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Animal Logic Entertainment Launch Australian Based Screenplay Competition
ANIMAL LOGIC ENTERTAINMENT LAUNCH AUSTRALIAN BASED SCREENPLAY COMPETITION Sydney, Australia, 26 August 2020 – Animal Logic Entertainment (ALE), the producing team behind ‘Peter Rabbit’, are excited to launch a new competition to recognise Australian writers in the family entertainment space. The Animal Logic Entertainment Screenplay Competition is open to Australian writers with a feature script in the family animated and family hybrid (live action/animation) space. The Competition offers a prize package of $5,000AUD for the winning entry as well as professional guidance and feedback from Producer Zareh Nalbandian, EVP Development and Production, Jonathan Hludzinski and VP Development & Production, Felicity Staunton. “We have always been committed to leveraging our profile to support and promote Australian talent,” says Nalbandian. “Over the past several years we have had the privilege of working with some of the best writers in the industry to develop entertaining and engaging stories for audiences around the world, and through this program we look forward to opening our doors to Australian writers with a compelling story to tell.” “We are experiencing an incredible time for animation and it has never been more important to uncover new voices in family entertainment”, added Hludzinski and Staunton. “We are looking for talented writers who understand tone and audience, have an original or unexpected perspective, and a lot of heart. We want to hear from Australian writers from all backgrounds and are excited to be able to support projects that we believe can succeed in both the Australian and international markets.” The competition is open to writers of all levels who are current Australian citizens or permanent residents. -
Brenton Goodwin
SUMMARY Brenton Senior Modeller, Sculptor and Character Artist with over 13 years industry Goodwin experience in just about everything, from film VFX, animated features, games, VR, game cinematics, trailers and TV commercials. Senior Modeller/ Sculptor EXPERIENCE / Character Artist Defiant Studios/ Character Artist December 2017 - April 2019, New York [email protected] Real time character and prop asset development, design sculpts, modelling high and low poly assets, baking, texturing and implementation into Unreal Engine 4 for next gen titles. 917 355 0801 Real time character modeling, sculpting and texturing for external clients brenton3d.com In coordination with Technical and Animation departments to develop and implement the character pipeline, ongoing RnD, scheduling and bidding. LinkedIn Titles include: Lords of the Fallen 2, Warframe, Internal pitch work and unannounced projects. ArtStation Dreamsail Games/ Character Artist IMDb June 2017 - December 2017, New York Real time character and environmental asset development, modelling and sculpting high and low poly assets, baking, texturing. Developing and implementing a studio asset pipeline, on going RnD, managing and mentoring junior artists. SKILLS The iOTA Project, a VR Mech combat game using Unreal Engine 4, released on Steam. Animal Logic/ Senior Modeller and Creature Artist Organic and hard surface August 2014 - May 2017, Sydney Australia modelling and sculpting, Photo real character and creature sculpting for feature animations and film VFX. Hard surface and texturing, animation, pre- organic modelling from concept art, set extensions including photogrammetry and scene layout. Working visualization, scene layout, with all department heads to develop scenes from pre-production through to final render. Features include: Peter Rabbit, The LEGO Batman Movie, The LEGO NINJAGO Movie, The Divergent art direction, asset Series: Allegiant Part 1, The Monk Comes Down the Mountain, ACURA TVC’s. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Animal Logic
SUCCESS STORY | ANIMAL LOGIC STREAMLINING PRODUCTION AND TRAINING WITH NVIDIA QUADRO VDWS Image Courtesy of Warner Bros. Pictures VIRTUAL GPU-POWERED VMS OFFER A FLEXIBLE ALTERNATIVE TO PHYSICAL SECONDARY MACHINES INTRODUCTION Animal Logic is recognized as one of the world’s leading independent creative digital studios. For over 25 years, it has produced visual effects and animation for numerous award- winning feature films, including Peter Rabbit, Happy Feet, The Matrix, 300, Moulin Rouge!, and The LEGO Movie. Founded in Image Courtesy of Warner Bros. Pictures Sydney, Australia and with offices in Los Angeles, USA, the company expanded in 2015, opening a second creative studio in SUMMARY Vancouver, Canada. > Animal Logic Studios creates visual effects and animation for feature films. > Its second studio needed a cost-effective CHALLENGE STATEMENT and flexible way to provide users with secondary desktops. Following the announcement of a three-picture deal with Warner > The IT team deployed VMs powered by Bros, Animal Logic opened a second creative studio in Vancouver NVIDIA Quadro® Virtual Data Center Workstation (Quadro vDWS) instead of in late 2015. With production for the first film, The LEGO Movie 2: purchasing new $10,000 workstations. The Second Part scheduled to begin early 2016, Animal Logic had > Today NVIDIA vGPU-enabled VMs ensure users can access both Linux- and a small window to set up the new studio. This presented many Windows-based applications from a challenges — the biggest being machine inventory. “We started single machine. the site from the ground up, purchasing brand-new workstations > A flexible training environment can also be setup and broken down in a matter of for about 275 employees,” said Gino del Rosario, Head of minutes. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
A STUDY GUIDE by Katy Marriner
© ATOM A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN-13-978-1-74295-072-3 http://www.theeducationshop.com.au PLEASE NOTE: TEACHERS ARE ADVISED TO PREVIEW THE FILM BEFORE SHOWING IT TO STUDENTS. STUDENTS SHOULD ALSO BE BRIEFED ABOUT THE CONTENT AND PURPOSE OF WALL BOY PRIOR TO VIEWING. WALL BOY WALL BOY is a sensitive account of the issues facing vulnerable young people in contemporary Australian society. The film is both unsettling and brave in its dramatisation of the fractured world of a vulnerable adolescent. Some students may find the references to sex and drugs too confronting and the dimensions of the narrative too upsetting. This study guide accompanies the short fiction film WALL BOY by Shark Island Productions, makers of THE OASIS documentary. It has been written for senior secondary students and practitioners, and provides information and suggestions for learning activities in English, Drama, Health and Human Development, Media, Religion and Society, VCE VET Community Services and curriculum projects exploring social justice issues in contemporary Australian society. WALL BOY could also be shown to teachers as part of professional development sessions addressing student welfare and pastoral care. Some of the questions and activities in this study guide will be of use to organisations, community groups and counselling services that support vulnerable young people. WALL BOY is the story of a vulnerable sixteen- year-old boy forced to work as a male sex worker at a notorious spot in inner city Sydney called The Wall. A youth worker from the Salvation Army’s outreach bus tries to reach out to him, but the © ATOM SCREEN EDUCATION boy won’t speak or even make eye contact. -
Camilla Ah Kin
CAMILLA AH KIN AWARDS / NOMINATIONS 2011 Jeffrey Joynton-Smith Memorial Award - Best Supporting, Silent Disco 2008 Sydney Theatre Awards, Nomination - Best Supporting Actress, The Nightwatchman THEATRE Fat Fatima Creative development Riverside Theatre Burung Kaka Tua Creative development PWA Australiana-rama Parnia – Reading Belvoir Theatre Nana & Bertah Creative development Riverside Theatre True West – The Garage Sale Performer Riverside (Dir: Courtney Stewart) The Martin Lysicrates Prize Performer ATYP @ Riverside Theatre La Boite Highway Festival 2019 Performer La Boite Theatre (Dir: Sanja Simic) Kindertransport Evelyn Darlinghurst Theatre Co (Dir: Sandie Eldridge) Antony & Cleopatra Cleopatra Sport for Jove (Dir: Damien Ryan) Asylum Main cast Apocalypse Theatre Co (Dir: Dino Dimitriadis) Jump for Jordan Azza Griffin Theatre Co. (Dir: Iain Sinclair) The Hansard Monologues Julia Gillard (+ various Politicians) Seymour Centre (Dir: Tim Jones) Romeo & Juliet Lady Capulet Bell Shakespeare/Brisbane (Dir: Damien Ryan) Silent Disco Ms Petchell/Dezzie/Auntie/Leanne Griffin /HotHouse/ATYP/Full Tilt/VAC (Dir: Lee Lewis) Shafana and Aunt Sarrinah Sarrinah Alex Buzo Co /Seymour (Dir: Aarne Neeme) As You Like It Duchess/ Audrey Bell Shakespeare Company (Dir: John Bell) The Nightwatchman Helen Griffin Theatre Co (Dir: Lee Lewis) Boy Gets Girl Madeleine Sydney Theatre Co (Dir: Robyn Nevin) Small Poppies Lep Dublin Theatre /Belvoir St (Dir: Neil Armfield) Three Sisters Masha Theatre Hydra@ Old Fitzroy (Dir: Francesca Smith) Ship of Fools Louise Griffin -
2019 AACTA AWARDS PRESENTED by FOXTEL All Nominees – by Category FEATURE FILM
2019 AACTA AWARDS PRESENTED BY FOXTEL All Nominees – by Category FEATURE FILM AACTA AWARD FOR BEST FILM PRESENTED BY FOXTEL HOTEL MUMBAI Basil Iwanyk, Gary Hamilton, Julie Ryan, Jomon Thomas – Hotel Mumbai Double Guess Productions JUDY & PUNCH Michele Bennett, Nash Edgerton, Danny Gabai – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING Brad Pitt, Dede Gardner, Jeremy Kleiner, Liz Watts, David Michôd, Joel Edgerton – Plan B Entertainment, Porchlight Films, A Yoki Inc, Blue-Tongue Films THE NIGHTINGALE Kristina Ceyton, Bruna Papandrea, Steve Hutensky, Jennifer Kent – Causeway Films, Made Up Stories RIDE LIKE A GIRL Richard Keddie, Rachel Griffiths, Susie Montague – The Film Company, Magdalene Media TOP END WEDDING Rosemary Blight, Kylie du Fresne, Kate Croser – Goalpost Pictures AACTA AWARD FOR BEST INDIE FILM PRESENTED BY EVENT CINEMAS ACUTE MISFORTUNE Thomas M. Wright, Virginia Kay, Jamie Houge, Liz Kearney – Arenamedia, Plot Media, Blackheath Films BOOK WEEK Heath Davis, Joanne Weatherstone – Crash House Productions BUOYANCY Rodd Rathjen, Samantha Jennings, Kristina Ceyton, Rita Walsh – Causeway Films EMU RUNNER Imogen Thomas, Victor Evatt, Antonia Barnard, John Fink – Emu Runner Film SEQUIN IN A BLUE ROOM Samuel Van Grinsven, Sophie Hattch, Linus Gibson AACTA AWARD FOR BEST DIRECTION HOTEL MUMBAI Anthony Maras – Hotel Mumbai Double Guess Productions JUDY & PUNCH Mirrah Foulkes – Vice Media LLC, Blue-Tongue Films, Pariah Productions THE KING David Michôd – Plan B Entertainment, Porchlight Films, A Yoki Inc, -
SQ Annual Review 2017-18
17 > Celeste ANNUAL REVIEW 18 CONTACT Head Office Address: Gold Coast Office Address: Suite 1/30 Florence Street c/o Village Roadshow Studios Newstead Qld 4006 Building 9A, Entertainment Road Australia Oxenford QLD 4210 T. +61 7 3248 0500 Australia E. [email protected] Postal Address: PO Box 15094 City East Brisbane Qld 4002 Australia Screen Queensland's purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. > Harrow Screen Queensland ACN 056 169 316 ABN 20 056 169 316 Published by Screen Queensland 2018 Also published on screenqld.com.au -------------------------------------------------------------------------------------------------------------------------------------------------------- All figures noted in this Annual Report, including Queensland Production Expenditure (QPE) and jobs, are for the productions given funding in the 2017-18 Financial Year which may or may not have gone into principal photography. > Cover image - Tidelands In the 2017–18 Financial Year, Screen Queensland funded 28 film and television screen productions and games, which generated an estimated $168 million in direct Queensland Production Expenditure (QPE) and more than 1,960 employment opportunities for Queenslanders. > CONTENTS Message from The Premier of Queensland 5 Screen Queensland Chair 7 Look What We Achieved Together 8 2017-18 Highlights 10 Production in Queensland 14 New Initiatives in Screen 18 Screen Support Programs 26 Production Attraction Funding Program 30 Dora the -
Top Pick Wednesday 21 March 9.00Pm
1 Top Pick Wednesday 21 March 9.00pm Sando Victoria ‘Sando’ Sandringham (Sasha Horler) is the charismatic loose cannon CEO, and public face of, beloved department store chain ‘Sando’s Warehouse’. Australia knows Sando as the larrikin ‘Package Deal Queen’, a born performer who for decades starred alongside her young family in their own furniture commercials. But things began to unravel for Sando the day of her daughter Susie’s wedding, when it is revealed that following a drunken night at a family weekend away, she became pregnant to Susie’s fiancé, Kevin (Firass Dirani), and was excommunicated from the family. Ten years later we catch up with Sando, freshly removed from her own company by her nemesis company CFO Tony (Rob Carlton), following one too many all-night benders. Her assets frozen and with nowhere else to go, Sando realises she must reconnect with her family if she’s to have any chance of rekindling the halcyon days. While granddaughter Rian (Sierra Lewis) is easily won over – as is son Eric (Dylan Hesp) for whom the parental flame was never extinguished - daughter Susie (Krew Boylan) has a much larger axe to grind. Even though she’s now happily married to dependable Gary (Uli Latukefu), Susie has never forgiven Sando and doesn’t intend to now that she’s back. Fearing another banishment, Sando fakes a stroke in order to buy a few crucial days to convalesce in the family’s pool house. Then, by blackmailing her ex-husband Don (Phil Lloyd) and Susie’s best friend and live-in life coach Nicky (Adele Vuko), Sando manages to further extend her stay. -
Australian Philanthropy Awards Australian Philanthropy Awards 2017
A 2017 Australian Philanthropy Awards Australian Philanthropy Awards 2017 For more about the 2017 Australian Celebrating and recognising Philanthropy Awards go to: extraordinary achievements in www.australianphilanthropyawards.com.au Australian philanthropy. 2017 Australian Philanthropy Awards 1 Message from We are pleased to present the 2017 Australian Philanthropy Awards, which recognise and celebrate Philanthropy the achievements of the philanthropic community. Australia In this, our third Australian Philanthropy Awards, we are celebrating six categories: Leading Philanthropist; Best Large Grant; Best Small Grant, and; Environmental Philanthropy Award, Gender-wise Philanthropy Award Serving the philanthropic and Indigenous Philanthropy Award. All our winners are among the best of the best in our sector who are community to achieve more working to create lasting and positive change. Our thanks go to all of our partners this year, including and better philanthropy. NAB for their ongoing support of Philanthropy Australia, our Best Large Grant Award Sponsor, Best Small Grant Award Sponsor and Indigenous www.philanthropy.org.au Philanthropy Award Partner, Ninti One; Environmental Philanthropy Award Partner, Australian Environmental Grantmakers Network; Gender-wise Philanthropy Award Sponsor, FIIG Securities; Gender-wise Philanthropy Award Presenting Partner, Australian Women Donors Network; Communications Partner, Think HQ; and our Media Partner, Financial Standard. This booklet shares with you the winners, along with a select few nominees that we’re highlighting as special mentions. All nominees for this year’s awards were outstanding, the judges had a very tough job – and our thanks go to them. It is wonderfully inspiring to see so many impressive examples of the ways more and better philanthropy have been created by individuals and organisations across Australia. -
30 November 2012 Volume: 22 Issue: 23 Keating's
30 November 2012 Volume: 22 Issue: 23 Keating’s Timor and Carr’s Papua Frank Brennan ...........................................1 Interfaith pioneer’s search for the sacred Peter Kirkwood ..........................................4 Family Christmas torture and triumph Tim Kroenert ............................................6 Confessional debate is a Royal Commission red herring Chris McGillion ...........................................8 East Timor’s lessons for our abuse Royal Commission Pat Walsh ............................................. 10 Peer pressure could save the military Evan Ellis ............................................. 13 Parable of the inhospitable hospital Andrew Hamilton ........................................ 16 Four Chinese poems Ouyang Yu ............................................ 19 Dysfunctional Church stares into the abuse abyss Michael Kelly ........................................... 23 Unclenching the despotic fist in Burma Duncan MacLaren ....................................... 25 Rejection of women bishops is not terminal Andrew McGowan ....................................... 27 ‘No advantage’ policy more harmful than leaky boats Michael Mullins ......................................... 29 The sinister side of African Aid Ellena Savage .......................................... 30 On breaking the seal of confession Geoffrey Robinson ....................................... 32 Talking to children about the Royal Commission Kristina Keneally ........................................ 34 Church needs to