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2018 Winter Seminar
2018 WINTER SEMINAR MARCH 22-24, 2018 SHERATON GRAND NASHVILLE www.cfsaa.org “Nashville may be best known as ‘Music ABOUT NASHVILLE City’, but its food and drink scene is Nashville is the capital of Tennessee and home to Vanderbilt Uni- starting to have just as much soul and versity. Legendary country music venues include the Grand Ole rock’n’roll swagger.” Opry House, home of the famous “Grand Ole Opry” stage and radio show. The Country Music Hall of Fame and Museum and historic Ryman Auditorium are Downtown, as is the District, fea- - The Guardian turing honky-tonks with live music, the bars of Broadway Street, and the Johnny Cash Museum, celebrating the singer's life. “Nashville, Tennessee moves beyond its The 2018 Winter Seminar will be based in the Sheraton Grand country roots and embraces a new, mul- Nashville Downtown, located just steps from the historic Arts District and the center of Music City nightlife. The recently reno- tifaceted role as one of our country’s vated hotel features spacious rooms, an indoor pool & spa, and leading arts-and-entertainment cities.” the trendy Library Bar & Lounge. The hotel also offers a variety of event spaces, including an impressive rooftop dining room. The glass-walled rooftop dining room offers a 360-degree view of the - American Way city, and will be the location for two Winter Seminar events. ARRIVAL AND DEPARTURE The Sheraton Grand is conveniently located in the center of Nashville with easy access from the highway and the airport. From the airport: Grayline Airport Express runs a shuttle ser- vice from the airport to the hotel. -
Sho-Yr = Ckc Show Number #B =Number of Dogs at Breed
GROUP JUDGING: 1988-2007 DATA: SHO-YR = CKC SHOW NUMBER #B =NUMBER OF DOGS AT BREED LEVEL #GR=NUMBER OF DOGS AT GROUP LEVEL #SHO=NUMBER OF DOGS IN SHOW P = GROUP PLACEMENT (1-4; 0=NONE) BIS=BEST IN SHOW (1=BIS; 0=NONE) NDD=NUMBER OF DOGS DEFEATED DOG: Ch. Bravamar's Brittany SHO- YR #B #GR #SHO P BIS NDD JUDGE 1- 88 9 48 187 4 0 30 Mr.L.Debruyne (Rockland,ON) 401- 88 10 81 350 3 0 65 Mr.G.Sommers (Las Crucas,NM) 403- 88 12 89 419 4 0 53 Mr.J.McNicol (Campbell River,BC) 541- 88 10 120 484 0 0 9 Ms.P.Marshall (Victoria,Australia) 589- 88 8 36 147 3 0 27 Mrs.S.Loftus (Vancouver,BC) 591- 88 10 37 147 4 0 23 Mrs.A.Chapman (Toronto,ON) 6 TIMES JUDGING WITH 5 PLACEMENTS = 83.3% DOG: Ch. Milo's Lord Jonus SHO- YR #B #GR #SHO P BIS NDD JUDGE 2- 88 9 45 184 1 0 44 Mrs.D.Marsh (Victoria,BC) 51- 88 14 81 421 0 0 13 Mr.R.Nutbeem (Harbour Grace,Nfld) 52- 88 15 120 629 0 0 14 Mr.R.Cole (Ottawa,ON) 164- 88 6 34 163 4 0 17 Mrs.B.Knoll (Edmonton,AB) 165- 88 5 33 163 0 0 4 Mrs.J.MacKenzie (Oxford Stn.,ON) 166- 88 5 32 160 0 0 4 Mrs.Sally Bremner (Surrey,BC) 167- 88 5 31 156 4 0 15 Dr.C.Lunn (Franklin Centre,PQ) 168- 88 6 29 153 0 0 5 Mrs.I.Bourassa (Cloverdale,BC) 278- 88 2 26 164 0 0 1 Mrs.B.Knoll (Edmonton,AB) 280- 88 3 28 163 4 0 15 Mr.G.D.Donaldson (Victoria,BC) 281- 88 3 30 160 0 0 2 Mr.W.Jacob (Edmonton,AB) 282- 88 3 28 157 0 0 2 Mr.L.Rogers (Langley,BC) 588- 88 11 35 130 2 0 30 Mrs.J.Moulton (Surrey,BC) 640- 88 27 113 490 4 0 86 Mrs.D.Welsh (Neilsville,WI) 1- 89 8 60 227 0 0 7 Mr.G.Payton (Vancouver,BC) 2- 89 8 60 230 0 0 7 Mr.G.Payton (Vancouver,BC) -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik
FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane. -
Chance the Rapper Coloring Book Mp3, Flac, Wma
Chance The Rapper Coloring Book mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Coloring Book Country: US Released: 2016 MP3 version RAR size: 1582 mb FLAC version RAR size: 1475 mb WMA version RAR size: 1170 mb Rating: 4.4 Votes: 177 Other Formats: XM ADX MPC AC3 VQF ASF DMF Tracklist Hide Credits All We Got 1 Featuring – Chicago Children's Choir, Kanye WestProducer [Uncredited] – Kanye West, The 3:23 Social Experiment No Problem 2 5:04 Featuring – 2 Chainz, Lil WayneProducer [Uncredited] – Brasstracks Summer Friends 3 4:50 Featuring – Francis & The Lights*, Jeremih D.R.A.M. Sings Special 4 1:41 Featuring [Uncredited] – D.R.A.M. 5 Blessings 3:41 6 Same Drugs 4:17 Mixtape 7 4:52 Featuring – Lil Yachty, Young Thug Angels 8 3:26 Featuring – Saba Juke Jam 9 3:39 Featuring – Justin Bieber, Towkio All Night 10 2:21 Featuring – Knox Fortune How Great 11 5:37 Featuring – Jay Electronica, My Cousin Nicole Smoke Break 12 3:46 Featuring – Future Finish Line / Drown 13 6:46 Featuring – Eryn Allen Kane, Kirk Franklin, Noname , T-Pain Blessings (Reprise) 14 3:50 Featuring – Ty Dolla $ign* Credits Artwork [Uncredited] – Brandon Breaux Other versions Category Artist Title (Format) Label Category Country Year Not On Label (Chance Chance The Coloring Book (14xFile, none The Rapper Self- none US 2016 Rapper MP3, Mixtape, 320) released) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB 3 Album, Mixtape, CTRCB 3 2016 Rapper The Rapper) Unofficial, Yel) Coloring Book (2xLP, Chance The Not On Label (Chance CTRCB3 Album, Mixtape, CTRCB3 2016 Rapper The Rapper) Unofficial, Cle) Chance The Coloring Book (2xLP, Not On Label (Chance none none UK 2018 Rapper Mixtape, Red) The Rapper) Coloring Book (2xLP, Chance The Not On Label (Chance none Mixtape, Unofficial, none US 2016 Rapper The Rapper) Gre) Related Music albums to Coloring Book by Chance The Rapper Rick Ro$$ - The Black Bar Mitzvah DJ UE - Monthly Whizz Vol. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Development of a Literary Dispositif
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 4-5-2018 Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso Anna Ciamparella Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the African American Studies Commons, American Literature Commons, Comparative Literature Commons, Ethnic Studies Commons, European Languages and Societies Commons, French and Francophone Language and Literature Commons, Italian Language and Literature Commons, and the Literature in English, North America Commons Recommended Citation Ciamparella, Anna, "Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso" (2018). LSU Doctoral Dissertations. 4563. https://digitalcommons.lsu.edu/gradschool_dissertations/4563 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DEVELOPMENT OF A LITERARY DISPOSITIF: CONVENING DIASPORAN, BLUES, AND COSMOPOLITAN LINES OF INQUIRY TO REVEAL THE CULTURAL DIALOGUE AMONG GIUSEPPE UNGARETTI, LANGSTON HUGHES, AND ANTONIO D’ALFONSO A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdisciplinary Program in Comparative Literature by Anna Ciamparella M.A. -
Michael Downs Trying to Find My Li'l All 'N All (Sitting on Top of the World)
Michael Downs Trying to Find My Li’l All ’n All (Sitting on Top of the World) campground in Mississippi, a cold December dawn: I climbed from a A sleeping bag, befuddled by the clarity of morning. Blinking into sun-glare off the steady surfaces of ponds. Stumbling across frozen, heaved ground that had been mud the night before. Coffee could have helped, but I didn’t have any. My old dog nosed through dry leaves for the best place to piss. For two weeks she and I had traveled, a road-trip start to my fiftieth year. I’ d envisioned back roads from Baltimore to Austin, campgrounds and books, barbecue, reunion with loved ones—my parents, especially, given Mom’s flagging health and chronic pain. Kaimin would gain canine prestige by marking territory at the Clinton Library in Little Rock and Faulkner’s Rowan Oak in Oxford. That had been the plan, and much of it had come to pass. But this day involved a different agenda. Today I’ d see a man about a song—and not just any song, but one that for more than two decades had held me with an inex- plicable grip. On its face, “Sitting on Top of the World” is just an old blues tune, first recorded in 1930 by the Mississippi Sheiks. But it’s a shapeshifter, too, having been performed or recorded hundreds of times in everything from jazz to bluegrass to Texas swing, folk, and rock. Ray Charles, Jack White, the Carter Family, the Carolina Chocolate Drops, Bill Frisell, The Grateful Dead—even the “Bye, bye, Miss American Pie” guy: they’ve all done it. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Devendra Banhart
Teatro Romano / Ostia Antica Festival "Il Mito e il S Teatro Romano / Ostia Antica Festival "Il Mito e il Sogno 2017 - 2a Edizione" 11 luglio 2017 - ore 21.00 THE BASE presenta DEVENDRA BANHART Dopo aver registrato il tutto esaurito in sole tre settimane dall’apertura delle vendite per il concerto del 24 giugno 2017 a Milano, Devendra Banhart torna live in Italia per tre nuove date estive e si esibir a Ostia Antica nello splendido scenario del Teatro Romano, marted 11 luglio. Il nuovo album, “Ape in Pink Marble”, il nono della discografia, pubblicato da Nonesuch, uscito pochi mesi fa: scritto, prodotto, arrangiato e registrato a Los Angeles dall’artista americano insieme ai suoi collaboratori di lunga data, Noah Georgeson e Josiah Steinbrick, arriva a tre anni dal precedente “Mala”, e contiene atmosfere orientali, anche grazie alla presenza del koto, un’arpa giapponese. È descritto da Q come l’apice della sua carriera e dal Wall Street Journal come il suo lavoro: «pi conciso, sommesso e seducente fino ad ora». Un piccolo assaggio ai fan italiani lo scorso settembre, quando Devendra ha partecipato al Wired Next Fest e all’incontro D Musica. Nato in Texas, Banhart attir per la prima volta l’attenzione dei media internazionali con l'album di debutto (2002), Oh Me Oh My… The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit, una raccolta di registrazioni incise per diletto. Tra i suoi successi: Rejoicing in the Hands (2004), Nio Rojo (2004), Cripple Crow (2005), Smokey Rolls Down Thunder Canyon (2007) e What Will We Be (2009). -
Tenth Avenue North Songs Free Mp3 Download Download Mp3: Control (Somehow You Want Me) – Tenth Avenue North
tenth avenue north songs free mp3 download Download Mp3: Control (somehow you want me) – Tenth Avenue North. What are your best feelings for today? For me, listening to my favourite Easter songs is the best ecstasy ever. Here is one of my favourite Easter songs titled “Control” by Tenth Avenue North. Download Mp3 with the lyrics, and see how your Easter holiday will be brightening. Tenth Avenue North is an American contemporary Christian music (CCM) band from West Palm Beach, Florida, that takes its name from an east-west road in Palm Beach County. Tenth Avenue North – Control Official Video. Here is a throwback live performance official music video of the hit single titled “Control” (Somehow you want me) sung by Tenth Avenue North. Stay blissful, enjoy and share as you download this fantastic Easter song “Control” by Tenth Avenue North. [Verse 1] Here I am All my intentions All my obsessions I want to lay them all down In Your hands Only Your love is vital Though I’m not entitled Still, You call me Your child. [Chorus] God You don’t need me But somehow You want me Oh how You love me Somehow that frees me To take my hands off of my life And the way it should go God You don’t need me But somehow You want me Oh how You love me Somehow that frees me To open my hands up And give You control Yeah, I give You control. [Verse 2] I’ve had plans Shattered and broken Things I have hoped in Fall through my hands You have plans To redeem and restore me You’re behind and before me Oh help me believe. -
Here- Than Usual
The Top 10 2010 Diamond Awards! The Freemans Keeping It Young The Publisher’s Perspective: A Video Message to Readers from Rob Patz Rob is still excited about the Diamond Awards. Like, really excited... Is he taking this Mr. Publisher thing too far? If you encounter problems viewing this clip, visit: http://www.youtube.com/watch?v=VXDyjrL3Yu0 ¦ PERFORMERS: MC BOTH NIGHTS - MATTHEW DUDNEY Friday, May 14: -ARK"ISHOPs!ARON7ILBURN "RIAN&REE!SSURANCEs+AREN0ECK.EW2IVER 4HE$OVE"ROTHERSs$IPLOMATS 4)#+%43/.3!,%./7 3ATURDAY -AY &ORMOREINFORMATION 4HE'RASCALSs-ARK"ISHOP CALLORVISIT !ARON7ILBURNs,ITTLE2OY,IZZY 888-462-6718 4HE#HUCK7AGON'ANGs#HRISTY3UTHERLAND All profits from ticket sales benefit charity. TTT?ORJIBVJRPF@CBPQ@LJ April 2010 COLUMNS 2 Publisher’s Point Video Blog... Rob Patz Publisher: 5 Greenish Me... Kelly Capriotti Burton ROB PATZ Editor-in-Chief: 6 Ms. Lou’s...Lou Wills Hildreth KELLY CAPRIOTTI BURTON 8 Eyes Wide Open...Tom Holste Features Editor: LORRAINE WALKER 10 Faith Boost... Rhonda Frye Contributing Writers D. ANN BAILEY NewS & FEATURES WES BURKE EVIE HAWKINS 12 Classic 4 Concert CHAD HAYES LOU WILLS HILDRETH 14 COVER STORY: TOM HOLSTE RHONDA FRYE The Freemans: Keeping It Young JIMMY MCMILLAN JERRY TINKLE 17 Singers Launche New Hope Music 19 DIAMOND AWARD TOP 10 NOMINEES Graphic Design: STEPHANIE KELLEY ANNOUNCED ~ Vote Now! Layout & Design: 22 Branson GMC: It Takes a Fellowship KELLY CAPRIOTTI BURTON 29 Review: Angry Conversations with God Founder: 31 The Dills Tell the Story of a Lifetime ALLEN SMITH 35 Fitness: Sumo Girls WWW.SGNSCOOPS.COM interact: 38 Being Single in an SG World twitter.com/sgnscoops 40 New Music: Firm Foundation facebook.com/sgnscoops shoutlife.com/sgnscoops SGN Scoops exists to showcase what is dis- tinguished, intriguing, and real about south- ern & country gospel music.