37. Aruna Prasnam V1
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11. Brahmotsavam
Our Sincere thanks to: 1. 'kaimkarya ratnam' Anbil Sri. Ramaswamy Swami, Editor of SrIRangaSrI e-magazine for his special report on the Brahmotsava Celebrations at Pomona, New York. 2. Sri. Murali Desikachari for compiling the source document 3. Sri.Lakshminarasimhan Sridhar, Sri.Malolan Cadambi, Sri. Murali BhaTTar of www.srirangapankajam.com. sadagopan.org sadagopan.org sadagopan.org www.ranganatha.org and Nedumtheru Sri.Mukund Srinivasan for contribution of images. 4. Smt. Jayashree Muralidharan for assembling the e-book. C O N T E N T S Introduction 1 Brahmotsava Ceremonies 5 Pre-Brahmotsavam 7 Ghanta Sevai 22 Bheri Taadanam 26 sadagopan.org sadagopan.org sadagopan.org Slokams used in Bheri Taadanam 31 Brahmotsavam at Pomona New York 73 Day 1 75 Day 2 80 Day 3 82 Final Day 84 In Conclusion 95 A special report by Sri. Anbil Ramaswamy 97 Just returned from Vaikuntham 99 sadagopan.org sadagopan.org sadagopan.org SrI ranganAtha with ubhaya nAcchiyArs during Brahmotsavam Pomona Temple, New York ïI> b INTRODUCTION Dear Sri RanganAyaki SamEtha Sri Ranganatha BhakthAs : The First BrahmOthsavam celebrations at Sri Ranganatha Temple have been sadagopan.org sadagopan.org sadagopan.org successfully concluded with the anugraham of Lord Ranganatha and the AchAaryAs. The details of each day's program is available at: http://www.Ranganatha.org A huge band of volunteers provided support for the various Kaimkaryams and including the Vaidhika events of the individual days from DhvajArOhaNam to DhvajAvarOhaNam. The daily alankArams, PuRappAdus, Live Naadhaswara Kaccheris, cultural events, Anna dhAnams, BhEri Taadanams et al during this BrahmOthsavam were a delight to enjoy. -
An Integrative Framework for Temple Tourism Destination of Odisha: the Marketing and Management Perspectives, Case Study on Golden Triangle of Odisha, India
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 01, JANUARY 2020 ISSN 2277-8616 An Integrative Framework For Temple Tourism Destination Of Odisha: The Marketing And Management Perspectives, Case Study On Golden Triangle Of Odisha, India P.P.Mohanty, Dr. Sapan Kumar Sadual Abstract: The tourism industry is changing rapidly across the globe that ultimately accountable towards the sustainability of the destination. Tourists derive the unforgettable experience by the dint of destination attributes like competitiveness, attractiveness, and uniqueness. The success and failure of a particular destination solely depend on the various attributes that make and mars the image of the destination. The existence of both destination and tourism is vital for future survival in terms of many touristic activities. Odisha, the land of spiritualism, has been laced with history, heritage, culture, faith and belief of various temples, but in particular temple tourism as a single entity has not been promoted instead of vast potential and prospects. Hence it is a major and prolific step taken by the author to study and find the way for promoting Odisha as an emerging temple tourism destination concentrating and focusing in and around Bhubaneswar-Puri- Konark, the golden triangle circuit. Index Terms: Temple tourism, Marketing, Management, Destination, Golden triangle ———————————————————— 1 INTRODUCTION Since then temples have been significant in all religions. In In this cut-throat competitive era, lagging behind all other many people’s opinion religious, spiritual and pilgrimage all sectors, the tourism industry is growing rapidly and has are enticed or engulfed within the temple tourism being been emerged as a vehicle for socio-economic, cultural and propelled by the faith, belief, religion, somehow correct, but sustainable development. -
What Is Sri Vidya?
What is Sri Vidya? Home Art Gifts Alexander Order Coats-of-Arms Articles Latest News Art Gallery Spiritual Corner Come With Us to India: Kumbha Mela 2001 What is Sri Vidya? By Swami Veda Bharati Om. Sri. What is Sri Vidya? I shall try to answer this question the only way it can be answered, in a very roundabout way. For, defining is confining. We need to rise beyond the realm of our definitions. It is like the new trend in the computer science known as the fuzzy logic. If you can appreciate fuzzy logic or the theory of chaos, then you would somewhat understand what it means to rise beyond mere apparent definitions and becoming all-conclusive, where the order is not quite as easily visible, quite as simply discernable as it is in the well-defined axioms or axiomatic logic based on S is P, S is not P. It is not so in Sri Vidya, the science of Sri, God's science of the universe. The concept of Sri forms the entire Hindu-buddhist civilization, directly or indirectly, quite often in small segments and powers. However, even in this area of ancient civilizations, with the exception of, say, one in half a billion people, no one really understands what Sri Vidya is because learning Sri Vidya is not like mastering any of the sciences, it is mastering one's own self. It is God's science of the universe, God's science of self-knowledge, that very self-knowledge where God within us also knows Herself. One of the countries where the word Sri is very popular is the Bali Island of Indonesia. -
The Upanishads, Vol I
The Upanishads, Vol I Translated by F. Max Müller The Upanishads, Vol I Table of Contents The Upanishads, Vol I........................................................................................................................................1 Translated by F. Max Müller...................................................................................................................1 PREFACE................................................................................................................................................7 PROGRAM OF A TRANSLATION...............................................................................................................19 THE SACRED BOOKS OF THE EAST........................................................................................................20 TRANSLITERATION OF ORIENTAL ALPHABETS,..............................................................................25 INTRODUCTION.................................................................................................................................26 POSITION OF THE UPANISHADS IN VEDIC LITERATURE.......................................................30 DIFFERENT CLASSES OF UPANISHADS.......................................................................................31 CRITICAL TREATMENT OF THE TEXT OF THE UPANISHADS................................................33 MEANING OF THE WORD UPANISHAD........................................................................................38 WORKS ON THE UPANISHADS....................................................................................................................41 -
Shree Jagannath Temple at Puri : a Study on Aruna Stambha, Simha Dwara and Baisi Pahacha
ISSN 0970-8669 Odisha Review Shree Jagannath Temple at Puri : A Study on Aruna Stambha, Simha Dwara and Baisi Pahacha Dr. Benudhar Patra he massive temple of Shree Jagannath (214 Tfeet 8 inches high above the road level) located at Puri (the hallowed srikshetra or the Purushottam kshetra) near the sea (the Bay of Bengal), in the state of Odisha on the eastern coast of India is not only a sacred Hindu temple but also one of the char dhamas (four dhamas/ four traditional pilgrimage centres) of the Hindu devotees and pilgrims. It is the symbol and embodiment of the Odia culture and civilization. The temple was built in the 12th century CE by King Anantavarman Chodaganga Deva (c. 1078 to c. 1147 CE) of the Eastern Ganga dynasty and is moulding the social, economic, political, religious gate (lion gate or simha dwara) of Shree and cultural life of the people of Odisha for Jagannath Temple. The pillar is named so after centuries. The temple is built in the Kalinga style the name of Aruna, the charioteer of the Sun God. of architecture and is significant for its marvellous It is a magnificent sixteen-sided monolithic column art, architecture and sculpture. Apart from the of chlorite stone set on an exquisite pedestal, main temple complex, the aruna stambha delicately carved of the same material. According standing in front of the temple, the simha to R.L.Mitra1 the carvings on the plinth “are of dwara or the lion gate or the main entrance of the most sumptuous description, the like of which the temple and the baisi pahacha (the flight of are to be seen nowhere else in India.” It is 25 twenty two steps) leading into the temple complex feet, and 2 inches in height, 2 feet in diameter, from the simha dwara are very noteworthy to and 6 feet and 3.5 inches in circumference. -
CERTIFICATE It Is Hereby Declared That This Work Has Not Been Submitted for a Higher Degree to Any Other University Or Instituti
CERTIFICATE It is hereby declared that this work has not been submitted for a higher degree to any other University or Institution. L. Peter Kollar. / **/ ' (* KEN5INGTDN £ V °o V * Li 8RARV SUMMARY This is a study of symbolism in traditional Hindu architecture. It is based upon the Shri Minakshi Sundareswar, The Great Temple at Madura, South India, visited by the author in i960. The formal arrangement of this temple is the pivot around -which the examination of the principles of architectural symbolism revolves. The general principles as well as the particular symbolic expressions are elucidated by constant reference to the sacred texts of the Hindu tradition. The key to all this is the Hindu doctrine itself, but no attempt could be made to expose its integrality on these pages. However, the introduction and the footnotes contain sufficient references and brief explanations to enable one to follow the theme without undue difficulty even if the subject were unfamiliar. The study develops the meaning of the architectural layout by approaching the temple from the outside and gradually progressing towards its core. During this passage the nature of symbolism is discovered in successively higher degrees until it becomes clear that the temple - in its detail as well as in its entirety - is a meta physical symbol and its construction a metaphysical rite. It expresses by means of silent architectural forms the selfsame doctrine which is recorded verbally in the sacred texts. SYMBOLISM IN HINDU ARCHITECTURE as revealed in the SHRI IvUNAKSHI SUNDARESWAR A study for the degree of Master of Architecture L« Peter Kollar A.A.S.T.C., A.R.A.I.A, Sydney, 1962 ii CONTENTS List of Plates .. -
2019 Drik Panchang Hindu Calendar
2019 Drik Panchang Hindu Calendar Hindu Calendar for San Francisco, California, United States Amanta Calendar - new month begins from Amavasya Page 1 of 25 January 2019 Margashirsha - Pausha 1940 Navami K Pratipada S Saptami S Purnima S Ashtami K SUN 30 24 6 1 13 7 20 15 27 23 रिव 07:29 16:55 07:30 17:01 07:29 17:08 07:26 Pausha Purnima 17:15 07:22 17:23 Shakambhari Purnima Bhanu Saptami Chandra Grahan *Purna Tula Dhanu 10:56 Meena 23:23 Mithuna 10:36 Tula Chitra 18:49 U Ashadha 31:07+ Revati 23:23 Punarvasu 15:53 Swati 24:59+ Dashami K Dwitiya S Ashtami S Pratipada K Navami K MON 31 25 7 2 14 8 21 16 28 24 सोम 07:30 16:56 07:30 17:02 07:29 17:09 07:26 17:16 07:21 17:24 Pongal Chandra Darshana Makara Sankranti Tula Makara Mesha Karka Tula 19:30 Swati 19:15 Shravana Ashwini 24:27+ Pushya 12:58 Vishakha 25:45+ Ekadashi K Tritiya S Navami S Dwitiya K Dashami K TUE 1 26 8 3 15 9 22 17 29 25 मंगल 07:30 16:57 07:30 17:03 07:29 17:10 07:25 17:17 07:21 17:25 Saphala Ekadashi Tula 13:54 Makara 23:46 Mesha 30:39+ Karka 10:02 Vrishchika Vishakha 20:10 Shravana 10:11 Bharani 24:43+ Ashlesha 10:02 Anuradha 27:11+ Dwadashi K Chaturthi S Dashami S Tritiya K Ekadashi K WED 2 27 9 4 16 10 23 18,19 30 26 बुध 07:30 16:57 07:30 17:04 07:28 17:11 07:25 17:18 07:20 17:26 Sakat Chauth Pradosh Vrat Pausha Putrada Ekadashi Lambodara Sankashti Chaturth Shattila Ekadashi Vrishchika Kumbha Vrishabha Simha Vrishchika 29:11+ Anuradha 21:34 Dhanishtha 13:20 Krittika 24:11+ P Phalguni 28:52+ Jyeshtha 29:11+ Trayodashi K Panchami S Ekadashi S Panchami K Dwadashi K THU -
Sun Worship in Himalaya Region: with Special Reference to Katarmal and Martand
Artistic Narration: A Peer Reviewed Journal of Visual & Performing Art ISSN (P): 0976-7444 Vol. IV., 2013 Sun Worship in Himalaya Region: with Special Reference to Katarmal and Martand Dr. Virendra Bangroo Assistant Professor IGNCA, New Delhi. & Dr. Richan Kamboj Assistant Professor & HOD, Department of Drawing & Painting M.K.P.(P.G.) College Dehra Dun. The Sun, the source of light and solar energy, is the sources of all life and finds mention in all the sacred texts like the Rig Veda, the Vishnu Purana, the Mahabharta, the Bhavisya Purana, the Chandogya Upanishad, the Markandaya Purana, the Taittiriya Upansihad, the Nilarudra Upanishad and the Varaha purana. The Sun or Surya is also known by other names, each name highlights the grandeur, brilliance, quality and power of the Sun,viz:- 1. Aditya- Son of the primordial vastness ss 2. Aja-ekapad – one legged goat 3. Pavaka – Purifier 4. Jivana- the source of life 5. Jayanta-Victorious 6. Ravi - Divider 7. Martanda- born from life less egg 8. Savitr -Nourisher 9. Aharpati-Lord of the day 10. Jagat chaksu-Eye of the world 11 - Karma Sanskasin -Witness of deeds 12. Graha Rajan-King of Planets 13. Sahasra-Kirana-Having Thousand beams 14. Saptashwa-Having seven horses 15. Dyumani-Gem of the sky 1 Artistic Narration: A Peer Reviewed Journal of Visual & Performing Art ISSN (P): 0976-7444 Vol. IV., 2013 16. Graha pati-Lord of the Planets 17. Heli-Pervader 18. Khaga-Wanderer of space 19. Padma-bandhu-Friend of the lotus 20. Padma Pani-Lotus in hand 21. Himarati- Enemy of snow 22. -
Astrology of the Kumbha Mela Also: the Birth of King Parikshit
ALL GLORY TO SRI GURU AND GAURANGA THE ASTROLOGICAL NEWSLETTER Mithuna Twiins Astrological Services “Home of the Bhrigu Project” His Divine Grace A.C. Bhaktivedanta Swami Prabhupada Founder-Acharya: International Society for Krishna Consciousness Above: Srila Prabhupada instructs the world as devotees gather like bees to honey: That’s ever- devoted Shrutakirti on the mike, our elder Rupanuga on Prabhupada’s left, talented Yadubara just behind and steadfast Dhananjaya bringing up the rear. Exalted servants of the Paramhamsa one and all. Chant this mantra: Hare Krishna Hare Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare …and your life will be sublime In this issue: Astrology of the Kumbha Mela Also: The Birth of King Parikshit The Astrological Newsletter (Please e-share it with your friends) Patita Pavana das Adhikary, Ed. Abhaya Mudra Dasi Jyotish Shastris, &tc. Blagoevgrad, Bulgaria 1 14 Feb. 2013 (#33) 526 Gaurabda Era. The 5th day of the waxing Moon of the Vaishnava month of Magha (Madhava shukla panchami). Vasanta Panchami, Saraswati Puja, Appearance of Srimati Vishnupriya Devi, Appearance of Srila Raghunatha Das Goswami, Disappearance of Srila Vishwanath Chakravarti Thakur, Appearance of Sri Pundarika Vidyanidhi, Appearance of Sri Raghunandana Thakur. Visit us at: www.vedicastrologers.org Letters, consultations: [email protected] To peruse past issues: http://ebooks.iskcondesiretree.info/index.php?q=f&f=%2Fpdf%2FAstrological_Newsletter In This Issue: Dear Prabhus…………………………………………………..page 2 Planets of the Kumbha Mela ………………………………....page 3 The Birth of King Parikshit ……………………………….....page 6 Krishna Conscious Marriage ………………………………....page 11 Debate: The Shape of the World We Live On ……………….page 16 Outer Space Diary ……………………………………………..page 18 Language and Music of Plants.………………………………..page 19 Loonies in Space.……………………………………………….page 22 Letters to the Editor…………………………………………....page 23 Dear Prabhus, Dandavats to the Vaishnavas and welcome to the issue. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
The Diverse Festivities of Andhra Pradesh January
THE DIVERSE FESTIVITIES OF ANDHRA PRADESH JANUARY Apart from being fun-loving in nature, the people of Andhra Pradesh are also a beautiful blend of cosmopolitan culture and well-preserved ancient tradition. Therefore, festivals of various communities, cultures and origins are celebrated here. Most of these festivals are Source: ujwalasdelicacies.com organised by the government of Andhra SANKRANTI Pradesh. Come, join us Makara Sankranti is a festival of harvest which celebrates the in our celebrations. advent of prosperity and plenty. On this day, ‘Pongali’ (rice pudding with milk) is prepared and gifts are exchanged. FEBRUARY RATHA SAPTAMI Ratha Saptami is a festival that marks the birth of the Sun God. In Tirumala, it is celebrated with a procession, of the idols of Lord Malayappa Swamy and his consorts, through the streets. ANTARVEDI FAIR The Lakshmi Narasimha Swamy Kalyanam, a festival held in Antarvedi, is attended by thousands of pilgrims every year. A fair is also held where stalls selling sweets, bangles, clothes etc. are put up. FEBRUARY — MARCH KOTAPPAKONDA FAIR Kotappakonda comes alive on the eve of Maha Shivaratri, as the crowds occupy every inch of the hill and celebrate with great devotion and fervour. The giant ‘Prabhas’ procession is something to behold. Source: thehindu.com MAHASHIVARATRI Mahasivaratri, literally ‘the night of Shiva’ which is celebrated in Srisailam and Kalahasti in a grand way. During this festival, people fast during the day, and celebrate ceremonies at night. SRI RAMANAVAMI It is the birthday of Lord Rama. In Andhra Pradesh, especially in Vontimitta and Kadapa where it is celebrated in a grand way, where small idols of Lord Rama and Sita are worshipped in households, before being taken out on a procession in the evening. -
Ratha Saptami and Sri Sūryanārāyana Pūja Thursday February, 18Th, 2021
Hindu Temple and Cultural Center (A Non-Profit Organization Registered in the State of Washington) 3818, 212 th ST SE, Bothell, WA 98021 http://www.htccwa.org Phone: 425-483-7115 Go Green Ratha Saptami and Sri Sūryanārāyana Pūja th Thursday February, 18 , 2021 Program Details 11:30 AM: Sri Aditya Hrudayam Pārāyanam and Sūryanārāyana Pūja* 12:00 PM: Archana, Mahā Mangala Ārati Note: *Priests will perform Sankalpam to all the Sponsors Sponsorship Opportunity Sūryanārāyana Vishesha Archana ($21.00) Pushpa Mala Alankaram* Note: *For sponsorship contact Office for Scheduling Sun God Sūrya is symbolically represented in the form of his Ratha (Chariot) drawn by seven horses, with Aruna as the charioteer. The Seven Horses represent the Seven Days of a Week starting with Sunday – Ravi Vaar, the day of Sun god Sūrya. Significance of Ratha Saptami and Sri Sūryanārāyana Pūja Since ages Hindus have worshiped Sūrya Deva/Sun god. Sūrya is considered to be Sri Vishnu and hence referred to as Sri Sūryanārāyana. Ratha Saptami is the festival of Sun God celebrated every year on the Seventh Day in Shukla Paksha of Māgha Māsa (January/February). It marks the birthday of Sri Sūrya Narayana (Sun) who was born to sage Kashyapa and his wife Aditi on this day. Ratha Saptami festival marks the beginning of Uttarāyanam (Uttara means North and Ayanam means Movement). Ratha Saptami Festival is also known as Sūrya Jayanti. Aditya Hrudayam and Aruna Pārāyanam - Suryanārāyana is worshiped for better health and success. Reciting and listening to Aditya Hrudayam, which was given to Sri Rama by Agastya Rishi, will benefit everyone immensely.