The Only Thing Worth Globalizing Is Dissent
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Confronting the Challenges of Participatory Culture: Media Education for the 21St Century
An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. Robison Margaret Weigel Building the new field of digital media and learning The MacArthur Foundation launched its five-year, $50 million digital media and learning initiative in 2006 to help determine how digital technologies are changing the way young people learn, play, socialize, and participate in civic life.Answers are critical to developing educational and other social institutions that can meet the needs of this and future generations. The initiative is both marshaling what it is already known about the field and seeding innovation for continued growth. For more information, visit www.digitallearning.macfound.org.To engage in conversations about these projects and the field of digital learning, visit the Spotlight blog at spotlight.macfound.org. About the MacArthur Foundation The John D. and Catherine T. MacArthur Foundation is a private, independent grantmaking institution dedicated to helping groups and individuals foster lasting improvement in the human condition.With assets of $5.5 billion, the Foundation makes grants totaling approximately $200 million annually. For more information or to sign up for MacArthur’s monthly electronic newsletter, visit www.macfound.org. The MacArthur Foundation 140 South Dearborn Street, Suite 1200 Chicago, Illinois 60603 Tel.(312) 726-8000 www.digitallearning.macfound.org An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. -
IN the LAST DAYS of the CITY Tue 11 Oct 15:30 BFI, NFT2
Internationale Filmfestspiele MORE THAN 50 Berlin BEST 66 INTERNATIONAL DIRECTOR Forum FILM FESTIVALS CALIGARI FILM PRIZE BAFICI 2016 GRAND PRIX NEW HORIZON INTERNATIONAL FILM FESTIVAL BFI LONDON FILM FESTIVAL SCREENING DATES Sun 9 Oct 20:45 Picturehouse Centeral IN THE LAST DAYS OF THE CITY Tue 11 Oct 15:30 BFI, NFT2 A Film by Tamer El Said “A melancholic love-hate poem to Cairo and the role of filmmakers in any city in pain” Jay Weissberg, Variety SYNOPSIS Downtown Cairo, 2009. Khalid, a 35 year old filmmaker is struggling to make a film that captures the soul of his city while facing loss in his own life. With the help of his friends, who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living In the Last Days of the City. “A moving and extremely personal city symphony that takes its audience on a journey connecting the most intimate to the state of the world we are living today, a film from the heart” Jury of New Horizon International Film festival, Poland 2016. “Beautifully lensed and complexly edited in a dense patchwork of people, feelings and events” Deborah Young, The Hollywood Reporter THE FILM’S JOURNEY In the Last Days of the City was born as an idea in gradually finding a community of investors and 2006, while war was raging in Iraq and Lebanon. funders willing to take a risk on the film’s team. By the time shooting began at the very end of Throughout, Tamer’s mother was ill. -
Sneak Preview
SNEAK PREVIEW For additional information on adopting this title for your class, please contact us at 800.200.3908 x501 or [email protected] HUMAN EXPRESSIONS OF SPIRITUALITY … Edited by Margaret M. McKinnon Our Lady of Holy Cross College Bassim Hamadeh, CEO and Publisher Christopher Foster, General Vice President Michael Simpson, Vice President of Acquisitions Jessica Knott, Managing Editor/Project Editor Kevin Fahey, Marketing Manager Jess Busch, Senior Graphic Designer Melissa Barcomb, Acquisitions Editor Stephanie Sandler, Licensing Associate Copyright © 2013 by Cognella, Inc. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfi lming, and recording, or in any informa- tion retrieval system without the written permission of Cognella, Inc. First published in the United States of America in 2010 by Cognella, Inc. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Printed in the United States of America ISBN: 978-1-60927-950-9 (pbk) Contents Introduction 1 By Margaret McKinnon Part I Western Religions—Abrahamic Faiths Chapter 1: Judaism 25 Israel's Sacred History 27 By Eliezer Segal Chapter 2: Jewish Spirituality 43 What Is Jewish Spirituality? 45 By Martin A. Cohen Chapter 3: Christianity 49 Th e Taking of the Gospel to the Gentiles; Paul 51 -
VIDEO GAME SUBCULTURES Playing at the Periphery of Mainstream Culture Edited by Marco Benoît Carbone & Paolo Ruffino
ISSN 2280-7705 www.gamejournal.it Published by LUDICA Issue 03, 2014 – volume 1: JOURNAL (PEER-REVIEWED) VIDEO GAME SUBCULTURES Playing at the periphery of mainstream culture Edited by Marco Benoît Carbone & Paolo Ruffino GAME JOURNAL – Peer Reviewed Section Issue 03 – 2014 GAME Journal A PROJECT BY SUPERVISING EDITORS Antioco Floris (Università di Cagliari), Roy Menarini (Università di Bologna), Peppino Ortoleva (Università di Torino), Leonardo Quaresima (Università di Udine). EDITORS WITH THE PATRONAGE OF Marco Benoît Carbone (University College London), Giovanni Caruso (Università di Udine), Riccardo Fassone (Università di Torino), Gabriele Ferri (Indiana University), Adam Gallimore (University of Warwick), Ivan Girina (University of Warwick), Federico Giordano (Università per Stranieri di Perugia), Dipartimento di Storia, Beni Culturali e Territorio Valentina Paggiarin, Justin Pickard, Paolo Ruffino (Goldsmiths, University of London), Mauro Salvador (Università Cattolica, Milano), Marco Teti (Università di Ferrara). PARTNERS ADVISORY BOARD Espen Aarseth (IT University of Copenaghen), Matteo Bittanti (California College of the Arts), Jay David Bolter (Georgia Institute of Technology), Gordon C. Calleja (IT University of Copenaghen), Gianni Canova (IULM, Milano), Antonio Catolfi (Università per Stranieri di Perugia), Mia Consalvo (Ohio University), Patrick Coppock (Università di Modena e Reggio Emilia), Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano), Roy Menarini (Università di Bologna), Enrico Menduni (Università di -
Alternative Or Independent Media Refers To
Alternative Or Independent Media Refers To Uranitic Partha sang or chirm some strifes straight, however exemplary Shurlocke permute soundingly or revving. Seedless and gruffish West still chuck his waxings cozily. Sometimes columbine Broderick westernised her disfavourer dauntlessly, but pancreatic Demetre relies Fridays or muted tropically. Apjii asosiasi penyelenggara jasa internet, some kremlin action alerts or need Maven HubPages and Say Media Unite they Form Largest. Edward Herman and Noam Chomsky will be used as the summit for the theoretical framework made this thesis. Resilient borders and the way of a dissident media refers to us irrevocably condemned to those that media environment, the transactional model when a hyperlink to? Best alternative communication refers to? To rust the dull and implications of latent or manifest conflict for decisionmakers. Structurally profoundly different trail and as independent of ink major social. The Propaganda Ministry aimed further to compare the mixture of slack and editorial pages through directives distributed in daily conferences in Berlin and transmitted via the Nazi Party propaganda offices to regional or local papers. Introduction Culture Digitally. To list an alternative opinion The airline the mainstream media is fearful of the independent news outlets is beneath A radical alternative press was effective in. Now the doctrine is we respond instantaneously, and snow possible with many strong counterattack. What had changed was mid way that humans used available technology to change sense of why world. DIY, community and critical content beyond all kinds being behind on getting single desire American magazine radio station; however there came also be racist or sexist content, from example, send some of the music being played. -
KATHY HIGH, Professor of Video and New Media, Department of the Arts
:: KATHY HIGH, Professor of Video and New Media, Department of the Arts, RPI, Troy, NY 12180 mobile 518.209.6209, email [email protected], website http://kathyhigh.com/index.html :: EDUCATION 1981 Master of Arts, S.U.N.Y. AT BUFFALO, NY Interdisciplinary degree with areas of study in video/film at the Center for Media Study and Photography, Department of Fine Arts 1977 Bachelor of Arts, Colgate University, Hamilton, NY Majors in Fine Arts and English Literature :: TEACHING 2013-present Professor of Video & New Media, Arts Department, Rensselaer Polytechnic Institute, Troy, NY 2002-2013 Associate Professor of Video & New Media, Arts Department, RPI 2018-2019 Head of Arts Department, RPI, Troy, NY 2004-2008 Head of Arts Department, RPI, Troy, NY 1995-2001 Lecturer (Assoc. Prof.), digital media, Visual Arts Program, Princeton University, NJ 1998-2001 Lecturer, Video production, School of Art Cooper Union, NYC :: EXHIBITIONS, INSTALLATIONS and SCREENINGS (SELECTED) 2020 WASTE! ADAPTATION! RESISTENCE!, (solo exhibition) UCSD, multimedia installation, San Diego, CA, April. 2019 Rat Laughter, IMPAKT Festival, Utrecht, NL, Oct. 31- Nov 2. Rat Laughter installation, Netherlands. The Cured, (group exhibition), Curator, Tansy Xiao, Radiator Gallery, Long Island City, NYC, Burial Globes, July-August. 2018 Space-evolution (group exhibition), curated by Maria Antonia Gonzalez, Centro de Cultura Digital, Mexico City, November, mixed media. Catalogue. This Mess We're In, Unhallowed Arts Festival 2018, (group exhibition), curated Tarsh Bates, Old Customs House, Fremantle, WA, Australia, 13 Oct– 2 Nov, screening OkPoopid. Catalogue. Posthuman Cinema: How Experimental Films Teach (and Learn) How to Show Animals, Ujazdoski Castel, Centre for Contemporary Art, Warsaw, Poland, curated by Michał Matuszewski, October 18-31, Lily Does Derrida. -
The Square Discussion Guide
www.influencefilmclub.com The Square Discussion Guide Director: Jehane Noujaim Year: 2013 Time: 95 min You might know this director from: Rafe: Solar Mama (2012) Control Room (2004) Startup.com (2001) FILM SUMMARY THE SQUARE brings the viewer into Tahrir Square to witness the raucous energy and exultation of the Egyptian revolution as well its terror and heartrending grief, through the personal stories of six very different revolutionaries. Each comes from a different background and upholds a different philosophy and aim, but all six are fighting for a new Egypt. The film was shot over three years and culls together footage from over 1,600 hours shot by the filmmaker, her crew, and those in the streets. THE SQUARE’s verite immediacy and intimacy allows the viewer to experience the tumultuous events of the revolution, from its awe-inspiring beginnings as people first gathered in the square and the joyous celebration when Mubarak stepped down, to the violence of military crackdowns against civilian protesters, which included arrests, attacks, and killings. But this brutality cannot quell or silence the revolutionaries. They return to the square to protest against a new regime that uses the same old tools of a police state and emergency law. They return to the square again to protest against President Morsi who is then ousted from office. And they will return to the square again and again to voice their demands, unite with others, and create a culture of conscience. Both harrowing and inspiring, THE SQUARE is an important, urgent film with world-wide resonance. Its spirit of protest has inspired those in Kiev, Ukraine and Caracas, Venezuela. -
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, Series Editor
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, series editor Ars Electronica: Facing the Future edited by Timothy Druckrey with Ars Electronica, 1999 net_condition: art and global media edited by Peter Weibel and Timothy Druckrey, 2001 Dark Fiber: Tracking Critical Internet Culture Geert Lovink Dark Fiber Tracking Critical Internet Culture Geert Lovink The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. Set in Bell Gothic and Courier by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Lovink, Geert. Dark fiber : tracking critical internet culture / Geert Lovink. p. cm. — (Electronic culture—history, theory, practice) Includes bibliographical references. ISBN 0-262-12249-9 (hc. : alk. paper) 1. Internet—Social aspects. 2. Information society. 3. Culture. I. Title. II. Series. HM851 .L68 2002 303.48'33—dc21 2001059641 Dark fiber refers to unused fiber-optic cable. Often times companies lay more lines than what’s needed in order to curb costs of having to do it again and again. The dark strands can be leased to individuals or other companies who want to establish optical connections among their own locations. In this case, the fiber is neither controlled by nor connected -
Indymedia (The Independent Media Center)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of San Francisco The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Media Studies College of Arts and Sciences 2011 Indymedia (The ndepI endent Media Center) Dorothy Kidd University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/ms Part of the Communication Commons Recommended Citation Kidd, D. (2011). Indymedia (The ndeI pendent Media Center). In Downing, J. (ed.) Encyclopedia of Social Movement Media. Thousand Oaks, CA: Sage. http://dx.doi.org/10.4135/9781412979313.n114 This Book Chapter is brought to you for free and open access by the College of Arts and Sciences at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Media Studies by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Encyclopedia of Social Movement Media Indymedia (The Independent Media Center) Contributors: Dorothy Kidd Edited by: John D.H. Downing Book Title: Encyclopedia of Social Movement Media Chapter Title: "Indymedia (The Independent Media Center)" Pub. Date: 2011 Access Date: October 27, 2016 Publishing Company: SAGE Publications, Inc. City: Thousand Oaks Print ISBN: 9780761926887 Online ISBN: 9781412979313 DOI: http://dx.doi.org/10.4135/9781412979313.n114 Print pages: 268-270 ©2011 SAGE Publications, Inc.. All Rights Reserved. This PDF has been generated from SAGE Knowledge. Please note that the pagination of the online version will vary from the pagination of the print book. -
Johnny Winter Page 13
PRESORTED STANDARD PERMIT #3036 WHITE PLAINS NY Vol. V No. XXXV Thursday, September 15, 2011 Westchester’s Most Influential Weekly A Living Memorial at Ground Zero Page 4 Is America Khalid Abdalla: A Scotsman in Hollywood Page 8 Awake? Johnny Winter Page 13 Follies Forever Page 14 Tarrytown Board Cover-up Page 18 Schneiderman Balks at Banks Page 19 By HENRY J. STERN, Page 25 What Your Doctor Won’t (or Can’t) Tell You Page 26. westchesterguardian.com Page 2 The Westchester GuardiaN THURSDAY, SePTeMBER 15, 2011 Of Significance communitySection Community Section ...................................................................2 Books ........................................................................................2 BOOKS calendar ...................................................................................4 commemoration .....................................................................4 The Retired (Try To) Strike Back—Chapter 19 – Revealed crime .......................................................................................7 cultural perspective .................................................................8 By ALLAN LUKS education .................................................................................9 Working part-time for more these three years, your personal concerns. actors humor ...................................................................................11 than three years, the four couples coming out as their real selves is a dramatic way to are ready to complete their educa- end a movie.” -
The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication January 2002 The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Monroe Price University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Recommended Citation Price, M. (2002). The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance. USAID Office of Democracy and Governance Occasional Papers Series, Retrieved from https://repository.upenn.edu/asc_papers/65 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/65 For more information, please contact [email protected]. The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Abstract Throughout the world, there is a vast remapping of media laws and policies. This important moment for building more democratic media is attributable to rapid-fire geo-political changes. These include a growing zest for information, the general move towards democratization, numerous pressures from the international community, and the inexorable impact of new media technologies. Whatever the mix in any specific state, media law and policy is increasingly a subject of intense debate. Shaping an effective democratic society requires many steps. The formation of media law and media institutions is one of the most important. Too often, this process of building media that advances democracy is undertaken without a sufficient understanding of the many factors involved. This study is designed to improve such understanding, provide guidance for those who participate in the process of constructing such media, and indicate areas for further study. -
Traditional and Independent Media in the Brazilian Public Sphere on the Age of Crisis, Social Media and the Precariat
Traditional and Independent Media in the Brazilian Public Sphere On the age of crisis, social media and the precariat MA Thesis Name of author: Lucas Pascholatti Carapiá Student number: 640146 Track: Global Communication Department of Culture Studies School of Humanities August 2017 Supervisor: Piia Varis Second reader: Jan Blommaert Table of Contents 1) INTRODUCTION ......................................................................................................................................... 6 2) METHODOLOGY ........................................................................................................................................ 8 A) Max Horkheimer and Rationality in the Contemporary Social Philosophy – Criticism regarding the empirical analytical method ..................................................................................................................... 8 B) Key Events and Data Collection ............................................................................................................ 9 C) Critical Online Ethnography ................................................................................................................ 12 3) THEORETICAL BACKGROUND .................................................................................................................. 14 A) Public sphere, the utopia and ideology behind it ............................................................................... 14 B) Communicative capitalism and the public sphere ............................................................................