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New Findings and Perspectives Edited by Monica Dall’Asta, Victoria Duckett, Lucia Tralli Researching Women in Silent Cinema New Findings and Perspectives
in Silent Cinema New Findings and Perspectives edited by Monica Dall’Asta, Victoria Duckett, lucia Tralli RESEARCHING WOMEN IN SILENT CINEMA NEW FINDINGS AND PERSPECTIVES Edited by: Monica Dall’Asta Victoria Duckett Lucia Tralli Women and Screen Cultures Series editors: Monica Dall’Asta, Victoria Duckett ISSN 2283-6462 Women and Screen Cultures is a series of experimental digital books aimed to promote research and knowledge on the contribution of women to the cultural history of screen media. Published by the Department of the Arts at the University of Bologna, it is issued under the conditions of both open publishing and blind peer review. It will host collections, monographs, translations of open source archive materials, illustrated volumes, transcripts of conferences, and more. Proposals are welcomed for both disciplinary and multi-disciplinary contributions in the fields of film history and theory, television and media studies, visual studies, photography and new media. http://creativecommons.org/licenses/by-nc-nd/3.0/us/ # 1 Researching Women in Silent Cinema: New Findings and Perspectives Edited by: Monica Dall’Asta, Victoria Duckett, Lucia Tralli ISBN 9788898010103 2013. Published by the Department of Arts, University of Bologna in association with the Victorian College of the Arts, University of Melbourne and Women and Film History International Graphic design: Lucia Tralli Researching Women in Silent Cinema: New Findings and Perspectives Peer Review Statement This publication has been edited through a blind peer review process. Papers from the Sixth Women and the Silent Screen Conference (University of Bologna, 2010), a biennial event sponsored by Women and Film History International, were read by the editors and then submitted to at least one anonymous reviewer. -
National Register of Historic Places Continuation Sheet
NPS Form 10-900-a OMB Approval No. 1024-0018 (8-86) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet Section number ——— Page ——— SUPPLEMENTARY LISTING RECORD NRIS Reference Number: 99000550 Date Listed: 5/14/99 Hollywood Cemetery Los Angeles CA Property Name County State N/A Multiple Name This property is listed in the National Register of Historic Places in accordance with the attached nomination documentation subject to the following exceptions, exclusions, or amendments, notwithstanding the National Park Service certification included in the nomination documentation. —,——.—————-j /Lx7—————————————— 7 ^ / Signature/^ofvche Keeper Date of Action Amended Items in Nomination: Name of Property: The Historic Name of the property should be: Hollywood Cemetery. [This reflects the name of the resource during its primary period of significance; the name Hollywood Memorial Park Cemetery is moved to the Common Name.] This information was confirmed with M. Lortie of the CA SHPO. DISTRIBUTION: National Register property file Nominating Authority (without nomination attachment) NFS Form 10-900 (Rev. 10-90) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Blondes Have More Fun: Anita Loos and the Language of Silent Cinema
Blondes Have More Fun: Anita Loos and the Language of Silent Cinema Laura Frost Modernism/modernity, Volume 17, Number 2, April 2010, pp. 291-311 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/mod.0.0213 For additional information about this article http://muse.jhu.edu/journals/mod/summary/v017/17.2.frost.html Access Provided by University of California @ Santa Cruz at 03/30/11 1:28PM GMT Blondes Have More Fun: Anita Loos and the Language of Silent Cinema Laura Frost Anita Loos’s bestselling 1925 novel Gentlemen Prefer Blondes MODERNISM / modernity has been all but eclipsed by the voluptuous shadow of Marilyn VOLUME SEVENTEEN , Monroe. Any text would have trouble competing with Mon- NUMBER TWO , PP 291–311. roe’s sugar spun hair, bursting bodice, and slick lipstick pout © 2010 THE JOHNS HOPKINS in Howard Hawks’s 1953 film adaptation of Loos’s novel. In its UNIVERSITY PRESS own time, however, few popular novels generated as much at- tention from both general readers and cultural critics of note. Well into the 1930s and 1940s, Gentlemen Prefer Blondes had considerable cultural traction and was adapted to nearly every Laura Frost, Associate medium imaginable—magazine, stage play, silent film, musical, Professor of Literary sound film, comic strip, dress fabric, and wallpaper.1 While the Studies at The New novel’s superficial signifiers (champagne, diamonds, and danc- School, is the author ing vamps) could be captured on film or paper a room, its most of Sex Drives: Fantasies important characteristic, its voice, was paradoxically silenced of Fascism in Literary with the coming of the sound film. -
A Virtuous Vamp by Jennifer Ann Redmond
A Virtuous Vamp By Jennifer Ann Redmond “Film Daily” called it a “humdinger.” They crowed “[j]ust get ‘em in. That’s all. Constance Talmadge and the picture will do all the rest . .”1 For a lot of other pictures this would be typical hyper- bole, but not “A Virtuous Vamp.” This film had it all: women in the workplace, youth culture, racy night- clubs, flirtatious flappers . in short, a time capsule of a world on the verge of the Jazz Age, filled with everything for which the era would forever be remembered. Based on the 1909 play “The Bachelor” by popular playwright Clyde Fitch, it offered Constance Talmadge as Gwendolyn Armitage, the lovely daughter of one of the finest families out of England. Unfortunately, after the San Francisco disaster of 1906, they lost everything . and so, as soon as she’s grown, she sets out for work to support her family, under the name Nellie Jones. The charming secretary with the irresistible smile unwittingly leaves a trail of lovesick men in her wake, all except for one: This advertisement appeared in the December 1919 edi- Mr. Crowninshield, her boss, for whom she carries a tion of Exhibitors Herald. Courtesy Media History Digital torch. The two wind up painting the town together, Library. but all in the name of business, of course: they must investigate a shimmy dancer who wants to insure her venomed vamp, safer and more audience-friendly shoulders. Will Nellie prevail over coworkers’ suspi- than the kohl-rimmed likes of Theda Bara or Louise cious wives, her boss’ disapproving sisters, and her Glaum. -
Joe H. Kruger House 4366 N
HISTORICAL NOMINATION of the Joe H. Kruger House 4366 N. Talmadge Dr. - Talmadge Park Neighborhood San Diego, California Ronald V. May, RPA Kiley Wallace Legacy 106, Inc. P.O. Box 15967 San Diego, CA 92175 (619) 269-3924 www.legacy106.com December 2014 1 HISTORIC HOUSE RESEARCH Ronald V. May, RPA, President and Principal Investigator Kiley Wallace, Vice President and Investigator P.O. Box 15967 • San Diego, CA 92175 Phone (619) 269-3924 • www.legacy106.com 2 3 State of California – The Resources Agency Primary # ___________________________________ DEPARTMENT OF PARKS AND RECREATION HRI # ______________________________________ PRIMARY RECORD Trinomial __________________________________ NRHP Status Code 3S Other Listings ___________________________________________________________ Review Code _____ Reviewer ____________________________ Date __________ Page 3 of 23 *Resource Name or #: The Joe H. Kruger House P1. Other Identifier: 4366 North Talmadge Dr., San Diego, CA 92116 *P2. Location: Not for Publication Unrestricted *a. County: San Diego and (P2b and P2c or P2d. Attach a Location Map as necessary.) *b. USGS 7.5' Quad: La Mesa Date: 1997 Maptech, Inc.T ; R ; ¼ of ¼ of Sec ; M.D. B.M. c. Address: 4366 North Talmadge Dr., City: San Diego Zip: 92116 d. UTM: Zone: 11 ; mE/ mN (G.P.S.) e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, etc.) Elevation: 380 feet Legal Description: Lot Forty Five (45) in Talmadge Park in the City of San Diego, County of San Diego, according to map 1869 thereof filed in the office of the County Recorder of said San Diego County, December 3, 1925. It is Tax Assessor’s Parcel APN # 465-332-04-00. -
SFSFF 2018 Program Book
elcome to the San Francisco Silent Film Festival for five days and nights of live cinema! This is SFSFFʼs twenty-third year of sharing revered silent-era Wmasterpieces and newly revived discoveries as they were meant to be experienced—with live musical accompaniment. We’ve even added a day, so there’s more to enjoy of the silent-era’s treasures, including features from nine countries and inventive experiments from cinema’s early days and the height of the avant-garde. A nonprofit organization, SFSFF is committed to educating the public about silent-era cinema as a valuable historical and cultural record as well as an art form with enduring relevance. In a remarkably short time after the birth of moving pictures, filmmakers developed all the techniques that make cinema the powerful medium it is today— everything except for the ability to marry sound to the film print. Yet these films can be breathtakingly modern. They have influenced every subsequent generation of filmmakers and they continue to astonish and delight audiences a century after they were made. SFSFF also carries on silent cinemaʼs live music tradition, screening these films with accompaniment by the worldʼs foremost practitioners of putting live sound to the picture. Showcasing silent-era titles, often in restored or preserved prints, SFSFF has long supported film preservation through the Silent Film Festival Preservation Fund. In addition, over time, we have expanded our participation in major film restoration projects, premiering four features and some newly discovered documentary footage at this event alone. This year coincides with a milestone birthday of film scholar extraordinaire Kevin Brownlow, whom we celebrate with an onstage appearance on June 2. -
D. W. Griffith : American Film Master by Iris Barry
D. W. Griffith : American film master By Iris Barry Author Barry, Iris, 1895-1969 Date 1940 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2993 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art D. W. GRIFFITH AMERICAN FILM MASTER BY IBIS BABBY J MrTHE MUSEUM OF MODERN ART NEW YORK MoMA 115 c.2 D. W. GRIFFITH: AMERICANFILM MASTER Shooting night scenes in the snow at Mamaroneck, New York, for way down east, 1920. D. W GRIFFITH AMERICAN FILM MASTER BY IRIS BARRY X MUSEUM OF MODERN ART FILM LIRRARY SERIES NO. 1 NEW YORK THE MUSEUM OF MODERN ART /IfL &/&? US t-2-. ACKNOWLEDGMENTS TRUSTEES OF THE MUSEUM OF MODERN ART The President and Trustees of the Museum of Modern Stephen C. Clark, Chairman of the Board; John Hay Art wish to thank those who have lent to the exhibition Whitney, 1st Vice-Chairman; Samuel A. Lewisohn, 2nd and, in addition, those who have generously rendered Vice-Chairman; Nelson A. Rockefeller, President; assistance: Mr. and Mrs. David Wark Griffith; Mr. W. Alfred H. Barr, Jr., Vice-President and Director; John R. Oglesby; Miss Anita Loos and Metro-Goldwyn- E. Abbott, Executive Vice-President; Mrs. John S. Mayer Studios; Mr. W illiam D. Kelly of Lowe's, In Sheppard, Treasurer; Mrs. Robert Woods Bliss, Mrs. corporated; Mr. George Freedley, Curator of the W. -
Historic Nomination Report of the Roy and Alice Lichty House 4386 North Talmadge Drive Kensington Community ~ San Diego, California
Historic Nomination Report of the Roy and Alice Lichty House 4386 North Talmadge Drive Kensington Community ~ San Diego, California Ronald V. May, RPA Kiley Wallace Legacy 106, Inc. P.O. Box 15967 San Diego, CA 92175 (858) 459-0326 (760) 704-7373 www.legacy106.com October 2019 HISTORIC HOUSE RESEARCH Ronald V. May, RPA, President and Principal Investigator Kiley Wallace, Vice President and Architectural Historian P.O. Box 15967 • San Diego, CA 92175 Phone (858) 459-0326 • (760) 704-7373 http://www.legacy106.com x Attachment G – documentation developed October 2020 regarding staff involvement and concerns State of California – The Resources Agency Primary # DEPARTMENT OF PARKS AND RECREATION HRI # PRIMARY RECORD Trinomial NRHP Status Code 3S Other Listings Review Code Reviewer Date Page 3 of 36 *Resource Name or #: The Roy and Alice Lichty House P1. Other Identifier: 4386 North Talmadge Drive, San Diego, CA 92116 *P2. Location: Not for Publication Unrestricted *a. County: San Diego and (P2b and P2c or P2d. Attach a Location Map as necessary.) *b. USGS 7.5' Quad: La Mesa Date: 2015 T ; R ; ¼ of ¼ of Sec ; M.D. B.M. c. Address: 4386 North Talmadge Drive City: San Diego Zip: 92116 d. UTM: Zone: 11 ; mE/ mN (G.P.S.) e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, etc.) Elevation: 380 feet Legal Description: Lot 51 of Talmadge Park, in the City of San Diego, County of San Diego, State of California, according to Map thereof No. 1869, filed in the Office of the County Recorder of San Diego County, December 3, 1926.