DOCSLIB.ORG

Incantatio an International Journal on Charms, Charmers and Charming Print Version Issue 7 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Incantatio an International Journal on Charms, Charmers and Charming Print Version Issue 7 2018 Incantatio An International Journal on Charms, Charmers and Charming http://www.folklore.ee/incantatio Print version Issue 7 2018 ISNFR Committee on Charms, Charmers and Charming Incantatio An International Journal on Charms, Charmers and Charming Issue 7 Editor: Haralampos Passalis Tartu 2018 General Editor: Mare Kõiva Editors for this issue: Haralampos Passalis Managing editor: Jonathan Roper Copy editor: Liisa Vesik Language editor: Jonathan Roper Editorial board: Elenora Cianci, University of Chieti- Pescara, Italy James Kapalo, University College Cork, Ireland Alaric Hall, Leeds University, UK Claude Lecouteux, Paris-Sorbonne University, France Lea Olsan, University of Louisiana at Monroe, USA Éva Pócs, Janus Pannonius University, Pecs, Hungary Haralampos Passalis, Intercultural School-Evosmos-Thessaloniki, Greece Jonathan Roper, Tartu University, Estonia Will Ryan, The Folklore Society, London, UK. Emanuela Timotin, Institute of Linguistics, Bucharest, Romania Andrey Toporkov, Institute of World Literature, Moscow, Russia Daiva Vaitkevičiene, Lithuanian Institute of Literature and Folklore, Vilnius, Lihtuania Editorial contacts: http://www.foklore.ee/incantatio [email protected] Vanemuise 42, Tartu 51003, Estonia Supported by and affiliated to the Centre of Excellence in Estonian Studies (CEES, European Regional Development Fund) and is related to research projects IRG 22-5 (Estonian Research Council) and EKKM14-344 (Estonian Ministry of Education and Research). Indexed by the MLA Directory of Periodicals (EBSCO), Central and Eastern European Online Library (C.E.E.O.L.), Open Folklore Project. Copyright belongs to the authors and the ISFNR Committee on Charms, Charmers and Charming ISSN 2228-1355 https://doi.org/10.7592/Incantatio Contents https://doi.org/10.7592/Incantatio2018 Introduction Haralampos Passalis 7 https://doi.org/10.7592/Incantatio_2018_7_Introduction Writing on the Hand in Ink: A Late Medieval Innovation in Fever Charms in England Lea Olsan 9 https://doi.org/10.7592/Incantatio_2018_7_Olsan “Sitte ge sigewif, sigað to eorðe”: Settling the Anglo-Saxon Bee Charm within its Christian Manuscript Context Patricia O Connor 46 https://doi.org/10.7592/Incantatio2018_7_O’Connor Text over time: The written word in English charm before 1350 Katherine Hindley 72 https://doi.org/10.7592/Incantatio2018_7_Hindley The Pervinca charm: A medieval German love charm Eleonora Cianci 94 https://doi.org/10.7592/Incantatio2018_7_Cianci Charmers on the folk practise of charming of charming in Serbia Sonja Petrović 131 https://doi.org/10.7592/Incantatio2018_7_Petrović What to say while using dust from the Saints’ eyes? A Romanian case Laura Jiga Iliescu 160 https://doi.org/10.7592/Incantatio2018_7_Iliescu A Hidden Pot of Charm Scholarship: The History of Critical Reflections on Charms in Croatian Folkloristics Davor Nikolić, Josipa Tomašić 176 https://doi.org/10.7592/Incantatio2018_7_Nikolić_Tomašić BOOK REVIEWS 193 https://doi.org/10.7592/Incantatio2018_7_BookReview Emanuela Timotin, Paroles protectrices, paroles guérisseuses. La tradition manuscrite des charmes roumains (XVIIe-XIXe siècle), Paris, P.U.P.S., 2015 (collection Traditions et croyances), 385 p., 4 il- lustrations, 8 cartes. (Claude Lecouteux) Jesús Suárez López, Fórmulas mágicas de la tradición oral asturiana. Invocaciones, ensalmos, conjuros, Gobierno del Principado de Asturias, Ediciones Trea, 2016, 701 p. (Emanuela Timotin) Jukka Saarinen, Runolaulun poetiikka. Säe, syntaksi ja parallelismi Arhippa Perttusen runoissa. Akateeminen väitöskirja. Helsinki 2018.- 417 lk. (Mare Kõiva) Sorcery texts from Ancient Mesopotamia by Amar Annus Bibliotheca Antiqua. Tallinn 2017: TLÜ Kirjastus (Mare Kõiva) https://doi.org/10.7592/Incantatio_2018_7_Introduction INTRODUCTION The seventh issue of Incantatio continues the publication of research papers presented at the 9th conference of the Charms, Charmers and Charming Com- mittee of the ISFNR, which was held at University College Cork (May 6th-7th, 2016), that began in our sixth issue, but it also contains additional research articles as well as reviews of important recent charms studies. The first four articles in this issue deal with the written tradition and trans- mission of medieval English and German charms, with special attention being paid to manuscript contexts. In the first paper, Lea Olsan reviews the types of charms employed in order to relieve fevers in medieval England from the Anglo-Saxon period to the end of the fifteenth century, and turns an especial focus upon practical rituals (the method of writing sacred words on the hand with ink for consumption in a liquid potion) for healing fevers that involve inscribing and consuming communion hosts. Patricia O’ Connor focuses on the Anglo-Saxon Bee Charm, a charm which accompanies a passage from Chapter XVII of Book III of the Old English Bede. Her critical reconsideration of the Bee Charm within its immediate manuscript context contributes to our understanding both of the function of this type of charms within Anglo-Saxon society, especially of how these charms were per- ceived and circulated within late Anglo-Saxon England. Continuing the theme of Anglo-Saxon charms, Katherine Hindley systemati- cally approaches the techniques of charming found in England after the Nor- man Conquest. More specifically she deals with the sudden striking increase in the proportion of charms using written words and explores this post-Conquest change by examining examples preserved in manuscripts written or owned in England from the Anglo-Saxon period to 1350. A medieval German love charm, the Pervinca love charm, is thoroughly examined by Eleonora Cianci. Her article is the first attempt to make the com- plete unedited 15th century German text available to researchers. The author does not only provide the transcription from the manuscript and translation into English, but also a brief description of its content as part of her holistic approach to the text. The next two papers focus on the ethnographic context of charm practices. Sonja Petrović investigates how charming practices continue to be transmitted, valued and questioned in contemporary Serbia, work based on field material and scholarly literature. Taking into account the constant motifs in the narra- tive accounts of charmers concerning not only their practice, receiving, passing on and protecting magical knowledge, but also their relation towards patients and official medicine, she sheds light on the social, cultural and symbolic roles of traditional charmers. Laura Jiga Iliescu investigates a very interesting religious practice of hidden rituals, whose traces are preserved in the Christian churches’ frescoes from the Romanian Orthodox space, which is represented by the act of voluntarily scratching the eyes of the saints painted on the wall. The paper systematizes the few references concerning this ritual entirety as well as seeking information about the relations established between the official dogma and the religious practices as actuated in the case of the icon and the saint’s figure in the nine- teenth century Romania. Last but not least, Davor Nikolić and Josipa Tomašić offer an overview of critical reflections on charms in Croatian folkloristics and related disciplines, such as literary theory and history, and paleoslavistics. By highlighting the most important steps in the institutionalization of folklore research in Croatia, the authors cast light on the status of verbal charms both in the process of field research and the scholarly sphere. I wish to express my gratitude to all the authors who have contributed with their papers to the successful completion of this issue. I am also immensely grateful to Jonathan Roper for all his kind advice and support in editing the journal, as well as to the anonymous reviewers of the journal for their sugges- tions and comments. Thanks to their cooperation, Incantatio remains a serious scholarly journal and a fascinatingly broad view on charm studies. Haralampos Passalis, guest editor 8 www.folklore.ee/incantatio https://doi.org/10.7592/Incantatio_2018_7_Olsan WRITING ON THE HAND IN INK: A LATE MEDIEVAL INNOVATION IN FEVER CHARMS IN ENGLAND Lea T. Olsan This paper reviews the types of charms employed to relieve fevers in medieval England from the Anglo-Saxon period to the end of the fifteenth century with at- tention to the manuscript contexts in which the charms are found. In the second part, the paper focuses more closely on charms and practical rituals for healing fevers that involve inscribing and consuming communion hosts. It argues that the method of writing sacred words on the hand with ink to be washed into a potion and consumed came into favour in the late Middle Ages at a time when writing on wafers was becoming problematic. Keywords: verbal charms, textual amulets, medieval medicine, writing, fevers, medieval manuscripts INTRODUCTION Unlike charms to stop bleeding, which people expected to take effect quickly, fever charms offered relief from the symptoms of a sickness with an expecta- tion that it would have an effect over time, often days, from the time of the performance. Unlike charms for toothache, which prevented painful attacks in the future, fever charms and some lengthy religious rituals including masses, addressed the possibility that the patient might die if the current fever did not abate. The variation known as the Petrus ante portam acted as a preventative. It relied on a narrative formula or historiola (Roper 2005, Bozoky 2003) that could be written
Load more

Recommended publications
  • Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
    partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike.
    [Show full text]
  • PHP and Mysql Web Development
    TABEL OF CONTENT 1) PHP Introduction 2) PHP Environmental Setup 3) PHP Syntax Overview 4) PHP Variable Types 5) PHP Constants 6) PHP Operator Types 7) PHP Decision Making 8) PHP Loop Types 9) PHP Arrays 10)PHP Strings 11)PHP Web Concepts 12)PHP Get & Post 13)PHP File Inclusion 14)PHP Files & I/O 15)PHP Functions 16)PHP Cookies 17)PHP Sessions 18)PHP Sending Emails 19)PHP File Uploading 20)PHP Coding Standard 21)PHP Predefined Variable 22)PHP Regular Expression 23)PHP Error Handling 24)PHP Bugs Debugging 25)PHP Date & Time 26)PHP & MySQL 27)PHP &Ajax 28)PHP & XML 29)PHP – Object Oriented 30)PHP -For C Developers 31)PHP -For PERL Developers PHP Tutorial The PHP Hypertext Preprocessor (PHP) is a programming language that allows web developers to create dynamic content that interacts with databases. PHP is basically used for developing web based software applications. This tutorial helps you to build your base with PHP. Audience This tutorial is designed for PHP programmers who are completely unaware of PHP concepts but they have basic understanding on computer programming. Prerequisites Before proceeding with this tutorial you should have at least basic understanding of computer programming, Internet, Database, and MySQL etc is very helpful. Execute PHP Online For most of the examples given in this tutorial you will find Try it an option, so just make use of this option to execute your PHP programs at the spot and enjoy your learning. Try following example using Try it option available at the top right corner of the below sample code box − <html> <head> <title>Online PHP Script Execution</title> </head> <body> <?php echo "<h1>Hello, PHP!</h1>"; ?> </body> </html> PHP - Introduction PHP started out as a small open source project that evolved as more and more people found out how useful it was.
    [Show full text]
  • Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law.
    [Show full text]
  • Incantatio an International Journal on Charms, Charmers and Charming Print Version Issue 3 2013
    Incantatio An International Journal on Charms, Charmers and Charming http://www.folklore.ee/incantatio Print version Issue 3 2013 ISNFR Committee on Charms, Charmers and Charming Incantatio An International Journal on Charms, Charmers and Charming Issue 3 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Tartu 2013 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Language editor: Jonathan Roper Layout: Liisa Vesik Editorial board: Alaric Hall Claude Lecouteux Lea Olsan Éva Pócs Jonathan Roper Emanuela Timotin Andrey Toporkov Daiva Vaitkeviien William F. Ryan Editorial contacts: http://www.foklore.ee/incantatio [email protected] Vanemuise 42, Tartu 51003, Estonia Supported by and affiliated to projects SF0030181s08 and EKKM09-159 of the Estonian Ministry of Education and Research, and the European Union through the European Regional Development Fund (Centre of Excellence in CECT). All rights reserved. Copyright 2013 the authors and the ISFNR Committee on Charms, Charmers and Charming ISSN 2228-1355 DOI 10.7592/Incantatio http://www.folklore.ee/incantatio Contents doi: 10.7592/Incantatio2013 Introduction 7 Svetlana Tsonkova doi: 10.7592/Incantatio2013_Introduction Ex Ecclesia: Salvific Power Beyond Sacred Space 9 In Anglo-Saxon Charms Ciaran Arthur doi: 10.7592/Incantatio2013_Arthur Irish Scribal Culture As A Purveyor Of Charm Texts 33 In The Eighteenth And Nineteenth Centuries Nicholas Wolf doi: 10.7592/Incantatio2013_Wolf The Slavic And German Versions Of The Second Merseburg Charm 43 Tatiana Agapkina, Vladimir Karpov, Andrey Toporkov doi: 10.7592/Incantatio2013_AKT Parchment, Praxis And Performance Of Charms 60 In Early Medieval Ireland Ilona Tuomi doi: 10.7592/Incantatio2013_Tuomi Charms In Slovenian Culture 86 Saša Babi doi: 10.7592/Incantatio2013_Babic St.
    [Show full text]
  • Student Authored Textbook on Software Architectures
    Software Architectures: Case Studies Authors: Students in Software Architectures course Computer Science and Computer Engineering Department University of Arkansas May 2014 Table of Contents Chapter 1 - HTML5 Chapter 2 – XML, XML Schema, XSLT, and XPath Chapter 3 – Design Patterns: Model-View-Controller Chapter 4 – Push Notification Services: Google and Apple Chapter 5 - Understanding Access Control and Digital Rights Management Chapter 6 – Service-Oriented Architectures, Enterprise Service Bus, Oracle and TIBCO Chapter 7 – Cloud Computing Architecture Chapter 8 – Architecture of SAP and Oracle Chapter 9 – Spatial and Temporal DBMS Extensions Chapter 10 – Multidimensional Databases Chapter 11 – Map-Reduce, Hadoop, HDFS, Hbase, MongoDB, Apache HIVE, and Related Chapter 12 –Business Rules and DROOLS Chapter 13 – Complex Event Processing Chapter 14 – User Modeling Chapter 15 – The Semantic Web Chapter 16 – Linked Data, Ontologies, and DBpedia Chapter 17 – Radio Frequency Identification (RFID) Chapter 18 – Location Aware Applications Chapter 19 – The Architecture of Virtual Worlds Chapter 20 – Ethics of Big Data Chapter 21 – How Hardware Has Altered Software Architecture SOFTWARE ARCHITECTURES Chapter 1 – HTML5 Anh Au Summary In this chapter, we cover HTML5 and the specifications of HTML5. HTML takes a major part in defining the Web platform. We will cover high level concepts, the history of HTML, and famous HTML implementations. This chapter also covers how this system fits into a larger application architecture. Lastly, we will go over the high level architecture of HTML5 and cover HTML5 structures and technologies. Introduction High level concepts – what is the basic functionality of this system HyperText Markup Language (HTML) is the markup language used by to create, interpret, and annotate hypertext documents on any platform.
    [Show full text]
  • Appendix a the Ten Commandments for Websites
    Appendix A The Ten Commandments for Websites Welcome to the appendixes! At this stage in your learning, you should have all the basic skills you require to build a high-quality website with insightful consideration given to aspects such as accessibility, search engine optimization, usability, and all the other concepts that web designers and developers think about on a daily basis. Hopefully with all the different elements covered in this book, you now have a solid understanding as to what goes into building a website (much more than code!). The main thing you should take from this book is that you don’t need to be an expert at everything but ensuring that you take the time to notice what’s out there and deciding what will best help your site are among the most important elements of the process. As you leave this book and go on to updating your website over time and perhaps learning new skills, always remember to be brave, take risks (through trial and error), and never feel that things are getting too hard. If you choose to learn skills that were only briefly mentioned in this book, like scripting, or to get involved in using content management systems and web software, go at a pace that you feel comfortable with. With that in mind, let’s go over the 10 most important messages I would personally recommend. After that, I’ll give you some useful resources like important websites for people learning to create for the Internet and handy software. Advice is something many professional designers and developers give out in spades after learning some harsh lessons from what their own bitter experiences.
    [Show full text]
  • “Sitte Ge Sigewif, Sigað to Eorðe”: Settling the Anglo-Saxon Bee Charm Within Its Christian Manuscript Context
    https://doi.org/10.7592/Incantatio2018_7_O’Connor “SITTE GE SIGEWIF, SIGAÐ TO EORÐE”: SETTLING THE ANGLO-SAXON BEE CHARM WITHIN ITS CHRISTIAN MANUSCRIPT CONTEXT. Patricia O’Connor The Anglo-Saxon Bee Charm is one of a select number of Old English charms that were previously described as being “strange companions” to the Old English Bede (Grant 5). Written in the outer margin of page 182 of Cambridge, Corpus Christi College MS 41 (CCCC41), the Bee Charm accompanies a passage from Chapter XVII of Book III of the Old English Bede which narrates the consecration of a monastic site. Curiously, however, the Bee Charm’s connection to this passage of the Old English Bede and its influence on our reading of this important text has hitherto been inadequately addressed. Consequently, the objective of this article is to critically reconsider the Bee Charm within its immediate manuscript context and to highlight and evaluate the correspondences shared between the Anglo-Saxon charm and the adjacent passage of the Old English Bede. This codi- cological reassessment seeks to present a new interpretation of the Anglo-Saxon Bee Charm through encouraging a more inclusive reading experience of CCCC41, which incorporates both the margins and the central text. In doing so, this study endeavours to offer significant insights into the function of theBee Charm within Anglo-Saxon society and to contribute to our understanding of how these charms were perceived and circulated within late Anglo-Saxon England. Keywords: Marginalia, Bees, Old English Bede, New Philology, Old English Literature, Palaeography, Scribal Practices. The Anglo-Saxon Bee Charm is one of a number of interesting texts that were inserted anonymously into the margins of a well-known manuscript witness of the Old English Bede.
    [Show full text]
  • Anglo-Saxon Magic
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/107198 Please be advised that this information was generated on 2021-10-09 and may be subject to change. ANGLO-SAXON MAGIC DOOR G. STORMS 'i-GRAVENHAGE MARTINUS NIJHOFF 1948 ANGLO-SAXON MAGIC Promotori Dr. A. POMPEN Ο J.M. CENTRALE DRUKKERIJ N.V. - NIJMEGEN ANGLO-SAXON MAGIC ACADEMISCH PROEFSCHRIFT TER VERKRIJGING VAN DE GRAAD VAN DOCTOR IN DE LETTEREN EN WIJSBEGEERTE AAN DE R.K. UNIVERSITEIT TE NIJMEGEN, OP GEZAG VAN DE RECTOR MAG­ NIFICUS Mgr. Dr. R. R. POST, HOOGLERAAR IN DE FACULTEIT DER GODGELEERDHEID, VOLGENS BESLUIT VAN DE SENAAT IN HET OPENBAAR TE VERDEDIGEN OP VRIJDAG 4 JUNI 1948 DES NAMIDDAGS 3 UUR DOOR GODFRID STORMS GEBOREN TE SITTARD MARTINUS NIJHOFF - s-GRAVENHAGE 1948 Voor mijn Vader en mijn Vrouw TABLE OF CONTENTS PART I. CHAPTER I. Introduction 1-11. Characteristics of magic 1. Tendency to pre­ serve secrecy 2. Examples from O.Icel. literature 2-5. The A-S. charms reveal much more 5. The magic means consist of verbal formulas and of practices 6. Close connection between original Α-S. magic and pre-Christian religious conceptions, especially the worship of the sun 6-10, the moon 10, and the earth 11. CHAPTER II The Manuscripts 12-26. § 1. The Leechbook 12-16. § 2. The Lac­ nunga 16-24. Parallel passages 18-23. Anglian origin of both books 23. The Lacnunga is a very mixed collection 24.
    [Show full text]
  • Lev Horodyskyj Curriculum Vitae | [email protected] | +1 814-205-3836 Updated May 2021
    Lev Horodyskyj Curriculum Vitae http://www.horodyskyj.net | [email protected] | +1 814-205-3836 updated May 2021 Education 2003 - 2009 PhD, Geosciences and Astrobiology, Geosciences, Pennsylvania State University Dissertation (link): "Soil Formation and Terrestrial Biosignatures in the Middle Cambrian" Advisors: Drs. Lee Kump and Tim White 1999 - 2003 BA, Earth and Planetary Sciences, Earth & Planetary Sciences, Johns Hopkins University Thesis: "Heterogeneous Chemistry and Titan's Aerosols" Advisor: Dr. Darrell Strobel Professional Experience 2020 - Now Visiting Assistant Professor, Dept. of Chem. and Phys. Sciences, Univ. of the Virgin Islands ● Redeveloping online physics labs, teaching ● Developing public outreach resources and connections (Etelman Observatory, Geneva Lake Astrophysics and STEAM) ● Liason for Engineering 4 Us All (E4USA) program 2019 - Now Founder, Science Voices ● Building Agavi adaptive learning platform for digital teaching in the developing world ● Co-developing Greenworks program to train students in community environmental work ● Running a professional development program for faculty in developing nations 2015 - 2018 Instructional Designer Sr., Center for Education Through eXploration, Arizona State Univ. ● Led development and research of Habitable Worlds online science lab course ● Co-developed Earth/political science Build a Nation course, hybrid and online versions ● Developed collaborations for low-bandwidth digital science education projects ● Developed grants and collaborations for place-based online
    [Show full text]
  • PHP: Zend for I5/OS
    Front cover PHP: Zend for i5/OS Learn how to install and administer Discover valuable development tips and advice Security, globalization, Zend Platform for i5/OS, and more! Gary Mullen-Schultz Melissa Anderson Vlatko Kosturjak ibm.com/redbooks International Technical Support Organization PHP: Zend for i5/OS January 2007 SG24-7327-00 Note: Before using this information and the product it supports, read the information in “Notices” on page vii. First Edition (January 2007) This edition applies to Version 1.0, Release 5.0, Modification 0.0 of Zend Core for i5/OS, Version 2.0, Release 1.0, Modification 2.0 of Zend Platform for i5/OS, and Version 5.0, Release 2.0, Modification 0.0 of Zend Studio for i5/OS. © Copyright International Business Machines Corporation 2007. All rights reserved. Note to U.S. Government Users Restricted Rights -- Use, duplication or disclosure restricted by GSA ADP Schedule Contract with IBM Corp. Contents Notices . vii Trademarks . viii Preface . ix The team that wrote this book . ix Become a published author . .x Comments welcome. .x Chapter 1. Welcome to PHP on i5/OS! . 1 1.1 Welcome! . 2 1.1.1 IBM and Zend Core. 2 1.1.2 Zend Core for IBM . 2 1.2 Previous support of PHP on i5/OS . 3 1.3 Current support of PHP on i5/OS . 3 1.3.1 Zend Core for i5/OS . 3 1.3.2 Zend Studio for i5/OS . 4 1.3.3 Zend Platform for i5/OS . 4 1.4 How i5 implementation differs from Zend Core.
    [Show full text]
  • Old English Literature: a Brief Summary
    Volume II, Issue II, June 2014 - ISSN 2321-7065 Old English Literature: A Brief Summary Nasib Kumari Student J.k. Memorial College of Education Barsana Mor Birhi Kalan Charkhi Dadri Introduction Old English literature (sometimes referred to as Anglo-Saxon literature) encompasses literature written in Old English (also called Anglo-Saxon) in Anglo-Saxon England from the 7th century to the decades after the Norman Conquest of 1066. "Cædmon's Hymn", composed in the 7th century according to Bede, is often considered the oldest extant poem in English, whereas the later poem, The Grave is one of the final poems written in Old English, and presents a transitional text between Old and Middle English.[1] Likewise, the Peterborough Chronicle continues until the 12th century. The poem Beowulf, which often begins the traditional canon of English literature, is the most famous work of Old English literature. The Anglo-Saxon Chronicle has also proven significant for historical study, preserving a chronology of early English history.Alexander Souter names the commentary on Paul's epistles by Pelagius "the earliest extant work by a British author".[2][3] In descending order of quantity, Old English literature consists of: sermons and saints' lives, biblical translations; translated Latin works of the early Church Fathers; Anglo-Saxon chronicles and narrative history works; laws, wills and other legal works; practical works ongrammar, medicine, geography; and poetry.[4] In all there are over 400 survivingmanuscripts from the period, of which about 189 are considered "major".[5] Besides Old English literature, Anglo-Saxons wrote a number of Anglo-Latin works.
    [Show full text]
  • Sequentia Benjamin Bagby, Director
    Sequentia Benjamin Bagby, director Benjamin Bagby voice and Anglo-Saxon harp Hanna Marti voice and harps Stef Conner voice Norbert Rodenkirchen wooden and bone flutes, harp Words of Power Charms, Riddles and Elegies of the Medieval Northlands (8th-11th centuries) The musicians of Sequentia present songs of magic, exile, of the uncertainty of fate, of longing and regret, of the healing power of magic herbs, of irony and just plain fun. The pagan roots of the recently christianized medieval north can still be discerned in some of the oldest manuscript sources known to us today: the Old English Beowulf epic (possibly 8th century), the Old Icelandic Edda, the poems surviving in ancient songbooks such as The 10th-century Exeter Book, and numerous fragments from Germany and Switzerland. Each of these chants, songs and spoken riddles gives us a glimpse into a time so distant from ours and yet near in spirit, a world of singing poets, warriors, valkyries and seeresses, healers and philosophers, whose creations were the first to be written down in English and other Germanic languages (in addition to Old English, we perform songs in Old High German and Old Icelandic, with a hint of Latin). In reconstructing lost musical traditions from this time, Sequentia searches once again to resonate again those long-silent, ancient voices, sometimes accompanied by harps and flutes, which would have been welcomed in any gathering of souls, pagan or Christian, those seeking help for their problems, entertaining their friends, or those giving voice to their longing for a lost partner, or a lost tribe.
    [Show full text]