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The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
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BERLINALE SPECIAL TOP OF THE LAKE Jane Campion Bis zur Brust steht die zwölfjährige Tui im eiskalten See in der neusee- Australien/Neuseeland 2012 Garth Davis ländischen Provinz. Sie hat offensichtlich mit dem Gedanken gespielt, Länge 350 Min. · Format DCP · Farbe sich umzubringen. Es stellt sich heraus, dass sie im fünften Monat STABLISTE schwanger ist. Die Polizistin Robin, die vorübergehend in ihren Heimat- Regie Jane Campion, Garth Davis ort versetzt wurde, wird als Spezialistin für Kindesmissbrauch von der Buch Jane Campion, Gerard Lee örtlichen Polizei eingeschaltet. Doch noch bevor sie eine Beziehung zu Kamera Adam Arkapaw dem Mädchen aufbauen kann, verschwindet Tui spurlos, und eine breit Schnitt Alexandre De Franceschi, angelegte Suchaktion beginnt. Um das Netz der Intrigen und Machen- Scott Gray schaften zu zerschlagen, muss sich Robin ihrer eigenen Vergangenheit Musik Mark Bradshaw stellen. Zur gleichen Zeit richtet sich am See eine Frauenkommune in Ausstattung Fiona Crombie BIOGRAFIE Art Director Ken Turner Jane Campion Geboren 1954 in Wellington, einer verwunschenen Landschaft aus Containern ein. Angeführt wird sie von einer geheimnisvollen Frau mit langen weißen Haaren. Kostüm Emily Seresin Neuseeland. Sie studierte zwei Jahre Malerei Maske Noriko Watanabe Mit ihrer sechsteiligen TV-Serie heben die Regisseurin Jane Campion und wechselte 1981 auf die Australian Film Produzentin Phillippa Campbell Television and Radio School. 1986 wurde ihr und ihr Co-Regisseur Garth Davis das Erzählen in Fernsehformaten auf Ausführende Produzenten Emile Sherman, Kurzfilm AN EXERCISE IN DISCIPLINE – PEEL eine neue ästhetische Stufe. Alle Elemente eines spannenden Krimis Iain Canning mit der Goldenen Palme ausgezeichnet. 1991 sind da. Eingebettet in eine magisch-mystische Landschaft, zeichnet mit AN ANGEL AT MY TABLE Gast des Forums. -
Filming Begins on Fighting Season a Foxtel Original Drama
Media Release: Monday, May 8 2017 Filming begins on Fighting Season A Foxtel original drama L-R: Jay Ryan, Ewen Leslie (sitting) George Pullar, Paul De Gelder , Marco Alosio, Julian Maroun (sitting), Photo by Mark Rogers Foxtel today announced that Fighting Season, a complex, character-driven drama about Australian soldiers returning from Afghanistan, begins filming this week in Sydney with a superb ensemble cast. Jay Ryan (Beauty and the Beast, Top of the Lake,) Ewen Leslie (Top of the Lake, The Daughter), and Kate Mulvany (Secret City, The Great Gatsby), headline a cast that also includes new and diverse talent including George Pullar (A Place to call Home S5), Marco Alosio, Julian Maroun, Paul De Gelder, Sarah Armanious and Sabryna Walters. Lucy Bell, Lex Marinos, David Roberts, Camilla Ah Kin, Ching Po and Jay Lagaiai will play supporting roles. The series will be helmed by the award-winning Director Kate Woods (Looking for Alibrandi), who returns to Australia after a decade in the US working on shows such as Law and Order SVU, Nashville and Suits. Also directing is the dynamic Ben Lucas (Wasted on the Young). Fighting Season, from production company Goalpost Pictures (Cleverman,The Sapphires) and writer Blake Ayshford (Barracuda, Devil’s Playground) is the story about the invisible men and women who fight for our country, what they bring home and what of themselves they leave behind, and the secrets that must remain hidden. The six-part event drama is a compelling mystery regarding a possible cover-up where the lines between killer and family man, between hero and victim, between truth and imagination, are constantly shifting. -
SQ Annual Review 2017-18
17 > Celeste ANNUAL REVIEW 18 CONTACT Head Office Address: Gold Coast Office Address: Suite 1/30 Florence Street c/o Village Roadshow Studios Newstead Qld 4006 Building 9A, Entertainment Road Australia Oxenford QLD 4210 T. +61 7 3248 0500 Australia E. [email protected] Postal Address: PO Box 15094 City East Brisbane Qld 4002 Australia Screen Queensland's purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. > Harrow Screen Queensland ACN 056 169 316 ABN 20 056 169 316 Published by Screen Queensland 2018 Also published on screenqld.com.au -------------------------------------------------------------------------------------------------------------------------------------------------------- All figures noted in this Annual Report, including Queensland Production Expenditure (QPE) and jobs, are for the productions given funding in the 2017-18 Financial Year which may or may not have gone into principal photography. > Cover image - Tidelands In the 2017–18 Financial Year, Screen Queensland funded 28 film and television screen productions and games, which generated an estimated $168 million in direct Queensland Production Expenditure (QPE) and more than 1,960 employment opportunities for Queenslanders. > CONTENTS Message from The Premier of Queensland 5 Screen Queensland Chair 7 Look What We Achieved Together 8 2017-18 Highlights 10 Production in Queensland 14 New Initiatives in Screen 18 Screen Support Programs 26 Production Attraction Funding Program 30 Dora the -
Strange Interlude
Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way. -
Who's Got It, Who's Lost It, and Who's Behind the Scenes
Trump v the swamp Mike Baird Ninja Warriors Leaks flood the White House Why I quit politics TV’s hit machine brothers OCTOBER 2017 POWER 2017 Who’s got it, who’s lost it, and who’s behind the scenes 8 LEAH PURCELL Actor, playwright, director Because: She allows white audiences to see from an Aboriginal perspective. Her radical adaptation of Henry Lawson’s The Drover’s Wife broke new ground for Australian theatre. Among its string of awards was the NSW Premier’s Literary Award for best drama, whose judges described it as “a declaration of war on Australia’s wilful historical amnesia”. Purcell, a Goa-Gunggari-Wakka Wakka Murri woman, uses the full arsenal of drama to tell new stories. In 2016 she co-directed Cleverman, which screened on ABC TV and meshed Aboriginal dreamtime stories into contemporary sci-fi genre. She also co-directed The Secret Daughter, which screened on Seven Network last year and has now been signed for a second series. Starring Jessica Mauboy, it marks the first time a commercial network has put an Indigenous Australian as the lead in a drama series. Season one was the second-highest rating drama for the year. What the panel says: She’s an Indigenous woman with a very political view. The Drover’s Wife was an incredible achievement and will make for a brilliant film. She also has two mainstream TV series on air and she’s winning every single award. – Graeme Mason The Drover’s Wife told the story in a completely different way to which it has been told before. -
The Paul Hogan Story
Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
Golden Globe Success for Uktv Co-Production Top of the Lake from See-Saw Films
Monday January 13, 2014 GOLDEN GLOBE SUCCESS FOR UKTV CO-PRODUCTION TOP OF THE LAKE FROM SEE-SAW FILMS Elisabeth Moss has scooped the award for Best Actress in a Mini-Series or TV Movie for her portrayal of troubled detective Robin Griffin in Jane Campion’s Top of the Lake. Top of the Lake was also nominated for Best TV Mini-Series/Movie. The powerful and haunting mystery from Australian production powerhouse See-Saw Films, which was filmed on location on the South Island of New Zealand, is co-produced by UKTV in Australia and New Zealand, BBC Two in the UK and Sundance Channel in the US. Starring Elisabeth Moss, David Wenham, Peter Mullan, Thomas M Wright and Holly Hunter, the series attracted strong audiences and critical acclaim when it was aired on UKTV on Foxtel last year. Jon Penn, Managing Director of BBC Worldwide ANZ said: “I am thrilled to offer our congratulations to Elisabeth and the rest of the very talented team behind Top of the Lake. These are very exciting times for the television industry in Australia and New Zealand I am very proud that UKTV has been part of this unique series.” The series is co-written by Jane Campion and Gerard Lee, co-directed by Campion and rising Australian director Garth Davis and is executive produced by Academy Award® winners Emile Sherman and Iain Canning (The King’s Speech, Shame) of See-Saw Films, and produced by Philippa Campbell (No. 2, Rain) of Escapade Pictures. Screen Australia and Screen NSW provided investment with Fulcrum Media Finance funding the New Zealand Screen Production Incentive Fund (SPIF) and the Australian Producer Offset. -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera. -
A Critical Companion to Jane Campion
H-Film Call for chapters: A Critical Companion to Jane Campion Discussion published by Elif Sendur on Monday, July 26, 2021 deadline for submissions: October 30, 2021 full name / name of organization: Elsa Colombani / Independant Scholar ; Eurydice Da Silva, Associate Professor / Sorbonne Nouvelle University Paris 3 contact email: [email protected] A Critical Companion to Jane Campion Edited by Elsa Colombani and Eurydice Da Silva Part of the Critical Companion to Popular Directors series edited by Adam Barkman and Antonio Sanna 2021 marks the triumphant return of filmmaker Jane Campion. After a twelve-year absence from movie screens and a foray into television with the much-acclaimed series Top of the Lake (2014), Campion returns with a new film, The Power of the Dog, an adaptation of Thomas Savage’s 1967 novel, which will be distributed by Netflix and released next fall. In addition, the director will receive the prestigious Lumière Award, to honor a career which is marked by outstanding achievements and a diverse body of work with a distinct poetic style and cohesive themes. Over the past 35 years, Jane Campion directed 8 feature films, a number of shorts, and helmed two seasons of a TV series. From Sweetie (1989) to Bright Star (2009), she explored femininity through a gallery of female characters at odds with the world they inhabit. Focusing on the female psyche and sexuality, she delved into different film genres, from the road movie (Holy Smoke, 1999) to the thriller (In the Cut, 2003), often finding her inspiration in great literary works (An Angel at my Table, 1990 ; The Portrait of a Lady, 1996). -
Le 2 Septembre Au Cinéma
DOSSIER DE PRESSE LE 2 SEPTEMBRE AU CINÉMA Distribution & Presse SPLENDOR FILMS - 2 bld Saint-Denis 75010 PARIS - T. 09 81 09 83 55 www.splendor-films.com Synopsis Psychologiquement et affectivement perturbée, Kay éprouve de profondes angoisses dans la vie. Son mariage avec Louis n’arrange que momentanément les choses. Le retour de sa sœur aînée Sweetie, va bouculer l’existence du couple. Notes de la réalisatrice « L’expérience des festivals comme Cannes ou ailleurs m’a fait me rendre compte que les gens semblaient apprécier le style de films que j’avais commencé à faire. Ça m’a décidé à essayer de faire un long métrage moderne à petit budget attaché à mon propre style. Je pensais que si nous ne demandions pas beaucoup d’argent, on nous laisserait essayer quelque chose de peu commun. Je me disais qu’il aurait été fantastique de faire un film avec la génération de cinéastes avec qui j’ai grandi. Pour la plupart d’entre nous, ce fut notre premier long métrage. » JANE CAMPION Entretien avec Jane Campion Propos recueillis par Michel Ciment (Cannes, 17 mai 1989) Extraits tirés de Jane Campion par Jane Campion, Michel Ciment, Éditions Cahiers du Cinéma, 2014 « Qu’avez-vous fait pendant ces trois années qui séparent vos courts métrages de Sweetie ? Après la présentation de mes films au Festival de Cannes, j’ai réfléchi à ce que j’allais entreprendre dans la mesure où des possibilités s’ouvraient à moi. Le premier projet que je voulais mener à bien c’était Sweetie, car il me semblait reposer sur le point de vue le plus moderne et le plus provocateur.