Devendra Banhart

Total Page：16

File Type：pdf, Size：1020Kb

Teatro Romano / Ostia Antica Festival "Il Mito e il S Teatro Romano / Ostia Antica Festival "Il Mito e il Sogno 2017 - 2a Edizione" 11 luglio 2017 - ore 21.00 THE BASE presenta DEVENDRA BANHART Dopo aver registrato il tutto esaurito in sole tre settimane dall’apertura delle vendite per il concerto del 24 giugno 2017 a Milano, Devendra Banhart torna live in Italia per tre nuove date estive e si esibir a Ostia Antica nello splendido scenario del Teatro Romano, marted 11 luglio. Il nuovo album, “Ape in Pink Marble”, il nono della discografia, pubblicato da Nonesuch, uscito pochi mesi fa: scritto, prodotto, arrangiato e registrato a Los Angeles dall’artista americano insieme ai suoi collaboratori di lunga data, Noah Georgeson e Josiah Steinbrick, arriva a tre anni dal precedente “Mala”, e contiene atmosfere orientali, anche grazie alla presenza del koto, un’arpa giapponese. È descritto da Q come l’apice della sua carriera e dal Wall Street Journal come il suo lavoro: «pi conciso, sommesso e seducente fino ad ora». Un piccolo assaggio ai fan italiani lo scorso settembre, quando Devendra ha partecipato al Wired Next Fest e all’incontro D Musica. Nato in Texas, Banhart attir per la prima volta l’attenzione dei media internazionali con l'album di debutto (2002), Oh Me Oh My… The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit, una raccolta di registrazioni incise per diletto. Tra i suoi successi: Rejoicing in the Hands (2004), Nio Rojo (2004), Cripple Crow (2005), Smokey Rolls Down Thunder Canyon (2007) e What Will We Be (2009). Banhart ha collaborato con musicisti quali Anohni (precedentemente conosciuto come Antony) and the Johnsons, Beck, Vashti Bunyan, Os Mutantes e Vetiver. Ha anche collaborato con Gilberto Gil e Caetano Veloso e ha preso parte al concerto alla Carnegie Hall curato da David Byrne. Disegnatore e pittore di successo, i dipinti di Banhart, dalla linea fine e spesso enigmatici, sono stati esposti nelle gallerie di tutto il mondo. Nel 2015 stato pubblicato I Left My Noodle on Ramen Street, una raccolta di dipinti, disegni e pezzi d’arte varia di Devendra. L’artista e musicista americano ha ideato e disegnato la copertina della maggior parte dei propri dischi e, nel 2010, l’artwork e il packaging di What Will We Be, sempre ideati da lui, hanno ricevuto una nomination ai Grammy. Per informazioni: www.the-base.it Tel. 06.54220870 - Info diversamente abili: Tel. 06.54220870 Ufficio stampa “THE BASE”: DANIELE MIGNARDI PROMOPRESSAGENCY . Tel. 06.32651758 - [email protected] PREZZO BIGLIETTI Gradinata Non Numerata: € 28,00 + 4,20 d. p. TEATRO ROMANO / OSTIA ANTICA FESTIVAL "IL MITO E IL SOGNO 2017 - 2A EDIZIONE" PARCO ARCHEOLOGICO - VIALE DEI ROMAGNOLI 717 - 00119 - OSTIA ANTICA - ROMA INFOLINE : 06/68134748 dal luned al venerd ore 10/17 (orario continuato) [email protected] - http://www.ostianticateatro.com Biglietti in vendita su www.ticketone.it – www.bookingevents.it - www.boxofficelazio.it TEATRO ROMANO / OSTIA ANTICA FESTIVAL "IL MITO E IL SOGNO 2017 - 2A EDIZIONE" UFFICIO STAMPA: Fabiana Manuelli - [email protected] tel 347 8263425 .

Copy Link

Recommended publications

The Low Anthem and Blind Pilot |
1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s middecade spike in visibility, which, with overexposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, wornin, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in oldtime American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós.
[Show full text]
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
[Show full text]
Student Handbook As Well As the Home Page
Welcome to Assistance League® of Flintridge Instrumental Music! The ALF Instrumental Music program is one of the most rewarding and exciting educational opportunities offered for our students! ALF is proud to continue its support and administration of this program. We have made the change to a virtual program in light of COVID-19. With COVID restrictions and one-third of LCUSD students Virtual Learners for the year, it is unlikely there will be physical gatherings, although things are ever evolving and we will continue to re-evaluate. We thank you for your patience as we navigate new educational methods designed with the utmost safety in mind. In the following pages you will find information to help your child be successful and get the most out of being a part of the Instrumental Music program. If you still have questions about the overall program, please do not hesitate to contact us. Sincerely, Nancy Gunther, Instrumental Music Chairman 2020-2021 Joanna Petroff, Instrumental Music Assistant Chairman 2020-2021 [email protected] 818-790-2211 Message Anytime Topics 1. Music Instructors & Contact Information 2. Is the ALF Instrumental Music Program Right for your Student? 3. Instruments 4. Class Information 5. Communication & Attendance 6. Practice Expectations 7. Behavior Standards For future reference, be sure to download or bookmark this Student Handbook as well as the https://alflintridge.org/programs/instrumental-music/ home page. ® Assistance League of Flintridge Instrumental Music 2020-2021 Music Staff Michael Davis - Brass Instructor La Cañada native Michael Davis enjoys a diverse career both performing and teaching. As an orchestral musician Michael has performed with the Los Angeles Philharmonic, San Diego Symphony, Pasadena Symphony, Santa Barbara Symphony, Santa Barbara Opera, New West Symphony, Long Beach Symphony, WildUp, the Hyogo Performing Arts Center Orchestra, the Partch Ensemble and the Philip Glass Ensemble.
[Show full text]
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin
[Show full text]
Galleria Mazzoli
PRESS RELEASE GALLERIA MAZZOLI Saturday July 19th 2014 at 6h30 p.m. Galleria Mazzoli in Modena will proudly present the second solo exhibition of Devendra Banhart. The exhibition will be comprised of several series of new works involving various techniques and materials, showing the evolution if his recent artistic research. A significant part of the show will feature the “sphinx” series, where the recurrent motive is indeed the mythological figure with the human head and the lion body ― a protective symbol in ancient Egypt ― guardian of the forbidden gate of the underworld and a symbol for power and enigma in ancient Greece. All of Devendra's monochromatic “sphinxes” are created with Indian ink on vintage paper, providing the drawings with a nostalgic flavor, and appear like enclosed spaces which contain refined tales or nexuses of repeating lines, shapes and figures that sometimes become fantastic and visionary representations, some of whose traits recall petroglyphic engravings. The repetition of some of the motives almost appear as the graphical representations of the tunes that we also find in his music, therefore underlining the close link between the artist's musical and visual expression. The exhibition also explores the theme of still life. In the still life series Devendra interprets the classic genre using a different technique, that of oil on paper, which allows him to experiment various chromatic variations. The exhibition finally presents other new abstract works both on paper and wood. BIOGRAPHY Devendra Banhart exploded on the international music scene in 2002 quickly winning a coterie of devoted fans as well as an unusually hefty amount of critical kudos right from the outset that has grown steadily through to the present.
[Show full text]
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
[Show full text]
Compact Disc ARTIST: Devendra Banhart
TRACKS Can't Help But Smiling Angelika Baby Goin' Back First Song For B Last Song For B Chin Chin & Muck Muck 16th & Valencia Roxy Music WEBSITES: Rats Official Compact Disc Maria Lionza MySpace ARTIST: Devendra Banhart Brindo TITLE: What Will We Be (Limited Edition) Meet Me At Lookout Point Walilamdzi Label: WB/Warner Bros. NOTES: Config & Selection #: CD 520960 Foolin' Street Date: 10/27/09 Order Due Date: 10/07/09 UPC: 093624973119 Box Count: 30 Unit Per Set: 1 SRP: $18.98 Alphabetize Under: B OTHER EDITIONS: For the latest up to date info on this release visit WEA.com. ALBUM FACTS Genre: Rock Producers: Devendra Banhart & Paul Butler Special Packaging Info: Includes a 36-page booklet with all illustrations and drawings done by Devandra Description: What Will We Be has a sunny, breezy feel with performances that evoke warm, lazy afternoons spent with good friends. The album is dominated by powerfully melodic, mid-tempo numbers played with relaxed expertise. But there's also ambitious stylistic range displayed with the inclusion of evanescent ballads like "Meet Me At the Lookout Point," the epic riff-rocker "Rats" sprightly R&B flavored groovers on "Baby," and the sultry Latin-flavored stunner "Brindo," the Roxy-inspired "16th & Valencia Roxy Music" among other pleasant surprises. What Will We Be was recorded in a sleepy Northern California town throughout the Spring of 2009, and was co-produced by Paul Butler (from UK outfit Band Of Bees). This is the second album Devendra's recorded with the same crew of players: Noah Georgeson (producer of Banhart's last two albums, Little Joy, Bert Jansch and Joanna Newsome) on guitar and backing vocals, Greg Rogove (Priestbird) on drums and backing vocals; Luckey Remington (The Pleased) on bass and vocals and Rodrigo Amarante (Los Hermanos, Little Joy) on guitar and backing vocals.
[Show full text]
Fondazione Prada Milano Accademia Dei Bambini the Astonishing
ACCADEMIA DEI BAMBINI AT FONDAZIONE PRADA IN MILAN PRESENTS “THE ASTONISHING ADVENTURES OF A CELESTIAL ARCHAEOLOGIST”, A NEW SERIES OF WORKSHOPS CONCEIVED AND CURATED BY MUSICIAN AND VISUAL ARTIST DEVENDRA BANHART Milan,2 May 2018 – From Saturday 5 May 2018, Accademia dei bambini at Fondazione Prada in Milan will host a new series of workshops, titled “Imaginary Universes”, conceived and curated by internationally renowned musician and visual artist Devendra Banhart. In the spaces of the Accademia, every Saturday and Sunday, children will have the opportunity to travel through galaxies in a magic imaginary spacecraft. After sailing past stars, space cakes, asteroids and comets, they will arrive at an undiscovered planet, inhabited by strange animals, cheese trees, lights, colours and sounds never seen or heard in any other universe. Employing blank globes and markers, children will be able to invent fantastical unexplored planets. Devendra Banhart will personally lead the workshops scheduled for Saturday 5 May, “The Astonishing Adventures of a Celestial Archaeologist”, at 11am, 2pm and 4pm respectively. Workshops are open to all children aged 4-10. Due to the Accademia’s limited capacity, booking is essential. Places are assigned on a first-come first-served basis. The complete program schedule for May can be found on this page: http://www.fondazioneprada.org/accademia-dei-bambini/ The Accademia dei Bambini is the first project Fondazione Prada has dedicated to children. Its program, overseen by neuropediatrician Giannetta Ottilia Latis, is designed to create a space in which cultural offerings linked to art, cinema and science open up a dialogue between generations. Articulated in a series of themed workshops, each lasting several weeks, its programming is integrated in quarterly workshops led by “masters” in various disciplines.
[Show full text]
Hubbard Street Dance Chicago
Friday and Saturday, January 18 –19, 2019, 8pm Sunday, January 20, 2019, 3pm Zellerbach Hall Hubbard Street Dance Chicago Artistic Director Glenn Edgerton Executive Director David McDermott Rehearsal Director Jessica Tong Founding Artistic Director Lou Conte Director of Production Scott Nelson Head Carpenter Stephan Panek and Director of Stage Operations Head of Audio Jason Natali Head Electrician Sam Begich Stage Manager and Head of Props Julie Ballard Wardrobe Supervisor Jenni Schwaner Ladd Company Manager Abby Olson Director of Youth, Education, Kathryn Humphreys and Community Programs Director of Artist Training Alexandra Wells Director of Finance and Operations Belina Mizrahi Director of Marketing Andy Sheagren Director of Development Katie Tuttle Hubbard Street Dancers Craig D. Black Jr., Jacqueline Burnett, Rena Butler, Alicia Delgadillo, Kellie Epperheimer, Michael Gross, Elliot Hammans, Alysia Johnson, Myles Lavallee, Adrienne Lipson, Florian Lochner, Ana Lopez, Andrew Murdock, David Schultz, Kevin J. Shannon, Connie Shiau Hubbard Street Dance Chicago dedicates these performances to the memory of our beloved friend and colleague Claire Bataille, who was a founding member of Hubbard Street Dance Chicago and Director of the Lou Conte Dance Studio. This performance is made possible, in part, by Patron Sponsors Susan Marinoff and Tom Schrag. Major support provided by The Bernard Osher Foundation. Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. PROGRAM A Friday, January 18 at 8pm; Sunday, January 20, 3pm Jardí Tancat Choreography Nacho Duato Music María del Mar Bonet Set Design Nacho Duato Costume Design Nacho Duato Lighting Design Nicolás Fischtel Staging Africa Guzmán, Pablo Plantino, Penny Saunders One of the first dance companies in the United States to perform work by global choreographer Nacho Duato, Hubbard Street pays tribute to its two-decade relationship with the Spanish-born artist by reviving his plaintive, pastoral Jardí Tancat (1983), set to Cata lan music recorded by vocalist María del Mar Bonet i Verdaguer.
[Show full text]
L'accademia Dei Bambini Alla Fondazione Prada Presenta
L’ACCADEMIA DEI BAMBINI ALLA FONDAZIONE PRADA PRESENTA “LE STRAORDINARIE AVVENTURE DI UN ARCHEOLOGO CELESTIALE”, UN CICLO DI LABORATORI A CURA DI DEVENDRA BANHART Milano, 2 maggio 2018 – Da sabato 5 maggio 2018, l’Accademia dei bambini alla Fondazione Prada a Milano presenta un nuovo ciclo di laboratori, dal titolo “Le Straordinarie Avventure di un Archeologo Celestiale”, concepito e curato dal musicista e artista visivo Devendra Banhart. Negli spazi dell’Accademia, ogni sabato e domenica, i bambini potranno viaggare attraverso le galassie a bordo di un’immaginaria navicella spaziale. Incontrando sul loro percorso antiche stelle, torte spaziali, asteroidi e comete, arriveranno a scoprire un nuovo pianeta, abitato da strane creature, alberi di formaggio, luci, colori e suoni mai esistiti in nessun altro universo. Ultilizzando sfere trasparenti e colori, i partecipanti potranno quindi creare fantastici pianeti inesplorati. L’artista Devendra Banhart condurrà personalmente i laboratori previsti sabato 5 maggio alle ore 11, 14 e 16. I workshop sono gratuiti e aperti a tutti i bambini tra i 4 e i 10 anni. Dato il numero limitato di posti disponibili, la prenotazione è obbligatoria. Il calendario completo dei prossimi appuntamenti è consultabile sul sito della Fondazione al seguente link: www.fondazioneprada.org/accademia-dei-bambini/ L'Accademia dei Bambini è il primo progetto della Fondazione Prada dedicato all'infanzia la cui programmazione, curata dalla neuropediatra Giannetta Ottilia Latis, ha l'obiettivo di creare un luogo nel quale proposte culturali legate all'arte, al cinema e alla scienza si aprono a un dialogo tra generazioni. Il programma si articola in cicli di laboratori tematici della durata di alcune settimane e integrati, a intervalli trimestrali, dall'intervento di “maestri” di varie discipline.
[Show full text]
This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.
[Show full text]
Georgeson, Noah
NOAH GEORGESON SELECTED PRODUCER, ENGINEER, MIXER, SONGWRITER & MUSICIAN CREDITS: Devendra Banhart Forthcoming Album (Nonesuch) P E M Cate Lebon Forthcoming Album co-P M The Royal Parks Forthcoming Album P E M Andy Shauf The Party (Anti-) M Brodka Forthcoming Album (Kayax) P E M The Migrant Forthcoming Album M Lena Fayre Is There Only One? (Semper Augustus) P E M Flo Morrissey Tomorrow Will Be Beautiful (Glassnote) P E M Natalia Lafourcade Mujer Divina - Homenaje A Agustín Lara (Sony Music) co-P E Lou Rhodes theyesandeye M Adam and Binki Adam Green & Binki Shapiro (Rounder) P E M The Treetop Flyers The Mountain Moves (Partisan) P E M My Bubba Goes Abroader (Fake Diamond) P E M Mu Cate LeBon Mug Museum (Wichita) co-P E M Mu Rodrigo Amarante Cavalo (Easy Sound) P E M Mu Devendra Banhart Mala (Nonesuch) P E M co-W Mu Harper Simon Division Street (PIAS) M POP ETC "Keep It For Your Own" from POP ETC (Rough Trade) M Balthazar Rats (PIAS) M Chase Cohl Coyote Nights P E M Mu Ben Lee Deeper Into Dream (Dangerbird) M The Strokes Angles (RCA) M Adanowsky Amador (EMI) M The Dead Trees Whatwave (Milan) P E M Devendra Banhart What Will We Be (Warner Bros) co-W Mu Joanna Newsom Have One On Me (Drag City) E M Husky Forever So (Liberation/Sub Pop) M Tamara Full Moon Doll (EMI France) P E M Mu Adam Green Minor Love (Rough Trade) P E M Mu Little Joy Little Joy (Rough Trade) co-P M Mu Arr Devendra Banhart Smokey Rolls Down Thunder Canyon (XL) co-P E M W Mu Arr Vetiver To Find Me Gone (DiChristina) Mu Arr Noah Georgeson Find Shelter (Plain Recordings) P E
[Show full text]