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Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
United Nations Educational, Scientific and Cultural Organization (UNESCO)
United Nations Educational, Scientific and Cultural Organization UNESCO 2016 Cover The recent large-scale, systematic destruction and looting of cultural heritage has been the dominant theme at UNESCO throughout 2016. One of the Organization’s responses to these attacks on cultural heritage and cultural pluralism is the #Unite4Heritage campaign, a global movement that calls on everyone to harvest the power of culture to bring people together and to celebrate the places, objects and cultural traditions that make the world such a rich and vibrant place. This image produced for the campaign combines past and present, with the head of Buddha Shakyamuni and the face of an Erbore tribe warrior from Ethiopia. © Public Domain LACMA - Los Angeles County Museum of Art/Rod Waddington Published in 2017 by the United Nations Educational, Scientific and Cultural Organization (UNESCO). 7, place de Fontenoy, 75352 Paris 07 SP, France © UNESCO 2017 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). The present license applies exclusively to the text content of this publication and to images whose copyright belongs to UNESCO. By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. -
Complete List of Tinker Visiting Professors, 1981–2018
Complete List of Tinker Visiting Professors, 1981–2018 2017–2018 • Tamara Kamenszain, Writer/Universidad Nacional de las Artes [Department of English] • David Alonso, Center for Advanced Studies of Blanes (CEAB-CSIC) [Department of Ecology and Evolution] • Olívia Gomes da Cunha, Universidade Federal do Rio de Janeiro/Museu Nacional [Department of Anthropology] • Miriam Escudero, Colegio Universitario San Gerónimo de La Habana, Universidad de la Habana [Department of Music] 2016–2017 • Sérgio Assad, Musician (Brazil) [Department of History] • Erika Pani, El Colegio de México [Department of History] • Joy Langston, Centro de Investigación y Docencia Económicas, Mexico [Harris School of Public Policy] 2015–2016 • Keila Grinberg, Universidade Federal do Estado do Rio de Janeiro [Department of History] • Diego Pol, CONICET – Museo Paleontológico Egidio Feruglio [Department of Organismal Biology and Anatomy] • Anna Caballé, University of Barcelona [Department of Romance Languages and Literatures] 2014–2015 • Eduardo Manzano, Consejo Superior de Investigaciones Científicas [Department of History] • Verena Stolcke, Universitat Autónoma de Barcelona [Department of Anthropology] • Mariza de Carvalho Soares, Universidade Federal Fluminense [Department of History] • Evani Viotti, Universidade de São Paulo [Department of Linguistics] 2013–2014 • Samuel Araújo, Universidade Federal do Rio de Janeiro [Department of Music] • Ricardo Basbaum, Universidade do Estado do Rio de Janeiro [Department of Visual Arts] • Christopher Domínguez Michael, Historian, -
Remus PRICOPIE* Laudatio
Remus PRICOPIE* Laudatio Your Excellences, Distinguished Guests, Distinguished Members of the Romanian Parliament, Dear Mr. President of the Romanian Academy, Dear Ministers, Dear Members of the Academic Community, Ladies and Gentlemen, We have, today, the honor to attend a prominent moment in the academic life of the Na- tional School of Political Studies and Public Administration – SNSPA, occasioned by the awarding of the title of Doctor Honoris Causa to Mrs. Irina BOKOVA, Director-General of UNESCO. As always, such an event is filled with emotion, and its source lies not only in the fact that an academic community is celebrating an international public figure, but also in the fact that, with the awarding and accepting of the distinction of Doctor Honoris Causa, the personali- ty becomes a member of that same academic community. But alongside emotions, there al- so come some challenges, and the main one is to capture, in only 10-15 minutes, the multiple facets of the personality celebrated here today. Although this type of challenge is not new for me, it was the first time that I felt the need for a methodological matrix. I felt that such a matrix would help me make sure that I would not overlook any of the main fields of this personality’s career accomplishments. Thus, my approach started with a simple question: “What qualities should a person prove in order to be conferred the highest academic distinction?” and the answer, although complex, came out almost by itself: a. Have an outstanding academic training; b. Have a multiple, complex professional experience; c. -
Bulletin Quotidien De L'onu Est Préparé Par La Section Des Services De L’Information Sur Internet Du Département De L’Information De L’ONU
Mises à jour et alertes emails sur le Bulletin quotidien de l’ONU Centre d'actualités de l'ONU: www.un.org/french/news Numéro PPQ/5682 mardi 16 novembre 2010 ACTUALITES EN BREF DU MARDI • Haïti : la MINUSTAH déplore des violences contre • Le repas gastronomique des Français sur la Liste les Casques bleus du patrimoine culturel immatériel • La Corée du Nord bientôt confrontée à un grave • Bénin : l'appel de fonds humanitaire financé à déficit alimentaire, selon l'ONU hauteur de 10% • UNESCO : une Pakistanaise lauréate d'un prix sur • Ban Ki-moon rappelle les vertus de la tolérance les droits de l'homme face aux politiques de polarisation • Le HCR réinstalle des réfugiés du Darfour dans une • L'actrice américaine Monique Coleman nommée zone plus sûre en Centrafrique championne de la jeunesse • Soudan : le Conseil de sécurité appelle à des • Eruption du Mont Mont Merapi en Indonésie : le référendums crédibles FNUAP assiste les femmes enceintes • BIT : cruciale pendant la crise, la sécurité sociale • Helen Clark salue les progrès du Bangladesh dans est absente dans beaucoup de pays la réalisation des Objectifs du millénaire • Myanmar : le cyclone Giri a fait plus de 100.000 • L'Ambassadeur de l'UNICEF Roger Moore plaide la sans abris cause des enfants handicapés au Kazakhstan Haïti : la MINUSTAH déplore des violences contre les Casques bleus 16 novembre - La Mission des Nations Unies pour la Stabilisation en Haïti (MINUSTAH) a déploré les actes de violence contre les forces de l'ordre haïtienne et onusienne survenus au cours des manifestations violentes au Cap-Haitien et à Hinche dans la journée de lundi et a appelé la population « à ne pas se laisser manipuler ». -
No Politics Without Culture !
2013 CULTURE & POWER NO POLITICS WITHOUT CULTURE ! 2013 CULTURE & Contents POWER PRODUCE The Think tank 04 BROADCAST The International Meetings 06 Publications 08 Team 10 With a turnover of $2 700 billion world- wide, 6.1% of global GDP, 8 million jobs and 4% of GDP in Europe for culture and creative industries: can governments and companies prepare forward-looking strategies without culture? As budget drops have led governments to cut funding for culture across Europe, China has increased its spending by more than 23%. Digital technology is increasing access to artistic productions in India and across Africa. The Middle Eastern nations are investing more and more in culture across the board. Are we witnes- sing a global power shift in Culture? aurÉLIE FILIPpetti (France) Marjane Satrapi (Iran) NEELIE KROES (Netherlands) French Minister of Culture and Communication Cartoonist and Film Director Vice President digital strategy, European Commission " CULTURAL COMMITMENT IS TO BE TOTALLY Renaud CAPUÇON (France) RETHOUGHT " Violonist Axel Dauchez, President of Deezer - ArteTV JT, 2012 ELIE BARNAVI (Romania) Historian and Scientific Director of the Museum of Europe VIVIANNE REDING (Luxembourg) Vice President, European Commission MORE THAN " IF WE SUccEED christine albanel (France) Former French Minister of Culture and Communi- IN CONVINCING PUBLIC cation - Executive Vice President, Communication, 1000 Philanthropy, Content Strategy, Orange AUTHORITIES, FIRMS PARTICIPANTS PER YEAR AND CITIZENS THAT THESE STAKES ARE AT THE VERY HEART OF OUR ECONOMY, -
ANZ: Building a Super Regional Bank
Asia Investor Update Brand Nancy Wong GM, Strategy & Marketing APEA 10 June 2010 ANZ: Building a Super Regional Bank 28 We have rolled out a refreshed brand across our markets Old Brand New Brand 29 29 Our new Chinese name signifies our continued commitment to Greater China … • The name ‘Ao Sheng Yin Hang’ will represent ANZ in all the Chinese markets we operate • „Ao‟ is an abbreviation for Australia. It also means a deep and wide bay. Water is an auspicious symbol of wealth in traditional Chinese and many Asian cultures • „Sheng‟ represents flourishing riches and prosperity • Taiwanese press stories on the launch of the Chinese brand 30 …and we launched the Chinese expression of “We live in your world” to be closer to our customers The Chinese tagline ‘zhi xin, suo yi chuang xin’ translates in English to „Understanding you, we can create new possibilities‟. It expresses the essence of our global tagline, „We live in your world‟. 31 A systematic brand building is underway across Asia built around the RBS acquisition Sequentially delivering the key elements of our customer proposition „Commitment‟ „Stability & Strength‟ „Listening and ‟Connectivity across Understanding‟ the region‟ 32 … through carefully selected media to target institutional / commercial / HNW / affluent clients Bloomberg Website Bloomberg TV Airports Business Newspapers Financial Times Wall Street Journal 33 We are leveraging our sponsorships to drive brand & business engagement Australian Open Tennis Hong Kong Rugby Sevens 34 Our Platinum Sponsorship of the Australian -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
English Academy (FEA), India, Since 2018
CONTENTS 1. Mandate of the Regional Centre for Biotechnology IV 2. From the Executive Director’s Desk V 3. Executive Summary VIII 4. Scientific Reports Structural Biology 01 Molecular Medicine 10 Infectious Disease Biology 22 Cancer & Cell Biology 32 Agricultural Biotechnology 40 Systems & Synthetic Biology 50 Publications & Patents 58 5. Academic & Training Activities 63 6. Extramural Activities & Networking 82 7. Research & Innovation Infrastructure 91 8. Financial Statements 103 9. Institutional Governance 108 Mandate of the Regional Centre for Biotechnology he mandate of the Regional Centre for Biotechnology (RCB) is to provide a platform for biotechnology education, training and research at the interface of multiple Tdisciplines. The programs of the Centre are designed to create opportunities for students to engage in multi-disciplinary research where they learn biotech science while integrating engineering, medicine and natural sciences, to provide solutions for human and animal health, agriculture and environmental technologies. The vision is to produce human resource tailored to drive innovation in biotechnology, particularly in areas of new opportunities and also to fill talent gaps in deficient areas. The Centre is regarded as a “Category 2 Centre” in terms of the principles and guidelines for the establishment and functioning of UNESCO Institutes and Centres. The objectives of the Regional Centre for Biotechnology are: 1. to disseminate and to advance knowledge by providing instructional and research facilities in such branches of biotechnology and related fields as it may deem fit including technology policy development, 2. to provide capacity-building through education, training, research and development in biotechnology and related academic fields for sustainable development objectives through regional and international cooperation, 3. -
2018 DG Report on the Safety of Journalists and the Danger of Impunity
CI-18/COUNCIL-31/6/REV 2 2018 DG Report on the Safety of Journalists and the Danger of Impunity INTRODUCTION This report is submitted to the Intergovernmental Council of the International Programme for the Development of Communication (IPDC) in line with the Decision on the Safety of Journalists and the issue of Impunity adopted by the Council at its 26th session on 27 March 2008, and renewed at subsequent sessions in 2010, 2012, 2014 and 2016. In its latest Decision, adopted in November 2016, the IPDC Council urged Member States to “continue to inform the Director-General of UNESCO, on a voluntary basis, on the status of the judicial inquiries conducted on each of the killings condemned by the Director-General”. The present report provides an analysis of the cases of killings of journalists and associated media personnel that were condemned by the Director-General in 2016 and 2017. It also takes stock of the status of judicial enquiries conducted on each of the killings recorded by UNESCO between 2006 and 2017, based on information provided by Member States. TABLE OF CONTENTS 1. Executive Summary 2 2. Background and Context 2 3. Journalists’ killings in 2016 and 2017: key findings 7 3.1 Most dangerous regions 8 3.2 Rise in number of women journalists among fatalities 9 3.3 Highest number of killings among TV journalists 11 3.4 Majority of victims are local journalists 11 3.5 Freelance and staff journalists 12 3.6 More killings occurring in countries with no armed conflict 12 4. Member States’ responses: status of the judicial enquiries on cases of journalists killed from 2006 to end 2017 13 4.1 Decrease in Member State response rate to Director-General’s request 18 4.2 Slight reduction in impunity rate, but 89% of cases remain unresolved 19 4.3 Member States reporting on measures to promote safety of journalists and to combat impunity 22 5. -
MAHARASHTRA Not Mention PN-34
SL Name of Company/Person Address Telephone No City/Tow Ratnagiri 1 SHRI MOHAMMED AYUB KADWAI SANGAMESHWAR SANGAM A MULLA SHWAR 2 SHRI PRAFULLA H 2232, NR SAI MANDIR RATNAGI NACHANKAR PARTAVANE RATNAGIRI RI 3 SHRI ALI ISMAIL SOLKAR 124, ISMAIL MANZIL KARLA BARAGHAR KARLA RATNAGI 4 SHRI DILIP S JADHAV VERVALI BDK LANJA LANJA 5 SHRI RAVINDRA S MALGUND RATNAGIRI MALGUN CHITALE D 6 SHRI SAMEER S NARKAR SATVALI LANJA LANJA 7 SHRI. S V DESHMUKH BAZARPETH LANJA LANJA 8 SHRI RAJESH T NAIK HATKHAMBA RATNAGIRI HATKHA MBA 9 SHRI MANESH N KONDAYE RAJAPUR RAJAPUR 10 SHRI BHARAT S JADHAV DHAULAVALI RAJAPUR RAJAPUR 11 SHRI RAJESH M ADAKE PHANSOP RATNAGIRI RATNAGI 12 SAU FARIDA R KAZI 2050, RAJAPURKAR COLONY RATNAGI UDYAMNAGAR RATNAGIRI RI 13 SHRI S D PENDASE & SHRI DHAMANI SANGAM M M SANGAM SANGAMESHWAR EHSWAR 14 SHRI ABDULLA Y 418, RAJIWADA RATNAGIRI RATNAGI TANDEL RI 15 SHRI PRAKASH D SANGAMESHWAR SANGAM KOLWANKAR RATNAGIRI EHSWAR 16 SHRI SAGAR A PATIL DEVALE RATNAGIRI SANGAM ESHWAR 17 SHRI VIKAS V NARKAR AGARWADI LANJA LANJA 18 SHRI KISHOR S PAWAR NANAR RAJAPUR RAJAPUR 19 SHRI ANANT T MAVALANGE PAWAS PAWAS 20 SHRI DILWAR P GODAD 4110, PATHANWADI KILLA RATNAGI RATNAGIRI RI 21 SHRI JAYENDRA M DEVRUKH RATNAGIRI DEVRUK MANGALE H 22 SHRI MANSOOR A KAZI HALIMA MANZIL RAJAPUR MADILWADA RAJAPUR RATNAGI 23 SHRI SIKANDAR Y BEG KONDIVARE SANGAM SANGAMESHWAR ESHWAR 24 SHRI NIZAM MOHD KARLA RATNAGIRI RATNAGI 25 SMT KOMAL K CHAVAN BHAMBED LANJA LANJA 26 SHRI AKBAR K KALAMBASTE KASBA SANGAM DASURKAR ESHWAR 27 SHRI ILYAS MOHD FAKIR GUMBAD SAITVADA RATNAGI 28 SHRI -
10/2020 Curriculum Vitae MARIA ROSA OLIVERA-WILLIAMS
1 10/2020 Curriculum Vitae MARIA ROSA OLIVERA-WILLIAMS UNIVERSITY OF NOTRE DAME DEPARTMENT OF ROMANCE LANGUAGES AND LITERATURES NOTRE DAME, IN 46556 (574) 631-7268 E-MAIL: [email protected] 2013 PROFESSOR OF LATIN AMERICAN LITERATURE, Department of Romance Languages and Literatures, University of Notre Dame. 1988-present FACULTY FELLOW, Helen Kellogg Institute for International Studies. 2004-present FELLOW, Nanovic Institute for European Studies. EDUCATION Ph.D. Latin American and Peninsular Literatures (Presidential Award) The Ohio State University M.A. Latin American and Peninsular Literatures The Ohio State University, March B.A.S. Spanish (Magna Cum Laude) University of Toledo, Toledo, Ohio PUBLICATIONS Books Humanidades al límite: posiciones desde/contra la universidad global. Introduction and compilation. Co-edition with Cristián Opazo. Santiago, Chile: Cuarto Propio (2021 forthcoming). This volume studies from different perspectives and geographies the roles of Catholic universities to face the crisis of the Humanities in the midst of the challenges and opportunities offered by globalization. The volume reunites the work of distinguished historians, philosophers, literary and cultural studies colleagues at different stages in their careers. El arte de crear lo femenino: ficción, género e historia del Cono Sur. Santiago, Chile: Cuarto Propio, 2012. 257pp. https://www.cuartopropio.com/libro/el-arte-de-crear-lo-femenino/ The book is a theoretical and applied study of women’s social movements and fiction narratives during the second half of the twentieth century in the Southern Cone countries of Latin America, focusing on the post- suffragist period and the military dictatorship and post-dictatorship period. Reviewed by: Magdalena López.