ROUGH DRAFT January 1999 Issue #148 Email: [email protected] Phone: (415) 665-0351
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Affinities: a Journal of Radical Theory, Culture, and Action
Journal Editors’ Introduction RICHARD J.F. DAY and SARITA SRIVASTAVA Please join us in celebrating the first issue of Affinities: a Journal of Radical Theory, Culture, and Action. Our hope is that this journal will be a space where conversations and shared projects among academic, activist, and artistic communities can flourish. Many of us are simultaneously academics, activists and artists; however, there are few spaces where these connections are acknowledged and cultivated. This issue, on Autonomous Spaces, begins the kind of inquiry we hope to see continue in this journal. How are activists, academics and artists crossing the historical boundaries of progressive politics, identities and theories? What are the common paths of groups, movements, communities, and peoples engaged in challenging and creating sustainable alternatives to state and corporate forms? What are the inequalities and forms of oppression that trouble these experiments? We are committed to publishing both academic and activist writing on these and other questions, as well as other forms of cultural production. Starting a new journal is a tremendous amount of work, and we owe many thanks to members of the editorial board for their guidance in setting up the policies and practices of the journal, to Sean Haberle for his organizational help, to Kevin Stranack, Mohamed Abdou, and especially Eric de Domenico, for their work on the website, layout, and design. We would also like to acknowledge the contributions of Enda Brophy, who has put together an excellent cast of contributors on the topic of autonomous spaces, and has been a tireless and joyful co-worker. And finally, we must thank all the contributors to this inaugural issue – their diverse contributions on autonomous spaces have helped to make Affinities the kind of space we had envisioned. -
Bay Guardian | August 26 - September 1, 2009 ■
I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr. -
On the Ruins of Babel: Architectural Metaphor in German Thought
On the Ruins of Babel Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broad- est terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. On the Ruins of Babel Architectural Metaphor in German Thought Daniel L. Purdy A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge the support of The Andrew W. Mellon Foundation for the publication of this volume. Copyright © 2011 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2011 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Purdy, Daniel L. On the ruins of Babel : architectural metaphor in German thought / Daniel L. Purdy. p. cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-7676-1 (pbk. : alk. paper) 1. -
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming Schedule for July, 2020 as of 06/15/20 Wednesday, July 1, 2020 12am 100 Days, Drinks, Dishes and Destinations. CC #205 In the culinary adventure series 100 DAYS, DRINKS, DISHES & DESTINATIONS, Emmy and James Beard Award-winning wine expert Leslie Sbrocco travels the world with glass and fork in hand, indulging in delicacies, uncovering local hangouts, meeting talented artisans and visiting both up-and-coming and acclaimed restaurants, wineries and breweries. This season, Leslie explores San Francisco's Chinatown and Calistoga, California before jetting off to Vienna, Austria; Budapest, Hungary; and Normandy, France. TVG 12:30 Nick Stellino: Storyteller in the Kitchen. CC #203 The Vegetarian. While pondering life as a vegetarian, Nick discovers some fabulous new dishes loaded with spectacular flavors. Dishes include: Chilled Cantaloupe Soup / Salmon with Spinach and Pancetta Cream Sauce / Biancomangiare (Sicilian Almond Pudding). TVG 1am Moveable Feast with Fine Cooking. CC #705 Beachside In Brighton. We are in Brighton, a beautiful English seaside resort town, in this episode of Moveable Feast with Fine Cooking. Host Alex Thomopoulos is here to cook a feast with acclaimed chefs Michael Bremner and Sam Lambert. To gather the freshest fish, the chefs head to Brighton & Newhaven Fish Sales, where fisherman deliver the daily catch straight from the sea, then to inland to Namayasai, a gem of a farm that grows an exquisite array of Japanese vegetables. And finally, they travel to Saddlescombe Farm & Newtimber Hill, where sheep graze in the scenic British countryside. Back at Chef Michael's waterfront restaurant, Murmur, the trio cooks a delectable feast with the daily catch and an Herby White Wine Butter Sauce, Fire-Roasted Lamb, and Shrimp Shu Mai. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group. -
Adelaide J Barroga Practicing Artist Self JEANNIE BARROGA, a Dramatists Guild Lifetime Member, Has Been Active 35 of Her 40 Theater Years in the Bay Area
Legal Name Artistic Involvement Organization Name Please include a short bio: Adelaide J Barroga Practicing Artist self JEANNIE BARROGA, a Dramatists Guild Lifetime Member, has been active 35 of her 40 theater years in the Bay Area. After founding the Palo Alto Playwright Forum, she was TheatreWorks literary manager through 2003 (plus OET?s). She has had productions at Pan Asian Repertory, New York, and in Seattle, Honolulu, San Jose, Berkeley, Palo Alto, etc. WALLS, published, anthologized, and in theses, received the Gerbode / Hewlett Foundation grant. TALK-STORY at TheatreWorks was workshopped at the Mark Taper Forum. She received the NEA Access for Artistic Excellence Award, a Bay Area Playwrights Contest award, L.A. Maverick Award, the Tino and Joey Awards, and a CalArts Herb Alpert Award nomination. She co-produced short films and webisodes on YouTube. Selected 2000 productions include BANYAN, GADGETS, BUFFALO?ED and a MATTIE MAE?S workshop on the Richmond shipyards. Barroga served on panels for Theatre Communications Group, the National Endowment for the Arts, the Massachusetts Arts Council, the San Francisco Arts Commission, and at the Santa Clara, Oakland, and Marin Arts Councils. Currently she has two book drafts: a collection of Bay Area Filipino American Theater Artists and in fiction, TURN RIGHT AT THE WATER BUFFALO. Her collection is at Stanford Green Library Special Collections. Amanda Vigil Practicing Artist SFUSD Amanda Vigil Is passionate about media, art & education, as a San Francisco born and raised filmmaker, educator, & performance artist her work has been seen locally and internationally in San Francisco, Los Angeles, and Berlin, Germany. -
University of California Santa Cruz a Secret History Of
UNIVERSITY OF CALIFORNIA SANTA CRUZ A SECRET HISTORY OF AMERICAN RIVER PEOPLE A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS In DIGITAL ART AND NEW MEDIA By Wesley Modes June 2015 The Thesis of Wesley Modes is approved: _______________________________ Professor Jennifer Gonzales _______________________________ Professor Dee Hibbert-Jones _______________________________ Professor Irene Gustafson _______________________________ Professor Chris Connery _______________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Wesley Modes 2015 Creative Commons Attribution-NonCommercial-ShareAlike (CC BY-NC-SA) ii Table of Contents Table of Contents ......................................................................................................................... iii List of Figures ............................................................................................................................... iv List of Tables ................................................................................................................................ iv Abstract .......................................................................................................................................... v Dedication ..................................................................................................................................... vi Acknowledgements .................................................................................................................... -
'Outlaw' Bicycling
‘Outlaw’ Bicycling CHRIS CARLSSON [In] this bike subculture there’s no person who is the best, who is winning, or getting the most money. It’s a pretty equal community in that everyone can excel, but not have to be the top dog... (Robin Haevens) 1 A funny thing happened during the last decade of the 20 th century. Paralleling events that transpired a century earlier, a social movement emerged based on the bicycle. This so-called movement is far from a unified force, and unlike the late 19 th century bicyclists, this one does not have a ready demand for “good roads” to rally around. Instead, “chopper” bike clubs, nonprofit do-it-yourself repair shops, monthly Critical Mass rides, organized recreational and quasi- political rides and events, and an explosion of small zines covering every imaginable angle of bicycling and its surrounding culture, have proliferated in most metropolitan areas. Month-long “Bikesummer” festivals have occurred in cities around North America since 1999, galvanizing bicyclists across the spectrum into action and cooperation. This curious, multifaceted phenomenon constitutes an important arena of autonomous politics. The bicycle has become a cultural signifier that begins to unite people across economic and racial strata. It signals a sensibility that stands against oil wars and the environmental devastation wrought by the oil and chemical industries, the urban decay imposed by cars and highways, the endless monocultural sprawl spreading outward into exurban zones. This new bicycling subculture stands for localism, a more human pace, more face-to-face interaction, hands-on technological self-sufficiency, reuse and recycling, and a healthy urban environment that is friendly to self-propulsion, pleasant smells and sights, and human conviviality. -
Item 3D. LBR-2017-18-007 DNA Lounge.Pdf
CITY AND COUNTY OF SAN FRANCISCO EDWIN M. LEE, MAYOR OFFICE OF SMALL BUSINESS REGINA DICK-ENDRIZZI, DIRECTOR Legacy Business Registry Staff Report HEARING DATE SEPTEMBER 25, 2017 DNA LOUNGE Application No.: LBR-2017-18-007 Business Name: DNA Lounge Business Address: 375 11th Street District: District 6 Applicant: Jamie Zawinski and Barry Synoground Nomination Date: August 1, 2017 Nominated By: Supervisor Jane Kim Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION DNA Lounge is located on the north side of 11th Street between Folsom and Harrison Streets and is comprised of two buildings constructed in 1906 and 1923, respectively. Opened on November 22, 1985, DNA Lounge is an all-ages nightclub, concert venue, and 24-hour restaurant and café containing four different performance spaces. It has been a South of Market institution for over three decades and is well-known within San Francisco’s nightlife industry. As described in its application, DNA Lounge is a “political project: an attempt to move the needle of culture in this city.” The all-ages venue features 21+, 18+, and all-ages dance parties and musical performances featuring diverse bands, D.J.s, and genres. In addition, DNA Lounge hosts comedy nights, lecture series, circuses, robotic exhibitions, dance performances, hair shows, charity events, and provides meeting space for community groups. Historically, it is known for its role in the development of House and Psytrance musical genres and continues to serve as a home for other music and performance-based subcultures, such as Deep House, Swing, Metal, Indie Rock, Mash-ups, Dubstep, Goth, burlesque and circus arts, as well as the growing Synthwave scene. -
SIGNMAN John Law Press Release NM 1
SIGNMAN: JOHN LAW PRESS RELEASE 1 I’m real sick, 1977 “Jack Napier” (JLaw) & BLF Photo of original billboard improvement 18” x 12” SIGNMAN: John Law ------------------------------------------------------------------------------------------------------------------------------- Pro Arts Gallery & COMMONS, Oakland, California June 7 - August 24 2019 Thursday & Friday, Noon – 6:00 p.M. or by appointMent OPENING RECEPTION: June 7 2019 6:00 p.m. – 9:00 p.M. ------------------------------------------------------------------------------------------------------------------------------- SIGNMAN: John Law is a three-month long retrospective of John Law - an American artist, culture-jammer, and co-founder of the Cacophony Society, the Burning Man Festival, and other seminal artistic and cultural movements that continue to inspire contemporary artists today. Curator of this retrospective is Executive Director and Curator of Pro Arts Gallery, Natalia Ivanova Mount. SIGNMAN: JOHN LAW PRESS RELEASE 2 FUN, 2010 Mixed media/neon - wood, metal, glass, transformers. 14’ x 4.5’ SIGNMAN: John Law will feature original works, spanning the last four decades of Law’s art practice. As part of this exhibit, visitors will encounter rare documentation of events, pranks and actions by seminal art and culture movements of the past; neon sculptures; photography; and multi-media installations. “John’s work offers tales from the underground that challenge our contemporary moment, characterized by a zombie like addiction to social media, weakened ability and will to gather, explore and wonder informally,” says curator of the retrospective Natalia Ivanova Mount. We need the rituals of the underground today more than ever so we can imagine the world beyond capitalism, beyond commodification, and the menial production of objects and ideas in an art world, beholden to a market value. -
SF/SF #128! 1!May 2012 Editorial
Science Fiction/San Francisco Issue 128 Editor-in-Chief: Jean Martin April 25, 2012 Editor: España Sheriff email: [email protected] Compositor: Tom Becker Contents Editorial ......................................................................................España Sheriff ................................................................................................................ 2 The Edwardian World’s Faire ..................................................Jean Martin............................. Photos by Christopher Erickson and Jean Martin ..........3 BIG BArea Hugo Ballot Presence ............................................Christopher J Garcia............... ........................................................................................ 8 Anaheim’s Wonder-Con ............................................................Louise Du Cray...................... Photos by Louise Du Cray and Shawn Tutt .................10 A Faerie, A Pirate and A Talking Cat .......................................Christopher Erickson.............. Photos by Christopher Erickson................................... 16 Why are princesses and wizards so popular?.......................... Christopher Erickson.............. ...................................................................................... 21 Ordinary or Unordinary Consonance? ....................................Carole Parker.......................... Photos by Beckett Gladney ..........................................22 Potlatch 21 ..................................................................................Tom -
Culture, Place and Identity in a Mobile Community Genevieve Ramsey Cox University of New Hampshire, Durham
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2012 Culture, place and identity in a mobile community Genevieve Ramsey Cox University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Cox, Genevieve Ramsey, "Culture, place and identity in a mobile community" (2012). Doctoral Dissertations. 663. https://scholars.unh.edu/dissertation/663 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. CULTURE, PLACE, AND IDENTITY IN A MOBILE COMMUNITY BY GENEVIEVE RAMSEY COX B.A., Ohio University, 2002 M.A., West Virginia University, 2005 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Sociology May, 2012 UMI Number: 3525071 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3525071 Published by ProQuest LLC 2012. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O.