Affinities: a Journal of Radical Theory, Culture, and Action
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WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming Schedule for July, 2020 as of 06/15/20 Wednesday, July 1, 2020 12am 100 Days, Drinks, Dishes and Destinations. CC #205 In the culinary adventure series 100 DAYS, DRINKS, DISHES & DESTINATIONS, Emmy and James Beard Award-winning wine expert Leslie Sbrocco travels the world with glass and fork in hand, indulging in delicacies, uncovering local hangouts, meeting talented artisans and visiting both up-and-coming and acclaimed restaurants, wineries and breweries. This season, Leslie explores San Francisco's Chinatown and Calistoga, California before jetting off to Vienna, Austria; Budapest, Hungary; and Normandy, France. TVG 12:30 Nick Stellino: Storyteller in the Kitchen. CC #203 The Vegetarian. While pondering life as a vegetarian, Nick discovers some fabulous new dishes loaded with spectacular flavors. Dishes include: Chilled Cantaloupe Soup / Salmon with Spinach and Pancetta Cream Sauce / Biancomangiare (Sicilian Almond Pudding). TVG 1am Moveable Feast with Fine Cooking. CC #705 Beachside In Brighton. We are in Brighton, a beautiful English seaside resort town, in this episode of Moveable Feast with Fine Cooking. Host Alex Thomopoulos is here to cook a feast with acclaimed chefs Michael Bremner and Sam Lambert. To gather the freshest fish, the chefs head to Brighton & Newhaven Fish Sales, where fisherman deliver the daily catch straight from the sea, then to inland to Namayasai, a gem of a farm that grows an exquisite array of Japanese vegetables. And finally, they travel to Saddlescombe Farm & Newtimber Hill, where sheep graze in the scenic British countryside. Back at Chef Michael's waterfront restaurant, Murmur, the trio cooks a delectable feast with the daily catch and an Herby White Wine Butter Sauce, Fire-Roasted Lamb, and Shrimp Shu Mai. -
Adelaide J Barroga Practicing Artist Self JEANNIE BARROGA, a Dramatists Guild Lifetime Member, Has Been Active 35 of Her 40 Theater Years in the Bay Area
Legal Name Artistic Involvement Organization Name Please include a short bio: Adelaide J Barroga Practicing Artist self JEANNIE BARROGA, a Dramatists Guild Lifetime Member, has been active 35 of her 40 theater years in the Bay Area. After founding the Palo Alto Playwright Forum, she was TheatreWorks literary manager through 2003 (plus OET?s). She has had productions at Pan Asian Repertory, New York, and in Seattle, Honolulu, San Jose, Berkeley, Palo Alto, etc. WALLS, published, anthologized, and in theses, received the Gerbode / Hewlett Foundation grant. TALK-STORY at TheatreWorks was workshopped at the Mark Taper Forum. She received the NEA Access for Artistic Excellence Award, a Bay Area Playwrights Contest award, L.A. Maverick Award, the Tino and Joey Awards, and a CalArts Herb Alpert Award nomination. She co-produced short films and webisodes on YouTube. Selected 2000 productions include BANYAN, GADGETS, BUFFALO?ED and a MATTIE MAE?S workshop on the Richmond shipyards. Barroga served on panels for Theatre Communications Group, the National Endowment for the Arts, the Massachusetts Arts Council, the San Francisco Arts Commission, and at the Santa Clara, Oakland, and Marin Arts Councils. Currently she has two book drafts: a collection of Bay Area Filipino American Theater Artists and in fiction, TURN RIGHT AT THE WATER BUFFALO. Her collection is at Stanford Green Library Special Collections. Amanda Vigil Practicing Artist SFUSD Amanda Vigil Is passionate about media, art & education, as a San Francisco born and raised filmmaker, educator, & performance artist her work has been seen locally and internationally in San Francisco, Los Angeles, and Berlin, Germany. -
University of California Santa Cruz a Secret History Of
UNIVERSITY OF CALIFORNIA SANTA CRUZ A SECRET HISTORY OF AMERICAN RIVER PEOPLE A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS In DIGITAL ART AND NEW MEDIA By Wesley Modes June 2015 The Thesis of Wesley Modes is approved: _______________________________ Professor Jennifer Gonzales _______________________________ Professor Dee Hibbert-Jones _______________________________ Professor Irene Gustafson _______________________________ Professor Chris Connery _______________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Wesley Modes 2015 Creative Commons Attribution-NonCommercial-ShareAlike (CC BY-NC-SA) ii Table of Contents Table of Contents ......................................................................................................................... iii List of Figures ............................................................................................................................... iv List of Tables ................................................................................................................................ iv Abstract .......................................................................................................................................... v Dedication ..................................................................................................................................... vi Acknowledgements .................................................................................................................... -
'Outlaw' Bicycling
‘Outlaw’ Bicycling CHRIS CARLSSON [In] this bike subculture there’s no person who is the best, who is winning, or getting the most money. It’s a pretty equal community in that everyone can excel, but not have to be the top dog... (Robin Haevens) 1 A funny thing happened during the last decade of the 20 th century. Paralleling events that transpired a century earlier, a social movement emerged based on the bicycle. This so-called movement is far from a unified force, and unlike the late 19 th century bicyclists, this one does not have a ready demand for “good roads” to rally around. Instead, “chopper” bike clubs, nonprofit do-it-yourself repair shops, monthly Critical Mass rides, organized recreational and quasi- political rides and events, and an explosion of small zines covering every imaginable angle of bicycling and its surrounding culture, have proliferated in most metropolitan areas. Month-long “Bikesummer” festivals have occurred in cities around North America since 1999, galvanizing bicyclists across the spectrum into action and cooperation. This curious, multifaceted phenomenon constitutes an important arena of autonomous politics. The bicycle has become a cultural signifier that begins to unite people across economic and racial strata. It signals a sensibility that stands against oil wars and the environmental devastation wrought by the oil and chemical industries, the urban decay imposed by cars and highways, the endless monocultural sprawl spreading outward into exurban zones. This new bicycling subculture stands for localism, a more human pace, more face-to-face interaction, hands-on technological self-sufficiency, reuse and recycling, and a healthy urban environment that is friendly to self-propulsion, pleasant smells and sights, and human conviviality. -
ROUGH DRAFT January 1999 Issue #148 Email: [email protected] Phone: (415) 665-0351
. ROUGH DRAFT January 1999 Issue #148 http://www.zpub.com/caco email: [email protected] phone: (415) 665-0351 ROUGH DRAFT is the official organ of the San Francisco Cacophony Society, which is a randomly gathered network of free spirits devoted to the pursuit of experiences beyond the pale of mainstream society. We are pranksters, poets, freaks and fools, dogged seekers of the strange and connoisseurs of the bizarre. We are wise children and wise asses, dreamers, displaced extraterrestrials, unemployed artists, urban necromancers, underground performers and inspired game players. We are the termites in society's crutches and the bad egg at the corporate picnic. We are a roving pack of naughty Santas, a virtual circus filled with mischievous clowns. We are a semipermeable collective of free radicals, nattering nihirealists. diehard disinhibitors and dangling participants. We are organized anarchist infiltrators of the status quo, exposing minds to alternative realities. We are the punctuation at the end of hypothetical sentences, words in prose of technological satire, and grammarians of absurdist syntax. We are that fringe element which is always near the edge of reason. We are the bon vivants of industrial despair, mixing Hammet and Pynchon with Wilde abandon. We are creative social terrorists and late- night reality hackers, carving out temporary autonomous zones within the real estate of modem culture. Our numbers are most prominent in the flat edge of the Bell curve. We are the rapidly evolving mutants of the next millennium. -
SIGNMAN John Law Press Release NM 1
SIGNMAN: JOHN LAW PRESS RELEASE 1 I’m real sick, 1977 “Jack Napier” (JLaw) & BLF Photo of original billboard improvement 18” x 12” SIGNMAN: John Law ------------------------------------------------------------------------------------------------------------------------------- Pro Arts Gallery & COMMONS, Oakland, California June 7 - August 24 2019 Thursday & Friday, Noon – 6:00 p.M. or by appointMent OPENING RECEPTION: June 7 2019 6:00 p.m. – 9:00 p.M. ------------------------------------------------------------------------------------------------------------------------------- SIGNMAN: John Law is a three-month long retrospective of John Law - an American artist, culture-jammer, and co-founder of the Cacophony Society, the Burning Man Festival, and other seminal artistic and cultural movements that continue to inspire contemporary artists today. Curator of this retrospective is Executive Director and Curator of Pro Arts Gallery, Natalia Ivanova Mount. SIGNMAN: JOHN LAW PRESS RELEASE 2 FUN, 2010 Mixed media/neon - wood, metal, glass, transformers. 14’ x 4.5’ SIGNMAN: John Law will feature original works, spanning the last four decades of Law’s art practice. As part of this exhibit, visitors will encounter rare documentation of events, pranks and actions by seminal art and culture movements of the past; neon sculptures; photography; and multi-media installations. “John’s work offers tales from the underground that challenge our contemporary moment, characterized by a zombie like addiction to social media, weakened ability and will to gather, explore and wonder informally,” says curator of the retrospective Natalia Ivanova Mount. We need the rituals of the underground today more than ever so we can imagine the world beyond capitalism, beyond commodification, and the menial production of objects and ideas in an art world, beholden to a market value. -
SF/SF #128! 1!May 2012 Editorial
Science Fiction/San Francisco Issue 128 Editor-in-Chief: Jean Martin April 25, 2012 Editor: España Sheriff email: [email protected] Compositor: Tom Becker Contents Editorial ......................................................................................España Sheriff ................................................................................................................ 2 The Edwardian World’s Faire ..................................................Jean Martin............................. Photos by Christopher Erickson and Jean Martin ..........3 BIG BArea Hugo Ballot Presence ............................................Christopher J Garcia............... ........................................................................................ 8 Anaheim’s Wonder-Con ............................................................Louise Du Cray...................... Photos by Louise Du Cray and Shawn Tutt .................10 A Faerie, A Pirate and A Talking Cat .......................................Christopher Erickson.............. Photos by Christopher Erickson................................... 16 Why are princesses and wizards so popular?.......................... Christopher Erickson.............. ...................................................................................... 21 Ordinary or Unordinary Consonance? ....................................Carole Parker.......................... Photos by Beckett Gladney ..........................................22 Potlatch 21 ..................................................................................Tom -
Four Years and Counting
SPRING 2007 020 VOLUME 3 ISSUE 2 Four Years and Counting BATTLE FOR THE COPENHAGEN SQUAT BIKES! CLIMATE CHAOS NEWSMAGAZINE OF THE SAN FRANCISCO BAY AREA INDEPENDENT MEDIA CENTER indybay.org ISSUE TWENTY TABLE OF CONTENTS: 2 Fault Lines and the Future of Radical Media 3 Port Blockade in Tacoma; Weeping Wednesday; War Resisters 4 BP’s Sticky Situation in Berkeley 5 PG&E’s Green Washing Campaign 6 The Story of the Ungdomshuset Squat Riot 7 Squatting in the Ruins of Buffalo 8 Costa Rica’s Continued Resistance to CAFTA 9 Ireland Stands Against Shell 10 Climate Change as the Death of Capitalism 12 Iraq Vets Resist the War 13 The Mercenary Surge in Iraq 16 Bay Area Bicycles 18 Sublime Frequencies 19 Realizing the Impossible 23 Ten Tips for Radicals free Letter from the Editors: Subscribe to Police Riot in Tacoma Fault Lines & Peaceful anti-war activists brutalized in port blockade By Liam O’Donoghue He added, “The best way to support get cool stuff the troops is to prevent them from be- The Role of Radical Print? Peace activists in Tacoma, Washing- ing placed into the midst of a civil war The San Francisco Bay Area Independent ton have faced growing police brutality Option 1: Get a full year of where they have a high risk of killing or Media Center is a non-commercial, demo- and repression over their campaign to This is the first issue of Fault Lines have a lot of ideas about this that cover Fault Lines for $20. being killed. We have a moral and hu- cratic collective of bay area independent prevent the military from using the Port in almost five months. -
Science Fiction/San Francisco
Science Fiction/San Francisco Issue 125 Editor-in-Chief: Jean Martin January 31, 2012 Editor: España Sheriff email: [email protected] Compositor: Tom Becker Contents Editorial ......................................................................................Jean Martin............................. ........................................................................................ 2 Little Brother ..............................................................................España Sheriff ................................................................................................................ 5 NightLife at the Academy.......................................................... John Coxon ............................Photos by John Coxon.................................................... 7 Poster Artwork Is Not Really Artwork ....................................Christopher Erickson.............. ......................................................................................11 Why the Edwardian? .................................................................Thad Gann ..............................Photos by Thad Gann ...................................................15 The Edwardian World’s Faire Just Gets Better and Better... Diane Rooney ........................Photos by Diane Rooney .............................................17 Letters of Comment ...................................................................Jean Martin............................. .....................................................................................