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The Low Anthem and Blind Pilot |
1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s middecade spike in visibility, which, with overexposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, wornin, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in oldtime American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós. -
Devendra Banhart
Teatro Romano / Ostia Antica Festival "Il Mito e il S Teatro Romano / Ostia Antica Festival "Il Mito e il Sogno 2017 - 2a Edizione" 11 luglio 2017 - ore 21.00 THE BASE presenta DEVENDRA BANHART Dopo aver registrato il tutto esaurito in sole tre settimane dall’apertura delle vendite per il concerto del 24 giugno 2017 a Milano, Devendra Banhart torna live in Italia per tre nuove date estive e si esibir a Ostia Antica nello splendido scenario del Teatro Romano, marted 11 luglio. Il nuovo album, “Ape in Pink Marble”, il nono della discografia, pubblicato da Nonesuch, uscito pochi mesi fa: scritto, prodotto, arrangiato e registrato a Los Angeles dall’artista americano insieme ai suoi collaboratori di lunga data, Noah Georgeson e Josiah Steinbrick, arriva a tre anni dal precedente “Mala”, e contiene atmosfere orientali, anche grazie alla presenza del koto, un’arpa giapponese. È descritto da Q come l’apice della sua carriera e dal Wall Street Journal come il suo lavoro: «pi conciso, sommesso e seducente fino ad ora». Un piccolo assaggio ai fan italiani lo scorso settembre, quando Devendra ha partecipato al Wired Next Fest e all’incontro D Musica. Nato in Texas, Banhart attir per la prima volta l’attenzione dei media internazionali con l'album di debutto (2002), Oh Me Oh My… The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit, una raccolta di registrazioni incise per diletto. Tra i suoi successi: Rejoicing in the Hands (2004), Nio Rojo (2004), Cripple Crow (2005), Smokey Rolls Down Thunder Canyon (2007) e What Will We Be (2009). -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin -
Galleria Mazzoli
PRESS RELEASE GALLERIA MAZZOLI Saturday July 19th 2014 at 6h30 p.m. Galleria Mazzoli in Modena will proudly present the second solo exhibition of Devendra Banhart. The exhibition will be comprised of several series of new works involving various techniques and materials, showing the evolution if his recent artistic research. A significant part of the show will feature the “sphinx” series, where the recurrent motive is indeed the mythological figure with the human head and the lion body ― a protective symbol in ancient Egypt ― guardian of the forbidden gate of the underworld and a symbol for power and enigma in ancient Greece. All of Devendra's monochromatic “sphinxes” are created with Indian ink on vintage paper, providing the drawings with a nostalgic flavor, and appear like enclosed spaces which contain refined tales or nexuses of repeating lines, shapes and figures that sometimes become fantastic and visionary representations, some of whose traits recall petroglyphic engravings. The repetition of some of the motives almost appear as the graphical representations of the tunes that we also find in his music, therefore underlining the close link between the artist's musical and visual expression. The exhibition also explores the theme of still life. In the still life series Devendra interprets the classic genre using a different technique, that of oil on paper, which allows him to experiment various chromatic variations. The exhibition finally presents other new abstract works both on paper and wood. BIOGRAPHY Devendra Banhart exploded on the international music scene in 2002 quickly winning a coterie of devoted fans as well as an unusually hefty amount of critical kudos right from the outset that has grown steadily through to the present. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Compact Disc ARTIST: Devendra Banhart
TRACKS Can't Help But Smiling Angelika Baby Goin' Back First Song For B Last Song For B Chin Chin & Muck Muck 16th & Valencia Roxy Music WEBSITES: Rats Official Compact Disc Maria Lionza MySpace ARTIST: Devendra Banhart Brindo TITLE: What Will We Be (Limited Edition) Meet Me At Lookout Point Walilamdzi Label: WB/Warner Bros. NOTES: Config & Selection #: CD 520960 Foolin' Street Date: 10/27/09 Order Due Date: 10/07/09 UPC: 093624973119 Box Count: 30 Unit Per Set: 1 SRP: $18.98 Alphabetize Under: B OTHER EDITIONS: For the latest up to date info on this release visit WEA.com. ALBUM FACTS Genre: Rock Producers: Devendra Banhart & Paul Butler Special Packaging Info: Includes a 36-page booklet with all illustrations and drawings done by Devandra Description: What Will We Be has a sunny, breezy feel with performances that evoke warm, lazy afternoons spent with good friends. The album is dominated by powerfully melodic, mid-tempo numbers played with relaxed expertise. But there's also ambitious stylistic range displayed with the inclusion of evanescent ballads like "Meet Me At the Lookout Point," the epic riff-rocker "Rats" sprightly R&B flavored groovers on "Baby," and the sultry Latin-flavored stunner "Brindo," the Roxy-inspired "16th & Valencia Roxy Music" among other pleasant surprises. What Will We Be was recorded in a sleepy Northern California town throughout the Spring of 2009, and was co-produced by Paul Butler (from UK outfit Band Of Bees). This is the second album Devendra's recorded with the same crew of players: Noah Georgeson (producer of Banhart's last two albums, Little Joy, Bert Jansch and Joanna Newsome) on guitar and backing vocals, Greg Rogove (Priestbird) on drums and backing vocals; Luckey Remington (The Pleased) on bass and vocals and Rodrigo Amarante (Los Hermanos, Little Joy) on guitar and backing vocals. -
Fondazione Prada Milano Accademia Dei Bambini the Astonishing
ACCADEMIA DEI BAMBINI AT FONDAZIONE PRADA IN MILAN PRESENTS “THE ASTONISHING ADVENTURES OF A CELESTIAL ARCHAEOLOGIST”, A NEW SERIES OF WORKSHOPS CONCEIVED AND CURATED BY MUSICIAN AND VISUAL ARTIST DEVENDRA BANHART Milan,2 May 2018 – From Saturday 5 May 2018, Accademia dei bambini at Fondazione Prada in Milan will host a new series of workshops, titled “Imaginary Universes”, conceived and curated by internationally renowned musician and visual artist Devendra Banhart. In the spaces of the Accademia, every Saturday and Sunday, children will have the opportunity to travel through galaxies in a magic imaginary spacecraft. After sailing past stars, space cakes, asteroids and comets, they will arrive at an undiscovered planet, inhabited by strange animals, cheese trees, lights, colours and sounds never seen or heard in any other universe. Employing blank globes and markers, children will be able to invent fantastical unexplored planets. Devendra Banhart will personally lead the workshops scheduled for Saturday 5 May, “The Astonishing Adventures of a Celestial Archaeologist”, at 11am, 2pm and 4pm respectively. Workshops are open to all children aged 4-10. Due to the Accademia’s limited capacity, booking is essential. Places are assigned on a first-come first-served basis. The complete program schedule for May can be found on this page: http://www.fondazioneprada.org/accademia-dei-bambini/ The Accademia dei Bambini is the first project Fondazione Prada has dedicated to children. Its program, overseen by neuropediatrician Giannetta Ottilia Latis, is designed to create a space in which cultural offerings linked to art, cinema and science open up a dialogue between generations. Articulated in a series of themed workshops, each lasting several weeks, its programming is integrated in quarterly workshops led by “masters” in various disciplines. -
Views Led to Her Getting a Position Teaching Poetry in the Creative Writing Masters Program at Hunter
BRETT L. ZELMAN’S MASTER THESIS BRETT L. ZELMAN Masters of Fine Arts in Creative Writing Cleveland State University May 2016 Submitted in partial fulfillment of requirements for the degree MASTER OF FINE ARTS IN CREATIVE WRITING at the NORTHEAST OHIO MFA and CLEVELAND STATE UNIVERSITY May 2016 We hereby approve this thesis For Brett L. Zelman Candidate for the Master of Fine Arts in Creative Writing degree Department of English, the Northeast Ohio MFA Program and CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by Thesis Chairperson, Professor Imad Rahman: _______________________________________________________________________ Department of English, May 4, 2016 Professor Mike Geither: _______________________________________________________________________ Department of English, May 4, 2016 Professor Eric Wasserman: _______________________________________________________________________ Department of English, May 4, 2016 _______________________________________________________________________ May 4, 2016 BRETT L. ZELMAN’S MASTER THESIS BRETT L. ZELMAN ABSTRACT This thesis is a work of fiction. It is a collection of short stories and one novel-in- progress. The work is written mostly in the literary realism genre along with some satirical aspects, satirizing pop culture and the millennial generation. Main themes are personal experience, familial dynamics and community. iii TABLE OF CONTENTS ABSTRACT…………………..…………………..…………………..………………….iii STORIES I. I SAW HER SITTING THERE………….…………………..………....…….1 II. SOME PEOPLE…...………..………..………..………..………..….……..28 -
Devendra Banhart
#DMPressRelease DEVENDRA BANHART DEVENDRA BANHART ROCK IN ROMA – TEATRO ROMANO DI OSTIA ANTICA 14 LUGLIO 2021 Orari Apertura porte: 19.30 Inizio concerti: 20.30 Prezzi dei biglietti Platea numerata: € 40,00 + € 6,00 d.p. Posto unico: € 35,00 + € 5,25 d.p. I biglietti sono disponibili online su rockinroma.com e ticketone.it dalle 11:00 di lunedì 26 ottobre e in tutti i punti vendita Ticketone e Box Office Lazio dalle 11:00 di giovedì 29 ottobre Info e Contatti ROCK IN ROMA: www.rockinroma.com - www.the-base.it mail to: [email protected] Tel. 06.54.22.08.70 - Info diversamente abili: 06.54.22.08.70 A ROCK IN ROMA 2021 l’hippie-folk di Devendra Banhart: il festival annuncia il concerto dell’artista americano, che si esibirà al Teatro Romano di Ostia Antica il 14 luglio 2021. I biglietti sono disponibili online su rockinroma.com e ticketone.it dalle ore 11:00 di lunedì 26 ottobre e in tutti i punti vendita Ticketone e Box Office Lazio dalle ore 11:00 di giovedì 29 ottobre. Devendra Banhart torna in Italia. Il cantautore più creativo del panorama hippie-folk statunitense farà ritorno nel nostro paese a luglio 2021 con tre imperdibili appuntamenti: oltre ad essere al Teatro Romano di Ostia Antica per il Rock in Roma 2021, sarà a Fiesole e Trani. DEVENDRA BANHART Classe 1981, Dedevendra Banhart è un poliedrico artista nato negli Stati Uniti ma cresciuto in Venezuela. L’incontro con queste due culture stimola e influenza la passione per la musica e per l’arte, che coltiva fin dall’infanzia. -
Read Ebook {PDF EPUB} Lilith by Claudio
Read Ebook {PDF EPUB} Lilith by Cláudio Gil Lilith by Cláudio Gil. They debuted with a collection of demented songs, Os Mutantes (Polydor, 1968 - Omplatten, 1999), mostly covers of songs written by Be, Veloso and Gil, a high-volume maelstrom of dissonance and found sounds (Veloso's and Gil's Panis et Circensis and Bat Macumba ), and followed it with an even weirder set, Mutantes (Polydor, 1969 - Omplatten, 1999), that featured Claudio Baptista on electronic and home-made instruments, one of the few albums that compete with Syd Barrett's solo albums (released one year later). A Divina Comedia (Polydor, 1970 - Omplatten, 1999 - Universal, 2006), Jardim Eletrico (Polydor, 1971) and E Seus Cometas No Pais Do Baurets (1972) continued the saga in a less sardonic vein. Everything Is Possible (Luaka Bop) is an anthology. Dois Mil E Nove (Lilith, 2009) compiles Os Mutantes #1, Os Mutantes #2, A Divina Comedia . Barbican Theater (2007) documents a live performance of 2006. Os Mutantes furono un complesso di rock psichedelico brasiliano (Arnaldo Dias al basso e alle tastiere, Sergio Dias alla chitarra, Claudio Baptista all�elettronica e Rita Lee alla voce) che mescol� bossanova, samba e acid-rock. Hanno suonato nello storico album di Caetano Veloso e Gilberto Gil Tropicalia ou Panis et Circensis (1968). Iniziarono con una raccolta di canzoni demenziali, Os Mutantes (Polydor, 1968 � Omplatten 1999), principalmente cover di canzoni scritte da Jorge Ben e dagli stessi Veloso e Gil: un maelstrom ad alto volume di dissonanze e suoni trovati ( Panis et circensis e Bat Macumba , della coppia Veloso-Gil). L�album successivo, Mutantes (Polydor, 1969 � Omplatten, 1999) fu una produzione ancora pi� bizzarra della precedente, con Claudio Baptista all�elettronica e agli strumenti autoprodotti: si tratta di uno dei pochi album in grado di competere con gli album solisti di Syd Barrett (usciti l�anno seguente). -
This Is Not My Myth, but It Is Mine to Use
THIS IS NOT MY MYTH, BUT IT IS MINE TO USE THE EXPRESSION OF MYTH AND CULTURAL IDENTITY IN AMERICAN INDIE ALBUMS DURING THE GEORGE W. BUSH PRESIDENCY MJHF WEVERS [email protected] 0169633 Supervisor: Dr. J. Verheul Co-Supervisor: Dr. Damian Pargas 200401064 MA-Thesis American Studies May 2009 It's like finding home in an old folk song That you've never ever heard Still you know every word And for sure you can sing along Devendra Banhart “A Sight to Behold” from Rejoicing in the Hands (2004) 2 TABLE OF CONTENTS PREFACE 4 INTRODUCTION 5 CULTURAL IDENTITY 12 THE INFLUENCE OF SOCIAL MOVEMENT ON MYTH AND CULTURAL IDENTITY 19 SELECTION CRITERIA 23 1. THE DYNAMIC CONCEPT OF INDIE 29 1.1. THE BACKGROUND OF INDIE 29 1.2. DISTRIBUTION OF INDIE 31 1.3. IDEOLOGICAL FOUNDATIONS OF INDIE 34 1.4. SPECIFIC FEATURES OF AMERICAN INDIE 37 2. THE EXPRESSION OF MYTH IN INDIE MUSIC 39 2.1. MYTHS IN INDIE MUSIC 39 2.2. THE MYTH OF THE LAND AND THE CITY 41 2.3. THE MYTH OF INDIVIDUALITY AND COMMUNALITY 55 2.4. THE MYTH OF TRADITION AND PROGRESS 64 2.5. THE MYTH OF SELF-RELIANCE AND CONSUMERISM 81 2.6. THE MYTH OF YOUTH AND THE ELDERLY 87 3. THE EXPRESSION OF CULTURAL IDENTITY IN INDIE MUSIC 92 CONCLUSION 99 BIBLIOGRAPHY 104 DISCOGRAPHY 106 3 PREFACE As I write these final words of my MA thesis, I realize that after months of reading, writing, revising, and listening to these twelve indie records repeatedly, I am close to graduating for the second time. -
James Cohan Gallery and Electric Literature Present a Special Evening of Readings and Music at the Gallery
James Cohan Gallery and Electric Literature present a special evening of readings and music at the gallery. Thursday, June 3rd, 7:00 pm James Cohan Gallery, 533 W 26th Street James Cohan Gallery and Electric Literature present a special evening of readings and music on the occasion of Alison Elizabeth Taylor’s exhibition of new work, Foreclosed. Please join us in the gallery June 3rd at 7:00 pm for readings by Lynne Tillman (author of American Genius) and John Wray (author of Low Boy) and a musical performance by Matteah Baim. Please show up on-time, space is limited. Electric Literature is a quarterly anthology of short stories by "the country's best writers" (NY Times), delivered in every viable medium. Their mission is to use new media and innovative distribution to keep literature a vital part of popular culture. http://www.electricliterature.com/index.html Lynne Tillman is a novelist, short story writer, and essayist. Her most recent novel is American Genius, A Comedy (2006). Other novels include No Lease on Life (1998), a finalist for the National Book Critics Award in fiction, and Cast in Doubt (1992). Her story collection, This Is Not It (2003), anthologized 23 stories written in relation to the work of 22 contemporary artists, including Kiki Smith, Jeff Koons, Roni Horn, James Welling, and Marco Breuer. Her nonfiction book, The Velvet Years: Warhol's Factory 1965- 1967 (1995), was based on photographs by Stephen Shore. It was conceived of as a novel in pictures and words, based on interviews with 18 Factory regulars, and included a critical essay on Andy Warhol, his art and studio.