Devendra Banhart

Total Page:16

File Type:pdf, Size:1020Kb

Devendra Banhart ! " OCTOBER 2019 ! g VOL. 31 #9 + WOWHALL.ORG" and haphazard. As a boy in Caracas, says loso and David Byrne, with whom he shared Museum in Washington, DC. Banhart, “I was surrounded by salsa, meren- a stage at Carnegie Hall, Banhart has em- For Banhart, his career remains, “an ad- gue, cumbia, some bossa nova —that was braced an astonishingly wide range of musi- venture and an exploration. DEVENDRA ubiquitous; you’d hear it on any street.” In cal ideas, from folk to blues to the avant Rogov (aka Gregory Rogove) currently high school, he became obsessed with rock- garde. He has collaborated with Brazilian drums in Devendra Banhart’s band, and in steady, bluebeat and ska, which he’d learned legends Os Mutantes, the Swans, Antony and the past he’s made music as Priestbird, about via skateboarding videos. the Johnsons, and Beck, among others, and Megapuss (with Banhart and The Strokes’ BANHART Finishing high school, Devendra thought has engaged in art projects like conceptual- Fab Moretti), and collaborating with a ton On Sunday, October 20, the Community he would pursue a visual arts career. He ist Doug Aitken’s monumental 2012 Song 1 of other cool people. But his solo stuff is Center for the Performing Arts and KLCC enrolled at the San Francisco Art Institute, video installation on currently a hot topic. proudly welcomes Devendra Banhart to the but he soon dropped out in favor the façade of the The video for “Sunrise Sunset” -- a spec- WOW Hall along with special guest Rogov. of exploring music. He has, H i r s c h h o r n tral, slip of a song— features visual accom- Devendra Banhart has partnered with PLUS1 however, successfully main- paniment from one of Rogov’s favorite art- so that $1 from every ticket sold will go to tained a parallel career ists, Elena Stonaker, whose work, he World Central Kitchen’s effort to provide as a painter: Ban- feels, embodies the ideas in “Sunrise hot, nutritious meals to Venezuelan refugees. hart’s distinctive, Sunset”: “Equal parts light and Banhart emerged seemingly out of no- minutely inked, dark, innocent and wise, chaotic where in 2002 with his first CD collection, often enigmatic a n d ordered.” Oh Me Oh My…The Way the Day Goes drawings have “ As for the song itself, By the Sun Is Setting Dogs Are Dreaming a p p e a r e d Rogov offers: “It seems Lovesongs of the Christmas Spirit, compiled in galleries timely to put this out as by Swans’ frontman Michael Gira for his all over the the current cultural and Young God label from homemade record- world. He political landscape is ings the itinerant Banhart had amassed as he has created particularly grim. I hope it traveled the world. He was born Devendra the cover art serves as a salve and tiny Obi Banhart in Houston, Texas, but spent for most of motor for moving forward. his childhood in Caracas, Venezuela; as a his records, These are turbulent times. But teenager, his family returned to the States, and in 2010 now that all the detritus has relocating in Southern California, where he his artwork risen to the surface, what better soon became enamored of skateboard cul- and packag- t i m e than now to skim it off ture. His song “Ballad of Keenan Milton” ing for What the top?” is in fact a homage to the legendary skate- Will We Be was Tickets are $21 in boarder, who died tragically in 2001 in a nominated for a advance, $26 day of freak accident. Grammy. show. Doors open Music was always a passion for Banhart, Like Nonesuch la- at 8:00 pm and show- and he discovered it in ways both magical bel-mates Caetano Ve- time is 8:30. + ! " Katelyn reveals. “We have several men in our lives who have INSIDE THIS ISSUE been such positive forces. We wanted to thank them and honor WITCH P2 + COM TRUISE P2 + KISHI BASHI P3 the good guys who showed us the beauty in this crazy world we live in… and to them, we are grateful.” DISCO DEAD P3 + COMMON KINGS P4 Laurie agrees, “It’s also an acknowledgment of our thankful- ness of the good life that we get to live.” P4 CASCADIA WILDLANDS BENEFIT Over the course of three full-length releases and a handful of KIKAGAKU MOYO P5 + AREA 541 P5 EPs since 2008, Shook Twins have been acclaimed by everyone from USA Today and Baeble Music to Langhorne Slim, The TOUR HEADS CARAVAN/ALMOND BUTTERS BAND P6 Lumineers, Mason Jennings, and iconic best-selling author Neil THE HUMAN EXPERIENCE P6 + SKIZZY MARS P7 Gaiman. Beyond gigs with Gregory Alan Isakov and Ani DiFranco, they have captivated crowds at Oregon Country Fair, KOCF HALLOWEEN HULLABALOO P7 High Sierra Music Festival, Lightning In A Bottle, Bumbershoot, Hulaween, Summer Camp Music Festival, and Northwest String Summit, to name a few. Currently, the twins work with a full band — Barra Brown [drums], Sydney Nash [bass] and Niko Slice [guitar, mandolin]. “These amazing players helped us realize that we could be more than just ‘folk pop’. We started adding other genres to the PAID word like ‘disco,’ ‘psychedelic,’ ‘funk,’ and ‘soul.’ We really U.S. Postage U.S. honed in on a new sound.” Permit No. 303 Eugene, OR Eugene, 97401 They initially teased that evolution with the single “Safe”. Its Nonprofit Organization Organization Nonprofit airy acoustic guitar and delicate harmonies materialize as a heartfelt and hypnotic rumination on love. The track quickly surpassed a million Spotify streams. In the end, Shook Twins do Some Good Lives justice by reaching new heights themselves as musicians, lyricists, artists, and women. “I hope people will hear this music as part of the soundtrack SHOOK TWINS to their lives,” Laurie leaves off. “I hope it makes them feel joy, relaxation, or makes them want to dance a little. I hope they’re DIRTY DANCING satisfied with the way we captured these songs.” And speaking of soundtracks, the soundtrack of Dirty On Sunday, November 3, WildCraft Cider Works and Dancing may never appear like this again. Plus it’s also your Eugenius Presents proudly welcome back Shook Twins along last chance to celebrate Halloween this year. It could be the with special guests Mama Magnolia. This show is a special Time of Your Life! Make the most of it. Halloween Tribute to the Soundtrack of Dirty Dancing. Shook Twins are on an (egg)roll! The sisters are releasing MAMA MAGNOLIA five singles over the next three months as they prepare for a Mama Magnolia live on “the soulful side of rock.” The forthcoming acoustic EP. They have been touring all year in Denver six-piece — Megan Letts [lead vocals, keys], Thomas support of the fourth album, Some Good Lives, but this month Jennings [guitar], Zachary Jackson [bass, vocals], Jackson they have something extra special for us – they have created a Hillmer [drums], Carrie McCune [trumpet, vocals] and Alex unique Tribute to the Soundtrack of Dirty Dancing. Cazet [saxophone] — would be just as at home in a New York Shook Twins are identical twin sisters Katelyn Shook [vocals, City jazz dive as they would be on forested festival grounds. Like guitar] and Laurie Shook [banjo, vocals]. On Some Good Lives a musical timewarp where Etta James fronted Lake Street Dive, RETURN SERVICE REQUESTED Community Center for the the for Center Community Performing Arts West 8th 291 OR. 97401 Eugene, the duo pays homage to everyone from a late grandpa and god- they pepper this brew of soul and rock with boisterous horns, father to Bernie Sanders. jazzy flavor, gospel heart, classical resonances, and even a little “Even though our minds are mostly on the women of today,” hip-hop swagger. CONTINUED ON PAGE 3 The Community Center for the WOW HALL NOTES Performing Arts is located in the Historic Woodmen of the World Hall (W.O.W. Hall), 291 W 8th, Eugene, Or 97401, (541)687-2746, [email protected], wowhall.org, Box office hours Mon-Fri Noon-6:00 PM. Printed monthly by Western Oregon Webpress, Circulation 3,200, General Support made possible by a grant from Lane Arts Council with support from City of Eugene Cultural Services Division, Copyright 2019 All rights reserved Notes Staff: Copy Editor & Advertising Representative - Bob Fennessy, Layout & Design - James Bateman CCPA Staff: Membership Coordinator & Publicist - Bob Fennessy, Programming Manager - Lori Hawley, Stage Manager - Justin Showker, Asst Stage Manager - Ed Kashin, Davis Koier, Robert Chappel, Office Manager - Danette Lamson, Bookkeeper - Melissa Swan, Volunteer Coordinator - Kaleah Bishop, House Manager - Blake Boxer Concessions Manager: Angela Lees; Concessions Staff: Marleena Pearson, Billy Ashe, Kambra Morris-Mitzner, Ronald Perko Custodian - Dave Diercks, Eric Herz, Lighting Director - Cody Owen, Volunteer Staff: Charles Peters, Poster Distribution - WOW Hall Poster Crew, CCPA Board of Directors: Chair: Robyn Kelly, Vice Chair: Mike DeLuise, Secretary: Kathleen Blair, Treasurer: Amy Sherwood, Members: Sam Harmon, Janelle Krinsky, Dan Nathan, John Henry Weber WITCH On Saturday, October 19, the this line-up mounts a mighty sonic sings and writes the group’s CCPA and U. of O. Campus tumult that harkens back to clas- supernatural-oriented lyrics, Radio 88.1 FM KWVA proudly sic heavy metal sound of early exploring the juxtapositions welcome Witch featuring Kyle 70’s outfits while still sounding between age and youth, the para- Thomas (King Tuff), J Mascis modern in it’s assault. dox of meeting yourself, and the (Dinosaur Jr), Dave Sweetapple The sophomore follow up dilemma of falling asleep on a (Sweet Apple, Eerie) and Graham Paralyzed (2008) saw a slight mountaintop and waking up a Clise (Annihilation Time, departure from the ‘Self Titled’ hundred years later.
Recommended publications
  • The Low Anthem and Blind Pilot |
    1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s mid­decade spike in visibility, which, with over­exposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, worn­in, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in old­time American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Universidade Federal De Ouro Preto Instituto De Ciências Humanas E Sociais Departamento De História No País Dos Bauretz
    UNIVERSIDADE FEDERAL DE OURO PRETO INSTITUTO DE CIÊNCIAS HUMANAS E SOCIAIS DEPARTAMENTO DE HISTÓRIA RENATA MARQUES CORDEIRO NO PAÍS DOS BAURETZ Dimensões políticas do deboche dosMutantesà luz da teoria bakhtiniana (1966 – 1973) Mariana 2017 RENATA MARQUES CORDEIRO NO PAÍS DOS BAURETZ Dimensões políticas do deboche dosMutantesà luz da teoria bakhtiniana (1966 – 1973) Dissertação apresentada ao Programa de Pós- Graduação em História, do Instituto de Ciências Humanas e Sociais da Universidade Federal de Ouro Preto, como requisito parcial à obtenção do grau de Mestre em História. Área de concentração “Poder e Linguagens”, linha de pesquisa “Ideias, Linguagens e Historiografia”. Orientador: Prof. Dr. Mateus Henrique de Faria Pereira Mariana Instituto de Ciências Humanas e Sociais/ UFOP 2017 C794p Cordeiro, Renata Marques. No País dos Bauretz [manuscrito]: dimensões políticas do deboche dos Mutantes à luz da teoria bakhtiniana (1966 – 1973)/ Renata Marques Cordeiro. – 2017. 134f. il. Orientador: Prof. Dr. Mateus Henrique de Faria Pereira. Dissertação (Mestrado) - Universidade Federal de Ouro Preto. Instituto de Ciências Humanas e Sociais. Departamento de História. Programa de Pós- graduação em História. Área de concentração: Poder e Linguagens. 1. Grupos de rock. 2. Tropicalismo (Movimento musical). 3. Contracultura. I. Pereira, Mateus Henrique de Faria. II. Universidade Federal de Ouro Preto. III. Título. CDU: 94(81):78 Catalogação: [email protected] À memória de meu pai por ter ele me ensinado a amar a música além dos rótulos. À minha mãe por me ensinar a ler e a ser. À amiga e à irmã, Suzana e Fernanda, por se lembrarem de mim toda vez que encontravam algum texto em prosa ou poema que pudesse compor com outros essa dissertação.
    [Show full text]
  • February 5, 2013 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
    volume 13 - issue 3 - tuesday, february 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by staceybrandt Veiled in a dimness that makes every- thing ironic and decorated with items from a shitty garage sale, Radio Bean creates the perfect environment for local talent to sing, strum, and squawk their stuff . It’s no won- der that when sign-ups for Monday night’s Open Mic rolled around the line was liter- ally out the door. Hoards of hipsters and hippies crammed around the sign-up sheet eager to reserve fi ft een precious minutes of attention from strangers. I managed to squeeze my name onto the list, and be- ing a fi rst timer, my name was generously weed smell in one’s dorm room. It’s funny spotlight, an idiot with a microphone, and subsequent performers included a mind- pushed to the top: 9 o’clock was my time. I what the Radio Bean crowd can do to one’s my words now somehow mattered. Con- blowing bongo drummer who later col- would perform fi rst. mental state. Th e cool chick sitting next to templating using an edgy stage name (Cool laborated with a resident beat-boxer (they When I am nervous, I tend to yawn me gave me the sudden urge to dread my Jew?), I half-mumbled my intro and began did an impromptu jam session that brought involuntarily—probably because I forget hair and get a tattoo sleeve. And a heavily to pluck my guitar strings. People got quiet everyone to their feet), a man making nois- to breath and, deprived of oxygen, I must bearded man across the bar made becom- when I started to sing which made me relax es which he called “hip-hop”, and a talented resort to large spontaneous gulps of air to folk-country singer named Will Overman remain conscious.
    [Show full text]
  • The Strokes Share New Episode of Pirate Radio Series Featuring Colin Jost and Gordon Raphael
    THE STROKES SHARE NEW EPISODE OF PIRATE RADIO SERIES FEATURING COLIN JOST AND GORDON RAPHAEL “BAD DECISIONS” CLIMBING TOP 10 AT ALT RADIO FIRST ALBUM IN SEVEN YEARS THE NEW ABNORMAL OUT NOW VIA CULT/RCA RECORDS TO CRITICAL ACCLAIM July 23, 2020—Today, The Strokes share a new installment of their ongoing pirate radio series, “Five Guys Talking About Things They Know Nothing About”—watch it HERE. The new episode is the third installment of the show, and the first in a series in which the band will speak with the producers of their albums. The episode airing today features The Strokes in conversation with Gordon Raphael—who produced their debut EP The Modern Age, their first two LPs Is This It and Room On Fire and contributed to their third LP First Impressions Of Earth—as well as their longtime friend, SNL’s Colin Jost. The band’s new album The New Abnormal, their first in seven years, was released in April to widespread critical acclaim. The album’s lead single, “Bad Decisions,” is currently Top 10 at Alternative radio and still climbing, marking the band’s first Alternative Top 10 since 2006 and setting the record for the most time between Alternative Top 10 entries. Additionally, “Bad Decisions,” went #1 on AAA in April. Upon release, The New Abnormal debuted at #1 on Billboard’s Top Album Sales Chart and reached #8 on the Billboard 200, #1 Current Rock Album, #1 Top Current Album, #1 Current Alternative Album and #1 Vinyl Album. Of The New Abnormal, The Times of London praises “The Strokes give us their second masterpiece,” while The
    [Show full text]
  • DJ – Titres Incontournables
    DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon
    [Show full text]
  • Student Handbook As Well As the Home Page
    Welcome to Assistance League® of Flintridge Instrumental Music! The ALF Instrumental Music program is one of the most rewarding and exciting educational opportunities offered for our students! ALF is proud to continue its support and administration of this program. We have made the change to a virtual program in light of COVID-19. With COVID restrictions and one-third of LCUSD students Virtual Learners for the year, it is unlikely there will be physical gatherings, although things are ever evolving and we will continue to re-evaluate. We thank you for your patience as we navigate new educational methods designed with the utmost safety in mind. In the following pages you will find information to help your child be successful and get the most out of being a part of the Instrumental Music program. If you still have questions about the overall program, please do not hesitate to contact us. Sincerely, Nancy Gunther, Instrumental Music Chairman 2020-2021 Joanna Petroff, Instrumental Music Assistant Chairman 2020-2021 [email protected] 818-790-2211 Message Anytime Topics 1. Music Instructors & Contact Information 2. Is the ALF Instrumental Music Program Right for your Student? 3. Instruments 4. Class Information 5. Communication & Attendance 6. Practice Expectations 7. Behavior Standards For future reference, be sure to download or bookmark this Student Handbook as well as the https://alflintridge.org/programs/instrumental-music/ home page. ® Assistance League of Flintridge Instrumental Music 2020-2021 Music Staff Michael Davis - Brass Instructor La Cañada native Michael Davis enjoys a diverse career both performing and teaching. As an orchestral musician Michael has performed with the Los Angeles Philharmonic, San Diego Symphony, Pasadena Symphony, Santa Barbara Symphony, Santa Barbara Opera, New West Symphony, Long Beach Symphony, WildUp, the Hyogo Performing Arts Center Orchestra, the Partch Ensemble and the Philip Glass Ensemble.
    [Show full text]
  • Psaudio Copper
    Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions.
    [Show full text]
  • Devendra Banhart
    Teatro Romano / Ostia Antica Festival "Il Mito e il S Teatro Romano / Ostia Antica Festival "Il Mito e il Sogno 2017 - 2a Edizione" 11 luglio 2017 - ore 21.00 THE BASE presenta DEVENDRA BANHART Dopo aver registrato il tutto esaurito in sole tre settimane dall’apertura delle vendite per il concerto del 24 giugno 2017 a Milano, Devendra Banhart torna live in Italia per tre nuove date estive e si esibir a Ostia Antica nello splendido scenario del Teatro Romano, marted 11 luglio. Il nuovo album, “Ape in Pink Marble”, il nono della discografia, pubblicato da Nonesuch, uscito pochi mesi fa: scritto, prodotto, arrangiato e registrato a Los Angeles dall’artista americano insieme ai suoi collaboratori di lunga data, Noah Georgeson e Josiah Steinbrick, arriva a tre anni dal precedente “Mala”, e contiene atmosfere orientali, anche grazie alla presenza del koto, un’arpa giapponese. È descritto da Q come l’apice della sua carriera e dal Wall Street Journal come il suo lavoro: «pi conciso, sommesso e seducente fino ad ora». Un piccolo assaggio ai fan italiani lo scorso settembre, quando Devendra ha partecipato al Wired Next Fest e all’incontro D Musica. Nato in Texas, Banhart attir per la prima volta l’attenzione dei media internazionali con l'album di debutto (2002), Oh Me Oh My… The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit, una raccolta di registrazioni incise per diletto. Tra i suoi successi: Rejoicing in the Hands (2004), Nio Rojo (2004), Cripple Crow (2005), Smokey Rolls Down Thunder Canyon (2007) e What Will We Be (2009).
    [Show full text]
  • Jahrescharts 2020
    JAHRESCHARTS 2020 TOP 200 TRACKS PEAK ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 The Strokes Bad Decisions RCA/Sony 01 02 The Killers My Own Soul's Warning Island/PIL/Universal 01 03 Tame Impala Lost In Yesterday Modular/Caroline/Universal 01 04 Drens Saditsfiction Recycled Earth/Zebralution 01 05 Fontaines D.C. A Hero's Death Partisan/[PIAS]/Rough Trade 01 06 Phoenix Identical Loyauté/Glassnote/AWAL 01 07 The Psychedelic Furs No-One Cooking Vinyl/The Orchard 01 08 Idles Mr. Motivator Partisan/[PIAS]/Rough Trade 01 09 Tame Impala Is It True Modular/Caroline/Universal 01 10 Giant Rooks Watershed IRRSINN/Vertigo Berlin/VEC/Universal 02 11 Grouplove Deleter Atlantic/WMI/Warner 03 12 Nada Surf Something I Should Do City Slang/Rough Trade 02 13 Weezer Hero Crush Music/Atlantic/WMI/Warner 01 14 Biffy Clyro Instant History 14th Floor/WMI/Warner 03 15 Rex Orange County Never Had The Balls Rex Orange County/Columbia/Sony 05 16 tomeque Immer Nur Tanzen (BelGium50-Remix) pop///tronica/Dig Dis/Timezone 03 17 Die Sterne Ft. Erobique & Kaiser Quartett Der Sommer In Die Stadt Wird Fahren [PIAS] Recordings/[PIAS]/Rough Trade 02 18 Sparkling We Don't Want It (Digitalism Remix) Vitamin A/Believe 04 19 The Kooks Something To Say Virgin/UMI/Universal 02 20 The Killers Caution Island/PIL/Universal 01 21 New Order Be A Rebel Mute/GoodToGo 02 22 Razorlight Burn, Camden, Burn Atlantic Culture/Believe 01 23 Roosevelt Sign Greco Roman/City Slang/Rough Trade 03 24 KennyHoopla How Will I Rest In Peace If I'm Buried By A Highway?// Mogul Vision/Arista/Sony 04 25 Two Door Cinema Club Tiptoes Prolifica/[PIAS]/Rough Trade 03 26 Morrissey Bobby, Don't You Think They Know? BMG Rights/ADA 03 27 Billy Talent Reckless Paradise Warner Canada/WMI/Warner 03 28 Turbostaat Stine [PIAS] Recordings/[PIAS]/Rough Trade 03 29 The Strokes Brooklyn Bridge To Chorus RCA/Sony 03 30 Noel Gallagher's High Flying Birds Blue Moon Rising Sour Mash/375 Media 04 31 Giant Rooks Heat Up IRRSINN/Vertigo Berlin/VEC/Universal 01 32 Idles War Partisan/[PIAS]/Rough Trade 01 33 Gorillaz Ft.
    [Show full text]
  • Nostalgia in Indie Folk by Claire Coleman
    WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin
    [Show full text]
  • WOW HALL NOTES G VOL
    K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y.
    [Show full text]