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Iti-Info” № 3–4 (18–19) 2013 RUSSIAN NATIONAL CENTRE OF THE INTERNATIONAL THEATRE INSTITUTE «МИТ-ИНФО» № 3–4 (18–19) 2013 “ITI-INFO” № 3–4 (18–19) 2013 УЧРЕЖДЕН НЕКОММЕРЧЕСКИМ ПАРТНЕРСТВОМ ПО ПОДДЕРЖКЕ ESTABLISHED BY NON-COMMERCIAL PARTNERSHIP ТЕАТРАЛЬНОЙ ДЕЯТЕЛЬНОСТИ И ИСКУССТВА «РУССКИЙ FOR PROMOTION OF THEATRE ACTIVITITY AND ARTS НАЦИОНАЛЬНЫЙ ЦЕНТР МЕЖДУНАРОДНОГО ИНСТИТУТА ТЕАТРА». «RUSSIAN NATIONAL CENTRE OF THE INTERNATIONAL ЗАРЕГИСТРИРОВАН ФЕДЕРАЛЬНОЙ СЛУЖБОЙ ПО НАДЗОРУ В СФЕРЕ THEATRE INSTITUTE» СВЯЗИ И МАССОВЫХ КОММУНИКАЦИЙ. REGISTERED BY THE FEDERAL AGENCY FOR MASS-MEDIA AND СВИДЕТЕЛЬСТВО О РЕГИСТРАЦИИ COMMUNICATIONS. REGISTRATION LICENSE SMI PI № FS77-34893 СМИ ПИ № ФС77–34893 ОТ 29 ДЕКАБРЯ 2008 ГОДА OF DECEMBER 29TH, 2008 АДРЕС РЕДАКЦИИ: 127055, УЛ. ТИХВИНСКАЯ, 10 EDITORIAL BOARD ADDRESS: 127055, MOSCOW, TIKHVINSKAYA STR., 10 ТЕЛЕФОНЫ РЕДАКЦИИ: +7 (499) 978-26-38, +7 (499) 978-28-52 PHONES: +7 (499) 978 2638, +7 (499) 978 2852 ФАКС: +7 (499) 978-29-70 FAX: +7 (499) 978 2970 ЭЛЕКТРОННАЯ ПОЧТА: [email protected] E-MAIL: [email protected] НА ОБЛОЖКЕ : СЦЕНА ИЗ СПЕКТАКЛЯ COVER: “THE ANIMALS AND CHILDREN «ЖИВОТНЫЕ И ДЕТИ ЗАНИМАЮТ УЛИЦЫ». 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ГЛАВНОГО РЕДАКТОРА: ОЛЬГА ФУКС EDITOR-IN-CHIEF DEPUTY: OLGA FOUX ДИЗАЙН, ВЕРСТКА, ПРЕПРЕСС: МИХАИЛ КУРЕНКОВ DESIGN, LAYOUT, PREPRINT: MIKHAIL KURENKOV КООРДИНАТОР: ЮЛИЯ АРДАШНИКОВА COORDINATOR: YULIA ARDASHNIKOVA РЕДАКТОР: ЯН ШЕНКМАН EDITOR: YAN SHENKMAN КОРРЕКТОР: ИРИНА БЛИНОВА PROOF-READER: IRINA BLINOVA ОФИЦИАЛЬНЫЙ ПАРТНЕР ЖУРНАЛА ЗАО «КЕЙДЖИТИСИ» WWW.KGTC.RU OFFICIAL TRANSLATION PARTNER KGTC WWW.KGTC.RU КООРДИНАТОР ПЕЧАТИ: ЛАНА МАРКОВА PRINTING COORDINATOR: LANA MARKOVA РАСПРОСТРАНЕНИЕ: ИРАНА БОЛЬШАКОВА DISTRIBUTION: IRANA BOLSHAKOVA ФИНАНСЫ: ИРИНА САВЕНКО, АННА ЛИСИМЕНКО ACCOUNTANCY: IRINA SAVENKO, ANNA LISIMENKO ОТПЕЧАТАНО В ТИПОГРАФИИ «ВИВА-СТАР» PRINTED BY VIVA STAR WWW.VIVASTAR.RU 107023, МОСКВА, ЭЛЕКТРОЗАВОДСКАЯ УЛ., 20, СТР. 3 107023, MOSCOW, ELECTROZAVODSKAYA STR., 20, BLD. 3 ТЕЛ.: +7 (495) 231-31-91, +7 (495) 730-40-05. WWW.VIVASTAR.RU PHONES: +7 (495) 231 3191, +7 (495) 730 4005. WWW.VIVASTAR.RU ЦЕНА СВОБОДНАЯ. ТИРАЖ 1000 ЭКЗ. OPEN PRICE. A NUMBER OF COPIES PRINTED IS 1000. ПОДПИСАНО В ПЕЧАТЬ 24.05.13 PUT INTO PRINT 24.05.13 ЖУРНАЛ РАСПРОСТРАНЯЕТСЯ ЧЕРЕЗ НАЦИОНАЛЬНЫЕ ЦЕНТРЫ THE REVIEW IS DISTRIBUTED THROUGH THE NATIONAL CENTRES OF МЕЖДУНАРОДНОГО ИНСТИТУТА ТЕАТРА (МИТ): ANGOLA, THE ITI IN ANGOLA, ARGENTINA, ARMENIA, AUSTRIA, AZERBAIJAN, ARGENTINA, ARMENIA, AUSTRIA, AZERBAIJAN, BANGLADESH, BELARUS, BANGLADESH, BELARUS, BELGIUM, BENIN, BRAZIL, BULGARIA, BELGIUM, BENIN, BRAZIL, BULGARIA, BURKINA FASO, CAMEROON, BURKINA FASO, CAMEROON, CHAD, CHINA, COLOMBIA, CONGO CHAD, CHINA, COLOMBIA, CONGO DEM. REP., CONGO REP., COSTA DEM. 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ПОДПИСАТЬСЯ НА ЖУРНАЛ МОЖНО, СВЯЗАВШИСЬ С НАМИ FOR SUBSCRIPTION, PLEASE, CONTACT US ON E-MAIL [email protected] ПО ЭЛЕКТРОННОЙ ПОЧТЕ [email protected] ИЛИ ПРИСЛАВ ЗАЯВКУ OR SEND YOUR ORDER ПО ФАКСУ +7 (499) 978-29-70 ON FAX NUMBER +7 (499) 978 2970 N3–4 2013 ITI-INFO 1 6 ФЕСТИВАЛИ ЛЕТА SUMMER FESTIVALS 14 ВЫСТАВКИ ЗАКУЛИСЬЕ ДМИТРИЯ КРЫМОВА EXHIBITIONS DMITRY KRYMOV’S BACKSTAGE 18 ВЫСТАВКИ ДИАЛОГИ С БОГОМ EXHIBITIONS DIALOGS WITH GOD 24 ФЕСТИВАЛЬ ПИКИ ТЕАТРА FESTIVAL 18 SPADES OF THE THEATRE 32 АКТУАЛЬНОЕ ИМЯ МАЙСКИЙ ЖУК ВО ВСЕЛЕННОЙ ACTUAL NAME CHAFER IN THE UNIVERSE 42 СОБЫТИЕ ПАТРИОТИЗМ БЕЗ ВЗАИМНОСТИ EVENT PATRIOTISM WITHOUT RECIPROCITY 46 ДРАМАТУРГ ДЕВУШКА С ХАРАКТЕРОМ PLAYWRIGHT 32 A GIRL WITH AN ATTITUDE 56 РОССИЯ НА ПУТИ К ИСТИНЕ RUSSIA ON THE WAY TO THE TRUTH 68 МИР ИГРА СЛОВ WORLD PLAY ON WORDS 76 ДРУГОЙ ТЕАТР ПРОПИСАН СМЕХ DIFFERENT THEATRE LAUGH IS PRESCRIBED 42 86 КНИГИ ПРОМЫТОЕ ЗЕРКАЛО BOOKS 86 WASHED MIRROR 94 РУССКИЕ ИСТОРИИ ЦАРСКИЕ ТАНЦЫ RUSSIAN STORIES TZAR DANCES 106 БУДКА СУФЛЕРА PROMPT CORNER 2 ITI-INFO N3–4 2013 АВТОРЫ НОМЕРА AUTHORS АЛЬФИРА АРСЛАНОВА НАТАЛИЯ OLGA FOUX КРИСТИНА главный редактор К АМИНСК АЯ deputy editor-in-chief, editor of “Modern Theatre” section МАТВИЕНКО Этот номер насыщен театральный критик At theatre schools they were taught to imagine Театральный критик впечатлениями обозре- В России политический themselves under proposed circumstances В театре, как и в обще- вателей и объективно театр понимают иначе, of a play. In the case when a hospital becomes стве, много перемен, и свидетельствует: летом чем это принято в обще- the proposed circumstances and the не все они – из прият- театр не отдыхает, а, европейской традиции. partners are young patients with the severest ных. Но это момент, ког- наоборот, прирастает А тут вдобавок перед diagnoses, one has to forget his ego. And to да что-то действительно новыми зрителями, новой энергией. нами театр из Словении, где все еще find a new meaning of his profession. Read зависит от усилий людей. Фестивальное время! кровоточит от недавней Балканской about hospital clowns on page 81. войны. CHRISTINE MATVIENKO ALFIRA ARSLANOVA Theatre critic Editor-in-Chief NATALYA K AMINSKAYA АННА ЧЕПУРНОВА In theatre as well as in society a lot of changes This issue is full of reviewers’ impressions Theatre critic арт-критик, автор рубрики happen and not all of them are pleasant. and objectively proves that theatre is In Russia political theatre is being taken «Выставки» Yet this is the moment when something not on holidays in summer, vice versa differently in comparison with Common Циничная Джулия из really depends on people’s efforts. it adheres new spectators, new energy. European tradition. And besides here романа «Театр» Сомер- Festival time! is Slovenian theatre, where everything сета Моэма говорила, is still bleeding after the recent Balkan что, если бы актер чув- ЯН ШЕНКМАН war. ствовал то же, что и его литературный критик, НИКОЛАЙ герой, он бы умер на сцене. Выражение автор и редактор ТРОИЦКИЙ «играть на разрыв аорты» было ей не- исторического раздела театровед, автор рубрики ОЛЬГА ФУКС ведомо. Зато это состояние хорошо по- История культуры – та- «Русские истории» заместитель главного нимала Наталья Гундарева. О выставке инственная вещь, пол- Настоящее искусство не редактора, редактор раздела в Доме-музее М.С. Щепкина, посвящен- ная непредсказуемых зависит от смены эпох. «Современный театр» ной жизни актрисы, читайте на стр. 18. открытий, загадок, не- Русский балет пережил В театральных школах ожиданностей. И слава богу. Интерес к и монархию, и револю- их учили представлять ANNA CHEPURNOVA знакомым с детства персонажам со вре- цию, и советскую власть. И не уступил себя в предлагаемых art critic, author of “Exhibition” section менем не угасает, а лишь растет. ни пяди своей славы. обстоятельствах пьесы. Cynical Julia from the novel “Theatre” by Но когда предлагаемыми Somerset Maugham said that if an actor YAN SHENKMAN NICKOLAY TROITSKY обстоятельствами становится больни- felt the same as the character he played, literary critic, author and editor of historic section theatre expert, author of Russian Stories ца, а партнерами – маленькие пациен- he would die onstage. She wasn’t aware of Cultural history is a mysterious thing, The real art doesn’t depend on changes of ты с тяжелейшими диагнозами, про «я» “playing on the edge of a heart break”. But full of unpredictable discoveries, puzzles, eras. Russian ballet survived the monarchy, приходится забыть. И почувствовать
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