A Life in Pop Management-- the Beatles, Brian Epstein and Elton John
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KLOS March 17Th 2013
1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. -
BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
HITMAKERS – 6 X 60M Drama
HITMAKERS – 6 x 60m drama LOGLINE In Sixties London, the managers of the Beatles, the Stones and the Who struggle to marry art and commerce in a bid to become the world’s biggest hitmakers. CHARACTERS Andrew Oldham (19), Beatles publicist and then manager of the Rolling Stones. A flash, mouthy trouble-maker desperate to emulate Brian Epstein’s success. His bid to create the anti-Beatles turns him from Epstein wannabe to out-of-control anarchist, corrupted by the Stones lifestyle and alienated from his girlfriend Sheila. For him, everything is a hustle – work, relationships, his own psyche – but always underpinned by a desire to surprise and entertain. Suffers from (initially undiagnosed) bi-polar disorder, which is exacerbated by increasing drug use, with every high followed by a self-destructive low. Nobody in the Sixties burns brighter: his is the legend that’s never been told on screen, the story at the heart of Hitmakers. Brian Epstein (28), the manager of the Beatles. A man striving to create with the Beatles the success he never achieved in entertainment himself (as either actor or fashion designer). Driven by a naive, egotistical sense of destiny, in the process he basically invents what we think of as the modern pop manager. He’s an emperor by the age of 30 – but this empire is constantly at risk of being undone by his desperate (and – to him – shameful) homosexual desires for inappropriate men, and the machinations of enemies jealous of his unprecedented, upstart success. At first he sees Andrew as a protege and confidant, but progressively as a threat. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 31.03.20: BEATLES-Hoodie mit WHITE ALBUM PHOTO-Motiv /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: BEATLES-Hoodie mit WHITE ALBUM-Motiv Versenden wir gut verpackt und zuverlässig mit DHL (Info über Sendeverlauf kommt per E-Mail). THE BEATLES: Hoodie PHOTOS WHITE ALBUM SILHOUETTES ON BLACK. 59,95 € Material: 60% Baumwolle, 40 % Polyester Größen: S, M, L, XL, XXL. Weitere Hoodies: https://www.beatlesmuseum.net/?s=Hoodie&post_type=product ---------------------------------------------------------------------------------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-2903900 Innerhalb Deutschland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 Euro. / Ab Bestellwert 50 Euro: innerhalb Deutschland portofrei. Ins Ausland: Bei Bestellwert unter 50 Euro: Versandanteil für Briefe und Pakete: bitte erfragen. / Ab Bestellwert 50 Euro: Versandanteil minus 5 Euro. ---------------------------------------------------------------------------------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel, Katharina und Marta ---------------------------------------------------------------------------------------------- 31. März - IT WAS MANY YEARS AGO TODAY … und im BEATLES-Magazin THINGS regelmäßig 50/40/30/20/10 YEARS AGO und die NEWS Ergänzungen und Korrekturen sind willkommen! #BeatlesMuseum /// www.Facebook.com/BeatlesMuseumInHalle -
AUSTRALIAN OFFICIAL JOURNAL of TRADE MARKS 2 September 2010
Vol: 24 , No. 35 2 September 2010 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 2 September 2010 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 10523 Registrations/Protected IRs Amended and Changed ................ 10524 Applications for Extension of Time ...................... 10522 Applications/IRs Accepted for Registration/Protection .......... 10244 Applications/IRs Filed Nos 1377169 to 1377993 ............................. 10233 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 10524 Withdrawn..................................... 10525 Refused ...................................... 10525 Assignments,TransmittalsandTransfers.................. 10525 Cancellations of Entries in Register ...................... 10527 Notices........................................ 10522 Opposition Proceedings ............................. 10521 Removal/Cessation -
Wisconsin Alumni Association || Onwisconsin Winter 2012
For University of Wisconsin-Madison Alumni and Friends Put an entire UW library in your home (Study cages not included) You’re overdue for becoming a WAA member. Remember the UW’s Memorial Library — its aisles of information leaving you in awe. Now imagine tapping into that knowledge base from the comforts of your own home! Members of the Wisconsin Alumni I Kid You Not Association (WAA) receive exclusive access to the UW Libraries online data- Jeff Zuba offers a surgical base — great for business or pleasure. solution to Africa’s elephant It’s just one of the benefits members population problem. enjoy as part of this Badger community. Join today at uwalumni.com/membership or call (888) 947-2586. WINTER 2012 Little Free Libraries Check it out! First Madison, now the world. Food for Thought Small gestures can solve world hunger. C&N PHOTOGRAPHY Made with Dignity WHERE BADGERS BELONG Living wages, priceless changes. Good Locks The international trade in human hair. YOUR LEGACY. THEIR FUTURE. We can shape how we’re UW Planned Giving remembered. Remembering the University of Wisconsin-Madison in your will is an investment in the future. For our children. For our university. For the world. To discuss your legacy, contact Scott McKinney in the Offi ce of Gift Planning at the University of Wisconsin Foundation at [email protected] or 608-262-6241. supportuw.org/gift-planning UNIVERSITY OF WISCONSIN FOUNDATION On Wisconsin Full Pg October 2012.indd 1 10/10/2012 11:00:28 AM WINTER 2012 contents VOLUME 113, NUMBER 4 Features 20 An Elephant Never Begets By John Allen Jeff Zuba ’81, DVM’87 is a pioneer in a field that just about no one dreamed of: elephant vasectomy. -
2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Dennis Potter: an Unconventional Dramatist
Dennis Potter: An Unconventional Dramatist Dennis Potter (1935–1994), graduate of New College, was one of the most innovative and influential television dramatists of the twentieth century, known for works such as single plays Son of Man (1969), Brimstone and Treacle (1976) and Blue Remembered Hills (1979), and serials Pennies from Heaven (1978), The Singing Detective (1986) and Blackeyes (1989). Often controversial, he pioneered non-naturalistic techniques of drama presentation and explored themes which were to recur throughout his work. I. Early Life and Background He was born Dennis Christopher George Potter in Berry Hill in the Forest of Dean, Gloucestershire on 17 May 1935, the son of a coal miner. He would later describe the area as quite isolated from everywhere else (‘even Wales’).1 As a child he was an unusually bright pupil at the village primary school (which actually features as a location in ‘Pennies From Heaven’) as well as a strict attender of the local chapel (‘Up the hill . usually on a Sunday, sometimes three times to Salem Chapel . .’).2 Even at a young age he was writing: I knew that the words were chariots in some way. I didn’t know where it was going … but it was so inevitable … I cannot think of the time really when I wasn’t [a writer].3 The language of the Bible, the images it created, resonated with him; he described how the local area ‘became’ places from the Bible: Cannop Ponds by the pit where Dad worked, I knew that was where Jesus walked on the water … the Valley of the Shadow of Death was that lane where the overhanging trees were.4 I always fall back into biblical language, but that’s … part of my heritage, which I in a sense am grateful for.5 He was also a ‘physically cowardly’6 and ‘cripplingly shy’7 child who felt different from the other children at school, a feeling heightened by his being academically more advanced.