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Power Struggle Notes
Once upon a Marriage Series … takes over. “Power Struggle” I’ll get you Naboth’s vineyard!” 1 Kings 21:7b (NLT) No one else so completely sold himself to what was evil in the Lord’s sight as Ahab did under the influence of his wife Jezebel. 1 Kings 21:25 (NLT) The Husband: Ahab: The passive husband. Is called to lead. Now there was a man named Naboth, from Jezreel, who owned a For wives, this means submit to your husbands as to the Lord. vineyard in Jezreel beside the palace of King Ahab of Samaria. For a husband is the head of his wife as Christ is the head of the One day Ahab said to Naboth, “Since your vineyard is so church. He is the Savior of his body, the church. As the church convenient to my palace, I would like to buy it to use as a submits to Christ, so you wives should submit to your husbands in vegetable garden. I will give you a better vineyard in exchange, or everything. if you prefer, I will pay you for it.” For husbands, this means love your wives, just as Christ But Naboth replied, “The Lord forbid that I should give you loved the church. He gave up his life for her the inheritance that was passed down by my ancestors.” Ephesians 5:22-25 (NLT) So Ahab went home angry and sullen because of Naboth’s answer. The king went to bed with his face to the wall and refused As… to eat! 1 Kings 21:1-4 (NLT) Provider. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Not a Question of If, but When
PROLOGUE NOT A QUESTION OF IF, BUT WHEN IN THE INFORMATION AGE, THERE ARE TWO KINDS OF PEOPLE, TWO KINDS OF INSTITUTIONS, two kinds of organizations: those who have been hit with a crisis and those who haven’t been around very long. Whether you are a multinational corporation such as BP responding to oil gushing into the Gulf of Mexico or the neighborhood restaurant dealing with a bad Yelp review, confronting a crisis is not a question of if but of when. And of those who have looked a great crisis squarely in the eye, there are similarly two kinds of people, two kinds of institutions, two kinds of organizations: Those who were able to be masters of their disasters, and those who failed. The landscape is dotted with a few winners but crowded with many losers who simply did not have what it took to survive the crisis. For every Bill Clinton—who left office with the highest presidential job approval rating in history despite having been impeached—there are dis- graced former politicians like Gary Hart and John Edwards. For every Goldman Sachs—which, despite being widely portrayed in the wake of the 2008 financial meltdown as a pack of real-life Gordon Gekkos sav- agely trouncing all in their path in the service of the bottom line, has contin- ued to have great success—there are companies like Lehman Brothers, Enron, and Arthur Andersen, consigned to the ash heap of Wall Street. For every franchise athlete like Yankee’s star Alex Rodriguez—who in 2009 went from being the spring training goat of ridicule over revelations about his use of performance-enhancing drugs to being the 2009 World Se- ries hero—there are disgraced former superstars like Barry Bonds and Mark McGwire. -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
In Danny Pearl Book, Lévy Says Next 9/11 Brewing in Pakistan Page 1 of 10
In Danny Pearl Book, Lévy Says Next 9/11 Brewing in Pakistan Page 1 of 10 September 14, 2003 | 11:29 PM In Danny Pearl Book, Lévy Says Next 9/11 Brewing in Pakistan Mr. Lévy paints a by Ron Rosenbaum portrait of Mr. Pearl as "I had the feeling," Bernard-Henri Lévy says, "that the 21st a Galahad century really began with the collapse of the Twin Towers and the murder of this piercing the single man, Daniel Pearl." Both are secret of deeply symbolic killings. What’s more, he terrorism’s contends, the same forces behind both Unholy Grail. crimes are now planning something far worse. "It will make 9/11 look prehistoric," Mr. Lévy says. What he learned in investigating the death of Wall Street Journal reporter Pearl, he contends, brought him face to face with the specter of the next 9/11. From the year he spent studying the jihadist alliance in Pakistan that killed Pearl, he has a theory about the nature of "the next 9/11": He believes it is likely to take the shape of a terrorist nuclear attack. I have a theory about Bernard-Henri Lévy and his book about the death of Daniel Pearl. It’s a theory about Mr. Lévy’s theory about Mr. Pearl’s theory, you might say. Mr. Lévy describes his book as "an investigation of the investigation": his investigation of Daniel Pearl’s investigation—and of the official investigation of Mr. Pearl’s death. My theory results, you might say, from an investigation of Mr. Lévy’s investigation of what Daniel Pearl was investigating at the time of his kidnap and murder. -
Because I Am a Girl the State of the World’S Girls 2015 the Unfinished Business of Girls’ Rights
Because I am a Girl THE STATE OF THE WORLD’S GIRLS 2015 The Unfinished Business of Girls’ Rights 1 2 THE STATE OF THE WORLD’S GIRLS Because I am a Girl THE STATE OF THE WORLD’S GIRLS 2015 The Unfinished Business of Girls’ Rights S ICTURE P S ANO P Patna, Bihar, India. SPAULL/ JON 3 Acknowledgements This report was made possible with the contributions and advice of many people and organisations. With special thanks to all those who wrote articles, poems and stories for the 2015 report: Sally Armstrong Chernor Bah President Jimmy Carter Imtiaz Dharker Julia Gillard Anita Haidary Joanne Harris Liya Kebede Graça Machel Katrine Marçal Catalina Ruiz Navarro Indra Nooyi Mariane Pearl Nawal El Saadawi Bukky Shonibare Girls Report Editorial Board: Sarah Hendriks – Chair, Director of Gender Equality and Social Inclusion, Plan International Sharon Goulds – Editor and Project Manager of the Girls’ Report series Adam Short – Head of Advocacy, Plan International Jacqui Gallinetti – Director of Research and Knowledge Management, Plan International Lucero Quiroga – Gender Advisor, consultant for Plan International Executive Group: Nigel Chapman CEO, Plan International Rosemary McCarney CEO, Plan International Canada Tanya Barron CEO, Plan International UK Reference Group – Plan International: Rosanna Viterri, Kanwal Ahluwalia, Alex Munive, Tanya Cox, Rashid Javed, Kristy Payne, Carla Jones, Sara Osterlund, Elena Ahmed, Stephanie Conrad and Keshet Dovrat. Special thanks to: Nikki van der Gaag, author of six of the Girls’ Reports; all past members of the 2007-2014 advisory panels who gave so freely of their time and energy; Keshet Bachan; Feyi Rodway for coordinating the ‘Real Choices, Real Lives’ study since its inception in 2006; Jo Lateu, Ian Nixon and Vanessa Baird, from New Internationalist Publications; Steve Tierney from Alike Creative for the infographics; Jackie Morris for illustrating River Story; Jennifer Schulte and Sharon Smee for background research; all of the participants in the ‘adolescent girl movement’ survey and Fabiola Villarreal Núñez. -
IN the LAST DAYS of the CITY Tue 11 Oct 15:30 BFI, NFT2
Internationale Filmfestspiele MORE THAN 50 Berlin BEST 66 INTERNATIONAL DIRECTOR Forum FILM FESTIVALS CALIGARI FILM PRIZE BAFICI 2016 GRAND PRIX NEW HORIZON INTERNATIONAL FILM FESTIVAL BFI LONDON FILM FESTIVAL SCREENING DATES Sun 9 Oct 20:45 Picturehouse Centeral IN THE LAST DAYS OF THE CITY Tue 11 Oct 15:30 BFI, NFT2 A Film by Tamer El Said “A melancholic love-hate poem to Cairo and the role of filmmakers in any city in pain” Jay Weissberg, Variety SYNOPSIS Downtown Cairo, 2009. Khalid, a 35 year old filmmaker is struggling to make a film that captures the soul of his city while facing loss in his own life. With the help of his friends, who send him footage from their lives in Beirut, Baghdad and Berlin, he finds the strength to keep going through the difficulty and beauty of living In the Last Days of the City. “A moving and extremely personal city symphony that takes its audience on a journey connecting the most intimate to the state of the world we are living today, a film from the heart” Jury of New Horizon International Film festival, Poland 2016. “Beautifully lensed and complexly edited in a dense patchwork of people, feelings and events” Deborah Young, The Hollywood Reporter THE FILM’S JOURNEY In the Last Days of the City was born as an idea in gradually finding a community of investors and 2006, while war was raging in Iraq and Lebanon. funders willing to take a risk on the film’s team. By the time shooting began at the very end of Throughout, Tamer’s mother was ill. -
Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
Zeughauskino
HANDS ON FASSBINDER DISKUSSIONEN.ASSOZIATIONEN.FILME IM KINO Rainer Werner Fassbinder (1945-1982) ist einer der bedeutendsten europäischen Regisseure deutscher Herkunft. Zusammen mit dem Collegium Hungaricum Berlin, dem Zeughauskino, der Rainer Werner Fassbinder Foundation und der Bundeszentrale für politische Bil- dung möchte die Filmzeitschrift Revolver Fassbinders Werk neu er- schließen und zur Quelle von politischen, historischen, kulturellen und filmischen Visionen machen. Im Rahmen von Konferenzen, die noch bis zum November im Collegium Hungaricum Berlin stattfinden werden, sollen Ansätze und Fragestellungen, die Fassbinders mittler- weile historischen Arbeiten zugrunde liegen, auf unsere Gegenwart bezogen werden – eine Einstellung, die Fassbinders Grundhaltung entspricht. Dafür werden Film- und Medienfachleute, Schauspieler, Kritiker, Philosophen und Wissenschaftler eingeladen, aus seinem Nachlass neue Energien zu gewinnen – für das Filmland Deutschland und darüber hinaus. Abgestimmt auf die Themen der Konferenzen lädt das Zeughauskino jeweils im Vorfeld der Veranstaltungen zur Wiederentdeckung der Filme von Rainer Werner Fassbinder ein. Eine aktualisierte Fassung des Veranstaltungsprogramms findet sich unter der Adresse: www.handsonfassbinder.de. Die Veranstaltungsreihe Hands on Fassbinder wird vom Hauptstadtkulturfonds gefördert. Lili Marleen HANDS ON FASSBINDER 7 HANDS ON FASSBINDER Lili Marleen BRD 1980, R: Rainer Werner Fassbinder, B: Manfred Purzer, K: Xaver Schwarzenberger, D: Hanna Schygulla, Giancarlo Giannini, Mel Ferrer, Hark Bohm, Karl-Heinz von Hassel, 120‘ | 35 mm Die Zusammenarbeit Rainer Werner Fassbinders mit dem Produzenten Luggi Waldleitner, der vor allem als Produzent von seichten Pornos bekannt war, stellte für viele eine Überraschung dar. Papas Kino traf hier sprichwörtlich auf den Neuen Deutschen Film. Basierend auf dem Leben der Lale Anderson erzählt Lili Marleen die Geschichte der jungen Sängerin Willie, die nach Ausbruch des Zweiten Weltkriegs mit ihrem Lied Lili Marleen zum Star der deutschen Soldaten avanciert. -
Sneak Preview
SNEAK PREVIEW For additional information on adopting this title for your class, please contact us at 800.200.3908 x501 or [email protected] HUMAN EXPRESSIONS OF SPIRITUALITY … Edited by Margaret M. McKinnon Our Lady of Holy Cross College Bassim Hamadeh, CEO and Publisher Christopher Foster, General Vice President Michael Simpson, Vice President of Acquisitions Jessica Knott, Managing Editor/Project Editor Kevin Fahey, Marketing Manager Jess Busch, Senior Graphic Designer Melissa Barcomb, Acquisitions Editor Stephanie Sandler, Licensing Associate Copyright © 2013 by Cognella, Inc. All rights reserved. No part of this publication may be reprinted, reproduced, transmitted, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfi lming, and recording, or in any informa- tion retrieval system without the written permission of Cognella, Inc. First published in the United States of America in 2010 by Cognella, Inc. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Printed in the United States of America ISBN: 978-1-60927-950-9 (pbk) Contents Introduction 1 By Margaret McKinnon Part I Western Religions—Abrahamic Faiths Chapter 1: Judaism 25 Israel's Sacred History 27 By Eliezer Segal Chapter 2: Jewish Spirituality 43 What Is Jewish Spirituality? 45 By Martin A. Cohen Chapter 3: Christianity 49 Th e Taking of the Gospel to the Gentiles; Paul 51 -
Making Democracy Work by Hedrick Smith
This Guide was made possible by a grant from THE CHARLES STEWART M OTT FOUNDATION Printing and distribution of instructors’ and citizen’s guides were also supported by THE ROBERT WOOD JOHNSON FOUNDATION Funding for the public television series was provided by THE CORPORATION FOR PUBLIC BROADCASTING PBS THE JOHN D. AND CATHERINE T. MACARTHUR FOUNDATION THE CARNEGIE CORPORATION OF NEW YORK THE CHARLES STEWART MOTT FOUNDATION THE DILLON FUND THE CHARLES H. REVSON FOUNDATION THE NORTH STAR FOUNDATION THE JEROME KOHLBERG FUND The People and the Power Game This guide was produced was produced by in cooperation with HEDRICK SMITH PRODUCTIONS HEDRICK SMITH PRODUCTIONS by the in association with OUTREACH DEPARTMENT SOUTH CAROLINA ETV AT SC ETV HEDRICK SMITH, Correspondent and PATRICIA P. DRESSLER, Director Senior Executive Producer MICHELE M. REAP, Editor PATRICK M. RODDY, Executive Producer and Program Producer MARGARET B. WALDEN, Writer BARAK GOODMAN, Program Producer FOSTER WILEY, Principal Camera Design by PAUL GALLAGHER, STEVE JOHNSON and BLJ PUBLISHING RESOURCES, INC. MARK SHAFFER, Field Producers HEDRICK SMITH, PATRICK M. RODDY, Photos by WALTER CALAHAN, CAMERON DAVIDSON BARAK GOODMAN and MARK SHAFFER, Writers and HEDRICK SMITH PRODUCTIONS SANDRA L.UDY, Coordinating Producer and Production Manager Teachers and public television stations JENNIFER CHRISTIANO, RACHEL ENGLEHART, have the right to download and copy Production Associates this guide for educational use JANINA RONCEVIC, Executive Assistant from The People and the Power Game AMY MALL, Researcher World Wide Web site. http://www.pbs.org/powergame Making Democracy Work By Hedrick Smith The history and institutions of American democracy The Constitution provides a system of separated are a source of national pride to Americans.