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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Paying Attention to Public Readers of Canadian Literature
PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre. -
Writing Here1
WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story. -
2014 Program
Kingston’s Readers and Writers Festival Program September 24–28, 2014 Holiday Inn Kingston Waterfront kingstonwritersfest.ca OUR MANDATE Kingston WritersFest, a charitable cultural organization, brings the best Welcome of contemporary writers to Kingston to interact with audiences and other artists for mutual inspiration, education, and the exchange of ideas that his has been an exciting year in the life of the Festival, as well literature provokes. Tas in the book world. Such a feast of great books and talented OUR MISSION Through readings, performance, onstage discussion, and master writers—programming the Festival has been a treat! Our mission is to promote classes, Kingston WritersFest fosters intellectual and emotional growth We continue many Festival traditions: we are thrilled to welcome awareness and appreciation of the on a personal and community level and raises the profile of reading and bestselling American author Wally Lamb to the International Marquee literary arts in all their forms and literary expression in our community. stage and Wayson Choy to deliver the second Robertson Davies lecture; to nurture literary expression. Ben McNally is back for the Book Lovers’ Lunch; and the Saturday Night BOARD OF DIRECTORS 2014 FESTIVAL COORDINators SpeakEasy continues, in the larger Bellevue Ballroom. Chair | Jan Walter Archivist | Aara Macauley We’ve added new events to whet your appetite: the Kingston Vice-Chairs | Michael Robinson, Authors@School, TeensWrite! | Dinner Club with a specially designed menu; a beer-sampling Jeanie Sawyer Ann-Maureen Owens event; and with kids events moved offsite, more events for adults on T Secretary Box Office Services T | Michèle Langlois | IO Sunday. -
150 Books of Influence Editor: Laura Emery Editor: Cynthia Lelliott Production Assistant: Dana Thomas Graphic Designer: Gwen North
READING NOVA SCOTIA 150 Books of Influence Editor: Laura Emery Editor: Cynthia Lelliott Production Assistant: Dana Thomas Graphic Designer: Gwen North Cover photo and Halifax Central Library exterior: Len Wagg Below (left to right):Truro Library, formerly the Provincial Normal College for Training Teachers, 1878–1961: Norma Johnson-MacGregor Photos of Halifax Central Library interiors: Adam Mørk READING NOVA SCOTIA 150 Books of Influence A province-wide library project of the Nova Scotia Library Association and Nova Scotia’s nine Regional Public Library systems in honour of the 150th anniversary of Confederation. The 150 Books of Influence Project Committee recognizes the support of the Province of Nova Scotia. We are pleased to work in partnership with the Department of Communities, Culture and Heritage to develop and promote our cultural resources for all Nova Scotians. Final publication date November 2017. Books are our finest calling card to the world. The stories they share travel far and wide, and contribute greatly to our global presence. Books have the power to profoundly express the complex and rich cultural life that makes Nova Scotia a place people want to visit, live, work and play. This year, the 150th Anniversary of Confederation provided Public Libraries across the province with a unique opportunity to involve Nova Scotians in a celebration of our literary heritage. The value of public engagement in the 150 Books of Influence project is demonstrated by the astonishing breadth and quality of titles listed within. The booklist showcases the diversity and creativity of authors, both past and present, who have called Nova Scotia home. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
UC Riverside UC Riverside Previously Published Works
UC Riverside UC Riverside Previously Published Works Title “Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day” Permalink https://escholarship.org/uc/item/7w141141 Author Gui, W Publication Date 2017-05-18 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Crowded Selves — Singapore Unbound https://singaporeunbound.org/blog/2017/5/16/rsa... HOME ABOUT LITERARY FESTIVAL READING SERIES G AU DY BOY SP BLO G OPPORTUNITIES PRESS JO IN US Crowded Selves MAY 18, 2017 IN FICTION, CRITICIM “Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day” by Weihsin Gui Introduction How does a short story collection create connections between the different stories contained between its covers? And how do these connections represent the knotted relationships between North American and Asian cultures and the people who live and move between them? This essay examines two short story collections, Simple Recipes by Madeleine Thien and It Never Rains On National Day by Jeremy Tiang. Thien, whose parents came from Malaysia and Hong Kong, is a Canadian writer whose latest novel Do Not Say We We Have Nothing was shortlisted for the 2016 1 of 18 1/2/18, 9:31 AM Crowded Selves — Singapore Unbound https://singaporeunbound.org/blog/2017/5/16/rsa... Man Booker Prize. Tiang is a Singaporean currently living in both the USA and UK who has translated several works of fiction from Chinese into English and whose debut short story collection was a finalist for the 2016 Singapore Literature Prize. -
Urban Archaeology in Michael Redhill's Toronto Novel Consolation
Urban Archaeology in Michael Redhill’s Toronto Novel Consolation Meeria Vesala University of Tampere Faculty of Communication Sciences Master’s Programme in English Language and Literature MA Thesis May 2018 Tampereen yliopisto Viestintätieteiden tiedekunta Englannin kielen ja kirjallisuuden maisterikoulutus VESALA, MEERIA: Urban Archaeology in Michael Redhill’s Toronto Novel Consolation Pro Gradu -tutkielma, 117 sivua + lähdeluettelo Toukokuu 2018 Tutkielmani käsittelee urbaanin arkeologian tematiikkaa ja arkeologian metaforista sekä käsitteellistä merkitystä kanadalaisessa kaupunkikirjallisuudessa. Tutkimusaineistoni keskiössä on Michael Redhillin Torontoon sijoittuva historiallinen kaupunkiromaani Consolation (2006), jota analysoin ensisijaisesti kirjassa esitetyn tarinan ilmentämän tilallisuuden kautta. Romaanin tapahtumat eivät ole ainoastaan sidoksissa tiettyyn aikaan (1857/1997) ja paikkaan (Toronto), kuten kirjallisuudentutkimuksessa on usein tapana ymmärtää, vaan lähtökohtaisesti itse ympäristö tuottaa tilallisia tapahtumaketjuja, jotka ohjaavat kaupunkilaisten tottumuksia, tuntemuksia ja toimintaa eri elämänalueilla. Romaanin urbaani tila, miljoonakaupunki Ontario-järven rannalla, on havainnollistava esimerkki ajan ja paikan jatkuvasta yhteentörmäyksestä ja muutoksesta, joka on nähtävissä niin todellisen kuin kuvitellun kaupungin kuvassa. Toronton muodonmuutos pienestä rajaseudun kylästä tunnetuksi maailman metropoliksi viimeisen puolentoista vuosisadan aikana viestittää paikan ainutlaatuisesta olemuksesta ja luonteesta, minkä -
Regional Aspects in Atlantic Canadian Short Stories
“Shaped by the Sea”: Regional Aspects in Atlantic Canadian Short Stories Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Geisteswissenschaftlichen Fakultät der Karl-Franzens-Universität Graz vorgelegt von Daniela REITER am Institut für Anglistik Begutachterin: Ao.Univ.-Prof. Mag. Dr.phil Maria Löschnigg Graz, 2015 Acknowledgements In the following I would like to thank a number of people who were very helpful, motivating and supportive throughout the process of writing this thesis: My advisor Ao.Univ.-Prof. Mag. Dr.phil. Maria Löschnigg for her professional and motivating guidance during the writing process of this thesis. Jennifer Andrews for the support during my semester at the University of New Brunswick and for taking the time to be interviewed by me. Tony Tremblay Herb Wyile, Gwendolyn Davies and David Creelman for the interesting and very helpful interviews about regionalism and Atlantic Canadian literature. Alexander MacLeod who was willing to answer my questions on regionalism and short stories from Atlantic Canada via e-mail. My mother, who always supports me in everything I do and who has been there for me every step of the way. My two brothers who always manage to make me smile. Table of Contents 1. Introduction ......................................................................................................................................... 3 2. Regionalism ........................................................................................................................................ -
Time Structures and the Healing Aesthetic of Joseph Boyden's Three Day Road
Time Structures and the Healing Aesthetic of Joseph Boyden’s Three Day Road Neta Gordon ore than three-quarters of the way through Three Day Road, a novel portraying the fictional experiences of two Cree men fighting for Canada during the Great War, the historicalM figure Francis Pegahmagabow, an Ojibwe soldier known for his success as a World War One sniper, finally makes an appearance. Rumours of Pegahmagabow’s feats have reached Boyden’s protagonist, Xavier Bird, and his best friend, Elijah Whiskeyjack; Elijah in particu- lar is keen to compare exploits with “Peggy,” especially to weigh his own kills against those of the infamous “Indian,” rumoured to be “the best hunter of us all” (187).1 An important objective of this encounter between fictional and historical figures is to emphasize an extratextual function of Three Day Road, which Boyden explicitly delineates in his acknowledgements: “I wish to honour the Native soldiers who fought in the Great War, and in all wars in which they so overwhelmingly vol- unteered. Your bravery and skill do not go unnoticed” (353). Boyden’s use here of a helping verb phrase of negation — “do not” — draws special attention to the main part of the predicate “go unnoticed,” and thus reveals the irony of his claim; the scene featuring Peggy proposes that Aboriginal soldiers were not at all “honoured” for their service in the Great War, and that this service in fact went quite aggressively “unnoticed.” As Boyden himself admits in a recent interview with Herb Wyile, “I think my acknowledgements were more wishful thinking than anything” (222). -
Atti Def Def Def* Note Corr
IN THAT VILLAGE OF OPEN DOORS Le nuove letterature crocevia della cultura moderna Atti del I Convegno Associazione Italiana di Studi sulle Letterature in Inglese Venezia, 1-3 novembre 2001 A cura di Shaul Bassi, Simona Bertacco e Rosanna Bonicelli Cafoscarina In That Village of Open Doors. Le nuove letterature crocevia della cultura moderna. A cura di Shaul Bassi, Simona Bertacco e Rosanna Bonicelli ISBN 88-88613-30-7 AISLI Direttivo e comitato scientifico del convegno Giulio Marra (Presidente) Silvia Albertazzi Paolo Bertinetti Bernard Hickey Elsa Linguanti Luigi Sampietro Paola Splendore Informazioni http://helios.unive.it/~aisli/aisli-ad/ e-mail: [email protected] Questo volume sostituisce in n. 6 della rivista Il Tolomeo, periodico annuale di recensioni. AISLI ringrazia per la collaborazione al convegno e al volume: Dipartimento di Studi Linguistici e Letterari Europei e Postcoloniali – Università Ca’Foscari di Venezia, Wake Forest University – Venezia, Regione Veneto, Fondazione Cassa di Risparmio di Venezia, Roberto Guerra, Laura Graziano, Elisa Bortolusso, Andrea De Porti, Beniamino Mammani, Maria Bottaro, Bruno Visalli Stampato con il contributo del Dipartimento di Studi Linguistici e Letterari Europei e Postcoloniali, Università Ca’Foscari di Venezia Foto di copertina: District Six, Cape Town (Sud Africa) Libreria Editrice Cafoscarina Pscrl Calle Foscari, 3259 – 30123 Venezia www.cafoscarina.it Prima edizione maggio 2002 Stampato in Italia presso LCM Selecta Group – Milano INDICI / CONTENTS Foreword . i “In that village of open doors”. Le Nuove Letterature crocevia della cultura moderna Giulio Marra . iii Conferenze plenarie / Plenary Lectures Greco-Roman Classical Aesthetics, Western Christian Humanism and African Modernism Kole Omotoso. 3 “Texts Instead”: la narrazione (postcoloniale) nell’epoca della sua riproducibilità tecnica Silvia Albertazzi . -
Gift of Michael Redhill 2011
Ms. Michael Redhill papers Coll. 2011 00668 Gift of Michael Redhill 2011 Includes early fiction, 1982-1991, poetry and plays: Be Frank, Heretics, Deadwait, Mr. Stern is Dead, Building Jerusalem, Goodness, literary and personal correspondence, including with many writers such as Michael Ondaatje, Margaret Atwood, Don McKay, Linda Spalding, Esta Spalding, interviews with Dennis Lee, Michael Ondaatje and Don Coles, reviews by and about Michael Redhill; publishing; drafts, editing—including Andre Alexis, Elisabeth Harvor; research for Martin Sloane, Consolation, Goodness; print; Lake Nora Arms, Asphodel, Impromptu Feats of Balance and other poetry; short fiction and prose pieces; screenplays, plays and short stories: The Covered, a screenplay written by Michael Redhill and Michael Helm, Breakthrough, collections of short stories, Fidelity; ‘The Last Resort’ film treatment and other film and television projects; material related to Brick magazine, editing and publishing correspondence and other material. Michael Redhill was the proprietor and publisher of Brick magazine from 2003-2011, and an editor from 1998-2003 Extent: 53 boxes and items (8.5 metres) Biographical information: Michael Redhill was born in Baltimore, Maryland in 1966, but has lived in Toronto most of his life. Educated in the United States and Canada, he took seven years to complete a three-year BA in acting, film, and finally, English. Since 1988, he has published five collections of poetry, had eight plays of varying lengths performed, and been a cultural critic and essayist. He has worked as an editor, a ghost-writer, an anthologist, a scriptwriter for film and television, and in leaner times, as a waiter, a house-painter, and a bookseller.