Four Years and Counting
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Affinities: a Journal of Radical Theory, Culture, and Action
Journal Editors’ Introduction RICHARD J.F. DAY and SARITA SRIVASTAVA Please join us in celebrating the first issue of Affinities: a Journal of Radical Theory, Culture, and Action. Our hope is that this journal will be a space where conversations and shared projects among academic, activist, and artistic communities can flourish. Many of us are simultaneously academics, activists and artists; however, there are few spaces where these connections are acknowledged and cultivated. This issue, on Autonomous Spaces, begins the kind of inquiry we hope to see continue in this journal. How are activists, academics and artists crossing the historical boundaries of progressive politics, identities and theories? What are the common paths of groups, movements, communities, and peoples engaged in challenging and creating sustainable alternatives to state and corporate forms? What are the inequalities and forms of oppression that trouble these experiments? We are committed to publishing both academic and activist writing on these and other questions, as well as other forms of cultural production. Starting a new journal is a tremendous amount of work, and we owe many thanks to members of the editorial board for their guidance in setting up the policies and practices of the journal, to Sean Haberle for his organizational help, to Kevin Stranack, Mohamed Abdou, and especially Eric de Domenico, for their work on the website, layout, and design. We would also like to acknowledge the contributions of Enda Brophy, who has put together an excellent cast of contributors on the topic of autonomous spaces, and has been a tireless and joyful co-worker. And finally, we must thank all the contributors to this inaugural issue – their diverse contributions on autonomous spaces have helped to make Affinities the kind of space we had envisioned. -
Interface-2-2-Pp.23-41-Askanius-And- Gustafsson1.Pdf Total Number of Authors: 2
Mainstreaming the Alternative: the Changing Media Practices of Protest Movements Askanius, Tina; Gustafsson, Nils Published in: Interface: a journal for and about social movements 2010 Link to publication Citation for published version (APA): Askanius, T., & Gustafsson, N. (2010). Mainstreaming the Alternative: the Changing Media Practices of Protest Movements. Interface: a journal for and about social movements, 2(2), 23-41. http://interfacejournal.nuim.ie/wordpress/wp-content/uploads/2010/12/Interface-2-2-pp.23-41-Askanius-and- Gustafsson1.pdf Total number of authors: 2 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 01. Oct. 2021 Interface: a journal for and about social movements Article Volume 2(2): 23 - 41 (November 2010) Askanius and Gustafsson, Mainstreaming the alternative Mainstreaming the Alternative: The Changing Media Practices of Protest Movements Tina Askanius, Nils Gustafsson Abstract The article argues that contemporary protest movements are facing a convergence of what has traditionally been coined as mainstream and alternative media. -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 8-22-2006 Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions Victor Pickard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Communication Commons Recommended Citation Pickard, V. (2006). Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions. Critical Studies in Media Communication, 23 (1), 19-38. https://doi.org/10.1080/ 07393180600570691 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/445 For more information, please contact [email protected]. Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions Abstract This study examines the radical democratic principles manifest in Indymedia’s discursive, technical, and institutional practices. By focusing on a case study of the Seattle Independent Media Center and contextualizing it within theories and critiques of radical democracy, this article fleshes out strengths, weaknesses, and recurring tensions endemic to Indymedia’s internet-based activism. These findings have important implications for alternative media making and radical politics in general. Keywords alternative media, cyberactivism, democratic theory, independent media centers, indymedia, networks, radical democracy, social movements Disciplines Communication -
200312.Cover
UPCOMING EVENTS A GOOD TIME FOR A GOOD CAUSE The Public i,a project of the Urbana-Cham- Dance Party with the Noisy Gators paign Independent Media Center, is an (cajun/zydeco dance band with Tom Turino) independent, collectively-run, community- With winter pressing in there’s no better time for a Dance Party with great food and oriented publication that provides a forum friends. On Saturday, December 13th AWARE will host the Noisy Gators (one of C-U’s for topics underreported and voices under- best local dance bands). There will be lots of space to dance, food, drinks, and friends. And represented in the dominant media. All best of all, the proceeds from the Benefit will all be donated to help those who’ve been hurt contributors to the paper are volunteers. by war - both here at home and in Iraq. Hope to see you there! Everyone is welcome and encouraged to sub- Where: The Offices of On the Job Consulting (OJC), 115 West Main, 2F in downtown mit articles or story ideas to the editorial col- Urbana (across from Cinema Gallery) lective. We prefer, but do not necessarily When: Saturday, December 13th, 8-11pm restrict ourselves to, articles on issues of local Sliding Scale donation: $5 - $20+ Dec-Jan 2003-4 • V3 #10 impact written by authors with local ties. All Proceeds benefit Oxfam Iraq (humanitarian aid to Iraqis) and the Red Cross Armed Forces FREE! EDITORS/FACILITATORS: Emergency Services Fund (help for veterans and military families). Xian Barrett Sponsored by AWARE (Anti-War Anti-Racism Effort) Lisa Chason Darrin Drda EDUCATION OR INCARCERATION? ZINE SLAM WITH IMPROV MUSIC Jeremy Engels SCHOOLS AND PRISONS IN A Linda Evans PUNISHING DEMOCRACY Belden Fields Saturday, December 13 6:30 PM Meghan Krausch An Interdisciplinary Conference hosted by at the IMC, 218 W. -
Table of Contents Perspectives on Anarchist Theory
Table of Contents Introduction 2 Maia Ramnath Atmospheric Dialectics 8 Javier Sethness The Climate Crisis or the Crisis of Climate Politics? 26 perspectives Andre Pusey & Bertie Russell All Power to the People 48 on anarchist Lara Messersmith-Glavin theory Movements for Climate Action 56 Brian Tokar v.12 n.2 What We’re Reading 76 fall 2010 Cindy Crabb, John Duda, & Joshua Stevens Editorial Collective: Lara Messersmith-Glavin, Paul About the Illustrations 80 Messersmith-Glavin, and Maia Call for Submissions 81 Ramnath. Anarchist Interventions 82 Layout & Cover Design: Josh About the IAS 84 MacPhee. Perspectives on Anarchist Theoryis a publication of the Institute for Anarchist Studies (IAS). The views expressed here do not necessarily re- flect the IAS. Contact us at perspectivesmagazine@ Special Thanks: Josh MacPhee, the googlegroups.com. New articles, many artists from Justseeds, Jon Keller, not contained in our print edition, are David Combs, Cindy Crabb, John continually posted on line at our website. Duda, Joshua Stevens, AK Press, and You can see them at Anarchiststudies.org, Charles at Eberhardt Press. just look under “Perspectives.” “The non-sustainability and bankruptcy of the ruling world order is fully evident. The need for alternatives has never been stronger....As we face the double closure of spaces by corporate globalisation and militarised police states, by economic fascism aided by po- litical fascism, our challenge is to reclaim our freedoms and the freedoms of our fellow beings.... At the heart of building alternatives and localising economic and political systems is the recovery of the commons and the reclaiming of community. Rights to natural resources are natural rights. -
Sustaining Contributors
The Public i, a project of the Urbana-Cham- paign Independent Media Center, is an independent, collectively-run, community- oriented publication that provides a forum for topics underreported and voices under- represented in the dominant media. All contributors to the paper are volunteers. Everyone is welcome and encouraged to submit articles or story ideas to the editorial May 2008 collective. We prefer, but do not necessarily restrict ourselves to, articles on issues of local V8, #5 impact written by authors with local ties. The opinions are those of the authors and do not reflect the views of the IMC as a whole. EDITORS/FACILITATORS: Antonia Darder Brian Dolinar davep Shara Esbenshade Belden Fields Bob Illyes Paul Mueth Marcia Zumbahlen THE PUBLIC I Urbana-Champaign IMC 202 South Broadway Urbana, IL, 61801 217-344-8820 www.ucimc.org SUSTAINING CONTRIBUTORS Get Involved with the Public i The Public i wishes to express its deep appreciation to the following sustaining contrib- You don’t need a degree in journalism utors for their financial and material support: to be a citizen journalist. We are all SocialistForum: An Open Discussion and Jerusalem Cafe experts in something, and we have the Action Group, Meets 3rd Saturdays of the 601 S. Wright St, Champaign; 398-9022 ability to share our information and month, 3-5 pm, at IMC, Broadway & Elm. (U) The AFL-CIO of Champaign County knowledge with others. The Public i is World Harvest International always looking for writers and story That’s Rentertainment and Gourmet Foods ideas. We invite you to submit ideas or 516 E. -
Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media
Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Nune Grigoryan August 2019 © 2019 Nune Grigoryan. All Rights Reserved. This dissertation titled Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media by NUNE GRIGORYAN has been approved for the School of Media Arts & Studies and the Scripps College of Communication by Wolfgang Suetzl Assistant Professor of Media Arts & Studies Scott Titsworth Dean, Scripps College of Communication ii Abstract GRIGORYAN, NUNE, PhD, August 2019, Mass Communication Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media Director of dissertation: Wolfgang Suetzl Democracy allows a plural media landscape where different types of media perform vital functions. Over years, the public trust towards mainstream media has been eroding, limiting their ability to fulfill democratic functions within the American society. Meanwhile, the Internet has led to proliferation of alternative media outlets on digital space. These platforms allow new outreach and mobilizing opportunities to the once peripheral alternative media. So far, the literature about alternative media have been heavily focused on left-wing alternative media outlets, while the research on alternative right-wing media has remained scarce and fragmented. Only few studies have applied a comparative analysis approach to study these outlets. Moreover, research that examines different aspects of alternative media such as content and audience reception is more rare. This study aims to demonstrate the heterogeneity of alternative media by highlighting their history and functions within the American democracy. -
Formationen Av Kollektiva Identiteter I En Urban Social Rörelse
Kampen om Ungdomshuset: Formationen av kollektiva identiteter i en urban social rörelse Björn Karlsson, 8510033510 SOK01 Handledare: Carl-Göran Heidegren 1 Innehållsförteckning 1... Inledning…………………………………………..............................4 2... Teori och metod…………………………………………...................6 2.1 Social rörelse………………………………………….......................6 2.2 Kollektiv identitet…………………………………………...............6 2.3 Staden…………………………………………..................................6 2.4 Drifting…………………………………………................................7 2.5 Interpellation…………………………………………........................8 2.6 Reciprocitet och cykler…………………………………………........9 2.7 Rhizomer………………………………………….............................9 2.8 Intervjuer…………………………………………............................9 3 Tidslinje…………………………………………..................................10 4 Aktörer…………………………………………....................................11 5. Analys…………………………………………....................................12 5.1 Bakgrund…………………………………………..............................12 6. Första cykeln. Fas 1-2.………………………………………...............12 6.1 Sista slaget…………………………………………...........................14 7. Andra cykeln, fas 1. Rivningen…………………………………….…16 7.1 Mediadramaturgi…………………………………………..................20 7.2 Kulturellt skapande och approprierande………………………………21 7.3 Andra cykeln, fas 2. Utveckling och fortsättning…………………..…22 8 Tredje cykeln. Fas 1. G13.……………………………………….............23 8.1 Fas 2-3. Efter G13.………….……………………………....................25 9. Slutsats och reflektion………..………………….....................................27 -
Indymedia (The Independent Media Center)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of San Francisco The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Media Studies College of Arts and Sciences 2011 Indymedia (The ndepI endent Media Center) Dorothy Kidd University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/ms Part of the Communication Commons Recommended Citation Kidd, D. (2011). Indymedia (The ndeI pendent Media Center). In Downing, J. (ed.) Encyclopedia of Social Movement Media. Thousand Oaks, CA: Sage. http://dx.doi.org/10.4135/9781412979313.n114 This Book Chapter is brought to you for free and open access by the College of Arts and Sciences at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Media Studies by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Encyclopedia of Social Movement Media Indymedia (The Independent Media Center) Contributors: Dorothy Kidd Edited by: John D.H. Downing Book Title: Encyclopedia of Social Movement Media Chapter Title: "Indymedia (The Independent Media Center)" Pub. Date: 2011 Access Date: October 27, 2016 Publishing Company: SAGE Publications, Inc. City: Thousand Oaks Print ISBN: 9780761926887 Online ISBN: 9781412979313 DOI: http://dx.doi.org/10.4135/9781412979313.n114 Print pages: 268-270 ©2011 SAGE Publications, Inc.. All Rights Reserved. This PDF has been generated from SAGE Knowledge. Please note that the pagination of the online version will vary from the pagination of the print book. -
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming
WSIU, WUSI, WSEC, WMEC & WQEC DT3 (SD2) CREATE Programming Schedule for July, 2020 as of 06/15/20 Wednesday, July 1, 2020 12am 100 Days, Drinks, Dishes and Destinations. CC #205 In the culinary adventure series 100 DAYS, DRINKS, DISHES & DESTINATIONS, Emmy and James Beard Award-winning wine expert Leslie Sbrocco travels the world with glass and fork in hand, indulging in delicacies, uncovering local hangouts, meeting talented artisans and visiting both up-and-coming and acclaimed restaurants, wineries and breweries. This season, Leslie explores San Francisco's Chinatown and Calistoga, California before jetting off to Vienna, Austria; Budapest, Hungary; and Normandy, France. TVG 12:30 Nick Stellino: Storyteller in the Kitchen. CC #203 The Vegetarian. While pondering life as a vegetarian, Nick discovers some fabulous new dishes loaded with spectacular flavors. Dishes include: Chilled Cantaloupe Soup / Salmon with Spinach and Pancetta Cream Sauce / Biancomangiare (Sicilian Almond Pudding). TVG 1am Moveable Feast with Fine Cooking. CC #705 Beachside In Brighton. We are in Brighton, a beautiful English seaside resort town, in this episode of Moveable Feast with Fine Cooking. Host Alex Thomopoulos is here to cook a feast with acclaimed chefs Michael Bremner and Sam Lambert. To gather the freshest fish, the chefs head to Brighton & Newhaven Fish Sales, where fisherman deliver the daily catch straight from the sea, then to inland to Namayasai, a gem of a farm that grows an exquisite array of Japanese vegetables. And finally, they travel to Saddlescombe Farm & Newtimber Hill, where sheep graze in the scenic British countryside. Back at Chef Michael's waterfront restaurant, Murmur, the trio cooks a delectable feast with the daily catch and an Herby White Wine Butter Sauce, Fire-Roasted Lamb, and Shrimp Shu Mai. -
Move! Guerilla Films, Collaborative Modes, and the Tactics of Radical Media Making
RICE UNIVERSITY Move! Guerilla Films, Collaborative Modes, and the Tactics of Radical Media Making by Tish Stringer A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE D octor of Philosophy APPROVED, THESIS COMMITTEE: (Teorge Marcus', Professor Anthropology Istopher Kelty, Kelty, AssistantQjri^topher AssistantProfessor Anthropology Hamid Nafijcy, Professor Art History / HOUSTON, TEXAS M ay 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 254 This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3216785 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3216785 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against