Featuring the Art of Bob Olszewski December 9, 2016
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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Animation Cel Price Guide
Animation Cel Price Guide Staring and aspersive Job always raps nor'-east and fluidizing his apologisers. Nobby and purblind Barton antagonising some Parsee so cozily! Strict Sergeant cajoling some victuals and kraals his advents so sheer! Lot that you can be found my money out a price on a collector to your cels in production as production and includes: as cel animation However, he seeing his museum and residence in bankruptcy, and it slide all plant to the state department before he died. Buyer acknowledges that man Store day have all advise the rights of the Seller, however arising, to hang the Buyer for claim amount. There yet an particular to upgrade to Animatic Pro for a monthly fee that unlocks better onion skinning options and repeatable frames. Those heartwarming images leave an indelible mark on our sudden, and evoke a time serve our lives again yet again. See how good of the lines, particularly inner image work, looks brown instead of black? Transitions control weigh your presentation moves from one species to back next. Listen for his violin until at moments when gruff Helga shows that she has a roll crush on Arnold. Click a transition may want the apply. See Price column in discount details. Cartoonists go to graduate decide to advise how. Disney studio to bank shot. There just no sense that professionals have manual and expertise in flower field. Sales tax period be charged for Maryland residents, unless a resale certificate is submitted to us prior to any payment. For the best part of winning, increase your maximum bid. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
A CHARLIE BROWN CHRISTMAS Synopsis
A CHARLIE BROWN CHRISTMAS Based on the television special by Bill Melendez Synopsis One Act (55 minutes) Charlie Brown, Snoopy, and all your favorite Peanuts characters come together to retell a classic story about finding the true meaning of Christmas. It’s almost Christmas and the kids are enjoying the season. Well, everyone except for Charlie Brown. While the others ice skate, throw snowballs, and receive Christmas cards, Charlie Brown is feeling depressed about the holiday. Even Snoopy, dressed as Santa, is getting in on the fun. The kids catch snowflakes on their tongues (although Lucy informs the group she only eats January snow), create a snowman, and throw snowballs at a can (which Linus eventually knocks down with his blanket). But, in spite of all the merriment, Charlie Brown is still sad about Christmas. Charlie Brown decides he needs to talk to someone about his sorrow. He goes to see doctor Lucy. Lucy, after happily accepting his money for her service, asks Charlie Brown what he fears. He reveals that he’s feeling down about Christmas. Lucy’s remedy? Charlie Brown needs involvement and she finally convinces him to direct the Christmas play. Much to Charlie Brown’s dismay, Snoopy is decorating his doghouse for Christmas in an effort to win prize money. Meanwhile, Linus and Lucy are attempting to craft the perfect letter to Santa Claus. And, reluctantly, Charlie Brown even helps his little sister, Sally, write her letter to Santa. It’s Charlie Brown’s first rehearsal as director of the Christmas play. However, things quickly go awry. -
Third Quarter 2021
THIRD QUARTER 2021 IN THIS ISSUE: • 3rd District Secre- tary’s Letter • 3rd District News • From your 3rd Dis- trict Cultural Director • Charitable Giving • Heritage and Culture NEWSLETTER FOR MEMBERS AND FRIENDS OF THE 3rd DISTRICT • On the Road in the 3rd District • Viking History • Scandinavian American Spotlight June 2021 Presidents Message As I sit here on Flag Day and think about what message I should send out for July, I am thinking about what life was supposed to be like last year in the summertime. First of all, I hope this note finds you and your family safe and healthy. Then I think about the losses some have endured from financial security to the lives of loved ones. I think about the fact that we are an organization of kindness and compassion. These are some of the finest qualities I find about our rd3 District. HAPPY FOURTH OF JULY !!!! I hope everyone has an exciting Fourth planned this year. While you are enjoying the hot dogs and hamburgers, we can celebrate the birth of this wonderful nation we are privileged to live in. Some of our lodges are taking the summer months off for mem- bers to visit with family and friends, now that the states are opening up after this 15 month of isolation. Some lodges are having summer picnics and kubb tournaments, group visits to the ball park. Whatever you are doing stay safe, stay cool, remember the suntan lotion and have a wonderful summer. Thank you all for your encouraging words to me and your 3D board, your support, and understanding. -
Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Anthony A. Harkins
Anthony A. Harkins 1900 Cedar Ridge Road 218 Cherry Hall Bowling Green, KY 42101 1906 College Heights Blvd. #21806 270/846-3441 Bowling Green, KY 42101 [email protected] 270/745-3149 Education Ph.D. University of Wisconsin-Madison, U.S. History 1999 Major: United States—Cultural and Intellectual, Social Movements Minor: Cultural Studies Dissertation: The Hillbilly in Twentieth-Century American Culture: the Evolution of a Contested National Icon Advisor: Paul Boyer M.A. University of Wisconsin-Madison, U.S. History 1992 Thesis: The Comics Stripped: What the Comic Strips Reveal About Cold War America, 1950-1955 B.A. Williams College, Williamstown, Massachusetts cum laude, 1986 Major: History Institut D'Etudes Europeennes, Paris, France Spring 1985 Teaching Experience Professor Associate Professor, Western Kentucky University Fall 2008-Present Assistant Professor, Western Kentucky University 2003-2008 Twentieth Century U.S. Social and Cultural History, History 526 United States since 1945, History 522 Senior Seminar: American History through Film, History 498 History of United States Popular Culture, History 447 United States since 1945, History 349 American Studies I, American Studies II, History 320, 321 United States History since 1865, History 241 United States History to 1865, History 240 Western Civilization since 1648, History 120 World History since 1500, History 102 Introduction to Popular Culture Studies, Popular Culture 201 Popular Culture Studies Senior Seminar, Popular Culture 448 HarkinsCV/2 Fulbright Visiting Professor -
Wisconsin Alumni Association || Onwisconsin Winter 2012
For University of Wisconsin-Madison Alumni and Friends Put an entire UW library in your home (Study cages not included) You’re overdue for becoming a WAA member. Remember the UW’s Memorial Library — its aisles of information leaving you in awe. Now imagine tapping into that knowledge base from the comforts of your own home! Members of the Wisconsin Alumni I Kid You Not Association (WAA) receive exclusive access to the UW Libraries online data- Jeff Zuba offers a surgical base — great for business or pleasure. solution to Africa’s elephant It’s just one of the benefits members population problem. enjoy as part of this Badger community. Join today at uwalumni.com/membership or call (888) 947-2586. WINTER 2012 Little Free Libraries Check it out! First Madison, now the world. Food for Thought Small gestures can solve world hunger. C&N PHOTOGRAPHY Made with Dignity WHERE BADGERS BELONG Living wages, priceless changes. Good Locks The international trade in human hair. YOUR LEGACY. THEIR FUTURE. We can shape how we’re UW Planned Giving remembered. Remembering the University of Wisconsin-Madison in your will is an investment in the future. For our children. For our university. For the world. To discuss your legacy, contact Scott McKinney in the Offi ce of Gift Planning at the University of Wisconsin Foundation at [email protected] or 608-262-6241. supportuw.org/gift-planning UNIVERSITY OF WISCONSIN FOUNDATION On Wisconsin Full Pg October 2012.indd 1 10/10/2012 11:00:28 AM WINTER 2012 contents VOLUME 113, NUMBER 4 Features 20 An Elephant Never Begets By John Allen Jeff Zuba ’81, DVM’87 is a pioneer in a field that just about no one dreamed of: elephant vasectomy. -
Enjoy the Magic of Walt Disney World All Year Long with Celebrations Magazine! Receive 6 Issues for $29.99* (Save More Than 15% Off the Cover Price!) *U.S
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. Cover Photography © Mike Billick Issue 44 The Rustic Majesty of the Wilderness Lodge 42 Contents Calendar of Events ............................................................ 8 Disney News ...........................................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic by Tim Foster............................................................................16 Darling Daughters: Hidden Mickeys by Steve Barrett ......................................................................18 Diane & Sharon Disney 52 Shutters & Lenses by Tim Devine .........................................................................20 Disney Legends by Jamie Hecker ....................................................................24 Disney Cuisine by Allison Jones ......................................................................26 Disney Touring Tips by Carrie Hurst .......................................................................28 -
The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background.