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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Statistical Leaders of the ‘20S
THE COFFIN CORNER: Vol. 14, No. 2 (1992) Statistical Leaders of the ‘20s By Bob GIll Probably the most ambitious undertaking in football research was David Neft’s effort to re-create statistics from contemporary newspaper accounts for 1920-31, the years before the NFL started to keep its own records. Though in a sense the attempt had to fail, since complete and official stats are impossible, the results of his tireless work provide the best picture yet of the NFL’s formative years. Since the stats Neft obtained are far from complete, except for scoring records, he refrained from printing yearly leaders for 1920-31. But it seems a shame not to have such a list, incomplete though it may be. Of course, it’s tough to pinpoint a single leader each year; so what follows is my tabulation of the top five, or thereabouts, in passing, rushing and receiving for each season, based on the best information available – the stats printed in Pro Football: The Early Years and Neft’s new hardback edition, The Football Encyclopedia. These stats can be misleading, because one man’s yardage total will be based on, say, five complete games and four incomplete, while another’s might cover just 10 incomplete games (i.e., games for which no play-by-play accounts were found). And then some teams, like Rock Island, Green Bay, Pottsville and Staten Island, often have complete stats, based on play-by-plays for every game of a season. I’ll try to mention variations like that in discussing each year’s leaders – for one thing, “complete” totals will be printed in boldface. -
Wisconsin Alumni Association || Onwisconsin Winter 2012
For University of Wisconsin-Madison Alumni and Friends Put an entire UW library in your home (Study cages not included) You’re overdue for becoming a WAA member. Remember the UW’s Memorial Library — its aisles of information leaving you in awe. Now imagine tapping into that knowledge base from the comforts of your own home! Members of the Wisconsin Alumni I Kid You Not Association (WAA) receive exclusive access to the UW Libraries online data- Jeff Zuba offers a surgical base — great for business or pleasure. solution to Africa’s elephant It’s just one of the benefits members population problem. enjoy as part of this Badger community. Join today at uwalumni.com/membership or call (888) 947-2586. WINTER 2012 Little Free Libraries Check it out! First Madison, now the world. Food for Thought Small gestures can solve world hunger. C&N PHOTOGRAPHY Made with Dignity WHERE BADGERS BELONG Living wages, priceless changes. Good Locks The international trade in human hair. YOUR LEGACY. THEIR FUTURE. We can shape how we’re UW Planned Giving remembered. Remembering the University of Wisconsin-Madison in your will is an investment in the future. For our children. For our university. For the world. To discuss your legacy, contact Scott McKinney in the Offi ce of Gift Planning at the University of Wisconsin Foundation at [email protected] or 608-262-6241. supportuw.org/gift-planning UNIVERSITY OF WISCONSIN FOUNDATION On Wisconsin Full Pg October 2012.indd 1 10/10/2012 11:00:28 AM WINTER 2012 contents VOLUME 113, NUMBER 4 Features 20 An Elephant Never Begets By John Allen Jeff Zuba ’81, DVM’87 is a pioneer in a field that just about no one dreamed of: elephant vasectomy. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Vol. 3 Issue 4 July 1998
Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults. -
32-23 SF 2007 Rice Owls
2007 FOOTBALL A QUICK LOOK AT RICE Location Houston, Texas Enrollment 4,971 Nickname Owls Mascot Sammy The Owl Colors Blue and Gray Stadium/Capacity Rice Stadium (built 1950/70,000/FieldTurf) FUTURE NON- Conference Conference USA Championships Southwest Conference: 1934, 1937, 1946 (tie), 1949,1953 (tie), CONFERENCE 1957, 1994 (tie) Bowl Appearances 1938, 1947, 1950, 1954, 1958, 1961, 1961, 2006 OPPONENTS All-Time Record 948 games: 412 wins, 520 losses, 32 ties in 95 seasons 2008 President David W. Leebron S13 North Texas Faculty Rep. Dr. James Castañeda S20 @Texas N1 at Vanderbilt Athletic Director Chris Del Conte N8 Army Sr. Exc. Athl. Director David Sayler 2009 Associate ADs Leslie Claybrook (Senior Women’s Administrator) Russ Dean S12 @Texas Tech (External Relations), Jerry Lewis (Finance), Paul Sutera S26 Vanderbilt 2010 (Development) S4 Texas S25 Baylor 2011 2006 Record Overall: 7-6. C-USA West: 6-2, 2nd S3 @Texas Basic Offense Spread S24 @Baylor Basic Defense 4-2-5 Starters Returning 16 (9 offensive, 6 defensive, 1 specialist) IMPORTANT Lettermen Returning 47 (22 offensive, 23 defensive, 2 specialists) Lettermen Lost 19 (9 offensive, 9 defensive, 1 specialist) DATES 2007 RICE OWLS FOOTBALL COACHING STAFF TO REMEMBER July 30-31 (Monday-Tuesday) Head Coach David Bailiff (Texas State, 1984; first year) Conference USA Football Media Preview, New Orleans At Rice: first season Aug. 6 Rice Football Media Day, Owl Club, Career: 21-15, three seasons 11:30 am Office Phone: 713-348-6900 Sept. 1 (Saturday) Best Time To Call: 12:30-1:30 pm, -
Lacrosse Und.Com Athletics by the Numbers
David Earl Senior • Midfi elder Captain USILA Honorable Mention All-America (2010) All-BIG EAST Second Team (2010) Kevin Ridgway Senior • Defenseman Captain USILA Honorable Mention All-America (2010) All-BIG EAST Second Team (2010) Zach Brenneman Senior • Midfi elder Captain USILA Honorable Mention All-America (2010) All-BIG EAST First Team (2010) 2011 Men’s Lacrosse und.com Athletics by the numbers National Championships (11 in football, seven in fencing, three in 26 women’s soccer, two in men’s tennis, one in men’s golf, men’s cross country and women’s basketball) Conference championships won by 8 Irish teams in 2009-10 (BIG EAST, Midwest Fencing Conference) BIG EAST Conference championships 107 won by Notre Dame in 15 seasons of league play All-time Academic All-Americans, 216 second most of any school, including six in 2009-10 Academic All-America honorees since 90 2000; no school has more Irish programs which fi nished their 9 2009-10 campaign ranked Notre Dame teams (out of 22) with a 19 graduation rate of 100% Irish athletic teams that earned a perfect score of 1,000 in the NCAA’s 8 Academic Progress Rate report in 2009-10, second-most in the Football Bowl Subdivision Programs honored by the NCAA for 14 Academic Progress Rate scores in 2009 Irish athletes who received the BIG 3 EAST Scholar-Athlete Sport Excellence Award in 2009-10 Hours of community service complet- 5,631.25 ed by Notre Dame student-athletes during the 2009-10 school year TABLE OF CONTENTS THIS IS NOTRE DAME COACHES Academic Excellence . -
All Pros of 1930
THE COFFIN CORNER: Vol. 5, No. 1 (1983) ALL PROS OF 1930 by John Hogrogian While the country endured the first year of the great Depression, Bronko Nagurski played his first season with the Chicago Bears. From day one, Nagurski dominated the field with his physical power as a runner and defender. A 1929 All-American at the University of Minnesota, he stepped into the professional ranks without a stumble and led the Bears out of the second division to a strong third place finish. Trailing the Bears in seventh place were the Chicago Cardinals, also the proud possessors of a superstar fullback. Ernie Nevers already had earned himself a reputation as the greatest back in history, both with his play at Stanford and with his pro service. The dominant force on the Cardinals, Nevers was unrivaled as the fullback extraordinaire until Nagurski came along. Only in 1930 would All Pro selectors have to weigh the merits of these two superb fullbacks. Nevers would play his final season in 1931 while Nagurski was struggling with injuries. The closeness of their talents was reflected in the annual poll of sports writers, team officials, coaches, and game officials. The ballot produced a dead heat between the two. The unnamed author of the accompanying article, writing under a Green Bay dateline, stated that the chose to make Nevers the first team fullback because of his wider range of skills. First Team E- Lavern Dilweg, GB E- Luke Johnsos, ChiB T- Jap Douds, Port T- Link Lyman, ChiB G- Mike Michalske, GB G- Walt Kiesling, ChiB C- Swede Hagberg, Bkn Q- Benny Friedman, NY H- Red Grange, ChiB H- Ken Strong, SI F- Ernie Nevers, ChiC Second Team E- Tom Nash, GB E- Red Badgro, NY T- Jim Mooney, Bkn T- Bill Kern, GB G- Hal Hanson, Fra G- Rudy Comstock, NY C- Joe Westoupal, NY Q- Red Dunn, GB H- Stumpy Thomason, Bkn H- Father Lumpkin, Port F- Bronko Nagurski, ChiB Third Team E- Chuck Kassel, ChiC E- Tony Kostos, Fra T- Duke Slater, ChiC T- Cal Hubbard, GB G- Les Caywood, NY G- Al Graham, Port 1 THE COFFIN CORNER: Vol. -
1934 NFL Statistics
THE COFFIN CORNER: Vol. 23, No. 1 (2001) Player, Team Att Com Pct. Yds YPA TD IN RATE 1934 PASSING Jim Mooney, Cin 6 4 66.7 27 4.50 0 0 ---- Hal Wright, Bos 4 1 25.0 25 6.25 0 1 ---- Frank Christensen, Det 8 3 37.5 23 2.88 0 0 ---- TEAM PASSING Hank Bruder, GB 6 2 33.3 22 3.67 0 0 ---- Gil LeFebvre, Cin 9 1 11.1 22 2.44 0 0 ---- Team Att Com Pct. Yds YPA TD IN Mike Mikulak, ChiC 10 2 20.0 21 2.10 0 2 ---- Charlie McLaughlin, StL 4 2 50.0 18 4.50 0 1 ---- Bkn 161 42 26.1 577 3.6 5 26 Swede Johnston,StL-GB 4 3 75.0 17 4.25 0 0 ---- ChiB 192 57 29.7 955 5.0 16 24 Ralph Kercheval, Bkn 12 3 25.0 17 1.42 0 3 ---- Cin 88 26 29.5 248 2.8 0 14 Benny Friedman, Bkn 13 5 38.5 16 1.23 0 2 7.1 Det 142 46 32.6 747 5.3 3 15 Jack Manders, ChiB 3 2 66.7 14 4.67 0 0 ---- GB 197 74 37.6 1165 5.9 10 19 Norris Steverson, Cin 3 1 33.3 14 4.67 0 0 ---- NYG 149 64 43.0 796 5.3 5 17 Johnny Sisk, ChiB 9 2 22.2 13 1.44 0 2 ---- Phi 163 48 29.4 576 3.5 7 23 Pug Rentner, Bos 11 2 18.2 13 1.18 0 3 ---- ChiC 132 34 25.8 302 2.3 1 13 Roy Horstman, ChiC 3 1 33.3 12 4.00 0 0 ---- Pit 186 58 31.2 952 5.1 4 23 Ace Gutowsky, Det 12 2 16.7 12 1.00 0 3 ---- StL 58 21 36.2 340 5.9 1 10 Kink Richards, NYG 1 1 100.0 9 9.00 0 0 ---- Bos 138 35 25.4 459 3.3 4 22 Bill Smith, ChiC 1 1 100.0 9 9.00 0 0 ---- Totals 1606 505 31.4 7117 4.4 56 206 Pete Saumer, Cin-Pit 7 1 14.3 9 1.29 0 1 ---- Arnie Arenz, Bos 5 1 20.0 8 1.60 0 1 ---- Tom Murphy, ChiC 9 3 33.3 8 0.88 0 1 ---- Cliff Battles, Bos 9 1 11.1 7 0.78 0 0 ---- INDIVIDUAL PASSING Dan Barnhart, Phl 1 1 100.0 4 4.00 1 0 ---- Bill Hewitt, ChiB 2 1 50.0 4 2.00 0 0 ---- Player, Team Att Com Pct. -
Yellow Submarine
WERNER FAULSTICH Yellow Submarine „Yellow Submarine“ ist ein Zeichentrickfilm, entstanden nach dem legendären „summer of love“ im Jahr 19671 und im Folgejahr uraufgeführt – in diametra- lem Gegensatz zum Aufstand der Studenten 1968: Liebe gegen Revolte, eine Beziehungskultur gegen den Generationenkonflikt, Ästhetik gegen Politik. Nach einer frühen Trickfilmserie mit den Beatles auf dem amerikanischen Fernsehkanal ABC hatte der Produzent Al Brodax den Beatles-Manager Brian Epstein dazu bewegen können, den Vertragsverpflichtungen der Beatles mit United Artists über einen (nach „A Hard Day’s Night“ und „Help!“) dritten Film mit „Yellow Submarine“ als abendfüllendem Langfilm fürs Kino nachzu- kommen (z.B. Hieronimus 2002, 28ff.). Brodax schrieb gemeinsam mit dem späteren Bestsellerautor Erich Segal und einigen anderen das Drehbuch. Der Kanadier George Dunning, ein erfolgreicher Comicfilmer, führte Regie und verpflichtete seinerseits den deutschen Graphiker Heinz Edelmann, der sich da- mals mit psychedelischer Popart und entsprechenden Einflüssen auf die Design Studios gerade einen Namen gemacht hatte (Carr 1996, 141ff.; Hieronimus 2002, 66ff., 97ff.). Von den Beatles wurde der Film „Yellow Submarine“ angeb- lich nur sehr widerwillig unterstützt (z.B. Carr 1996, 147; Neaverson 1997, 83; Goergens 1999, 179). Sie steuerten neben bereits erfolgreichen Songs nur vier neue Titel bei, keiner besonders elaboriert; und die Soundtrack-LP zum Film, eine marktbezogen unvermeidliche Mehrfachverwertung mit der Ergänzung durch die filmische Orchestermusik des Produzenten George Martin, erschien erst 1969. Die Vermarktung dagegen mit Merchandising-Artikeln wie T-Shirts, Wecker, Puzzles, Kostüme, Uhren, Abzeichen, Spielzeugfiguren war ausgefeilt und kommerziell erfolgreich.2 „Yellow Submarine“ bringt drei verschiedene Richtungen zusammen: mo- derne Kunst, populäre Musik und filmische Animation. Das Werk spricht damit drei unterschiedliche Gruppen an: Kunstliebhaber, Musikfans und Filmästhe- ten. -
THE HARTFORD BLUES Part 2
THE COFFIN CORNER: Vol. 4, No. 9 (1982) THE HARTFORD BLUES Part 2 by John Hogrogian Hartford, Connecticut, is one of those cities that somehow got lost in the shuffle of medium-sized East Coast metropolises that ring New York like static electrons. There haven't been any popular songs written about Hartford. Broadway plays traditionally open for previews downstate in New Haven. Even W.C. Fields gave it short shrift, aiming his barbs at another locale, Philadelphia. Likewise, all of Hartford's ventures into big-league sports have ended in frustration. The Connecticut capital fielded a baseball team in the newborn National League in 1876 but dropped out after one season. The New England Whalers of the World Hockey Association of recent years drew healthy crowds, but the collapse of the roof of the Hartford Civic Center left the team homeless and it moved to Springfield, Massachusetts. Hartford even had a fling with pro football as a member of the National Football League in 1926. There were semipro football teams throughout Connecticut in 1925 with the All-New Britains and the Waterbury Blues the best. George Mulligan, the leading boxing promoter in the state, operated the Waterbury team; Mulligan planned to bring Connecticut into the national football scene. While the other semipro teams used local sandlot players and New England collegians, Mulligan daringly hired Harry Stuhldreher, one of the famed Four Horsemen of Notre Dame, to play in the Blues' backfield in 1925. When the Hartford semipro team folded in November, Mulligan transferred his team's home games to the capital city, where the larger population provided better box office potential.