Stingray Music Channel Lineup on AT&T U-Verse TV
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the First Hungarian Beat Movie (1967) Ádám Ignácz (Budapest)
EZEK A FIATALOK. The First Hungarian Beat Movie (1967) Ádám Ignácz (Budapest) On a summer afternoon in 1967, Balatonlelle was preparing for an unusual event. Contrary to the common practice of selecting a well-known cinema of Budapest, the premiere of the new Hungarian music film, EZEK A FIATALOK [THESE YOUNGSTERS] was scheduled in the unknown open-air film theatre of this small village resort by Lake Balaton, some 140 kilometres away from the capital city. But in contradiction to the expectations, thousands of people, mostly youngsters, watched the film there during a very short period of time, and later on its popularity expanded further significantly. When the film was screened in film theatres and cultural-educational centres around the country during the following months, the estimated number of viewers hit almost a million. Even though the better part of the early articles and reviews highlighted its weak points, the sheer number of them indicated that the director Tamás Banovich (1925–2015) had found a subject of utmost interest to the entirety of Hungarian society. The extraordinary success and popularity can be explained by the mere fact that within the framework of a simple plot, EZEK A FIATALOK provided a platform for the most prominent contemporary Hungarian beat bands to present their works. In 1967, more than ten years after the first Elvis films had combined the features of popular music and motion picture, The Beatles already stopped giving concerts, and in the West people were talking about the end of the first phase of traditional beat music and were celebrating the birth of new KIELER BEITRÄGE ZUR FILMMUSIKFORSCHUNG, 12, 2016 // 219 genres in pop and rock music. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 -
Music Preferences and Uses Related to Psychosocial Functioning Among Adolescents and Young Adults
USE IT OR LOSE IT Music preferences and uses related to psychosocial functioning among adolescents and young adults Published by: Ponsen & Looijen b.v. Tel.: + 31 (0)317 423 107 Fax: +31 (0)317 423 556 [email protected] http://www.p-l.nl Cover design: Matthea Wolthers Copyright © 2008: Juul Mulder. All rights reserved USE IT OR LOSE IT Music preferences and uses related to psychosocial functioning among adolescents and young adults Gebruik het of verlies het Muziekvoorkeuren en gebruiksvormen gerelateerd aan het psychosociale functioneren onder adolescenten en jongvolwassenen (met een samenvatting in het Nederlands) PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Utrecht, op gezag van rector magnificus prof.dr. J.C. Stoof, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 november 2008 des middags te 12.45 uur door Juul Mulder geboren op 25 augustus 1976 te Stadskanaal Promotoren: Prof. dr. T.F.M. ter Bogt Prof. dr. E.A. van Zoonen Co-promotor: Dr. Q.A.W. Raaijmakers CONTENTS General introduction p. 6 Studies: 1 From Deicide to Usher? Consistency of music taste p. 23 2 The soundtrack of adolescent substance use p. 45 3 Is it the music? Peer use mediates the link between music preferences and adolescent substance use p. 65 4 Music taste groups and psychosocial functioning among adolescents p. 83 5 Thank you for the music! A typology of music users and their characteristics in terms of music taste, emotions during listening and level of internalising problems p. 109 General discussion p. -
Introduction 1
Notes Introduction 1. For a more in- depth discussion of patriarchy and nationalism, see Kim’s analysis of the argument of Gates (2005, 16) and Garcia (1997). 2. Omi and Winant (1986) trace the historical development of privilege tied to white- ness but also foreground discussions of race to contest claims that only those in power— that is, those considered white— can be racist. Omi and Winant argue that whenever the construct of race is used to establish in and out groups and hierarchies of power, irrespective of who perpetrates it, racism has occurred. In “Latino Racial Formation,” De Genova and Ramos-Zayas (2003b) further develop the ideas of history and context in terms of US Latinos in their argument that US imperialism and discrimination, more than any other factors, have influenced Latino racializa- tion and thus contributed to the creation of a third pseudoracial group along the black/white continuum that has historically marked US race relations. The research of Omi and Winant and De Genova and Ramos- Zayas coincides with the study of gender, particularly masculinity, in its emphasis on the shifting nature of constructs such as race and gender as well as its recognition of the different experiences of gendered history predicated upon male and female bodies of people of color. 3. In terms of the experience of sexuality through the body, Rodríguez’s memoir (1981) underscores the fact that perceptions of one’s body by the self and others depend heavily on the physical context in which an individual body is found as well as on one’s own perceptions of pride and shame based on notions of race and desire. -
Disco Inferno
Section 2 Stay in touch: Looking for monocle.com a smart podcast to give you monocle.com/radio the low-down on all cultural Edition 4 happenings worldwide? Tune in 07/06—13/06 to the freshly relaunched weekly Culture Show on Monocle 24. but that had no standing at Studio whatsoever. If you’re talking about something from 40 years ago that’s still compelling today then there’s got to be some underlying social reason. Section Section Section M: What about the door policy, the line – it was infamous. Was that something that you and Steve planned or did it just happen and you decided it worked for you? IS: It was definitely part of the idea. To me we were trying to do in the public domain what everyone else does in their private domain: to get an alchemy and an energy; we were trying to curate the crowd and we wanted it to Adam Schull be a mixture that had nothing to do with wealth or social Iamge: standing, it had to do with creating this combustible energy every night. When you are doing a door policy I wasn’t in New York then but I remember the tail-end that doesn’t have a rational objective criteria other than of that before it was cleaned up; it was very distinctive. instinct, then mistakes get made and people get infuri- TELEVISION / AUSTRIA Here, a rundown of the ladies: It’s a lost analogue world too – if you notice in the film, ated by it but we didn’t understand that because it was the telephones on Ian’s desk are rotary dial and that was really quite honest. -
River to River
RIVER TO RIVER June 19–29 Photo credit: George Kontos RiverToRiverNYC.com Get Social: #R2R2014 Follow us on Twitter @R2RFestival Like us on Facebook/RiverToRiver Share photos with us on Instagram @R2RFestival Subscribe to our email newsletter to receive updates, insider tips, and volunteer opportunities. Supporting LMCC is one of the best ways to stay connected to Lower Manhattan’s vibrant cultural future. Donate online and learn more about the benefits of joining LMCC’s diverse network of supporters at LMCC.net/support RiveR To RiveR 2014 June 19–29 11 days, 35 projects, 90+ artists All events are free and in Lower Manhattan. River To River inspires residents, workers, and visitors in the neighborhoods south of Chambers Street by connecting them to the creative process, unique places, and each other in order to demonstrate the role that artists play in creating vibrant, sustainable communities. Lower Manhattan Cultural Council (LMCC) has been the lead producer and curator of River To River since 2011. LMCC empowers artists by providing them with networks, resources, and support, to create vibrant, sustainable communities in Lower Manhattan and beyond. Whether you see the work of one, two, or 20 artists, we hope that you’ll remember your experience and enjoy getting closer to the transformative work of artists and discovering something that you didn’t know or hadn’t seen before. In addition to the River To River performances, installations, talks, digital journeys, and open studios, there are plenty of opportunities to hang out with artists, partners, audiences, and staff in a casual setting. A little like themed “house parties” that feature pop-up performances and DJ sets, the R2R Living Rooms provide an ideal setting to unwind, eat, drink, and dance it out after a day out on the town, soaking in the art. -
Background Music
BACKGROUND MUSIC GET THE BEST MUSIC ALL DAY LONG TouchTunes’ music programmers are passionate about music. They create a variety of fully licensed background music channels for TouchTunes locations to choose from. From Classic Rock and The Hits to Decades Variety and Holiday Mix, TouchTunes jukeboxes are designed to keep the party going all night long while still allowing patrons to make their own song selections. HIGHLIGHTS • Fully licensed for commercial establishments • Over 20 themed music channels to choose from • Each channel features over 30 hours of music • Refreshed monthly with new music • Channels can be changed instantly using the jukebox remote • Can be scheduled for a specific time of the day or all day long LITCMP V.032016 BACKGROUND MUSIC ADULT CONTEMPORARY REGGAE Easy light favorites from the ‘90s to today. Classic jams from Reggae legends. ALTERNATIVE ROCK THE HITS A diverse selection of alternative rock songs. A mix of current and mainstream hits across all genres. BLUES URBAN & HIP HOP A contemporary collection of blues artists. A contemporary mix of urban and hip-hop songs. CLASSIC R&B & SOUL ROCK MIX Sounds from the pioneers of R&B and Soul. The ultimate rock selection featuring timeless rock songs from CLASSIC ROCK the past 30 years. Rock’s biggest bands and timeless hits. DECADES VARIETY COUNTRY MIX Great songs by great artists from the 70’s to today. Mid-tempo mix of country music from the last 30 years. LATIN MIX EASY LISTENING A mix of Latin styles including Regional Mexican, Pop Rock, Lite pop and rock hits from the ‘80s, ‘90s and today. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Fes Tiv Al Guide 2018
popronde popronde popronde 2018 2018 2018 2018 2018 2018 2018 2018 FESTIVAL GUIDE 2018 FESTIVAL popronde popronde popronde VOORWOORD Krakkemikkige geluidssets, kapotte verster- kers, vier shows in een weekend, slaapgebrek en een laatste biertje dat misschien toch niet gedronken had moeten worden… Als je oud-Popronde-deelnemers spreekt hoor je ze vaak over deze onderwerpen spreken. Horror- verhalen. Of, toch niet… Want als het gesprek zich verder doorzet blijkt hoeveel ze hebben geleerd van die gebroken snaren, het busje dat ergens op de weg tussen Groningen en Middelburg besloot ermee op te houden en dat laatste biertje wat misschien beter toch niet gedronken had moeten worden… Tijdens mijn eerste jaar Popronde - inmiddels vijf jaar terug - zat ik in de auto met Tim, toen verantwoordelijk voor de social media, op de terugweg van Popronde Almere. Tim sprak toen de gevleugelde woorden: ‘fuck de TROS, de Popronde is de grootste familie van Ne- derland. In ieder geval de leukste!’ In die vijf jaar ben ik mij steeds meer gaan beseffen dat hij, met misschien een laatste biertje wat mis- schien beter toch niet gedronken had moeten worden op, gelijk had. In die vijf jaar heb ik er 3 Affiche_CHRIS_125x185mm_cmyk_AFAS_POPRONDE.indd 1 31/07/2018 12:01 namelijk een familie bijgekregen, bestaande uit coördinatoren, geluidstechnici en muzikanten. Toegegeven, het is niet de meest doorsnee familie, maar, zoals Jack Kerouac ooit in zijn magnum opus On The Road schreef: ‘The only people for me are the mad ones, the ones who are mad to live, mad to talk, -
Channel Listing Satellite Tv Current As of February 11, 2021
CHANNEL LISTING SATELLITE TV CURRENT AS OF FEBRUARY 11, 2021. CLASSICAL 96FM TORONTO ...............963 N STINGRAY LOUD .........................................580 GOOD CLUB JUNIOR......................... (ON DEMAND) NEWSTALK 1010 ...........................................964 STINGRAY MUSIC STATIONS .......901-947 COUNTRY FM 105 .......................................968 NPR (NATIONAL PUBLIC RADIO) ........965 STINGRAY RETRO ........................................578 THE MAJOR NETWORKS, PLUS A SELECTION CTV - KINGSTON (CKWS) .......................233 O STINGRAY VIBE .............................................579 OF SPECIALTY CHANNELS. INCLUDES ALL OF CTV - OSHAWA (CHEX2).........................583 OZ-FM - ST. JOHN’S ....................................951 T THE CHANNELS IN THE STARTER PACKAGE. CTV - PETERBOROUGH (CHEX) ............217 P THE WEATHER NETWORK ......................505 # F PALMARÈSADISQ PAR STINGRAY .......187 TSC ......................................................................660 * 102.1 THE EDGE ............................................. 955 FAITHTV ...........................................................591 PLANETE JAZZ .............................................960 TSN RADIO 1050 ......................................... 995 104.5 CHUM FM ...........................................990 I PREMIÈRE CHAÎNE FM 97.7 TSN RADIO 1290 WINNIPEG ................. 984 680 NEWS ...................................................... 958 ICI MUSIQUE - MONTREAL (CBFX FM) .975 VANCOUVER (CBUF-FM) .........................977 -
Download Internet Service Channel Lineup
INTERNET CHANNEL GUIDE DJ AND INTERRUPTION-FREE CHANNELS Exclusive to SiriusXM Music for Business Customers 02 Top 40 Hits Top 40 Hits 28 Adult Alternative Adult Alternative 66 Smooth Jazz Smooth & Contemporary Jazz 06 ’60s Pop Hits ’60s Pop Hits 30 Eclectic Rock Eclectic Rock 67 Classic Jazz Classic Jazz 07 ’70s Pop Hits Classic ’70s Hits/Oldies 32 Mellow Rock Mellow Rock 68 New Age New Age 08 ’80s Pop Hits Pop Hits of the ’80s 34 ’90s Alternative Grunge and ’90s Alternative Rock 70 Love Songs Favorite Adult Love Songs 09 ’90s Pop Hits ’90s Pop Hits 36 Alt Rock Alt Rock 703 Oldies Party Party Songs from the ’50s & ’60s 10 Pop 2000 Hits Pop 2000 Hits 48 R&B Hits R&B Hits from the ’80s, ’90s & Today 704 ’70s/’80s Pop ’70s & ’80s Super Party Hits 14 Acoustic Rock Acoustic Rock 49 Classic Soul & Motown Classic Soul & Motown 705 ’80s/’90s Pop ’80s & ’90s Party Hits 15 Pop Mix Modern Pop Mix Modern 51 Modern Dance Hits Current Dance Seasonal/Holiday 16 Pop Mix Bright Pop Mix Bright 53 Smooth Electronic Smooth Electronic 709 Seasonal/Holiday Music Channel 25 Rock Hits ’70s & ’80s ’70s & ’80s Classic Rock 56 New Country Today’s New Country 763 Latin Pop Hits Contemporary Latin Pop and Ballads 26 Classic Rock Hits ’60s & ’70s Classic Rock 58 Country Hits ’80s & ’90s ’80s & ’90s Country Hits 789 A Taste of Italy Italian Blend POP HIP-HOP 750 Cinemagic Movie Soundtracks & More 751 Krishna Das Yoga Radio Chant/Sacred/Spiritual Music 03 Venus Pop Music You Can Move to 43 Backspin Classic Hip-Hop XL 782 Holiday Traditions Traditional Holiday Music