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04 2010:Layout 1 02.09.2010 11:16 Side 3 Foto: Birgit Rostad INNHOLD [april - mai 2010] 12 EIRIK HEGDAL 05 leder 05 jazznytt for 10, 20, 30 og 40 år siden 18 PALLE DANIELSSON 06 notert 22 JAN BANG 07 jazzfoto 08 nytt navn: ØYVIND GJELSTEN DALE 10 øde øy: LISE GULBRANSEN 11 notert 26 om det tidløse i jazz - et bidrag 30 notert 31 reprise på jubileumskryssord 32 farvel til ... 33 jazz i norge for 50 år siden 34 storband: VESTERÅLEN STORBAND 37 levende lyd: JAZZFEST.NO, NATTJAZZ 39 levende lyd: MOERS, KONGSBERG 42 levende lyd: MOLDEJAZZ 42 utenriks 43 anmeldelser 66 stemmen fra østfronten SIGNERTE ARTIKLER STÅR FOR BIDRAGSYTERS EGEN MENING, OG ER IKKE NØDVENDIGVIS I SAMSVAR MED REDAKTØR OG/ELLER UTGIVERS MENING FORSIDEBILDET AV EIRIK HEGDAL ER TATT AV JAN GRANLIE jazznytt [03] 04 2010:Layout 1 02.09.2010 11:16 Side 4 jazznytt ISSN 0332-7248 Utgiver: stiftelsen Postboks 440, Sentrum, 0103 Oslo Telefon: 22 00 56 60 E-post: [email protected] Alle henvendelser til redaksjonen: JAZZNYTT Postboks 440, Sentrum, 0103 Oslo Besøksadresse: Akersgata 16, Oslo Telefon 22 00 56 66 E-post: [email protected] Redaktør: Jan Granlie Redaksjon: Jan Granlie, Johan Hauknes, Arild Rønsen, Bjørn Stendahl Bidragsytere i dette nummer: Tekst: Svein Magnus Furu, Jan Granlie, Lise Gulbransen, Tor Hammerø, Johan Hauknes, Lasse Haugen,Trygve Hærnes, Svein Inge Johansen, Lars Mossefinn, Ole Albrekt Nedrelid, Harald Opheim, Petter Pettersson, Arild Rønsen, Johan Scherwin, Roy Ervin Solstad, Bjørn Stendahl, Tomas Tornefjell, Bjarne Søltoft Foto: Johannes Anders, Jan Granlie, Alexander Gulbransen, Johan Hauknes, Norsk Jazzarkiv, Ann Kristin Olaussen, Jan Garbarek John Rodgers, Ann Iren Ødeby O f f i c i u m N o v u m Korrektur: Ingrid Goverud Ulstein Design: Jan Granlie Tegninger: Arvid Andreassen og Jan Granlie The Hilliard Ensemble Trykk: United Press Opplag: 4 000 Priser: Abonnement: kr. 350,– for seks utgaver Konto: 7047.05.15854 Etterlengtet tredje album fra samarbeidsprosjektet mellom Bestill på [email protected] Jan Garbarek og vokalgruppen The Hilliard Ensemble. eller www.jazznytt.no Deres første album "Officium" er en moderne klassiker Abonnementsansvarlig: og har solgt over en million eksemplarer. Tonje Johansson, telefon 22 00 56 60 E-post: [email protected] Bestill annonser på www.jazznytt.no Annonseansvarlig: Jan Granlie, tlf. 22 00 56 66 E-post: [email protected] ECM 2125 ANNONSEPRISER: 4 farger sort +1 s/hv Bakside kr 14000,– 1/1 side kr 12000,– kr 8000,– kr 7000,– 1/2 side kr 6000,– kr 4000,– kr 3500,– 1/4 side kr 2000,– kr 1500,– kr 1200,– Slippes i September 2010 Alle annonsepriser er ekskl. mva. og gjelder ferdig levert annonsemateriell. Kostnader ved evt. Utarbeidelse av annonsen kommer i tillegg. Neste nummer kommer 10. oktober 2010 Frister for annonsebestilling til JAZZNYTT 05:2010 Bestilling: 02.09 Frist for produksjon av annonse: 10.09 Frist for levering av ferdig annonse (i pdf): 15.09 For årsavtaler eller andre spesielle annonseavtaler – ta kontakt med Jan Granlie på telefon 22 00 56 66 eller epost [email protected] ECM markedsføres av Grappa Musikkforlag AS jazznytt er utgitt med støtte fra www.grappa.no [04] jazznytt 04 2010:Layout 1 02.09.2010 11:16 Side 5 JAZZNYTT FOR 40 ÅR SIDEN Jazzkonkurranser er det helt me- ningsløst å arrangere. Man kunne like gjerne la to malere løpe om kapp. Frode Thingnæs i Jazznytt nr 04:1970 JAZZNYTT FOR 30 ÅR SIDEN PLATEKOMPANI, SPOTIFY, WIPE OG MUSIKKSALGET Før hver konsert i Molde kino heises Midt i festivalsesongen, mellom Kongsberg Jazz- som man overlater til dårlig lydgjengivelse gjennom det opp et rødt skilt midt på scenen. festival og Moldejazz, kunne vi lese i Aftenposten at de «nye» lyttersystemene. Og jeg spør: Hvor er lo- Under hver konsert henger det der – Norges største «platepusher», Platekompaniet, skal gikken? midt i øyet – så strategisk plassert at slutte å selge CDer, og kun konsentrere seg som film. fotografene neppe unngår å få det Jeg tror man må gå historisk til verks for å finne år- Hmmm. Smak på det: Platekompaniet skal bare selge med. På konsertbillettene står vare- saken til at platesalget stuper. For en del år siden så merket. På gratiskinoen i Folkets film. I beste fall er dette villedende markedsføring. I man at salget av populærmusikk gikk ned. Og da Hus står unge jenter og deler ut gra- artikkelen sier Even Vaa fra Platekompaniet Byporten gjorde man det store feilgrepet, og startet med utgi- tis drikke. Til og med har vi opplevd i Oslo bl.a. følgende: - Det er et klart symptomatisk velser av samleplater. «Absolute Music» og lignede å få servert øl i beger med reklame bilde på vanlig salg og en utvikling vi har sett de siste kriseprodukter kom på løpende bånd, med alle de for den imperialistiske giftsprederen. årene. Men vi følger jo bare trenden i markedet. store hitsene samlet på én CD. På den måten slapp Sponsors heter det. Vel kjent i pop- De følger bare trenden i markedet! Men hva med den «vanlige» lytter å kjøpe hele CDer med favoritt- industrien, i idrettslivet og i andre deler av det utvidede kulturbegrep. I det ansvaret Norges største distributør av musikk artistene. Man fikk hele hurven samlet på en CD. Molde er det altså Coca-Cola. Per- burde ha overfor hele platemarkedet? Har ikke en Dette førte selvsagt til at salget av regulære CDpro- sonlig vil vi gjerne kritisere Molde platebutikk et kulturpolitisk ansvar? Skal ikke en duksjoner gikk ned. for valg av sponsor. Men aller mest kjede som Platekompaniet gi det norske folk mulig- Og i bransjen satt man og toet sine hender. Litt vil vi rette kritikken til dem som i heten til å kunne kjøpe folkemusikk, opera, barokk- penger kom det riktignok i kassa, men ikke nok. De det hele tatt gjør bruk av sponsors musikk, ny musikk og jazz på lik linje med «VG lista store plateselskapene var ikke lenger styrt av musikk- nødvendig. Og det er jo dessverre – Topp 20» og andre populærmusikalske utgivelser? interesserte personer, som brant for god musikk. Nå den mangfoldige Krøsus som kalles «de bevilgende myndigheter». Det er et faktum at platesalget første halvår i år er var det regnskapsførerne og advokatene som hadde gått ned med 18 prosent, sammenlignet med fjoråret. overtatt makta i markedet. Leder i Jazznytt nr 04:1980 Men da bør man kanskje se litt på om dette er Platekompaniet er et firma som selvsagt skal tjene gjennomgående for hele bransjen, eller er det noen penger. Og jeg gjentar det jeg har sagt flere ganger JAZZNYTT FOR 20 ÅR SIDEN enkelte typer musikk hvor «stupet» har vært spesielt før: Ansett fagfolk i stedet for ungdom uten annen Det er mye posering i forholdet folk merkbart. Jeg har en mistanke, uten at jeg har sjekket kunnskap om musikk enn det man får servert har til musikk. Det kan virke som med Ifpi eller andre som skal ha oversikt over dette, gjennom «VG-lista Topp 20» og som er mer opptatt der er fleire posører ute og går enn at nedgangen i platesalget har rammet salget av popu- av å ta seg ut og tygge tyggegummi, så kanskje publi- musikere. Skal du snakke om noen lærmusikk verst. Kanskje kan det skyldes at man for slags musikalsk ideologi, må det kum vil komme tilbake. en del år siden startet «Absolute Music»-galskapen? være å åpne seg opp. Musikken er I disse tider ser vi at folk faktisk er opptatt av der, og du er et filter for det du Man sier at ungdom ikke lenger kjøper musikk. De musikk. Det viser den store tilstrømningen til bl.a. hører. Ikke en «stjerne» som skal laster det ned fra internett. Ja vel! Spotify og Wimp jazzfestivalene. På jazzplatebutikken i hovedstaden - vise folk hvor flink du er til å spille. er systemer som stadig flere roser opp i skyene. Men «Bare Jazz» er Bodil Niska storfornøyd med salget samtidig som platesalget synker, og de unge går over Nils Petter Molvær i Jazznytt nr av jazzplater. Og hva er så grunnen til at en frittstå- til disse nye kanalene, øker salget av ekstremt dyre og 04:1990 ende platepusher klarer seg bra? Jo – fagkunnskap og eksklusive stereoanlegg! Og det er ikke bare de gamle en ærlig og oppriktig kjærlighet til musikken og JAZZNYTT FOR 10 ÅR SIDEN og rike som kjøper disse anleggene. Også en del i - Jeg tror dessuten jazzpolitiet øn- kundene! Og her har Platekompaniet og andre aktø- yngre aldersgrupper investerer i musikkanlegg hvor sker en fullt statssubsidiert konsert- rer i kjedebutikkene mye å lære! lyden er så bra at du føler at du sitter midt i orkeste- sal uten publikummere. Publikum ret. I tillegg benytter man fremdeles store og dyre Men sånn «går nu dagan». Et nytt Jazznytt kom i hoster og skal på do, noen prater og platestudioer for å spille inn platene med så bra lyd havn denne gangen også. Og vi får brette opp ermene røyker og andre vil gjerne ha mye som overhodet mulig. og hive oss over Jazznytt nr 05:2010. Mens vi i staben pils. Fysj og føy! Jazzpolitiet vil bare jobber med den utgaven, så kan du glede deg, irritere presentere KUNSTEN. Den skal Det er åpenbart at man aldri vil få like god lyd ved være ren og ubesudlet, og helst bør deg og provoseres av denne utgaven av bladet. God hjelp av streaming som man vil få fra en CD eller LP. ingen andre enn de innvidde forstå fornøyelse! Men allikevel lager man dyre og bra lydproduksjoner, den.Generelt synes jeg Jazznytt er blitt for mye et organ for musikere og ledelsen i Njf i Oslo og deres JAZZGÅTEN: småsutring seg imellom.
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    DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.
  • Masarykova Univerzita Filozofická Fakulta Ústav Germanistiky, Nordistiky a Nederlandistiky Bakalářská Diplomová Práce

    Masarykova Univerzita Filozofická Fakulta Ústav Germanistiky, Nordistiky a Nederlandistiky Bakalářská Diplomová Práce

    Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky Bakalářská diplomová práce 2016 Ivana Královcová Masarykova univerzita Filozofická fakulta Ústav germanistiky, nordistiky a nederlandistiky Skandinávská studia Ivana Královcová Specifika norské jazzové scény Bakalářská diplomová práce Vedoucí práce: Vojtěch Procházka, MA 2016 2 Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. V Brně, dne 30. 4. 2016 …………………………………………………. 3 Poděkování Na tomto místo bych ráda poděkovala svému vedoucímu Vojtěchu Procházkovi, MA za vedení a cenné připomínky, Mgr. Janu Přibilovi, DiS. za pomoc se zdroji, dále pak Milošovi Winklerovi a MgA. Vilému Spilkovi za konzultaci, sestře Mgr. Drahoslavě Kráčmarové za korekturu textu a celé své rodině za podporu při studiu. 4 Obsah 1. Úvod .................................................................................................................................... 7 2. Jazz - vymezení pojmu ........................................................................................................ 9 2.1 Co je jazz ...................................................................................................................... 9 2.1.1 Metrorytmika: princip beatu .............................................................................. 10 2.1.2 Improvizace ........................................................................................................ 11 2.2 Free-jazz: vymezení pojmu .......................................................................................
  • Tore Brunborg

    Tore Brunborg

    Tore Brunborg Slow Snow ACT 9586-2 German release date: April 24th, 2015 Still waters run deep And the admiration for Brunborg goes further than Manu Katché, in 2012 he was honoured with the On a per-capita basis, no other country in the world "Buddyprisen", Norway's most prestigious jazz award. spawns more top-class jazz musicians than Brunborg now proves his worth one yet again on "Slow Norway. Jan Garbarek is the guiding star, but it was also Snow", an album that exclusively showcases his own the second generation born in the 60s that helped "Nordic compositions. It is characterised by the interweaving of Jazz" to global notoriety: Nils Petter Molvær, Bugge closeness and distance, relaxation and compaction, Wesseltoft, Geir Lysne, Eivind Aarset and saxophonist Tore eccentricity and simplicity, of electronic and natural sounds. Brunborg. Although highly respected in the Norwegian jazz Especially the contrast between the entirely reduced, almost scene, Brunborg has until now been known internationally gnarly bass rhythms and motifs and the warm and lyrical as a sideman, however this year, the 54 year-old brings out saxophone lines that lend pieces like "History" and "Tree his own international release, his ACT debut "Slow Snow". Strong, Tall Swaying, Swinging, Sighing" (a title that borders on an allegorical description of the song's The fact that he has not stepped into the limelight contents) an inspired, powerful flow that grabs you and until now may be due to Brunborg's unassuming doesn't let go. Brunborg selected his fellow campaigners and halcyon character. He grew up in the introspective for the record carefully: on the drums the 46 year-old Per and placid Voss, a town of 7000 inhabitants on the banks of Oddvar Johansen, a five-time winner of the Lake Vangsvatnet just north of the city of Bergen, "Spellemannprisen" (the Norwegian Grammy), who has surrounded by mountains, forests and waterfalls.