Higgs Boson in the Ani Papyrus and Vedic Particle Physics
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E-Register: January, 2018
E-Register: January, 2018 S.No. RoC No. Date Diary No. Title of Work Category Applicant 1 L-71742/2018 01/01/2018 13984/2016-CO/L BLACK MONEY a Literary/ RAHUL PANDEY serious case of Dramatic money laundering in 2020 2 L-71743/2018 01/01/2018 9853/2016-CO/L No Kidding! Literary/ Kinjal Goyal Dramatic 3 L-71744/2018 01/01/2018 12037/2017-CO/L THE WHEEL CHAIR Literary/ Dr. Mrs. Vaishali Sanjeev Dramatic Chaudhary 4 A-122696/2018 01/01/2018 6600/2017-CO/A LATIKA Artistic LATIKA 5 L-71745/2018 01/01/2018 2671/2016-CO/L NANDA DENTAL Literary/ NANDA DENTAL CLINIC CLINIC Dramatic 6 L-71746/2018 01/01/2018 7147/2016-CO/L DHARMA Literary/ Kapur Films Dramatic 7 L-71747/2018 01/01/2018 8668/2016-CO/L Isaque Bagwan Literary/ Isaque Ibrahim Bagwan Dramatic 8 A-122697/2018 01/01/2018 5623/2016-CO/L WELCOME TO THE Artistic ALEE CLUB WORLD OF ALEE CLUB 9 L-71748/2018 01/01/2018 10146/2016-CO/L Retrograde Jupiter - Literary/ Himanshu Shangari Part I Dramatic 10 L-71749/2018 01/01/2018 10150/2016-CO/L Retrograde Venus - Literary/ Himanshu Shangari Part I Dramatic 11 A-122698/2018 01/01/2018 1379/2016-CO/A EMBOSSED ROUND Artistic SALMAN AZAM, INDIAN CUP 12 A-122699/2018 01/01/2018 1387/2016-CO/A SQUARE LOOP CHAIN Artistic SALMAN AZAM 13 A-122700/2018 01/01/2018 11268/2016-CO/A SUPER SANAT 781 Artistic SHREEDHAR BIRI WORKS BIRI LABEL PRO. -
Goddess Lakshmi Goddess Lakshmi Is Vishnu’S Concert
Tri Murthis: The Three Gods The Indian culture consisting of Vedas, Upanishads, Puranas, Epics and the classical books explain that there are three Gods: Brahma Vishnu Maheswara Each of them has been identified with specific functions in the Universe. Brahma, the Creator Four-faced God Brahma is called Chaturmukha Brahma. He has taken birth from the Lotus flower which came out of the navel of Bhagavan Vishnu. He has four faces and four hands. He holds the four Vedas in one of His hands. He is seated on Lotus. The story of Brahma is the story of Creation. Brahma is the beginning. He is the Origin of all the Creation. This is sum and substance of the story of Creation as available in all the sacred books of India (Vedas and Shastras). Hamsa (Swan) is his vehicle. Goddess Saraswati Goddess Saraswati is Brahma’s consort. She is Goddess for Vidya or education and learning. She also grants Jnaana (Knowledge and Wisdom). Brahma granted boons to many asuras (demons) in the past because they did penance or tapasya for Brahma’s appearance. He gave them what ever boons they wanted. Some asuras like Hiranya Kashipa, became violent and cruel. Lord Vishnu had to incarnate on earth and kill these asuras who troubled the devataas, lokas and even the ordinary human beings. Vishnu, the Protector Vishnu is the God who protects the Universe. He took ten avataras (births or incarnations) to save the earth, to protect the good people and to punish the persons doing wrong deeds. Vishnu is also called Shesha Sayana. -
QCA-Maharbharat in Audit
The Quintessential Chartered Accountant – Mahabharata in Audit A visit to a book store would invariably find comparable to Lord Krishna’s act of isolating ( you gazing at a myriad titles representing after eliminating) Barbarika from the battle. works set in mythological contexts. Starting The story goes that Barbarika, the son of with the The Great Indian Novel by Sashi Ghatotkacha has three arrows, one that could Tharoor to the more recent Ramayana series identify all the targets that its master would by Ashok Banker and the Shiva trilogy by wanted to destroy, the second that would Amish Tripathi, these books seem to have protect all the elements that the master caught the imagination of quite a few causing wanted to protect and the third that would them to be runaway successes. So why not destroy the first group. Lord Krishna skillfully examine Mahabharatha in the context of eliminated this warrior from the battle and modern day Audit. I have attempted to take a places his head on a mountain to witness the leaf (4 leaves to be precise) to illustrate how battle the epic with its embedded narratives is played out daily, if not every moment, in our Obsessive determination profession as well. I am not going to deny that The elections are around the corner, the I have also been influenced by Devadutt determination of the contestants can only be Patnaik of the Fortune group as well compared to Arjuna’s relentless focus in the A Play of Words archery contest to aim and achieve the fruit. The key difference here is that we have about The CARO phrase that a client is generally 40-50 Arjuna equivalents targeting us through regular in depositing PF and ESI dues is missives, messages and mailers. -
Practice of Ayurveda
PRACTICE OF AYURVEDA SWAMI SIVANANDA Published by THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR— 249 192 Distt. Tehri-Garhwal, Uttaranchal, Himalayas, India 2006 First Edition: 1958 Second Edition: 2001 Third Edition: 2006 [ 2,000 Copies ] ©The Divine Life Trust Society ISBN-81-7052-159-9 ES 304 Published by Swami Vimalananda for The Divine Life Society, Shivanandanagar, and printed by him at the Yoga-Vedanta Forest Academy Press, P.O. Shivanandanagar, Distt. Tehri-Garhwal, Uttaranchal, Himalayas, India PUBLISHERS’ NOTE Sri Swami Sivanandaji. Maharaj was a healer of the body in his Purvashram (before he entered the Holy Order of Sannyasa). He was a born healer, with an extraordinary inborn love to serve humanity; that is why he chose the medical profession as a career. That is why he edited and published a health Journal “Ambrosia”. That is why he went over to Malaya to serve the poor in the plantations there. And, strangely enough, that is why, he renounced the world and embraced the Holy Order of Sannyasa. He was a healer of the body and the soul. This truth is reflected in the Ashram which he has established in Rishikesh. The huge hospital equipped with modern instruments was set up and the entire Ashram where all are welcome to get themselves healed of their heart’s sores and thoroughly refresh themselves in the divine atmosphere of the holy place. Sri Swamiji wanted that all systems of healing should flourish. He had equal love and admiration for all systems of healing. He wanted that the best of all the systems should be brought out and utilised in the service of Man. -
Gods in Front Side of Brindavana
Gods in Front side of Brindavana Sahasrolkaha Sankarshana Maholka Maya Madhusudana Vishnu Govindaha Madhavaha Purushotamaha Bhargava Anirudhaha Vamanaha Varaha Narashimaha Kurmaha Matsyaha MahaLakshmi Saraswati Brahma Yamaha Durga Vrujana Darpana Chamara Dharini Dharini Dharini Kriya Gyana Uthkarshini Antarathma Rama Shwethadweepa Abhimanihi Kshirasagara Varunaha Bhumi Vayu Kurma Vishnu Kurma Aadhararupini Shakthi Paramapurusha All credit to srs mutt mantralayam. Translated in english by https://meerasubbarao.wordpress.com Gods in Right side of Brindavana Sahasrolkaha Vasudeva Krudholkaha Shanthi Narayana Keshava Pradhumna Vasudeva Sankarshana Krishna Kurma Matsya MahaLakshmi Varuni Anantha Bhudevi Sreedevi Bhoo Garuda Souparnihi Sree Indra Brahma Agni Ishanaha Nirakuthi Yama Indra Chatradharini Agneya Peethada Agni Anugraha kaalu Vimala Garuda Aathma Saraswathi Rama Swethadweepa Ksheerasagara Varuna Abhimani Bhoomi Vayu Kurma Vishnu Kurma Aadhararupini Shakthi Parama Purushaha All credit to srs mutt mantralayam. Translated in english by https://meerasubbarao.wordpress.com Gods in Left side of Brindavana Sahasrolkaha Pradhumna Virolaka Jayaha Vamana Trivikrama Janardhana Achyutha Narashima Adhokshaja Krishna Rama Bharathi Vayu Chandra Surya Vayu Varuna Kama Shesha Nirakuthi Shiva Vayu Ganakarthi Durga Yoga Durga Vedavyasa Paramathma Rama Shwethadweepa Ksheerasagara Abhimani Varuna Bhoomi Vayu Kurma Vishnu Kurma Aadhararupini Shakthi Parama Purushaha All credit to srs mutt mantralayam. Translated in english by https://meerasubbarao.wordpress.com Gods in Back side of Brindavana Sahasrolkaha Anirudha Dhyulka Kruthi Damodhara Padmanabha Hrishikesha Shreedhara Hari Upendra Ananthaha Kalki Bhudhav Vishawarupa Parvathi Rudra Kubera Rudra Stotra Vadyahastha Nruthanthi Karthi Prahva Ishanav Satya Gyanathma Rama Shwethadweepa Ksheerasagara Abhimani Varuna Bhoomi Vayu Kurma Vishnu Kurma Aadhararupini Shakthi Parama Purushaha All credit to srs mutt mantralayam. Translated in english by https://meerasubbarao.wordpress.com. -
SRUTAYUS in SRUTAYUS III. a Ksatriya King. SRUTAYUS IV
SRUTAYUS in 743 STHULASIRAS I once a thief of (vii) Another battle was fought between Srutayus and leaves, roots and fruits, day. The pearl, bronze will have Arjuna. (M.B. Drona Parva, Chapter 92, Verse 36) . coral, copper, silver, iron, and stone, rice for Those (viii) Srutayus was killed by his own cudgel. (Maha- to eat millet (Kananna) twelve days. bharata, Drona Parva, Chapter 92, Verse 54). (See who steal food products, vehicle, bed, chair, flowers, also under Srutayudha). fruits, roots etc. will be made to eat Pancagavya SRUTAYUS III. A Ksatriya king. He was born from a (Milk, curd, butter, urine and dung of cow). He who portion of the Daitya, Krodhavasa. We get the follow- steals grass, firewood, tree, dried rice, saccharum, ing details about him from Mahabharata: cloth, hide, meat etc. will have to be made to fast for (i) Srutyayus was the re-birth of Krodhavasa, the three days. Daitya. (M.B. Adi Parva, Chapter 67, Verse 64). STHAIVDILEYU. A son born to Raudrasva, the third a Puru. The celestial maid Misrakesi was the (ii) Srutayus, who was Maharatha (a great warrior) son of King was present at the Svayarhvara of Draupadi. (M.B. mother of Sthandileyu. This Sthandiltyu was a great Verse Adi Parva, Chapter 185, Verse 21 ). archer. (Mahabharata, Adi Parva, Chapter 94, (iii) This Srutayus was a member of Yudhisthira's 8). assembly. (M.B. Sabha Parva, Chapter 4, Verse' 28). STHAftU I. Siva, the son of Brahma. The eleven (iv) On the first day of Bharata battle, there was a Rudras were born from Sthanu. -
Bhagavad Gita Free
öËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº® æË⁄í≤Ÿ | é∆ƒºÎ ¿Ÿú-æËíŸæ “ Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿ŸºÅ Ǩ∆Ÿ æËí¤ úŸ≤¤™‰ ™ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº‰® æË⁄í≤Ÿ | éÂ∆ƒºÎ ¿Ÿú ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿ŸºÅ Ǩ∆Ÿ æËí¤ ¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿº‰® æË⁄í≤Ÿ 韺Π∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | —∆Ÿ´ºŸ¿Ÿº ∫Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ºÎ —∆Ÿ´ºŸ¿Ÿ §-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸÅ ⁄∆úŸ≤™‰ | -⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿ËßThe‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤-í‹¡ºÎ ≤Ÿ¨ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%Bhagavad‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å Gita || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’-ÇŸYŸ {Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘®Ωæ Ã˘¤ æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰≥Æ˙-íË¿’ ≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ∆ || ¥˘ ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥The˘Æ¤⁄¥éŸº OriginalÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅSanskrit é‚¥Ÿé¿Å || “§-⁄∆YŸºÎ ⁄“ º´—æ‰ —ºÊ æ‰≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿Ë⁄“®¤ Ñ “‹-º™-±∆Ÿ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºand Î ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§-⁄∆YŸº Å Ç—™‹ ™—ºÊ æ‰≤ Ü¥⁄Æ{Ÿ “§-æËí-⁄∆YŸ | ⁄∆∫˘Ÿú™‰ ¥˘Ë≤Ù™-¿Ÿú-æËíºÎ ÇŸ¿Ëß‹ºÎ ÑôöËÅ Ç⁄∞¿ Ÿ ∏“‹-º™-±∆Ÿ≥™‰ ¿Ÿú-æËíºÎ ÇúŸ≤™ŸºÎ | “§-¥˘Æ¤⁄¥éŸºÎ ∞%‰ —∆Ÿ´ºŸ¿ŸºÅ é‚¥Ÿé¿Å || “§- An English Translation ≤Ÿ¨Ÿæ -
Ramayana and the Mahābhārata, He Is Often Referred to As the Progenitor Or Great Grandsire of All Human Beings
भारत गणराज् The Arts of India are the illustration of the religious life of the Hindus. Like their faith, the arts have been preserved for the past 3,000 years, from change and decay, from foreign invasions, and from the fury of the nature. Officially the Republic of India, is a country in South Asia. 7th LARGEST country by geographical area. GEOGRAPHY of INDIA Bounded by the: • Indian Ocean on the south • Arabian Sea on the south-west • Bay of Bengal on the south-east • it shares land borders with Pakistan to the west • China, Nepal, & Bhutan north-east • Burma & Bangladesh to the east. 2nd most populous country with over 1.2 billion people. ETYMOLOGY The name India is derived from INDUS: which is derived from the Old Persian word Hindu, from Sanskrit Sindhu (�सन्ध). The ancient Greeks referred to the Indians as Indoi (Ινδοί), the people of the Indus. • Bhagwa or the saffron color denotes renunciation or disinterestedness. • The white in the centre is light, the path of truth to guide their conduct. The INDIAN FLAG •The green shows their relation to (the) soil, the relation to the plant life here, on which all other life depends. The INDIAN FLAG The "Ashoka Chakra" in the centre of the white is the wheel of the law of dharma. The INDIAN FLAG Indian subcontinent is the home to the world’s oldest civilizations and a region of historic trade routes and vast empires. Four of the world's major religion originated in India — Hinduism, Buddhism, Jainism, and Sikhism. whereas Zoroastrianism, Christianity, and Islam arrived in the 1st millennium and also helped shape the region's diverse culture. -
Religions of the World
A STUDY GUIDE TO MAJOR LIVIW~ RELIGIONS OF THE WORLD Hinduism Buddhism Confucianism Taoism Zoroastrianism Judaism Christianity Islam By Douglas Straton Part I .. Hinduism Buddhism For the exclusive· use of students of the University of Oregon Grateful appreciatj.on is hereby acknowledged for permission of publishers to quote from sources herein noted., HINDUISM I. History II,.. Literature III., Basic Ideas IV. The Orthodox Schools V. Yoga Discipline and Hindu Ethics VI. The Ways of Salvation VII. The Bhagavnd-Gita VIII. Personalistic Developments: Ramanuja. IX.. Hinduism in Main Philosophical Themes X., Popular Hinduism XI., Questions HINDUISM ,l.. HistO!;l 1 .. Vedic Hinduism, or the per:j.od when the~ were written, 1500-800 B.,C"' Lyrical writings, embodying nature worship, praise of the gods, prayer, petition; the four castes mentioned, Rig .. V* 10:12., 90 .. Aryan invaders had descended from the north and suppressed the native black people. 2., Classic, Brahmanic Hinduism: 800-500 B. c. a.., Early priestly formalism, and the writing of the Brahmanas. Formulation of sacrifice and rite in worship of the gods,. b. Develo~ment of philosophical Hinduism by Brahm.in sages and the writing of the Ut,mishads, which had taken their distinctive form by the 6th centu:rJ 599-500 B., C.,). The main intellectual content of Hinduism develops in this period., The basic concern was with the problem of evil, pain and suffering, which attended selfhood; realization of the distinction between mind and matter was thought to be essential for the solving of this problem. The type of life, or method, or way of salvation resulting from this outlook was to attain mystic knowledge, by ascetical practices, that would identify the self with Brahman or Absolute Being,. -
Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal
[ebook Series 1] Pratibha Spandan Editors Him Chatterjee Pankaj Gupta Mritunjay Sharma Virender Kaushal Emerging Trends in Art and Literature Emerging Trends in Art and Literature 2020 ISBN 978-81-945576-0-9 (ebook) Editors Him Chatterjee Mritunjay Sharma Pankaj Gupta Virender Kaushal Price: FREE OPEN ACCESS Published by Pratibha Spandan Long View, Jutogh, Shimla 171008 Himachal Pradesh, India. email : [email protected] website : www.pratibha-spandan.org © All rights reserved with Pratibha Spandan and authors of particular articles. This book is published open access. No part of this book may be reproduced or transmitted in any form or by any means electronic or mechanical or other, including photocopy, recording or by any information storage and retrieval system, as long as you give appropriate credit to the original author(s), Editor(s) and the Publisher. The contributors/authors are responsible for copyright clearance for any part of the contents of their article. The opinion or views expressed in the articles are personal opinions of the contributors/authors and are in no sense official. Neither the Pratibha Spandan nor the Editor(s) are responsible for them. All disputes are subject to the jurisdiction of District courts of Shimla, Himachal Pradesh only. 2 Emerging Trends in Art and Literature Dedicated to all knowledge seekers 3 Emerging Trends in Art and Literature PREFACE Present ear is an epoch of multidisciplinary research where the people are not only working across the disciple but have been contributing to the field of academics and research. Art and Literature has been the subject of dialogue from the times of yore. -
The Festival of Jhofijhi-Tesu
The Festival of Jhofijhi-Tesu By L a x m i G. T e w a r i Sonoma State University’ Rohnert Park, CA On the Indian subcontinent, many different religious and cultural groups have been assimilated over the centuries into the mainstream of Indian society. Under the flexible protection of Hinduism, “ little communities ” observe many rituals, some of which have been linked to SansKritic literature. We find numerous shrines dedicated to various gods and godlings: some are worshiped in nationwide festivals, others only in isolated communities. Many shrines sit in ruins, their origins long forgotten, although passing pilgrims routinely pay their respects. Besides the gods worshiped in this intricate network of folk traditions, regional and national heroes are also eulogized in folk songs, folk theater, and festivals. The festival of Jhonjhl-Tesu is a regional festival of this type. It honors the folk hero Tesu and celebrates his marriage to a girl named Jhonjhi.1 My introduction to the festival was coincidental,2 but once introduced I was intrigued, because (1 )the elaborate observance of this festival seemed to be limited to a small geographical area (see map), (2) an extensive repertoire of folk songs was associated with it, and (3) all members of society participated in it. 1 his article discusses the mythological origins of the Jhonjhi- Tesu festival, describes the festival as it is celebrated today, gives re presentative song-texts for different segments of the festival, analyzes song types, and evaluates the social importance of the festival. I visited Nandana village (in the Kanpur district of Uttar Pradesh) three times (1973,19フ6, and 1977), in order to collect field data on this festival; I also made observations in Sandalpur village (1976)3 for comparative purposes. -
Contents Chap
CONTENTS CHAP. PAGE I. THE EARLY NARRATIVE POETRY OF INDIA . 1 II. THE RECORDS OF THE INDIAN HEROIC AGE . 15 III. THE CHRONOLOGY OF THE HEROIC AGE OF INDIA 33 IV. EARLY INDIAN MINSTRELSY /ND HEROIC POETRY ....... 48 V. THE COMMON CHARACTERISTICS OF HEROIC POETRY ....... 70 VI. UNHISTORICAL ELEMENTS IN HEROIC POETRY . 91 VII. SOCIETY IN THE HEROIC AGE OF INDIA (I) . 114 VIII. SOCIETY IN THE HEROIC AGE OF INDIA (II) . 144 IX. GOVERNMENT IN THE HEROIC AGE . 170 X. RELIGION IN THE HEROIC AGE OF INDIA . 194 XI. CONCLUSION ...... 218 NDEX ......... 227 PREFACE TT\ISRAELI somewhere asserts that experience is less than nothing to a creative mind, and that almost everything that is great has been done by youth. The theory for but it is may not hold good latter-day society ; eminently applicable to a particular stage in the history of almost every nation. In such a state of society the energy and exuberance of youth find expression in vigorous action, *n deeds of might and valour. The individual asserts himself against old bonds and old ties, which are replaced by new. " " Yet for what we call a Heroic Age something more is necessary. The heroism must be there ; but the hero must have someone to commemorate his acts. This record of his deeds is not a product of the imagination or the brain of a later time it there then the ; originates and with performance of the heroic action. We have extant such poetic records in the literature of various countries, poems which though " widely separated from one another both in date and place " of origin present strikingly similar features.