochtitlan, the Templo Mayor, like most of the rest of the city, was taken apart and then covered over by the new Spanish colonial city After earlier small attempts to excavate - the push to fully excavate the site did not come until late in the 20th century. On 25 February 1978, workers for the electric company were digging at a place in the city then popularly known as the "island of the dogs." It was named such because it was slightly elevated over the rest of the neighborhood and when there was flooding, street dogs would congregate there. At just over two meters down they struck a pre-Hispanic monolith. This stone turned out to be a huge disk of over 3.25 meters (10.7 feet) in diameter, 30 centimeters (11.8 inches) thick and weighing 8.5 metric tons (8.4 long tons; 9.4 short tons). The relief on the stone was later determined to be Coyolxauhqui, the moon goddess, dating to the end of the 15th century o From 1978 to 1982, specialists directed by archeologist Eduardo Matos Moctezuma worked on the project to excavate the Temple.[5] Initial excavations found that many of the artifacts were in good enough condition to study.[7] Efforts coalesced into the Templo Mayor Project, which was authorized by presidential decree.[8] o To excavate, thirteen buildings in this area had to be demolished. -
EVERYTHING ABOUT PULQUE AGAVOLOGY 'Water from the Green Plants…'
EVERYTHING ABOUT PULQUE AGAVOLOGY 'Water from the green plants…' Tequila's predecessor, pulque, or octli, was made from as many as six types of agave grown in the Mexican highlands. Pulque is one of about thirty different alcoholic beverages made from agave in Mexico - many of which are still made regionally, although seldom available commercially. The drink has remained essential to diet in the central highlands of Mexico since pre-Aztec times. Pulque is like beer - it has a low alcoTeqhol content, about 4-8%, but also contains vegetable proteins, carbohydrates and vitamins, so it also acts as a nutritional supplement in many communities. Unlike tequila or mezcal, the agave sap is not cooked prior to fermentation for pulque. Pulque, is an alcoholic spirit obtained by the fermentation of the sweetened sap of several species of 'pulqueros magueyes' (pulque agaves), also known as Maguey Agaves. It is a traditional native beverage of Mesoamerica. Though it is commonly believed to be a beer, the main carbohydrate is a complex form of fructose rather than starch. The word 'pulque' comes from the Náhuatl Indian root word poliuhqui, meaning 'disturbed'. There are about twenty species of agave and several varieties of pulque. Of these there was one that was called "metlaloctli" ie "blue pulque," for its colouration. Plant Sources of Pulque The maguey plant is not a cactus (as has sometimes been mistakenly suggested) but an Agave, believed to be the Giant Agave (Agave salmiana subspecies salmiana). The plant was one of the most sacred plants in Mexico and had a prominent place in mythology, religious rituals, and Mesoamerican industry. -
Pulque, a Traditional Mexican Alcoholic Fermented Beverage: Historical, Microbiological, and Technical Aspects
REVIEW published: 30 June 2016 doi: 10.3389/fmicb.2016.01026 Pulque, a Traditional Mexican Alcoholic Fermented Beverage: Historical, Microbiological, and Technical Aspects Adelfo Escalante 1*, David R. López Soto 1, Judith E. Velázquez Gutiérrez 2, Martha Giles-Gómez 3, Francisco Bolívar 1 and Agustín López-Munguía 1 1 Departamento de Ingeniería Celular y Biocatálisis, Instituto de Biotecnología, Universidad Nacional Autónoma de México, Cuernavaca, Mexico, 2 Departamento de Biología, Facultad de Química, Universidad Nacional Autónoma de México, Ciudad Universitaria, Ciudad de México, Mexico, 3 Vagabundo Cultural, Atitalaquia, Mexico Pulque is a traditional Mexican alcoholic beverage produced from the fermentation of the fresh sap known as aguamiel (mead) extracted from several species of Agave (maguey) plants that grow in the Central Mexico plateau. Currently, pulque is produced, sold and consumed in popular districts of Mexico City and rural areas. The fermented product is a milky white, viscous, and slightly acidic liquid beverage with an alcohol content between 4 and 7◦ GL and history of consumption that dates back to pre-Hispanic times. In this contribution, we review the traditional pulque production Edited by: process, including the microbiota involved in the biochemical changes that take place Jyoti Prakash Tamang, Sikkim University, India during aguamiel fermentation. We discuss the historical relevance and the benefits of Reviewed by: pulque consumption, its chemical and nutritional properties, including the health benefits Matthias Sipiczki, associated with diverse lactic acid bacteria with probiotic potential isolated from the University of Debrecen, Hungary Giulia Tabanelli, beverage. Finally, we describe the actual status of pulque production as well as the social, Università di Bologna, Italy scientific and technological challenges faced to preserve and improve the production of *Correspondence: this ancestral beverage and Mexican cultural heritage. -
Aztec Deities
A ztec Z T E C Deities E I T I E S Aztec Z T E C Deities E I T I Figurte 1 “Roland's Friend: 2002” E S Other Works ™ ramblin/rose publications My Father's Room The Four Season's of the Master Myth If Only…A collaboration with Bill Pearlman Mexican Vibrations, Vibraciones Méxicanas Mexican Secrets, Estrangement and Once Again…Alone; with poems by Bill Pearlman Twenty A Magical Number with Tonalphalli: The Count of Fate & Convergence: 2002 CD/DVD: Gods, Land & People of Mexico Con tu permiso: Dioes, Tierra y Gente de México CD/DVD: Work in Progress: The Four Seasons of the Master Myth Books can be downloaded free: www.salazargallery.com www.E-artbooks.com Aztec Z T E C Deities E I T I Figurte 1 “Roland's Friend: 2002” E S Roland Salazar Rose ™ PUBLISHED BY RAMBLIN/ROSE PUBLICATIONS Images Copyright Roland Salazar Rose 2000-2008 All content, identified in this book “Aztec Deities” published 2008, marked by this notice: “1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & 11” are “from Wikipedia®, the free encyclopedia and are considered “copyleft”; therefore the following copyright notice applies to each and every page of written text so identified by “1,2,3,4,5,6,7,8,9,10&11”. “Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. -
A BRIEF HISTORY of MEXICO the Classic Period to the Present
A BRIEF HISTORY OF MEXICO The Classic Period to the Present Created by Steve Maiolo Copyright 2014 Table of Contents Chapter 1: Section 1: The Maya The Mayan Creation Myth ........................................................................ 1 Ollama ..................................................................................................... 1 Mayan Civilization Social Hierarchy ....................................................................................... 2 Religion ................................................................................................... 3 Other Achievements ................................................................................ 3 The Decline of the Mayans ...................................................................... 3 Section 2: The Aztecs The Upstarts ............................................................................................ 4 Tenochtitlàn ............................................................................................. 4 The Aztec Social Hierarchy Nobility (Pipiltin) ....................................................................................... 5 High Status (not nobility) .......................................................................... 5 Commoners (macehualtin) ....................................................................... 6 Slaves ...................................................................................................... 6 Warfare and Education ........................................................................... -
Aztec Festivals of the Rain Gods
Michael Graulich Aztec Festivals of the Rain Gods Aunque contiene ritos indiscutiblemente agrícolas, el antiguo calendario festivo de veintenas (o 'meses') de la época azteca resulta totalmente desplazado en cuanto a las temporadas, puesto que carece de intercalados que adaptan el año solar de 365 días a la duración efectiva del año tropical. Creo haber demostrado en diversas pu- blicaciones que las fiestas pueden ser interpretadas en rigor sólo en relación con su posición original, no corrida aún. El presente trabajo muestra cómo los rituales y la re- partición absolutamente regular y lógica de las vein- tenas, dedicadas esencialmente a las deidades de la llu- via - tres en la temporada de lluvias y una en la tempo- rada de sequía - confirman el fenómeno del desplaza- miento. The Central Mexican festivals of the solar year are described with consi- derable detail in XVIth century sources and some of them have even been stu- died by modern investigators (Paso y Troncoso 1898; Seler 1899; Margain Araujo 1945; Acosta Saignes 1950; Nowotny 1968; Broda 1970, 1971; Kirchhoff 1971). New interpretations are nevertheless still possible, especially since the festivals have never been studied as a whole, with reference to the myths they reenacted, and therefore, could not be put in a proper perspective. Until now, the rituals of the 18 veintenas {twenty-day 'months') have always been interpreted according to their position in the solar year at the time they were first described to the Spaniards. Such festivals with agricultural rites have been interpreted, for example, as sowing or harvest festivals on the sole ground that in the 16th century they more or less coincided with those seasonal events. -
Quetzalcoatl, the Maya Maize God, and Jesus Christ
Journal of Book of Mormon Studies Volume 11 Number 1 Article 3 7-31-2002 Quetzalcoatl, the Maya Maize God, and Jesus Christ Diane E. Wirth Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Wirth, Diane E. (2002) "Quetzalcoatl, the Maya Maize God, and Jesus Christ," Journal of Book of Mormon Studies: Vol. 11 : No. 1 , Article 3. Available at: https://scholarsarchive.byu.edu/jbms/vol11/iss1/3 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Quetzalcoatl, the Maya Maize God, and Jesus Christ Author(s) Diane E. Wirth Reference Journal of Book of Mormon Studies 11/1 (2002): 4–15, 107. ISSN 1065-9366 (print), 2168-3158 (online) Abstract Many scholars suggest that Quetzalcoatl of Mesoamerica (also known as the Feathered Serpent), the Maya Maize God, and Jesus Christ could all be the same being. By looking at ancient Mayan writings such as the Popol Vuh, this theory is further explored and developed. These ancient writings include several stories that coincide with the stories of Jesus Christ in the Bible, such as the creation and the resurrec- tion. The role that both Quetzalcoatl and the Maize God played in bringing maize to humankind is com- parable to Christ’s role in bringing the bread of life to humankind. Furthermore, Quetzalcoatl is said to have descended to the Underworld to perform a sacrifice strikingly similar to the atonement of Jesus Christ. -
Los Dioses Se Mudan En El Sol Y La Luna
Los dioses se mudan en el Sol y la Luna 1. Mitoa in ok youayan, in ayamo tona, in ayamo 1. Dicen que cuando aún es de noche, cuando aún tlatui, kilmach, mosentlalike, mononotske in teteo no sale el Sol, cuando no amanece, dizque se in umpa Teotiuakan, kitoke, kimoluike: juntaron en uno, se convocaron los dioses allá en Teotihuacan, dijeron, se dijeron unos a otros: —Tla xi ualuian, teteoé, ¿akin tlatkis, akin tlamamas —Venid acá, dioses, ¿quién tomará el trabajo, quién in tonas, in tlatuis? se echará a cuestas el hacer salir el sol, el hacer amanecer? 2. Au niman ye ik yeuatl unkan ontlatoa, 2. Y luego por cierto por allá habla aquel, se onmixketsa in Tekusistekatl, kito: presenta delante Tecuciztecatl, dijo: —Tetetoé, ka neuatl niyes. —¡Dioses, yo tengo que ser! 3. Okseppa kitoke in teteu: 3. Una vez más dijeron los dioses: —¿Akin okse? —¿Quién otro más? 4. Niman ye ik nepanotl mota, kimottitia, kimoluia: 4. Luego por esto juntos, se ponen a ver, se miran unos a otros, se dicen: —¿Ken onyes ji, ken tonyeske? —¿Cómo ha de ser esto? ¿Cómo seremos nosotros? 5. Ayac motlapaloya, in occe onmixquetzaz; zan 5. Nadie se atrevía para presentarse como otro más: muchi tlacatl momauhtiaya, tzinquetzaya. Auh amo sólo todas las personas tenían miedo, retrocedían. Y onnezticatca in ce tlacatl. no se estaba presentando delante de otra persona. 6. Nanahuatzin uncan tehuan tlacacticatca in 6. Nanahuatzin allí junto a ellos estaba oyendo lo nenonotzalo: niman ic yehuatl connotzque in teteo, que se determinaba: luego pues a este llamaron los quilhuique: dioses, le dijeron: —Tehuatl tiyez, Nanahuatzé.