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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Indians in the American System: Past and Present, Student Book. the Lavinia and Charles P
DOCUMENT RESUME ED 129 694 SO 009 474 AUTHOR Westbury, Ian; Westbury, Susan TITLE Indians in the American System: Past and Present, Student Book. The Lavinia and Charles P. Schwartz Citizenship Project. INSTITUTION Chicago Univ., Ill. Graduate School of Education. PUB nAT7 75 NOTE 80p.; For related documents, see SO 009 469-473 7,,DRS PRICE MF-$0.83 HC-$4.67 Plus Postage. DESCRIPTORS *American Indian Culture; *American Indians; Anthropology; *Citizenship; Cultural Differences; Culture Conflict; Ethnic.Groups; Ethnic Stereotypes; Life Style; Pol'tical Science; Political Socialization; Reservations (Indian) ;Secondary Educa+ion; Social Studies; *United States History; War ABSTRACT The purpose of this curriculum unit on citizenship education is to enrich the way students think about AmericanIndians by presenting the history of American Indians and their relationship with white Americans. The first chapter discusses the kindsof ideas people have about Indians, especially stereotypes of Indians being wild, red-colored, and uncivilized. The second chapterlooks at the prehistory of Indian culture to see the ways in which Indianpeoples learned to exploit the land. The excavations ofan Indian camp site at Green Point, Michigan, are described, including discussionof the dig, findings, and changes in Indian life from S00-1700A.D. Chapter three recounts Indian-white relations during 1600-1900 inorder to explore what happened when a stone-age culture facedan acquisitive white culture that was more highly developed and hadmore resources. The Iroquois Indians in the northeastserve as an example of how Indian life patterns were destroyed by European, occupationof America. The last chapter examines the Indian-whitecontact and the way it has caused recent problems for Indians. -
Trabajo Integrador Final:(Des) Amor a La Mexicana: De Las Críticas a La Gloria
Trabajo Integrador Final:(Des) Amor a la mexicana: de las críticas a la gloria. Un recorrido discursivo del diario “Clarín” sobre la Selección campeona del Mundial 1986. Autor: Santiago Agustín Pescio Directora: Eva Ayelen Sidun Co-director: Marcos Damián Garofalo Facultad de Periodismo y Comunicación Social de la Universidad Nacional de la Plata. Año 2016. Índice Introducción.………………..……………………………….... Pág. 2 Capítulo 1:Marco teórico Hacia una definición de deporte…………………………………...Pág. 7 Medios informativos- Medios empresariales………………………...Pág. 9 La ideología hegemónica ………………………………………... Pág.10 Capítulo 2:Marco Metodológico Métodos y técnicas………………………………….…………...Pág. 19 Capítulo 3: El diario Una historia de amistades y concesiones. .…………….…………...Pág. 27 Capítulo 4: Análisis de contenido. La previa. Mayo de 1986 El fútbol que no le gustaba a la gente I. .…………….…………......Pág. 37 La Selección de todos I. .…………….………………….……......Pág. 50 Reforzando sentidos: la entrevista dirigida I….…………….……......Pág. 54 Análisis cuantitativo: los números no mienten.…………….……......Pág. 62 Capítulo 5: Análisis de contenido. La hora de la verdad. Junio de 1986 El fútbol que no le gustaba a la gente II. .…………….…………......Pág. 65 La Selección de todos II. .…………….………………….……......Pág. 78 Reforzando sentidos: la entrevista dirigida II….…………….……......Pág. 89 Análisis cuantitativo: los números no mienten II.…………….……......Pág. 98 Capítulo 6: Análisis de contenido. La vuelta a casa. Julio de 1986 El fútbol que no le gustaba a la gente III. La Selección de todos III. Reforzando sentidos: la entrevista dirigida III………….…………..... Pág. 102 Análisis cuantitativo: los números no mienten III.…………….…….....Pág. 103 Capítulo 7: Conclusiones Conclusiones……………………………………………………Pág. 106 Bibliografía………………..………………………………….... Pág. 108 1 Agradecimientos: A mi mamá, mi papá y mi hermano, por el apoyo incondicional en cada proyecto de mi vida, por estar siempre a mi lado y por brindarme todas las facilidades para estudiar y terminar este proceso. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Medley Primera Fila Thalia
www.acordesweb.com Medley primera fila Thalia TRANSCRIPCIÓN POR RANA LES ENVÍO EL MEDLEY DE LA PRODUCCIÓN UNPLUGGED DE THALIA BACKSTAGE PRODUCCIONES (Irapuato, Gto. México) [email protected] D Dsus4 A D G A7 D Ah,ia,ia,ia A ia ah ah Ah,ia ia ia ia ia D G D Aunque te hayas ido, sigues conmigo G D A G-D siento el respiro de tu amor. D G D G D A Con un triste suspiro,llega la noche y me platica de los dos Em D A Em D A Eterno fuego que hubo entre tu y yo, nunca un adiós se contemplo D G D Bm Entre el mar y una estrella, ah eh G Bm Em A seguirás estando al filo de mis venas D G D Bm A Te pondré algunas velas G A D Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com para preguntarle a Dios cuando regresas. D Dsus4 A D G A7 D Ah,ia,ia,ia A ia ah ah Ah,ia ia ia ia ia D G D Ya no me sabe el dia, menos la dicha. G D A se me entristece el corazón. D G D lo que te extraño,vida,y lo que sufro G D A es tan inmenso como el sol. Em D A Te sigo amando en contra del rencor Em D A aunque se muera mi alma de dolor. D G D Bm Entre el mar y una estrella, ah eh G Bm Em A seguirás estando al filo de mis venas D G D Bm A Te pondré algunas velas G A para preguntarle a Dios .. -
Informasjonsgjenfinning Og Visualisering Av Relasjoner I Norsk Popmusikk
UNIVERSITETET I BERGEN Masteroppgave Informasjonsgjenfinning og visualisering av relasjoner i norsk popmusikk Anders Langseth 1. juni 2015 Abstrakt Utforskning i og tilgang til innhold i norsk popmusikk er et stort interesseområde med flere aktive aktører. Akademiske, kommersielle og private aktører er interessert i å forstå norsk popmusikk, oppdage interessante mønstre og utforske relasjoner mellom sanger. For å realisere dette kreves det ofte menneskelig analyse av flere tusener av sanger, noe som er en tidskrevende oppgave. Ved å bruke gjenfinningsmetoder for å finne relasjoner og å visualisere de i et nytt grensesnitt kan det hjelpe brukeren i å analysere og resonnere om de data presentert. Dette gjør komplekse data mer tilgjengelig, forståelig og brukervennlig for de som er interessert i norsk popmusikk. Avhandlingen beskriver utviklingen av en prototype av et system som støtter gjenfinning og visualisering av relasjoner i norsk popmusikk. For å oppdage relasjoner bruker systemet metodene latent semantic indexing(LSI), termfrekvens-invers dokumentfrekvens(TF-IDF) og en egendesignet algoritme til å analysere sangtekster og akustiske egenskaper. For å presentere relasjoner visualiseres data til meningsfulle grensesnitt i en web-applikasjon. Grensesnittene kan brukes til å oppdage og utforske norsk popmusikk, eller bare for å finne nye sanger å lytte til. Web- applikasjonen evalueres ved usability-testing og resulterte i test-deltakere som var tilfredse med applikasjonen og enkelte problemer ble oppdaget. Avhandlingen evaluerer også bruken av gjenfinningsmetoder for sangtekster i systemet, hvor TF-IDF presterer bedre enn LSI. i Forord Jeg vil rette en stor takk til professor Weiqin Chen, for å rådgi dette prosjektet og hennes mange nyttige råd gjennom prosjektet. -
Auch in Schwierigen Zeiten Produzieren Wir Für Sie Beste Qualität
23. Ausgabe 74./170. Jahrgang Schleswig-Holstein 6. Juni 2020 und Hamburg Auch in schwierigen Zeiten produzieren wir für Sie beste Qualität. Fair, verantwortungsvoll und natürlich nachhaltig. Schlachtzentrum Nordfriesland GmbH in Husum | Maas 10+12 D-25813 Husum | Telefon: 0 48 41-69 50 | Telefax: 0 48 41-695 12 www.danishcrown.com ■ BAUERNBLATT | 6. Juni 2020 Editorial 3 Zwischen zwei Gefahren In der griechischen Sage sind Skylla und Charyb- Doch würde man dies radikal verfolgen, müss- sprechperson zu finden? Was ist mit den Senio- dis zwei Ungeheuer, die an einer Meerenge den ten Einschränkungen strikt aufrechterhalten ren in Heimen, die dann wieder ihre Kinder und Schiffen auflauern. Versucht der Schiffer, dem bleiben, bis das Virus besiegt ist. Das wäre erst Enkel nicht sehen dürfen, die aber gar nicht ge- einen auszuweichen, gerät er in die Fänge des der Fall, wenn ein tauglicher Impfstoff gefun- fragt werden, ob sie so leben wollen oder nicht? anderen. Ähnlich ist die Situation für Entschei- den wäre und großflächig eingesetzt werden Und dann die brachliegende Wirtschaft: Man dungsträger in der Corona-Kri- könnte. Das kann sehr lange darf in ihr nicht nur Gewinnsucht sehen und die se: Um die Ausbreitung des Vi- Leben retten dauern. Ein anderer Ausweg hehren Güter Gesundheit und Leben gegen den rus einzudämmen, Risikogrup- wäre die Herdenimmunität, „schnöden Mammon“ ausspielen! Verdienstaus- pen zu schützen und eine heißt auch, das doch die bedingt die Infektion fälle und Pleiten ruinieren die Existenzgrundla- Überlastung des Gesundheits- Leben retten von so gut wie allen. ge vieler Menschen und gerade derer, die auch systems zu verhindern, haben bisher nicht auf Rosen gebettet sind. -
Witty Songs ©Ted Schaar 2011
Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent. -
*2019-09 •fi Beleå¾nica
1 41 1 42 KYGO & WHITNEY HOUSTON - HIGHER LOVE 2 34 0 34 SHAWN MENDES & CAMILA CABELLO - SENORITA 3 32 1 33 DADDY YANKEE & SNOW - CON CALMA 4 29 0 29 ED SHEERAN & JUSTIN BIEBER - I DON'T CARE 5 27 1 28 LEA SIRK - PO SVOJE 6 27 0 27 TAYLOR SWIFT - YOU NEED TO CALM DOWN 7 26 1 27 EME & ZEEBA - SAY GOODBYE 8 25 0 25 VILI RESNIK - MOJ OBJEM 9 24 0 24 NINNAY - SRCE ZAGORI 10 24 2 26 PINK - WALK ME HOME 11 23 2 25 MEDUZA - PIECE OF YOUR HEART 12 23 1 24 MATIC MARENTIČ - LEN DAN 13 22 0 22 2B - KOT MORJE 14 22 0 22 AVICII & ALOE BLAC - SOS 15 22 0 22 SHAWN MENDES - IF I CAN'T HAVE YOU 16 22 0 22 MARK RONSON & MILEY CYRUS - NOTHING BREAKES LIKE A HEART 17 22 0 22 FED HORSES - SPREMEMBE 18 22 0 22 CHAINSMOKERS - WHO DO YOU LOVE 19 21 0 21 LEWIS CAPALDI - HOLD ME WHILE YOU WAIT 20 21 1 22 SAM SMITH & NORMANI - DANCING WITH A STRANGER 21 20 0 20 ALYA - SPET ZALJUBLJENA 22 20 1 21 TOM WALKER - JUST YOU AND I 23 20 1 21 TINKARA KOVAČ - BODI Z MANO DO KONCA 24 20 0 20 VITAVOX - MALO NAD OBLAKI 25 19 0 19 LENA & NICO SANTOS - BETTER 26 18 0 18 OFENBACH - BE MINE 27 18 0 18 DRAGO MISLEJ MEF - MA NE ŽE SPET 28 18 0 18 NERA - RABLJENO DEKLE 29 18 0 18 ONE REPUBLIC - RESCUE ME 30 17 0 17 ŠANK ROCK - DVIGNI POGLED 31 17 0 17 DON ALLEN - OKUS MARELICE 32 17 1 18 IMAGINE DRAGONS - BAD LIAR 33 17 0 17 LV - LOVE YOU A LOT 34 16 0 16 LEA SIRK & DRILL - RECEPT ZA LAJF 35 16 0 16 GROMEE - LIGHT ME UP 36 16 0 16 GAŠPER RIFELJ & EVA BOTO - DOVOLJ JE POLETJA 37 15 0 15 BISERI - ZA NJO 38 15 0 15 5 SECONDS OF SUMMER - LIE TO ME 39 15 0 15 NIKA ZORJAN - NA PLAŽO 40 15 -
Filmszem Iii./2
FASSBINDER III. Évf. 2. szám Nyár FILMSZEM III./2. Rainer Werner Fassbinder FILMSZEM - filmelméleti és filmtörténeti online folyóirat III. évfolyam 2. szám - NYÁR (Online: 2013. JÚNIUS 30.) Főszerkesztő: Farkas György Szerkesztőbizottság tagjai: Murai Gábor, Kornis Anna Felelős kiadó: Farkas György Szerkesztőség elérhetősége: [email protected] ISSN 2062-9745 Tartalomjegyzék Bevezető 4 Bács Ildikó: A néma szereplő, avagy úr és szolga viszonya 5-14 Turnacker Katalin: A tükörjáték struktúrája - Berlin Alexanderplatz 15-32 Farkas György: Párhuzamos világok utazói - R. W. Fassbinder és Masumura Yasuzō filmjeinek összehasonlító vizsgálata 33-45 Rainer Werner Fassbinder filmográfia - összeállította Farkas György 46-91 Bevezető Bevezető Bár R. W. Fassbinder már több mint 30 éve elhunyt, a német új film és egyben az egyetemes filmművészet e kivételesen termékeny és különleges alkotójá- ról magyarul meglehetősen kevés elméleti munka látott napvilágot. Életmű- vének sokszínűségét még számos területen és számos megközelítési módon lehetne és kellene tárgyalni. Mostani lapszámunk ezt a hiányt igyekszik némileg csökkenteni azzal, hogy Fassbinder munkásságáról, hatásáról, filmtörténeti helyéről szóló értel- mező anyagokat válogattunk össze. Bács Ildikó tanulmányában a néma szereplő felhasználásának szempontjait elemzi összehasonlítva Fassbinder Petra von Kant keserű könnyei című filmjét Beckett Godot-ra várva című drámájával. Turnacker Katalin a fassbinder-i életmű egy nagyon hangsúlyos darabját, az Alfred Döblin regényéből, a Berlin, Alexanderplatz-ból készült tv-sorozatot elemzi, mint a tükörjáték struktúrája. Sajátos megközelítést mutat be Farkas György írása, amelyben Fassbinder há- rom kiválasztott filmjét állítja párhuzamba egy japán filmrendező, Masumura Yasuzō három alkotásával, kiemelve azokat az alapvető közös gondolatokat, amik nem csak a két rendező között teremtenek kapcsolatot, de alátámaszt- ják mindkettejük zsenialitását is. -
JES High Glow Bio V6
HIGH GLOW Some people won't be pinned down. Just when you think you got them comfortably pigeon-holed into one area of your music collection, they spin their creativity on its head and send your iTunes playlists into a frenzy of confusion. Is it EDM? Is it Rock? Is it Emo/Trance/Poptronica? How do you put all of that together and still come up with something that simply blows you away with every note ......... meet JES. This chart topping and award winning New York native has been the voice behind countless Superstar DJ's. Propelling hit songs with Tiesto, Armin Van Buuren, BT, Gabriel & Dresden among many others. JES has topped numerous charts worldwide and has earned two honors on Billboards famed Decade End Charts including the #4 Dance Airplay song of the decade. Now JES will bring the weight of the world to a standstill on March 15th 2010, when she releases her third album HIGH GLOW with Black Hole Recordings and Ultra Records. JES sure knows how to grab your attention. One of her first releases, the now legendary "As The Rush Comes" by Motorcycle, (A testament to both her songwriting and vocal abilities), quickly catapulted her into the global spotlight of the world's dance music scene going to #1 in countless countries and winning her several awards including the International Dance Music Award at the world famous WMC conference. “As The Rush Comes” ended up as the #4 most played dance song of the decade on Billboards 2000-2010 charts. JESʼ first solo album DISCONNECT produced 3 hit singles “Ghost”, “Heaven” and the #1 chart hit "Imagination" -Billboard Dance Airplay wk of 1/19/09 (also posted on both Year End 2009 at #6 and Decade 2000-2010 charts at #46). -
Abs Stop Sign Mp3, Flac, Wma
Abs Stop Sign mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Pop Album: Stop Sign Country: Australia Released: 2003 Style: Europop, Breakbeat, Electro MP3 version RAR size: 1422 mb FLAC version RAR size: 1715 mb WMA version RAR size: 1422 mb Rating: 4.8 Votes: 892 Other Formats: RA FLAC APE AAC MOD MP2 XM Tracklist Hide Credits Stop Sign Arranged By [Arrangement Input By] – A. Harrison*, G. Simmons*Backing Vocals – 1 Tracy AckermanMixed By – Absolute , Steve FitzmauriceProducer, Instruments [All 2:56 Instruments] – Absolute Written-By – Watkins*, O'Connell*, Sechleer*, Wynn*, Wilson*, Breen* Music For Cars Backing Band – Abs Backing Vocals – Richard "Biff" Stannard*Mixed By – Alvin 2 SweeneyProducer – Alvin Sweeney, Julian Gallagher, Richard "Biff" 3:02 Stannard*Programmed By – Julian GallagherWritten-By – Alvin Sweeney, Julian Gallagher, R. Breen*, Richard "Biff" Stannard* Stop That Bitchin' Backing Vocals – Shernette MayMixed By – Alvin SweeneyProducer, Instruments [All 3 Instruments] – Julian Gallagher, Richard "Biff" Stannard*Programmed By – Alvin 3:16 Sweeney, Julian Gallagher, Richard "Biff" Stannard*Written-By – Julian Gallagher, R. Breen*, Richard "Biff" Stannard* Video Stop Sign Companies, etc. Phonographic Copyright (p) – BMG UK & Ireland Ltd. Copyright (c) – BMG UK & Ireland Ltd. Licensed From – Nestshare Ltd. Manufactured By – BMG Australia Limited Distributed By – BMG Australia Limited Pressed By – Technicolor, Australia Produced For – Biffco Productions Mixed At – Biffco Studios, Dublin Published