Indymedia (The Independent Media Center)
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Confronting the Challenges of Participatory Culture: Media Education for the 21St Century
An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. Robison Margaret Weigel Building the new field of digital media and learning The MacArthur Foundation launched its five-year, $50 million digital media and learning initiative in 2006 to help determine how digital technologies are changing the way young people learn, play, socialize, and participate in civic life.Answers are critical to developing educational and other social institutions that can meet the needs of this and future generations. The initiative is both marshaling what it is already known about the field and seeding innovation for continued growth. For more information, visit www.digitallearning.macfound.org.To engage in conversations about these projects and the field of digital learning, visit the Spotlight blog at spotlight.macfound.org. About the MacArthur Foundation The John D. and Catherine T. MacArthur Foundation is a private, independent grantmaking institution dedicated to helping groups and individuals foster lasting improvement in the human condition.With assets of $5.5 billion, the Foundation makes grants totaling approximately $200 million annually. For more information or to sign up for MacArthur’s monthly electronic newsletter, visit www.macfound.org. The MacArthur Foundation 140 South Dearborn Street, Suite 1200 Chicago, Illinois 60603 Tel.(312) 726-8000 www.digitallearning.macfound.org An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. -
Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 8-22-2006 Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions Victor Pickard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Communication Commons Recommended Citation Pickard, V. (2006). Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions. Critical Studies in Media Communication, 23 (1), 19-38. https://doi.org/10.1080/ 07393180600570691 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/445 For more information, please contact [email protected]. Assessing the Radical Democracy of Indymedia: Discursive, Technical, and Institutional Constructions Abstract This study examines the radical democratic principles manifest in Indymedia’s discursive, technical, and institutional practices. By focusing on a case study of the Seattle Independent Media Center and contextualizing it within theories and critiques of radical democracy, this article fleshes out strengths, weaknesses, and recurring tensions endemic to Indymedia’s internet-based activism. These findings have important implications for alternative media making and radical politics in general. Keywords alternative media, cyberactivism, democratic theory, independent media centers, indymedia, networks, radical democracy, social movements Disciplines Communication -
200312.Cover
UPCOMING EVENTS A GOOD TIME FOR A GOOD CAUSE The Public i,a project of the Urbana-Cham- Dance Party with the Noisy Gators paign Independent Media Center, is an (cajun/zydeco dance band with Tom Turino) independent, collectively-run, community- With winter pressing in there’s no better time for a Dance Party with great food and oriented publication that provides a forum friends. On Saturday, December 13th AWARE will host the Noisy Gators (one of C-U’s for topics underreported and voices under- best local dance bands). There will be lots of space to dance, food, drinks, and friends. And represented in the dominant media. All best of all, the proceeds from the Benefit will all be donated to help those who’ve been hurt contributors to the paper are volunteers. by war - both here at home and in Iraq. Hope to see you there! Everyone is welcome and encouraged to sub- Where: The Offices of On the Job Consulting (OJC), 115 West Main, 2F in downtown mit articles or story ideas to the editorial col- Urbana (across from Cinema Gallery) lective. We prefer, but do not necessarily When: Saturday, December 13th, 8-11pm restrict ourselves to, articles on issues of local Sliding Scale donation: $5 - $20+ Dec-Jan 2003-4 • V3 #10 impact written by authors with local ties. All Proceeds benefit Oxfam Iraq (humanitarian aid to Iraqis) and the Red Cross Armed Forces FREE! EDITORS/FACILITATORS: Emergency Services Fund (help for veterans and military families). Xian Barrett Sponsored by AWARE (Anti-War Anti-Racism Effort) Lisa Chason Darrin Drda EDUCATION OR INCARCERATION? ZINE SLAM WITH IMPROV MUSIC Jeremy Engels SCHOOLS AND PRISONS IN A Linda Evans PUNISHING DEMOCRACY Belden Fields Saturday, December 13 6:30 PM Meghan Krausch An Interdisciplinary Conference hosted by at the IMC, 218 W. -
Sustaining Contributors
The Public i, a project of the Urbana-Cham- paign Independent Media Center, is an independent, collectively-run, community- oriented publication that provides a forum for topics underreported and voices under- represented in the dominant media. All contributors to the paper are volunteers. Everyone is welcome and encouraged to submit articles or story ideas to the editorial May 2008 collective. We prefer, but do not necessarily restrict ourselves to, articles on issues of local V8, #5 impact written by authors with local ties. The opinions are those of the authors and do not reflect the views of the IMC as a whole. EDITORS/FACILITATORS: Antonia Darder Brian Dolinar davep Shara Esbenshade Belden Fields Bob Illyes Paul Mueth Marcia Zumbahlen THE PUBLIC I Urbana-Champaign IMC 202 South Broadway Urbana, IL, 61801 217-344-8820 www.ucimc.org SUSTAINING CONTRIBUTORS Get Involved with the Public i The Public i wishes to express its deep appreciation to the following sustaining contrib- You don’t need a degree in journalism utors for their financial and material support: to be a citizen journalist. We are all SocialistForum: An Open Discussion and Jerusalem Cafe experts in something, and we have the Action Group, Meets 3rd Saturdays of the 601 S. Wright St, Champaign; 398-9022 ability to share our information and month, 3-5 pm, at IMC, Broadway & Elm. (U) The AFL-CIO of Champaign County knowledge with others. The Public i is World Harvest International always looking for writers and story That’s Rentertainment and Gourmet Foods ideas. We invite you to submit ideas or 516 E. -
VIDEO GAME SUBCULTURES Playing at the Periphery of Mainstream Culture Edited by Marco Benoît Carbone & Paolo Ruffino
ISSN 2280-7705 www.gamejournal.it Published by LUDICA Issue 03, 2014 – volume 1: JOURNAL (PEER-REVIEWED) VIDEO GAME SUBCULTURES Playing at the periphery of mainstream culture Edited by Marco Benoît Carbone & Paolo Ruffino GAME JOURNAL – Peer Reviewed Section Issue 03 – 2014 GAME Journal A PROJECT BY SUPERVISING EDITORS Antioco Floris (Università di Cagliari), Roy Menarini (Università di Bologna), Peppino Ortoleva (Università di Torino), Leonardo Quaresima (Università di Udine). EDITORS WITH THE PATRONAGE OF Marco Benoît Carbone (University College London), Giovanni Caruso (Università di Udine), Riccardo Fassone (Università di Torino), Gabriele Ferri (Indiana University), Adam Gallimore (University of Warwick), Ivan Girina (University of Warwick), Federico Giordano (Università per Stranieri di Perugia), Dipartimento di Storia, Beni Culturali e Territorio Valentina Paggiarin, Justin Pickard, Paolo Ruffino (Goldsmiths, University of London), Mauro Salvador (Università Cattolica, Milano), Marco Teti (Università di Ferrara). PARTNERS ADVISORY BOARD Espen Aarseth (IT University of Copenaghen), Matteo Bittanti (California College of the Arts), Jay David Bolter (Georgia Institute of Technology), Gordon C. Calleja (IT University of Copenaghen), Gianni Canova (IULM, Milano), Antonio Catolfi (Università per Stranieri di Perugia), Mia Consalvo (Ohio University), Patrick Coppock (Università di Modena e Reggio Emilia), Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano), Roy Menarini (Università di Bologna), Enrico Menduni (Università di -
Alternative Or Independent Media Refers To
Alternative Or Independent Media Refers To Uranitic Partha sang or chirm some strifes straight, however exemplary Shurlocke permute soundingly or revving. Seedless and gruffish West still chuck his waxings cozily. Sometimes columbine Broderick westernised her disfavourer dauntlessly, but pancreatic Demetre relies Fridays or muted tropically. Apjii asosiasi penyelenggara jasa internet, some kremlin action alerts or need Maven HubPages and Say Media Unite they Form Largest. Edward Herman and Noam Chomsky will be used as the summit for the theoretical framework made this thesis. Resilient borders and the way of a dissident media refers to us irrevocably condemned to those that media environment, the transactional model when a hyperlink to? Best alternative communication refers to? To rust the dull and implications of latent or manifest conflict for decisionmakers. Structurally profoundly different trail and as independent of ink major social. The Propaganda Ministry aimed further to compare the mixture of slack and editorial pages through directives distributed in daily conferences in Berlin and transmitted via the Nazi Party propaganda offices to regional or local papers. Introduction Culture Digitally. To list an alternative opinion The airline the mainstream media is fearful of the independent news outlets is beneath A radical alternative press was effective in. Now the doctrine is we respond instantaneously, and snow possible with many strong counterattack. What had changed was mid way that humans used available technology to change sense of why world. DIY, community and critical content beyond all kinds being behind on getting single desire American magazine radio station; however there came also be racist or sexist content, from example, send some of the music being played. -
KATHY HIGH, Professor of Video and New Media, Department of the Arts
:: KATHY HIGH, Professor of Video and New Media, Department of the Arts, RPI, Troy, NY 12180 mobile 518.209.6209, email [email protected], website http://kathyhigh.com/index.html :: EDUCATION 1981 Master of Arts, S.U.N.Y. AT BUFFALO, NY Interdisciplinary degree with areas of study in video/film at the Center for Media Study and Photography, Department of Fine Arts 1977 Bachelor of Arts, Colgate University, Hamilton, NY Majors in Fine Arts and English Literature :: TEACHING 2013-present Professor of Video & New Media, Arts Department, Rensselaer Polytechnic Institute, Troy, NY 2002-2013 Associate Professor of Video & New Media, Arts Department, RPI 2018-2019 Head of Arts Department, RPI, Troy, NY 2004-2008 Head of Arts Department, RPI, Troy, NY 1995-2001 Lecturer (Assoc. Prof.), digital media, Visual Arts Program, Princeton University, NJ 1998-2001 Lecturer, Video production, School of Art Cooper Union, NYC :: EXHIBITIONS, INSTALLATIONS and SCREENINGS (SELECTED) 2020 WASTE! ADAPTATION! RESISTENCE!, (solo exhibition) UCSD, multimedia installation, San Diego, CA, April. 2019 Rat Laughter, IMPAKT Festival, Utrecht, NL, Oct. 31- Nov 2. Rat Laughter installation, Netherlands. The Cured, (group exhibition), Curator, Tansy Xiao, Radiator Gallery, Long Island City, NYC, Burial Globes, July-August. 2018 Space-evolution (group exhibition), curated by Maria Antonia Gonzalez, Centro de Cultura Digital, Mexico City, November, mixed media. Catalogue. This Mess We're In, Unhallowed Arts Festival 2018, (group exhibition), curated Tarsh Bates, Old Customs House, Fremantle, WA, Australia, 13 Oct– 2 Nov, screening OkPoopid. Catalogue. Posthuman Cinema: How Experimental Films Teach (and Learn) How to Show Animals, Ujazdoski Castel, Centre for Contemporary Art, Warsaw, Poland, curated by Michał Matuszewski, October 18-31, Lily Does Derrida. -
Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media
Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Nune Grigoryan August 2019 © 2019 Nune Grigoryan. All Rights Reserved. This dissertation titled Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media by NUNE GRIGORYAN has been approved for the School of Media Arts & Studies and the Scripps College of Communication by Wolfgang Suetzl Assistant Professor of Media Arts & Studies Scott Titsworth Dean, Scripps College of Communication ii Abstract GRIGORYAN, NUNE, PhD, August 2019, Mass Communication Mediated Political Participation: Comparative Analysis of Right Wing and Left Wing Alternative Media Director of dissertation: Wolfgang Suetzl Democracy allows a plural media landscape where different types of media perform vital functions. Over years, the public trust towards mainstream media has been eroding, limiting their ability to fulfill democratic functions within the American society. Meanwhile, the Internet has led to proliferation of alternative media outlets on digital space. These platforms allow new outreach and mobilizing opportunities to the once peripheral alternative media. So far, the literature about alternative media have been heavily focused on left-wing alternative media outlets, while the research on alternative right-wing media has remained scarce and fragmented. Only few studies have applied a comparative analysis approach to study these outlets. Moreover, research that examines different aspects of alternative media such as content and audience reception is more rare. This study aims to demonstrate the heterogeneity of alternative media by highlighting their history and functions within the American democracy. -
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, Series Editor
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, series editor Ars Electronica: Facing the Future edited by Timothy Druckrey with Ars Electronica, 1999 net_condition: art and global media edited by Peter Weibel and Timothy Druckrey, 2001 Dark Fiber: Tracking Critical Internet Culture Geert Lovink Dark Fiber Tracking Critical Internet Culture Geert Lovink The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. Set in Bell Gothic and Courier by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Lovink, Geert. Dark fiber : tracking critical internet culture / Geert Lovink. p. cm. — (Electronic culture—history, theory, practice) Includes bibliographical references. ISBN 0-262-12249-9 (hc. : alk. paper) 1. Internet—Social aspects. 2. Information society. 3. Culture. I. Title. II. Series. HM851 .L68 2002 303.48'33—dc21 2001059641 Dark fiber refers to unused fiber-optic cable. Often times companies lay more lines than what’s needed in order to curb costs of having to do it again and again. The dark strands can be leased to individuals or other companies who want to establish optical connections among their own locations. In this case, the fiber is neither controlled by nor connected -
Move! Guerilla Films, Collaborative Modes, and the Tactics of Radical Media Making
RICE UNIVERSITY Move! Guerilla Films, Collaborative Modes, and the Tactics of Radical Media Making by Tish Stringer A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE D octor of Philosophy APPROVED, THESIS COMMITTEE: (Teorge Marcus', Professor Anthropology Istopher Kelty, Kelty, AssistantQjri^topher AssistantProfessor Anthropology Hamid Nafijcy, Professor Art History / HOUSTON, TEXAS M ay 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 254 This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3216785 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3216785 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against -
Sustaining Contributors
The Public i, a project of the Urbana-Cham- paign Independent Media Center, is an independent, collectively-run, community- oriented publication that provides a forum for topics underreported and voices under- represented in the dominant media. All contributors to the paper are volunteers. Everyone is welcome and encouraged to submit articles or story ideas to the editorial March 2008 collective. We prefer, but do not necessarily restrict ourselves to, articles on issues of local V8, #3 impact written by authors with local ties. The opinions are those of the authors and do not reflect the views of the IMC as a whole. EDITORS/FACILITATORS: Antonia Darder Brian Dolinar davep Shara Esbenshade Belden Fields Bob Illyes Paul Mueth Marcia Zumbahlen THE PUBLIC I Urbana-Champaign IMC 202 South Broadway Urbana, IL, 61801 217-344-8820 www.ucimc.org Get Involved with the Public i SUSTAINING CONTRIBUTORS You don’t need a degree in journalism The Public i wishes to express its deep appreciation to the following sustaining contrib- to be a citizen journalist. We are all utors for their financial and material support: experts in something, and we have the SocialistForum: An Open Discussion and Jerusalem Cafe ability to share our information and Action Group, Meets 3rd Saturdays of the 601 S. Wright St, Champaign; 398-9022 knowledge with others. The Public i is month, 3-5 pm, at IMC, Broadway & Elm. (U) always looking for writers and story The AFL-CIO of Champaign County ideas. We invite you to submit ideas or World Harvest International proposals during our weekly meetings and Gourmet Foods That’s Rentertainment (Thursdays at 5:30pm at the UCIMC), 519 E. -
The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication January 2002 The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Monroe Price University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Recommended Citation Price, M. (2002). The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance. USAID Office of Democracy and Governance Occasional Papers Series, Retrieved from https://repository.upenn.edu/asc_papers/65 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/65 For more information, please contact [email protected]. The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Abstract Throughout the world, there is a vast remapping of media laws and policies. This important moment for building more democratic media is attributable to rapid-fire geo-political changes. These include a growing zest for information, the general move towards democratization, numerous pressures from the international community, and the inexorable impact of new media technologies. Whatever the mix in any specific state, media law and policy is increasingly a subject of intense debate. Shaping an effective democratic society requires many steps. The formation of media law and media institutions is one of the most important. Too often, this process of building media that advances democracy is undertaken without a sufficient understanding of the many factors involved. This study is designed to improve such understanding, provide guidance for those who participate in the process of constructing such media, and indicate areas for further study.