The Hunting Ground Australia Project – Progress Report, July 2017
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10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
A STUDY GUIDE by Katy Marriner
© ATOM A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN-13-978-1-74295-072-3 http://www.theeducationshop.com.au PLEASE NOTE: TEACHERS ARE ADVISED TO PREVIEW THE FILM BEFORE SHOWING IT TO STUDENTS. STUDENTS SHOULD ALSO BE BRIEFED ABOUT THE CONTENT AND PURPOSE OF WALL BOY PRIOR TO VIEWING. WALL BOY WALL BOY is a sensitive account of the issues facing vulnerable young people in contemporary Australian society. The film is both unsettling and brave in its dramatisation of the fractured world of a vulnerable adolescent. Some students may find the references to sex and drugs too confronting and the dimensions of the narrative too upsetting. This study guide accompanies the short fiction film WALL BOY by Shark Island Productions, makers of THE OASIS documentary. It has been written for senior secondary students and practitioners, and provides information and suggestions for learning activities in English, Drama, Health and Human Development, Media, Religion and Society, VCE VET Community Services and curriculum projects exploring social justice issues in contemporary Australian society. WALL BOY could also be shown to teachers as part of professional development sessions addressing student welfare and pastoral care. Some of the questions and activities in this study guide will be of use to organisations, community groups and counselling services that support vulnerable young people. WALL BOY is the story of a vulnerable sixteen- year-old boy forced to work as a male sex worker at a notorious spot in inner city Sydney called The Wall. A youth worker from the Salvation Army’s outreach bus tries to reach out to him, but the © ATOM SCREEN EDUCATION boy won’t speak or even make eye contact. -
The Hunting Ground” Director
Date: January 11, 2017 (Wednesday) Kirby Dick is an Academy Award®- nominated and two-time Emmy Award®-winning documentary film Screening of “The Hunting Ground” director. His most recent feature, THE INVISIBLE WAR, a Wednesday, 11 January 2017, 5:30pm - 7:30pm groundbreaking investigation into 11/F, Cheng Yu Tung Tower, Centennial Campus, HKU the epidemic of rape within the U.S. Co-organized by the Centre for Comparative and Public Law, Women’s Studies military, won 2014 Emmy Awards Research Centre, The University of Hong Kong. for Best Documentary and Outstanding Investigative The statistics are staggering. One in five women in college are sexually assaulted, Journalism, Long Form; a 2013 yet only a fraction of these crimes are reported, and even fewer result in Peabody Award; and the 2012 punishment for the perpetrators. From the intrepid team behind The Invisible War Sundance Film Festival Audience comes The Hunting Ground, a piercing, monumental exposé of rape culture on Award. It was also nominated for an Academy Award®- for Best campuses, poised to light a fire under a national debate. Documentary Feature.Dick’s prior In a tour de force of verité footage, expert insights, and first-person testimonies, film, OUTRAGE, an indictment of the film follows undergraduate rape survivors pursuing both their education and the hypocrisy of powerful, closeted justice, despite ongoing harassment and the devastating toll on them and their politicians and the institutions that families. protect them, was nominated for an Emmy for Outstanding Scrutinizing the gamut of elite Ivies, state universities, and small colleges, Investigative Journalism. In 2006 he filmmakers Kirby Dick and Amy Ziering reveal an endemic system of institutional directed THIS FILM IS NOT YET cover-ups, rationalizations, victim-blaming, and denial that creates perfect storm RATED, a breakthrough conditions for predators to prey with impunity. -
Ending Sexual Violence in One Generation
Ending Sexual Violence in One Generation A progress report for the United States Raliance is a collaborative initiative dedicated to ending sexual violence in one generation. Composed of three top sexual violence prevention organizations – the National Sexual Violence Resource Center (NSVRC), the California Coalition Against Sexual Assault (CALCASA)- PreventConnect and the National Alliance to End Sexual Violence (NAESV) – Raliance serves as the central hub for effective allocation and distribution of programmatic funding in sexual violence prevention and as the go-to resource for policymakers, advocates, service providers and the media. Raliance is funded through a $10 million multiyear commitment from the National Football League. The name was inspired by the entity’s intent to rally engagement from stakeholders and align goals and resources behind its overarching mission of putting a stop to sexual violence once and for all. Learn more at Raliance.org. Ending Sexual Violence in One Generation Executive summary This report analyzes progress in the movement to end sexual violence and how it is shaping public conversation and, ultimately, our culture in how we address this important societal issue. Although much work remains to be done, significant accomplishments have been made and additional positive changes are underway. Understanding this watershed moment and the potential to create real and lasting cultural change requires a nuanced discussion about many on-going contributing factors, including the following: • Media – including entertainment and news channels – help shape the national conversation about sexual violence. These platforms have the ability to tell more complete stories that enhance the public’s understanding of sexual violence and break down misconceptions and myths. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free. -
Speech by Ian Darling to Graduating Students, Australian School of Business, University of NSW, April 14, 2008. Chancellor Dean
Speech by Ian Darling to graduating students, Australian School of Business, University of NSW, April 14, 2008. Chancellor_ Dean_ Graduates_ Ladies and Gentlemen It is a great honour to share this happy occasion with you. I congratulate and commend the graduates for the perseverance and hard work that has earned you the success that we are marking today. No doubt many of you have already embarked on your careers, and your time at the Australian School of Business may seem but a distant memory – but the great thing about a good education is that it will stay with you forever. You will be able to apply the tool kits that you have gained from this outstanding institution right throughout your business career. I wish you great success in those careers and hope that every one of you will make a significant contribution to this country in your particular fields of endeavour. I too graduated in business – firstly with a BA in accounting, and after four years of investment banking I followed this up with an MBA. In life you only need to make a few really good decisions in order to have a fulfilling and rewarding career – and I must say my decision to study business, both at an undergraduate and then post graduate level were undoubtedly two of the best decisions I ever made. Business degrees open many doors, and you can apply your skills across so many different spheres, whether it be in the corporate world, or indeed all areas of government, the Arts, as well as the not for profit or philanthropic world. -
Sexual Assaults on Campus Need to Be Addressed
City University of New York (CUNY) CUNY Academic Works Publications and Research Baruch College 2015 Sexual assaults on campus need to be addressed Aldemaro Romero Jr. CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_pubs/917 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Monday, December 21, 2015 — www.theintelligencer.com Page 3 Regional Sexual assaults on campus need to be addressed In the last few weeks two films have been campuses. (if not totally covering up) the problem. And some released that on the surface seem to be unrelated But, obviously, that has not been enough. Now of them have already taken a lot of heat for their in content, but are closely linked in their message. Dr. Aldemaro Romero Jr. states from Connecticut to California have come stances, such as the president of the University The first of those films is “Spotlight.” It tells the Letters from Academia up with tougher legislation aimed at colleges of Iowa, Sally Mason, who said in an interview true story of how a team of reporters for The Boston and universities to take more firm stances in pre- that sexual crimes were part of “human nature.” Globe worked to uncover a pattern of sexual abuse during the last few years at both prestigious Ivy venting, reporting and handling sexual assaults. Bryan Golden, the campus police chief at Abraham of children and its cover-up in Massachusetts by League institutions and smaller lesser-known ones. -
Australian Philanthropy Awards Australian Philanthropy Awards 2017
A 2017 Australian Philanthropy Awards Australian Philanthropy Awards 2017 For more about the 2017 Australian Celebrating and recognising Philanthropy Awards go to: extraordinary achievements in www.australianphilanthropyawards.com.au Australian philanthropy. 2017 Australian Philanthropy Awards 1 Message from We are pleased to present the 2017 Australian Philanthropy Awards, which recognise and celebrate Philanthropy the achievements of the philanthropic community. Australia In this, our third Australian Philanthropy Awards, we are celebrating six categories: Leading Philanthropist; Best Large Grant; Best Small Grant, and; Environmental Philanthropy Award, Gender-wise Philanthropy Award Serving the philanthropic and Indigenous Philanthropy Award. All our winners are among the best of the best in our sector who are community to achieve more working to create lasting and positive change. Our thanks go to all of our partners this year, including and better philanthropy. NAB for their ongoing support of Philanthropy Australia, our Best Large Grant Award Sponsor, Best Small Grant Award Sponsor and Indigenous www.philanthropy.org.au Philanthropy Award Partner, Ninti One; Environmental Philanthropy Award Partner, Australian Environmental Grantmakers Network; Gender-wise Philanthropy Award Sponsor, FIIG Securities; Gender-wise Philanthropy Award Presenting Partner, Australian Women Donors Network; Communications Partner, Think HQ; and our Media Partner, Financial Standard. This booklet shares with you the winners, along with a select few nominees that we’re highlighting as special mentions. All nominees for this year’s awards were outstanding, the judges had a very tough job – and our thanks go to them. It is wonderfully inspiring to see so many impressive examples of the ways more and better philanthropy have been created by individuals and organisations across Australia. -
Academy Invites 842 to Membership
MEDIA CONTACT [email protected] July 1, 2019 FOR IMMEDIATE RELEASE ACADEMY INVITES 842 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 842 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. The 2019 class is 50% women, 29% people of color, and represents 59 countries. Those who accept the invitations will be the only additions to the Academy’s membership in 2019. Six individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2019 invitees are: Actors Adewale Akinnuoye-Agbaje – “Suicide Squad,” “Trumbo” Yareli Arizmendi – “A Day without a Mexican,” “Like Water for Chocolate” Claes Bang – “The Girl in the Spider’s Web,” “The Square” Jamie Bell – “Rocketman,” “Billy Elliot” Bob Bergen – “The Secret Life of Pets,” “WALL-E” Bruno Bichir – “Crónica de un Desayuno,” “Principio y Fin” Claire Bloom – “The King’s Speech,” “Limelight” Héctor Bonilla – “7:19 La Hora del Temblor,” “Rojo Amanecer” Juan Diego Botto – “Ismael,” “Vete de Mí” Sterling K. Brown – “Black Panther,” “Marshall” Gemma Chan – “Crazy Rich Asians,” “Mary Queen of Scots” Rosalind Chao – “I Am Sam,” “The Joy Luck Club” Camille Cottin – “Larguées,” “Allied” Kenneth Cranham – “Maleficent,” “Layer Cake” Marina de Tavira – “Roma,” “La Zona (The -
DICK, Kirby and ZIERING, Amy. 2016. the Hunting Ground. the Inside Story of Sexual Assault on American College Campuses
DICK, Kirby and ZIERING, Amy. 2016. The Hunting Ground. The inside story of sexual assault on American college campuses. México: Hot Books, 188 pp. doi: http://dx.doi.org/10.18543/djhr-3-2018pp209-214 The Hunting Ground started to initially be a documentary released in 2015 daring to present on the big screen, the sexual violence on the United States college campuses. The filmmakers Kirby Dick and Amy Ziering were the Academy Award winners of the film “The Invisible war”, which tackles the sexual violence happening in the army context. While they were running along the United States college campuses screening “The Invisible War” and discussing about the silence perpetuated into the army, students were raising their hands from the public, claiming the gender violence also exits within the academy. According to its producers, The Hunting Ground is the consequence of directly interviewing around 70 people on camera and more than 200 in off-camera dialogues. One year after its first release, the documentary’s impact was uncountable. The visionary of this documentary at each university, contributed to trigger discussion about the issue of sexual harassment, started activism among its community and initiating change. While the producers were moving from one campus to another talking about the issue of sexual violence in university, they were always sharing similar situations, meaning listening stories and feeling the students need of being heard, understood and supported. In this sense, the huge amount of screenings around universities have allowed victims to break their silence and speak out about their cases, while joining their power to organize themselves; symbolizing in most cases the strongest fight ever against sexual harassment at their universities.