A STUDY GUIDE by Katy Marriner
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10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
2019 AACTA AWARDS PRESENTED by FOXTEL All Nominees – by Category FEATURE FILM
2019 AACTA AWARDS PRESENTED BY FOXTEL All Nominees – by Category FEATURE FILM AACTA AWARD FOR BEST FILM PRESENTED BY FOXTEL HOTEL MUMBAI Basil Iwanyk, Gary Hamilton, Julie Ryan, Jomon Thomas – Hotel Mumbai Double Guess Productions JUDY & PUNCH Michele Bennett, Nash Edgerton, Danny Gabai – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING Brad Pitt, Dede Gardner, Jeremy Kleiner, Liz Watts, David Michôd, Joel Edgerton – Plan B Entertainment, Porchlight Films, A Yoki Inc, Blue-Tongue Films THE NIGHTINGALE Kristina Ceyton, Bruna Papandrea, Steve Hutensky, Jennifer Kent – Causeway Films, Made Up Stories RIDE LIKE A GIRL Richard Keddie, Rachel Griffiths, Susie Montague – The Film Company, Magdalene Media TOP END WEDDING Rosemary Blight, Kylie du Fresne, Kate Croser – Goalpost Pictures AACTA AWARD FOR BEST INDIE FILM PRESENTED BY EVENT CINEMAS ACUTE MISFORTUNE Thomas M. Wright, Virginia Kay, Jamie Houge, Liz Kearney – Arenamedia, Plot Media, Blackheath Films BOOK WEEK Heath Davis, Joanne Weatherstone – Crash House Productions BUOYANCY Rodd Rathjen, Samantha Jennings, Kristina Ceyton, Rita Walsh – Causeway Films EMU RUNNER Imogen Thomas, Victor Evatt, Antonia Barnard, John Fink – Emu Runner Film SEQUIN IN A BLUE ROOM Samuel Van Grinsven, Sophie Hattch, Linus Gibson AACTA AWARD FOR BEST DIRECTION HOTEL MUMBAI Anthony Maras – Hotel Mumbai Double Guess Productions JUDY & PUNCH Mirrah Foulkes – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING David Michôd – Plan B Entertainment, Porchlight Films, A Yoki Inc, -
SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free. -
Speech by Ian Darling to Graduating Students, Australian School of Business, University of NSW, April 14, 2008. Chancellor Dean
Speech by Ian Darling to graduating students, Australian School of Business, University of NSW, April 14, 2008. Chancellor_ Dean_ Graduates_ Ladies and Gentlemen It is a great honour to share this happy occasion with you. I congratulate and commend the graduates for the perseverance and hard work that has earned you the success that we are marking today. No doubt many of you have already embarked on your careers, and your time at the Australian School of Business may seem but a distant memory – but the great thing about a good education is that it will stay with you forever. You will be able to apply the tool kits that you have gained from this outstanding institution right throughout your business career. I wish you great success in those careers and hope that every one of you will make a significant contribution to this country in your particular fields of endeavour. I too graduated in business – firstly with a BA in accounting, and after four years of investment banking I followed this up with an MBA. In life you only need to make a few really good decisions in order to have a fulfilling and rewarding career – and I must say my decision to study business, both at an undergraduate and then post graduate level were undoubtedly two of the best decisions I ever made. Business degrees open many doors, and you can apply your skills across so many different spheres, whether it be in the corporate world, or indeed all areas of government, the Arts, as well as the not for profit or philanthropic world. -
Australian Philanthropy Awards Australian Philanthropy Awards 2017
A 2017 Australian Philanthropy Awards Australian Philanthropy Awards 2017 For more about the 2017 Australian Celebrating and recognising Philanthropy Awards go to: extraordinary achievements in www.australianphilanthropyawards.com.au Australian philanthropy. 2017 Australian Philanthropy Awards 1 Message from We are pleased to present the 2017 Australian Philanthropy Awards, which recognise and celebrate Philanthropy the achievements of the philanthropic community. Australia In this, our third Australian Philanthropy Awards, we are celebrating six categories: Leading Philanthropist; Best Large Grant; Best Small Grant, and; Environmental Philanthropy Award, Gender-wise Philanthropy Award Serving the philanthropic and Indigenous Philanthropy Award. All our winners are among the best of the best in our sector who are community to achieve more working to create lasting and positive change. Our thanks go to all of our partners this year, including and better philanthropy. NAB for their ongoing support of Philanthropy Australia, our Best Large Grant Award Sponsor, Best Small Grant Award Sponsor and Indigenous www.philanthropy.org.au Philanthropy Award Partner, Ninti One; Environmental Philanthropy Award Partner, Australian Environmental Grantmakers Network; Gender-wise Philanthropy Award Sponsor, FIIG Securities; Gender-wise Philanthropy Award Presenting Partner, Australian Women Donors Network; Communications Partner, Think HQ; and our Media Partner, Financial Standard. This booklet shares with you the winners, along with a select few nominees that we’re highlighting as special mentions. All nominees for this year’s awards were outstanding, the judges had a very tough job – and our thanks go to them. It is wonderfully inspiring to see so many impressive examples of the ways more and better philanthropy have been created by individuals and organisations across Australia. -
National Portrait Gallery of Australia Annual Report 13/14
National Portrait Gallery of Australia Annual Report 13/14 National Portrait Gallery of Australia Annual Report 13/14 © National Portrait Gallery of Australia 2014 issn 2204-0811 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical (including photocopying, recording or any information storage and retrieval system), without permission from the publisher. This report is also accessible on the National Portrait Gallery’s website portrait.gov.au National Portrait Gallery King Edward Terrace Canberra, Australia Telephone (02) 6102 7000 portrait.gov.au 24 September 2014 Senator the Hon George Brandis qc Attorney-General Minister for the Arts Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the National Portrait Gallery of Australia Board, I am pleased to submit the Gallery’s first independent annual report for presentation to each House of Parliament. The report covers the period 1 July 2013 to 30 June 2014. This report is submitted in accordance with the National Portrait Gallery of Australia Act, 2012 and the Commonwealth Authorities and Companies Act, 1997. The Performance Report has been prepared according to the Commonwealth Authorities (Annual Reporting) Orders 2011. The financial statements were prepared in line with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act, 1997. Yours sincerely Dr Helen Nugent ao Chairman national portrait gallery of australia annual report 2013/14 i Contents Chairman’s letter 3 Director’s report 7 Agency overview 13 Accountability and management 17 Performance summary 23 Report against corporate plan 27 Financial statements 49 Appendices 1. -
Project Summary
PROJECT SUMMARY AN INDEPENDENT REPORT FROM THE NATIONAL YOUTH COMMISSION • APRIL 2008 Funding provided by www.nyc.net.au The CALEDONIA Foundation Australia is facing a crisis in youth homelessness. ABOUT THIS PUBLICATION This Project Summary represents a snapshot of the Australia’s Homeless • Every night 22,000 teenagers are Youth Project 2008, a collaboration between: homeless - twice the number The National Youth Commission (NYC), the first national independent inquiry into youth homelessness since the Burdekin Inquiry in 1989. The National there was 20 years ago. Youth Commission comprised of Major David Eldridge, Associate Professor David MacKenzie, Ms Narelle Clay AM and Father Wally Dethlefs. In 2007, the NYC held 21 days of hearings across all States and Territories. Altogether, • One in two homeless youths are 319 people gave formal evidence and 91 written submissions were received from community organisations, individuals and government departments. turned away from emergency The NYC’s findings, including over 80 recommendations, are published in a major accommodation every night report, Australia’s Homeless Youth © National Youth Commission, 2008, downloadable from www.nyc.net.au because services are full. The Oasis, a major feature documentary, made by Shark Island Productions, in collaboration with ABC Television. Homeless young people participated in the film for over two years, courageously sharing their life experiences. • This is totally unacceptable in a www.theoasismovie.com.au country as prosperous as Australia. The Caledonia Foundation is a private philanthropic foundation with a focus on sustainable futures for young Australians, which funded the NYC, the education and outreach component of The Oasis, and the development of this report. -
Annual Report 2019/20
Published by Screen Australia October 2020 ISSN 1837-2740 © Screen Australia 2020 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2019/20. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data; Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from Mystery Road series 2. Back cover image from Total Control. Screen Australia operates within Australia, with its head office located in Sydney at 45 Jones Street, Ultimo, and an office in Melbourne at 290 Coventry Street, South Melbourne. -
Annualreport 09 14 V5.Indd
ANNUAL REPORT 2013-14 AUSTRALIAN FILM TELEVISION AND RADIO SCHOOL AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Building 130, The Entertainment Quarter, Moore Park NSW 2021 PO Box 2286, Strawberry Hills NSW 2012 Tel: 1300 131 461 Tel + 61 (0)2 9805 6611 Fax + 61 (0)2 9887 1030 www.aftrs.edu.au © Australian Film, Television and Radio School 2014 Published by the Australian Film, Television and Radio School ISSN 0819-2316 The text in this Annual Report is released subject to a Creative Commons BY- NC- ND licence, except for the text of the independent auditor’s report. This means, in summary, that you may reproduce, transmit and otherwise use AFTRS’ text, so long as you do not do so for commercial purposes and do not change it. You must also attribute the text you use as extracted from the Australian Film, Television and Radio School’s Annual Report. For more details about this licence, see http://creativecommons.org/licenses/by-nc-nd/3.0/deed.en_GB. This licence is in addition to any fair dealing or other rights you may have under the Copyright Act 1968. You are not permitted to reproduce, transmit or otherwise use any still photographs included in this Annual Report, without first obtaining AFTRS’ written permission. The report is available at the AFTRS website http://www.aftrs.edu.au Cover: Still from AFTRS award-winning student film, All Gods Creatures 1 AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Building 130, The Entertainment Quarter, Moore Park NSW 2021 PO Box 2286, Strawberry Hills NSW 2012 Tel: 1300 131 461 Tel + 61 (0)2 9805 6611 Fax + 61 (0)2 9887 1030 www.aftrs.edu.au © Australian Film, Television and Radio School 2014 Published by the Australian Film, Television and Radio School ISSN 0819-2316 The text in this Annual Report is released subject to a Creative Commons BY- NC- ND licence, except for the text of the independent auditor’s report. -
Homelessness 2
1 TEACHING RESOURCE HOMELESSNESS 2 This resource is based on THE OASIS documentary. Complimentary copies of the DVD can be obtained from: Shark Island Productions Fox Studios Australia, FSA #75 38 Driver Avenue MOORE PARK NSW 2021 Australia E: [email protected] T: (02) 8353 3623 3 4 6 9 THE OASIS: Module overview Section 1: Background Resource Information information 16 17 31 Section 2: Teaching Module 1: Module 2: Act Now: + learning modules Understanding Making change + taking youth homelessness action 50 62 63 Module 3: Adding Section 3: Useful Appendix 1: Student your voice to the issue resources and handouts handouts 66 81 117 Appendix 2: Support Appendix 3: Student Section 4: Curriculum materials workbooks links 136 Acknowledgements 4 THE OASIS teaching resource Youth homelessness matters Using this resource THE OASIS teaching resource: Youth Homelessness Matters is about raising the awareness of youth homelessness, celebrating the resilience of young people who are experiencing homelessness in Australia and empowering the next generation of young people to take action to prevent youth homelessness in the future. This resource was born out of the popularity of THE OASIS documentary and accompanying study guide in schools. THE OASIS follows Captain Paul Moulds from the Oasis Youth Service in his day to day work with young homeless people in Sydney, Australia. This raw observational documentary filmed over two years, is a tribute to the power of one man’s persistence in the face of seemingly unrelenting darkness. As time unfolds, some of the youth pull themselves out of misfortune and aspire to greater things, while others sink deeper into addiction and desperation. -
Homelessness 2
1 TEACHING RESOURCE HOMELESSNESS 2 This resource is based on THE OASIS documentary. The OASIS documentary can be viewed online at http://theoasismovie.com.au Complimentary copies of the DVD can be obtained from: Shark Island Productions Fox Studios Australia, FSA #75 38 Driver Avenue MOORE PARK NSW 2021 Australia E: [email protected] T: (02) 8353 3623 © The Caledonia Foundation. You may view, display, print out and copy this material for non-commercial educational purposes provided you retain all acknowledgments associated with this material. 3 contents 4 7 9 THE OASIS: Module overview Section 1: Background Resource Information information 14 15 26 Section 2: Teaching Module 1: Module 2: Act Now: + learning modules Understanding Making change + taking youth homelessness action 41 50 58 Module 3: Adding Section 3: Section 4: Curriculum your voice to the issue Useful resources links 68 Acknowledgements Student handouts and workbooks can be downloaded from www.theoasismovie.com.au 4 THE OASIS teaching resource Youth homelessness matters Using this resource THE OASIS teaching resource: Youth Homelessness Matters is about raising the awareness of youth homelessness, celebrating the resilience of young people who are experiencing homelessness in Australia and empowering the next generation of young people to take action to prevent youth homelessness in the future. This resource was born out of the popularity of THE OASIS documentary and accompanying study guide in schools. THE OASIS follows Captain Paul Moulds from THE OASIS Youth Service in his day to day work with young homeless people in Sydney, Australia. This raw observational documentary filmed over two years, is a tribute to the power of one man’s persistence in the face of seemingly unrelenting darkness. -
The Hunting Ground Australia Project – Progress Report, July 2017
THE HUNTING GROUND AUSTRALIA PROJECT THE HUNTING GROUND AUSTRALIA PROJECT PROGRESS REPORT – JULY 2017 1 Progress Report | The Hunting Ground Australia Project | July 2017 THE HUNTING GROUND AUSTRALIA PROJECT The topic of sexual violence can trigger traumatic If you want to make a complaint in relation memories for survivors. Survivors have the right to to an incident: talk about their experiences on their own terms. If you sense that a survivor needs additional AUSTRALIAN HUMAN RIGHTS support, contact the national hotlines: COMMISSION (AHRC) The AHRC can investigate complaints regarding 1800 RESPECT sexual harassment and discrimination at Free and confidential 24/7 National Sexual universities, and attempts to resolve Assault, Domestic and Family Violence complaints through conciliation. Counselling Service. www.humanrights.gov.au/complaint- information Call 1800 RESPECT (1800 737 732) and ask to speak to a trauma counsellor. STATE & TERRITORY www.1800respect.org.au ANTI-DISCRIMINATION BODIES For a comprehensive list of local services in Sexual harassment complaints can also be made your State or Territory, please visit: to local state/territory anti-discriminatory bodies. www.1800respect.org.au/service-support/ www.ag.gov.au/RightsAndProtections/ HumanRights/Pages/Australias-Anti- LIFELINE – CRISIS SUPPORT Discrimination-Law.aspx 24/7 crisis support and suicide OMBUDSMAN’S OFFICES prevention services. Where a survivor believes that a university 13 11 44 has acted unfairly or otherwise mismanaged a www.lifeline.org.au sexual violence case, they may be able to make complaints to an Ombudsman office. Complaints MENSLINE about public universities and higher education Free and confidential 24/7 professional providers can be made to the relevant state/ telephone and online support and information territory Ombudsman.