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Up Periscope Yellow : The Making of the Beatles Yellow Submarine Kindle / OLDQ5IXTMF Up Periscope Yellow : The Making of the Beatles Yellow Submarine By Brodax , Al Limelight Editions, New York, 2004. Soft Cover. Book Condition: New. Photos (illustrator). 2004 Printing. 7-3/4 x 9". 2004 paperback Book . BRAND NEW from 2004 publisher . Never opened, Never owned, never marked . Gift Giving quality . 7-3/4" x 9" size; 267 pages . illustrated with photographs . If in the sixties the world of pop belonged to the Beatles, so too for a good part of that decade did Al Brodax . It was a tumultuous and wondrous time for all of them, crowned with the making of their now classic motion picture, ' Yellow Submarine ' .Al Brodax was the producer and, with Erich Segal and others, a co-author of the screenplay . In this book he recalls a frenzied, madcap escapade that came to be reflected in an enduring piece of screen history . The film studio was a factory loft in London's Soho Square . In addition to The Beatles - John Lennon, Ringo Starr, Paul McCartney and George Harrison - and Al , the cast included more than a dozen animators, inkers, background artists, soundmen, cameramen, and various essential expediters . Recruited from the U.S., Europe, Australia and all over the U.K., they produced,... READ ONLINE [ 6.56 MB ] Reviews Excellent electronic book and valuable one. We have read and so i am sure that i am going to likely to study again once more in the foreseeable future. I am just happy to inform you that here is the very best book i have read during my personal lifestyle and might be he greatest book for possibly. -- Brendan Wuckert A really wonderful book with perfect and lucid information. I actually have study and i am sure that i am going to gonna read through once more yet again in the future. I am pleased to explain how this is actually the finest ebook we have study inside my personal daily life and might be he finest book for at any time. -- Kristy Stroman DMCA Notice | Terms.

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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
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Wisconsin Alumni Association || Onwisconsin Winter 2012
For University of Wisconsin-Madison Alumni and Friends Put an entire UW library in your home (Study cages not included) You’re overdue for becoming a WAA member. Remember the UW’s Memorial Library — its aisles of information leaving you in awe. Now imagine tapping into that knowledge base from the comforts of your own home! Members of the Wisconsin Alumni I Kid You Not Association (WAA) receive exclusive access to the UW Libraries online data- Jeff Zuba offers a surgical base — great for business or pleasure. solution to Africa’s elephant It’s just one of the benefits members population problem. enjoy as part of this Badger community. Join today at uwalumni.com/membership or call (888) 947-2586. WINTER 2012 Little Free Libraries Check it out! First Madison, now the world. Food for Thought Small gestures can solve world hunger. C&N PHOTOGRAPHY Made with Dignity WHERE BADGERS BELONG Living wages, priceless changes. Good Locks The international trade in human hair. YOUR LEGACY. THEIR FUTURE. We can shape how we’re UW Planned Giving remembered. Remembering the University of Wisconsin-Madison in your will is an investment in the future. For our children. For our university. For the world. To discuss your legacy, contact Scott McKinney in the Ofﬁ ce of Gift Planning at the University of Wisconsin Foundation at [email protected] or 608-262-6241. supportuw.org/gift-planning UNIVERSITY OF WISCONSIN FOUNDATION On Wisconsin Full Pg October 2012.indd 1 10/10/2012 11:00:28 AM WINTER 2012 contents VOLUME 113, NUMBER 4 Features 20 An Elephant Never Begets By John Allen Jeff Zuba ’81, DVM’87 is a pioneer in a field that just about no one dreamed of: elephant vasectomy.
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The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
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P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
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Vol. 3 Issue 4 July 1998
Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults.
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Yellow Submarine
WERNER FAULSTICH Yellow Submarine „Yellow Submarine“ ist ein Zeichentrickfilm, entstanden nach dem legendären „summer of love“ im Jahr 19671 und im Folgejahr uraufgeführt – in diametra- lem Gegensatz zum Aufstand der Studenten 1968: Liebe gegen Revolte, eine Beziehungskultur gegen den Generationenkonflikt, Ästhetik gegen Politik. Nach einer frühen Trickfilmserie mit den Beatles auf dem amerikanischen Fernsehkanal ABC hatte der Produzent Al Brodax den Beatles-Manager Brian Epstein dazu bewegen können, den Vertragsverpflichtungen der Beatles mit United Artists über einen (nach „A Hard Day’s Night“ und „Help!“) dritten Film mit „Yellow Submarine“ als abendfüllendem Langfilm fürs Kino nachzu- kommen (z.B. Hieronimus 2002, 28ff.). Brodax schrieb gemeinsam mit dem späteren Bestsellerautor Erich Segal und einigen anderen das Drehbuch. Der Kanadier George Dunning, ein erfolgreicher Comicfilmer, führte Regie und verpflichtete seinerseits den deutschen Graphiker Heinz Edelmann, der sich da- mals mit psychedelischer Popart und entsprechenden Einflüssen auf die Design Studios gerade einen Namen gemacht hatte (Carr 1996, 141ff.; Hieronimus 2002, 66ff., 97ff.). Von den Beatles wurde der Film „Yellow Submarine“ angeb- lich nur sehr widerwillig unterstützt (z.B. Carr 1996, 147; Neaverson 1997, 83; Goergens 1999, 179). Sie steuerten neben bereits erfolgreichen Songs nur vier neue Titel bei, keiner besonders elaboriert; und die Soundtrack-LP zum Film, eine marktbezogen unvermeidliche Mehrfachverwertung mit der Ergänzung durch die filmische Orchestermusik des Produzenten George Martin, erschien erst 1969. Die Vermarktung dagegen mit Merchandising-Artikeln wie T-Shirts, Wecker, Puzzles, Kostüme, Uhren, Abzeichen, Spielzeugfiguren war ausgefeilt und kommerziell erfolgreich.2 „Yellow Submarine“ bringt drei verschiedene Richtungen zusammen: mo- derne Kunst, populäre Musik und filmische Animation. Das Werk spricht damit drei unterschiedliche Gruppen an: Kunstliebhaber, Musikfans und Filmästhe- ten.
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The Making of the Beatles Yellow Submarine ^ 5TPZHCVWEEIU
EO6MXEQ6WKW4 ^ Doc / Up Periscope Yellow : The Making of the Beatles Yellow Submarine Up Periscope Yellow : The Making of the Beatles Yellow Submarine Filesize: 5.05 MB Reviews This pdf might be well worth a study, and a lot better than other. It really is simplistic but excitement inside the fifty percent in the book. Its been printed in an exceedingly straightforward way which is just after i finished reading this ebook through which really modified me, modify the way i believe. (Derick Brekke) DISCLAIMER | DMCA UJAFKWJSEBWK « PDF ~ Up Periscope Yellow : The Making of the Beatles Yellow Submarine UP PERISCOPE YELLOW : THE MAKING OF THE BEATLES YELLOW SUBMARINE To read Up Periscope Yellow : The Making of the Beatles Yellow Submarine eBook, make sure you follow the link beneath and save the file or gain access to other information that are related to UP PERISCOPE YELLOW : THE MAKING OF THE BEATLES YELLOW SUBMARINE ebook. Limelight Editions, New York, 2004. So Cover. Book Condition: New. Photos (illustrator). 2004 Printing. 7-3/4 x 9". 2004 paperback Book . BRAND NEW from 2004 publisher . Never opened, Never owned, never marked . Gi Giving quality . 7-3/4" x 9" size; 267 pages . illustrated with photographs . If in the sixties the world of pop belonged to the Beatles, so too for a good part of that decade did Al Brodax . It was a tumultuous and wondrous time for all of them, crowned with the making of their now classic motion picture, ' Yellow Submarine ' .Al Brodax was the producer and, with Erich Segal and others, a co-author of the screenplay .
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Oxford Handbooks Online
“Nothing Is Real”: The Beatles as Virtual Performers Oxford Handbooks Online “Nothing Is Real”: The Beatles as Virtual Performers Philip Auslander and Ian Inglis The Oxford Handbook of Music and Virtuality Edited by Sheila Whiteley and Shara Rambarran Print Publication Date: Mar Subject: Music, Music Media 2016 Online Publication Date: Mar DOI: 10.1093/oxfordhb/9780199321285.013.13 2016 Abstract and Keywords The conventional narrative of the Beatles’ history follows the group from their days as young club performers to early retirement from the stage in summer 1966, prompted by their growing dissatisfaction with the constraints of live performance. When, in 2009, the video game The Beatles: Rock Band was released, it seemed the group had been reborn as virtual performers after an absence of several decades. However, this chapter suggests the Beatles had already become virtual performers more than forty years earlier. Close inspection of their activities during the 1960s reveals there were numerous occasions on which the group participated in musical scenarios, through their movies, animated cartoons, and promotional films, that were in fact effective simulations of the conventional performer-audience encounter. The career of the Beatles as virtual performers thus began many years before their rebirth in the world of digital animation. Keywords: mediatization, Beatles, television, movies, simulation, virtual, performance, audiences THE narrative of the Beatles is one of the most familiar in popular music’s history. It tells us that after years of limited success in the clubs of Liverpool and Hamburg, the group became the most influential and successful musical force of the 1960s; its singles and albums were, and remain, the definitive soundtrack of the decade.
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Friendship Circle- Gan Izzy's New Camp
12 • INTERMOUNTAIN JEWISH NEWS • July 14, 2017 Leisure & Entertainment PERFORMANCES • RENAISSANCE Israel’s first aquarium to open in Jerusalem ‘Parents struggled when school was out’ Campers at Gan Izzy. An early look at the Israel’s first aquarium, set to open this month in Jerusalem. David Michael Cohen/TPS SPECIAL NEEDS By ANDREW FRIEDMAN TPS erusalem may seem to be an The exhibition will feature a vari- unlikely location for Israel’s ety of marine life including various Gan Izzy’s new camp first aquarium — the city is species of shark, coral, turtles and, approximately 850 meters of course, fish. above sea level, with no nat- amp Gan Izzy,a south metro Denver day trained therapist and Friendship Circle Program Jural bodies of water in the area. But he aquarium will build on camp, has opened a new division geared Director Cella Roberts, who is known for her Shai Doron, CEO of the city’s Tisch the zoo’s breeding and con- to meet the needs of children with spe- dedication and abilities in mainstreaming Family Zoological Gardens, says that servation work, including cial needs, with professional guidance such children or improving their quality of life. as a major contributor to the nation- the existing Wet Side Sto- from Developmental Pathways. Rabbi Mintz states, “Parents of our Friend- al biodiversity plan and as Israel’s ry exhibit which highlights C“This is a first for children with special ship Circle kept telling us about how they strug- capital, the zoo was the most logi- Tlocal species such as the Dead Sea needs and their families, who previously had gle during the summer when schools are closed cal place for the marine center.
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Beatles Cartoon Art Show Kennebunk 2020
Contact: Scott Segelbaum Phone: (610) 389-1807 Email: [email protected] Date: November 9, 2020 FOR IMMEDIATE RELEASE RON CAMPBELL, BEATLES YELLOW SUBMARINE ANIMATOR & BEATLES SATURDAY MORNING TV CARTOON SERIES DIRECTOR TO APPEAR LIVE, EXHIBITING & TALKING CARTOONS AT STUDIOS ON MAINE ART HILL, 5 CHASE HILL RD, KENNEBUNK, ME FRIDAY, DECEMBER 11 - SUNDAY, DECEMBER 13 The legendary animator will be exhibiting Beatles cartoon pop artwork as well as other beloved cartoon characters that encompass his 50-year career in Children’s Television such as Scooby Doo, the Smurfs, Rugrats, Winnie the Pooh, Flintstones, Jetsons, Yogi Bear & more. ALL WORKS ARE AVAILABLE TO PURCHASE. Beatles animator Ron Campbell is available for interviews. Please contact Scott Segelbaum at [email protected] or (610) 389-1807. See more at www.BeatlesCartoonArtShow.com. In 1964 the Beatles invaded the United States, performing for 73 million people on the Ed Sullivan Show and dominating the US pop charts for years. Now over five decades later, the Fab Four continues to be the most celebrated musical group in Rock history. And Beatlemania is alive and well…recently Lord of the Rings director Peter Jackson announced that he is going to be putting together a new film featuring footage from the Beatles 1969 Let it Be sessions and Apple Records re-released the classic Beatles Abbey Road album for its 50th anniversary. Ron Campbell, director of the 1960’s Saturday Morning Cartoon series and one of the animators of the Beatles film Yellow Submarine will make a rare personal appearance at Studios on Maine Art Hill, 5 Chase Hill Rd, Kennebunk, ME, Friday, December 11th - Sunday, December 13th.
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There and Back Again
There and Back Again: the making of ralph bakshi’s Lord of the Rings By Alexandra West would be a year if this was so hot, Disney would be all over it. And the reason they 1954 that would forever weren’t all over it was because there was no way to do this kind of change the fantasy genre. With story in 2D animation 40 years ago.” the release of J.R.R. Tolkien’s With Sander’s rejection, the project filtered through various novel THE LORD OF THE RINGS, animation studios who, while interested, lacked the manpower, everyone from the literary elite to time, and funding to pull such an audacious project off. “While the voracious readers began to take notice story appeals to a lot of people, it has no real core,” says Sander. of Tolkien’s distinct vision and world. “It’s a marvelous series of images and characters. It’s memorable LORD OF THE RINGS expanded because of its mass, because of the amount of stuff that happens.” upon what was considered the norm While LORD OF THE RINGS is an adventure story, it also deals in modern narrative storytelling, with the complicated themes of morality and identity—themes not creating something on par with the easily brought to life through animation. scope of classical Greek epic poems. It also helped “The fact is that animation is not a subtle medium,” explains to cement the importance of what was begun in THE Sander. “2D animation in particular is not built for these supposed HOBBIT by fleshing out the world of Middle-earth and nuances of the characters.
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The Visual Language of Authenticity: Mediation and Musical Performance in the Films of the Beatles
THE VISUAL LANGUAGE OF AUTHENTICITY: MEDIATION AND MUSICAL PERFORMANCE IN THE FILMS OF THE BEATLES by Paula Schneider B.A., Wilfrid Laurier University, 2008 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2014 © Paula Schneider Abstract In the context of scholarship surrounding the areas of mediation, performance, and authenticity, evidence of the media object is frequently blamed for distancing audiences from their musical idols. This thesis, which uses the films of the Beatles and as its main subjects, considers the contradiction born from the fact that while the Beatles were constantly exposed to forces of mediation - when they were not being photographed by journalists, they were in front of a television or film camera – this has not affected audiences’ willingness to interpret the band’s plethora of on-screen performances as authentic. If technology impedes authenticity, I ask why the highly stylized performance sequences in A Hard Day’s Night, for example, are still able to contribute to the Beatles’ authentic image. I contend that the representational strategies employed in the films of the Beatles creates a visual language that is an essential part of the process of authentication, and that this process transcends the boundaries usually created by the politics and aesthetic strategies associated with particular filmic modes. I have chosen five of the Beatles’ feature-length films as subject matter for this thesis, which span a variety of filmic modes ranging from the documentary to the fictional, studio- financed narrative film.
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