DOCSLIB.ORG

Abs Stop Sign Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Abs Stop Sign Mp3, Flac, Wma Abs Stop Sign mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: Stop Sign Country: Australia Released: 2003 Style: Europop, Breakbeat, Electro MP3 version RAR size: 1422 mb FLAC version RAR size: 1715 mb WMA version RAR size: 1422 mb Rating: 4.8 Votes: 892 Other Formats: RA FLAC APE AAC MOD MP2 XM Tracklist Hide Credits Stop Sign Arranged By [Arrangement Input By] – A. Harrison*, G. Simmons*Backing Vocals – 1 Tracy AckermanMixed By – Absolute , Steve FitzmauriceProducer, Instruments [All 2:56 Instruments] – Absolute Written-By – Watkins*, O'Connell*, Sechleer*, Wynn*, Wilson*, Breen* Music For Cars Backing Band – Abs Backing Vocals – Richard "Biff" Stannard*Mixed By – Alvin 2 SweeneyProducer – Alvin Sweeney, Julian Gallagher, Richard "Biff" 3:02 Stannard*Programmed By – Julian GallagherWritten-By – Alvin Sweeney, Julian Gallagher, R. Breen*, Richard "Biff" Stannard* Stop That Bitchin' Backing Vocals – Shernette MayMixed By – Alvin SweeneyProducer, Instruments [All 3 Instruments] – Julian Gallagher, Richard "Biff" Stannard*Programmed By – Alvin 3:16 Sweeney, Julian Gallagher, Richard "Biff" Stannard*Written-By – Julian Gallagher, R. Breen*, Richard "Biff" Stannard* Video Stop Sign Companies, etc. Phonographic Copyright (p) – BMG UK & Ireland Ltd. Copyright (c) – BMG UK & Ireland Ltd. Licensed From – Nestshare Ltd. Manufactured By – BMG Australia Limited Distributed By – BMG Australia Limited Pressed By – Technicolor, Australia Produced For – Biffco Productions Mixed At – Biffco Studios, Dublin Published By – Sony/ATV Music Publishing Ltd. Published By – EMI Music Publishing Ltd. Published By – Our Children's Music Inc. Published By – Blue Ribbon Music Ltd. Published By – 19 Music Published By – BMG Music Publishing Published By – Universal Music Publishing Published By – Copyright Control Credits Management – Safe Management Notes Track 1 [published by] Sony/ATV Music Publishing Ltd / EMI Music Publishing Ltd / Our Children's Music Inc / Blue Ribbon Music Ltd / 19 / BMG Music Publishing, Includes a sample from "Stop Sign", performed by Mel Wynn And The Rhythm Aces", licensed courtesy of Nestshare Ltd. Tracks 2 and 3 [published by] Sony/ATV Music Publishing Ltd / Universal Music Publishing / Copyright Control. Produced for Biffco Productions. Mixed at Biffco, Dublin. Taken from the forthcoming album "Abstract Theory". ℗&© 2003 BMG UK & Ireland Ltd. The copyright in this sound recording is owned by BMG UK & Ireland Ltd. All label copy and sleeve notes © 2003 BMG UK & Ireland Ltd. Distributed by BMG Australia Limited. Made in Australia [inlay]. ℗&© 2003 BMG UK & Ireland Ltd. Manufactured and distributed by BMG Australia Limited [disc]. Barcode and Other Identifiers Barcode: 8 28765 30392 7 Barcode: 828765303927 Matrix / Runout: 82876530392 01 TECHNICOLOR Mastering SID Code: ifpi L285 Mould SID Code: IFPI 6L02 Other versions Category Artist Title (Format) Label Category Country Year Stop Sign (CD, Single, BMG UK & UK & 82876530392 Abs 82876530392 2003 Enh) Ireland Ireland Stop Sign (CD, Single, STOP01 Abs RCA STOP01 UK 2003 Promo) BMG UK & 82876530394 Abs Stop Sign (Cass, Single) 82876530394 UK 2003 Ireland Stop Sign (CD, Single, BMG UK & 82876 53344 2 Abs 82876 53344 2 UK 2003 Promo) Ireland, RCA Stop Sign (DVD, Single, BMG UK & UK & 82876530399 Abs 82876530399 2003 Copy Prot., PAL, Reg) Ireland Ireland Related Music albums to Stop Sign by Abs Kylie Minogue - The Best Of Kylie Minogue Kylie - In Your Eyes Five - Kingsize Five - Invincible Five - Keep On Movin' Emma Bunton - A Girl Like Me Kylie - Light Years Kylie - Hits Kylie - Boombox: The Remix Album 2000-2008 Kylie - Body Language.
Load more

Recommended publications
  • East 17 Around the World Mp3, Flac, Wma
    East 17 Around The World mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Around The World Country: Italy Released: 1994 Style: House MP3 version RAR size: 1543 mb FLAC version RAR size: 1669 mb WMA version RAR size: 1437 mb Rating: 4.2 Votes: 469 Other Formats: ADX AUD AU MOD TTA AHX MPC Tracklist Hide Credits Around The World (Overworld Vocal) A1 Mixed By – Lee MonteverdeRemix – Development CorporationRemix [Credited] – Johnny 6:22 Jay, Neil Claxton Around The World (Overworld Dub) A2 Mixed By – Lee MonteverdeRemix – Development CorporationRemix [Credited] – Johnny 6:18 Jay, Neil Claxton Around The World (Global House Mix) B1 6:22 Remix, Producer [Additional Production] – Ben Liebrand Companies, etc. Copyright (c) – London Records 90 Ltd. Mixed At – Moonraker Studios Phonographic Copyright (p) – London Produced For – BiffCo Published By – Porky Publishing Published By – PolyGram Music Credits Producer – Richard Stannard Producer [Assisitant] – Matt Rowe Written-By – Harvey*, Rowe*, Stannard*, Mortimer* Notes 33 Mix Made In Italy Barcode and Other Identifiers Matrix / Runout (Side A runout machine stamped): 857543 1 1 520 Matrix / Runout (Side B runout machine stamped): 857543 1 2 520 Rights Society: S.I.A.E. Other versions Category Artist Title (Format) Label Category Country Year London Around The LONCD 349, Records, LONCD 349, East 17 World (CD, UK 1994 869 559-2 London 869 559-2 Single) Records London Around The LONCS 349, 869 Records, LONCS 349, 869 UK & East 17 World (Cass, 1994 558.4 London 558.4 Europe Single)
    [Show full text]
  • Eurochart Hot 100 Singles, E at Number Six
    AUGUST 9, 2003 Volume 22, Issue 33 Music £3.95 euros 6.5 Daniel Bedingfield's Never Gonna Leave Your Side (Polydor)isthis week's highest new entry on the Eurochart Hot 100 Singles, e at number six. M&M chart toppers this week EMI takes lead in Euro albums share Eurochart Hot 100 Singles by Emmanuel Legrand and the ever -popular Robbie Williams.rappers 50 Cent and Eminem, as well BEYONCE KNOWLES FEAT. JAY -Z EMI's results were particularly solid inas Shania Twain's Up! and Marilyn LONDON - EMI Recorded Music has Italy, the Benelux territories and Scan- Manson's The Golden Age Of Grotesque. Crazy In Love outperformeditsrivals dinavia. The jewelinUniversal'scrown in (Columbia) during the first half of the Universal Music ranks Europe remains France, which posted a year in the European Top secondinalbumchart 33.2% album chart share during the European Top 100 Albums 100 Albums sales chart. share at 24.8%, posting a period. The UK -basedmajor gain of oversixpoints BMG showed a major turnaround METALLICA has overtaken Universal comparedtothesame compared to the previous year, doubling St. Anger Music in M&M's album period in 2002, bringing album chart share to 16.3%, thanks to (Vertigo) chart share analysis cover- the major back to the kind the likes of Eros Ramazzotti, Avril Lav- ing the period from Janu- of levels it experienced in igne, Justin Timberlake and the vari- ary to June 2003. the first half of 2001. Theous Pop Idol winners. The figures for European Radio Top 50 Posting a 29.1% album release of Metallica's BMG also now include Zomba.
    [Show full text]
  • Music Career Starts Here
    PROSPECTUS 2019/20 HAMBURG YOUR MUSIC CAREER STARTS HERE BIMM-INSTITUTE.DE/HAMBURG LONDON BERLIN HAMBURG DUBLIN BIRMINGHAM MANCHESTER BRISTOL BRIGHTON DEAR APPLICANT, At BIMM, we understand that choosing media industries in the city are extremely the right place to study and nurture strong and successful, and will offer many your talent is one of the most important opportunities for our students. decisions you’ll ever make. Since our first college opened 16 years ago, our aim has BIMM provides equipment and software been to help every aspiring musician and delivered by the world’s leading musical music industry professional to achieve their instrument manufacturers who actively personal goals and be able to embark on support and endorse us. All BIMM Hamburg a sustainable career in the music industry. students will have the option of an We now have colleges in seven European international exchange undertaking the cities where music matters most and are second year of their study at any one of our proud to be opening a new college in UK colleges or in Berlin. THE SECRET TO SUCCESS Hamburg in 2018. BIMM also offers more work placement BIMM Hamburg students will attend opportunities and internships than any other lessons taught in English at a range of music college. But perhaps our greatest IS NO SECRET state-of-the-art professional facilities strength is that BIMM students benefit all based in or close to the fantastic from being connected to the largest alumni creative district of St. Pauli, which has network in music, with over 1,500 members great transport connections to all of who provide inspiration, mentorship If you want to make it You’ll cross paths with Germany.
    [Show full text]
  • Cascade Training Transcript
    Cascade Training Table of Contents Step 1: Download the Files ......................................................................................................................................................... 3 Step 2: Login to Cascade ............................................................................................................................................................ 3 Step 3: Learn how to Navigate Cascade ................................................................................................................................ 3 The Dashboard: ........................................................................................................................................................................ 3 The Menu Bar ............................................................................................................................................................................ 4 Site List Explanation ................................................................................................................................................................. 4 The Asset Tree ........................................................................................................................................................................... 4 The Sub Menu ............................................................................................................................................................................ 5 Step 4: The Templates Explained .............................................................................................................................................
    [Show full text]
  • 'Writing' Media: an Investigation of Practical Production in Media Education by Secondary School Students
    'WRITING' MEDIA: AN INVESTIGATION OF PRACTICAL PRODUCTION IN MEDIA EDUCATION BY SECONDARY SCHOOL STUDENTS. BY JULIAN SEFTON-GREEN Thesis submitted in partial fulfilment ofthe requirements for the degree ofDoctor ofPhilosophy in Education Institute ofEducation, University ofLondon January 1998 Abstract Chapter 1 provides an historical analysis ofthe role ofpractical production in media education in England. It discusses its varied educational aims. The need to consider practical work as a form of writing is advanced. Traditional notions of media education have possessed few theories of language and learning and have failed to conceptualise a relationship between critical understanding and making media. Discussion of 'media literacy' and 'visual literacy' is followed by an exploration of models of the writing process and the limits of the metaphor ofliteracy when applied to forms of media production. Selective accounts of theories ofwriting instruction (drawing upon models of the writing process), conclude that there are problems with the metaphor of media literacy. By contrast Cultural Studies has conceptualised creative productions by young people in terms that evoke notions of the written. The central research question is formulated in Chapter 2: what sense can we make ofmedia production using theories of writing; and thus by implication what change to such theories might be made using data drawn from educational research on media production? In Chapter 3 discussion of methodological questions draws attention to two traditions: Cultural Studies work on media audiences. and classroom based action research. Different methods of textual analysis are applied to media productions by young people in the next four chapters (4-7) within the specific histories of several classrooms in North London schools.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title "Not Just a Guy in a Dress": Transsexual Identity, Embodiment, and Genital Reassignment Surgery Permalink https://escholarship.org/uc/item/2sz362kt Author Vernon, Muriel Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Not Just a Guy in a Dress”: Transsexual Identity, Embodiment, and Genital Reassignment Surgery in the United States A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology by Muriel Vernon 2012 ABSTRACT OF THE DISSERTATION “Not Just a Guy in a Dress” Transsexual Identity, Embodiment, and Genital Reassignment Surgery in the United States by Muriel Vernon Doctor of Philosophy in Anthropology University of California, Los Angeles, 2012 Professor Linda Garro, Chair Genital Reassignment Surgery (GRS) is commonly recognized as the surgical alteration of genitalia to align transsexuals’ bodies with their chosen gender identities in order to alleviate the persistent discomfort of Gender Identity Disorder (GID). Clinical and psychological evaluations of the outcomes of GRS have focused primarily on the individual benefits of the surgery and on the aesthetic or functional aspects of newly created genitalia. Left out of medical and social science research is attention to the patient’s hopes for social gains and benefits following GRS. Critically assessing the current biomedical model of transsexualism and its treatment, this study considers not only the different meanings GRS holds for patients (contrasting life-world concerns with biomedical concerns), but also explores what GRS is expected to contribute to the everyday experiences of transsexuals.
    [Show full text]
  • At BIMM Manchester
    PROSPECTUS 2019/20 YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK/MANCHESTER LONDON BERLIN HAMBURG DUBLIN BIRMINGHAM MANCHESTER BRISTOL BRIGHTON DEAR APPLICANT, As College Principal for BIMM Manchester, on his development label, Blue Noise. As a I’ve had the privilege of helping to start studio and live session guitarist and vocalist young musicians on their path to success in I’ve worked with major labels, such as the music industry. Like them, I started out 20 Polydor, EMI and Island, and have performed years ago as a music undergraduate, joining on many live shows including Royal Gala the first ever year of students at a prestigious Performances, stage shows (Rent, War of the music college in the North West of England. Worlds) and even classical performances. It was there that I first developed my love for music education, and the idea of studying In 2007 I returned to education as a Music contemporary popular music at degree level and Music Technology lecturer, before was really exciting to me. Those three years progressing into educational management as THE SECRET TO SUCCESS were among the best of my life, and I have a Head of Quality Assurance for Teaching and passion for creating a similar experience for Learning and then later as Head of Faculty the students here at BIMM Manchester. for Creative Arts. IS NO SECRET Since leaving university, I’ve worked I’ve spent my working life in the North West professionally as a songwriter and session of England and I believe that this part of musician, spending the last 18 years the world, and in particular Manchester, has experiencing the highs and the lows of produced some of the greatest modern music If you want to make it You’ll cross paths with everything the music industry has to offer.
    [Show full text]
  • Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
    Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption.
    [Show full text]
  • Grand Emporium Audiovisual Collection Finding Aid (PDF)
    Title of Collection: Grand Emporium Audiovisual Collection Reference Code: US-MoKcUMS-MSA38 Repository: Marr Sound Archives UMKC Miller Nichols Library 800 E. 51st Street Kansas City, MO 64110 Creator: Grand Emporium Naber, Roger Palmer, C. Herb Administrative/Biographical History: In 1979, Roger Naber started booking bands on the side while maintaining a day job for the postal service in Kansas City. Attracting marquee performers to local venues such as the Lone Star, the Uptown Theater, the National Guard Armory, Harling's Upstairs and King Henry's Feast (later known as Parody Hall), he built a rapport with the music world and a reputation as a hardworking promoter. In 1980, he co-founded the Kansas City Blues Society, galvanizing the local music scene during twelve years as the organization's president. His tenacity made him one of Kansas City's most respected promoters, but it was his genuine affinity for musicians that brought success to places like the Grand Emporium. Naber and business partner George Myers bought the Grand Emporium in July 1985, transforming the erstwhile restaurant into a premier destination for live music. From show flyers doubling as wallpaper to a jukebox stocked with old 45s to the makeshift kitchen where "Amazing" Grace Harris served barbecue and soul food, the intimate midtown barroom offered common ground for patron and performer. It was here musicians walked the bar during a guitar solo or took the show outside to Main Street for a song; big name stars were known to drop by for a slice of local flavor after playing bigger, more impersonal area venues; and local legends, such as musician and dancer Speedy Huggins, were fixtures on the scene, cutting up the dance floor and sitting in with bands.
    [Show full text]
  • Stephen Bruel Thesis
    Nostalgia, authenticity and the culture and practice of remastering music Stephen Bruel MMus, GradDipEd (Music), GradCertJourn, BEcon A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2019 Keywords 1980s, aca-fan, aesthetic, artist, audio, authenticity, band, creativity, cultural heritage, demo, demo recordings, digital convergence, engineer, fandom, guitar-pop, mastering, mixing, music, music nostalgia, personal heritage, production, recording, remastering, scholar-fan, simulacra, simulation, sound, Sydney, systems model, Sunnyboys, technology. 2 Statement of Original Authorship The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made. Signature: QUT Verified Signature Date: April 2019 3 Acknowledgements I would like to express my sincere gratitude to my Principal Supervisor Dr Gavin Carfoot for his continuous support of my PhD study and related research, patience, motivation and immense knowledge. I would also like to thank my External Supervisor Professor Andy Arthurs for his guidance through the early stages of this research and my Assistant Supervisor Dr John Wilstead for his help towards the end. I also acknowledge the support received by the QUT Creative Industries Higher Degrees Research team who guided me successfully through the PhD administration process, and the financial assistance I received through my scholarship. My research project would not have been possible without the participation and enthusiasm shown by all case study participants.
    [Show full text]
  • We Talk 4C). Radio
    OCTOBER 20, 2001 Music Volume 19, Issue 43 £3.95 Tracy Chapman's Collection (Elektra) moves to the num- ber one slot and is this week's Sales Breaker on the Euro- pean Top 100 Albums chart Mediawe talk4c). radio M&M chart toppers this week Merino moves to musicUniversal on Eurochart Hot 100 Singles course to meet KYLIE MINOGUE in Grupo Prisa shake-up Can't Get You Out Of My Head Larsen target (Parlophone) by Howell Llewellyn Groupo Prisa, Jaime Polanco, until European Top 100 Albums now GVM's CEO, takes the up the by Emmanuel Legrand TRACY CHAPMAN MADRID - Luis Merino, who cur-new post of director of Grupo Prisa's Collection rently heads up SER's four nationalInternational Communications LONDON - Universal Music (Elektra) music radionetworks, has beenMedia division. Polanco was also increased its dominance of Europe's appointed to a powerful new execu-previously director general of Prisa's charts during the third quarter of European Radio Top 50 tive post at SER's parent North America operations 2001, and is getting ever closer to MICHAEL JACKSON companyGrupoPrisa, based in New York. No the 30% market share target set by You Rock My World which will see him in con- replacement has yet been Universal Music International (Epic) trol of themedia con- named for Polanco. chairman Jorgen Larsenafew glomerate's record com- Meanwhile, SER's weeks ago (M&M, September 29). European Dance Traxx pany interests. director-general Augusto In both M&M's pan-European ROGER SANCHEZ Merino, 47, has been Delkader moves to the singles and album sales charts, the Another Chance made director of Prisa's post of director of Grupo French -owned major label has made (R-Senal/Sony) Leisure and Entertain- Prisa's newly -created significant progress, achieving close ment division, in effect MediaCommunications to 30% in album chart share and Inside M&M this week makinghim CEOof Spain division.
    [Show full text]
  • Songwriting Get Connected with Bimm Connect Bimmconnect.Co.Uk Meet Our Students Student Enrichment
    PROSPECTUS 2019/20 BIRMINGHAM YOUR MUSIC CAREER STARTS HERE BIMM.CO.UK/BIRMINGHAM LONDON BERLIN HAMBURG DUBLIN BIRMINGHAM MANCHESTER BRISTOL BRIGHTON DEAR APPLICANT, As Principal of BIMM Birmingham, I’m hugely The day you walk into BIMM as a freshly excited to be at the helm of our newest enrolled student is the first day of your college, located at the heart of this vibrant career. While you’re a BIMM student, you’ll creative and artistic musical city. be immersed in the industry. You’ll be taught by current music professionals who At BIMM, we give you an experience of the bring real, up-to-date experience directly real industry, as it stands today – it’s our into the classroom, and the curriculum mission to create a microcosm of the music they’re teaching is current and relevant THE SECRET TO SUCCESS business within the walls of the college. because it constantly evolves with the latest developments in the business. You’ll If you’re a songwriter, you’ll find the best attend Masterclasses and industry events, musicians to collaborate with; if you’re a giving you unparalleled access to an array IS NO SECRET guitarist, bassist, drummer or vocalist, you’ll of notable music business movers and find the best songwriters and fellow band shakers, such as Hozier, Roger Daltry, Chuck members. If you’re a Music Business or Music D, Thurston Moore, Guy Garvey, Chad Smith, Production student, you’ll have access to the Glastonbury founder Michael Eavis, and If you want to make it You’ll cross paths with best emerging musical talent the city has to Creation Records founder Alan McGee.
    [Show full text]