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Ms. Michael Redhill papers Coll. 2011 00668 Gift of Michael Redhill 2011 Includes early fiction, 1982-1991, poetry and plays: Be Frank, Heretics, Deadwait, Mr. Stern is Dead, Building Jerusalem, Goodness, literary and personal correspondence, including with many writers such as Michael Ondaatje, Margaret Atwood, Don McKay, Linda Spalding, Esta Spalding, interviews with Dennis Lee, Michael Ondaatje and Don Coles, reviews by and about Michael Redhill; publishing; drafts, editing—including Andre Alexis, Elisabeth Harvor; research for Martin Sloane, Consolation, Goodness; print; Lake Nora Arms, Asphodel, Impromptu Feats of Balance and other poetry; short fiction and prose pieces; screenplays, plays and short stories: The Covered, a screenplay written by Michael Redhill and Michael Helm, Breakthrough, collections of short stories, Fidelity; ‘The Last Resort’ film treatment and other film and television projects; material related to Brick magazine, editing and publishing correspondence and other material. Michael Redhill was the proprietor and publisher of Brick magazine from 2003-2011, and an editor from 1998-2003 Extent: 53 boxes and items (8.5 metres) Biographical information: Michael Redhill was born in Baltimore, Maryland in 1966, but has lived in Toronto most of his life. Educated in the United States and Canada, he took seven years to complete a three-year BA in acting, film, and finally, English. Since 1988, he has published five collections of poetry, had eight plays of varying lengths performed, and been a cultural critic and essayist. He has worked as an editor, a ghost-writer, an anthologist, a scriptwriter for film and television, and in leaner times, as a waiter, a house-painter, and a bookseller. He was the publisher and one of the editors of Brick, a journal of things literary. Recent books are Fidelity, a collection of short fiction, from Doubleday Canada, Martin Sloane, a novel from Doubleday Canada (nominated for the Giller Prize, 2001, The Trillium Prize, 2001, The Torgi Award, 2002, The City of Toronto Book Awards, 2002, The Books in Canada/Amazon.com Best First Novel Prize 2002, and winner of the Commonwealth Writers' Prize for Best First Book, Canada/Caribbean 2001), Light-crossing, a collection of poetry from Toronto's House of Anansi Press, and Building Jerusalem, a play, from Playwrights' Union Press, (winner of the 2001 Dora Prize for Best New Play, recipient of a Chalmers Award for Playwriting 2001, and nominated for a Governor General's Award 2001). His play, Goodness was published by Coach House Press in 2005 and novel, Consolation came out with Doubleday Canada in the fall of 2006. {http://www.library.utoronto.ca/canpoetry/redhill/index.htm} 1 Ms. Michael Redhill papers Coll. 2011 00668 Boxes 1-7 Martin Sloane Boxes 8-10 The Covered Boxes 11-17 Consolation Boxes 18-24 Fidelity, Goodness Boxes 25-39 Writing, including early work and various projects Boxes 40-42 Research Files Boxes 43-44 Other: teaching, financial, reviews Box 45 Correspondence: personal and Brick 1999-2000s Boxes 46-50 Agendas, notebooks and diaries Boxes 51-53 Various other Books Boxes 1-7 Martin Sloane Box 1 Martin Sloane research and other 23 folders UK material Short fiction Michael Redhill interview transcript with Michael Ondaatje Folders 1-13 Word processed transcript of Michael Redhill interview with Michael Ondaatje TN from The Paris Review Folder 14 The Notebooks Edited by Michelle Berry Folder 15 Playwrights Union of Canada Amateur rights granted to Building Jerusalem Folder 16 Short fiction by Michael Redhill Word processed with comments in manuscript Folder 17 Martin Sloane Cover designs 2 Ms. Michael Redhill papers Coll. 2011 00668 Folder 18 Martin Sloane Heinemann correspondence, agreements, royalties, UK cover design Folders 19-22 Martin Sloane Ireland research, royalties 16 colour photographs Folder 23 Martin Sloane Translation – foreign sales agreements Box 2 Martin Sloane 21 folders Reviews, royalties Drafts 10.0, 10.1 and 10.2 Folders 1-2 UK and commonwealth reviews and publicity Folder 3 Royalties Folder 4 U.S. reviews Folders 5-9 Martin Sloane Word processed draft 10.0 Folders 10-15 Martin Sloane Draft 10.1 Folders 16-21 Martin Sloane Draft 10.2, Esta Spalding edit Box 3 Martin Sloane 17 folders Drafts/edits 11.1, 11.2, with Michael Ondaatje, André Alexis edits Folders 1-7 Martin Sloane Draft 11.1, word processed with editorial revisions in manuscript 3 Ms. Michael Redhill papers Coll. 2011 00668 Folder 8 Martin Sloane Draft 11.1, cerlox bound Ireland edit Folders 9-15 Martin Sloane Draft 11.2 Folder 16 Martin Sloane Michael Ondaatje edit of draft 11.2 Folder 17 Martin Sloane André Alexis edit of draft 11.2 Box 4 Martin Sloane 23 folders Drafts/edits 11.4 – 12.1 Folders 1-7 Martin Sloane Draft 11.4 Folder 8 Martin Sloane Draft 11.4, cerlox bound Folders 9-14 Martin Sloane Draft 11.4a Folders 15-17 Martin Sloane Draft 11.5 Folders 18-23 Martin Sloane Draft 12.1 Box 5 Martin Sloane 22 folders Drafts/edits 12.1 – first proofs Folders 1-2 Martin Sloane Draft 12.1 Folders 3-9 Martin Sloane Draft 12.2 4 Ms. Michael Redhill papers Coll. 2011 00668 Folder 10 Martin Sloane Draft 12.2 edit Folders 11-15 Martin Sloane Copy edit Folders 16-22 Martin Sloane First page proofs Box 6 Martin Sloane 8 folders First and second proofs Folders 1-3 Martin Sloane First page proofs Folders 4-8 Martin Sloane Second page proofs Box 7 Martin Sloane 14 folders Contracts Publishing various editions Publicity readings Folder 1 Martin Sloane Doubleday pre-publication contract and promotional material Folder 2 Re: ‘Discover Your Next Favourite Author’ Folder 3 Martin Sloane Levine/U.S. and U.K. publishers Correspondence, agreements Folder 4 Martin Sloane Little, Brown 5 Ms. Michael Redhill papers Coll. 2011 00668 Folders 5-9 Martin Sloane Publicity and readings Folder 10 Martin Sloane Loose holograph notes Folder 11 Martin Sloane Responses to draft 10 Folders 12-14 Martin Sloane Reviews – Canadian Boxes 8-10 The Covered Box 8 The Covered 24 folders Screenplay by Michael Redhill and Michael Helm, 1997 Folders 1-5 The Covered Screenplay draft by Michael Redhill and Michael Helm, August 26, 1997 Word processed draft Folders 6-7 The Covered ‘story edit stuff’ holograph and word processed 1997 Folder 8 The Covered Business papers, option agreements Folder 9 The Covered Cadence correspondence 2000 Folders 10-16 The Covered Pre-first draft Folders 17-20 The Covered Draft 2.1, word processed 6 Ms. Michael Redhill papers Coll. 2011 00668 Folders 21-24 The Covered Draft 3.1 Box 9 The Covered 22 folders Drafts 4.1-4.5, 1997-1999 Folders 1-4 The Covered Draft 4.1, A-C, word processed draft with holograph revisions Folder 5 The Covered Draft 4.1, D-H Folders 6-11 The Covered Drafts 4.3, 4.2, July 1997 Folders 12-14 The Covered Drafts 4.4, 4.5, back and front Folders 15-18 The Covered Draft August 26, 1997 Folders 19-21 The Covered November 30, 1998 draft Folder 22 Holograph and word processed paper pad with loose pages, mostly The Covered April 1999 Box 10 The Covered 1999 32 folders drafts 5.1 – 6.2 Folder 1 The Covered Draft 5.1, July 1999 Folders 2-4 The Covered Draft 5.2, July 1999 7 Ms. Michael Redhill papers Coll. 2011 00668 Folder 5 The Covered August 1 Folder 6 The Covered Summer 1999 draft, ‘God help us all’ Folders 7-10 The Covered August 1999, draft 5.3 Folder 11 TERLA membership Folder 12 The Covered Editorial notes and draft Folders 13-16 The Covered Draft 5.7, September 10, 1999 Folder 17 The Covered September 3 Folder 18 The Covered September 8, 1999 Folders 19-22 The Covered Draft 5.4, August 1999 Folder 23 The Covered Notes/email Folders 24-27 The Covered Draft 5.8, October 26, 1999 Folder 28 The Covered Draft 5.9, February 2000 Folders 29-32 The Covered Draft 5.9, February 2000 Boxes 11-17 Consolation 8 Ms. Michael Redhill papers Coll. 2011 00668 Box 11 Consolation 19 folders Drafts Fidelity draft Folders 1-2 Consolation ‘Balsam of Peru, Toronto, Fall-Winter 1855-6’ draft Folder 3 Consolation Tuesday, November 18, 1997 draft Folder 4 Consolation Partial draft with reader comments Folders 5-15 Consolation Final draft 7.3, June 27, 2005, including artwork Folders 16-19 Fidelity Draft with holograph revisions Box 12 Consolation 21 folders Drafts Pat Strachan editorial correspondence Folders 1-6 Consolation Word processed draft with holograph and manuscript notes Folder 7 Pat Strachan, editor, TL Folders 8-21 Consolation Word processed draft with editorial revisions by Pat Strachan TLS July 28, 2005 9 Ms. Michael Redhill papers Coll. 2011 00668 Box 13 Consolation 28 folders Drafts, including 8.3 final draft Folders 1-15 Consolation Word processed draft with editorial revisions, 12/19/05 Folder 16 Ravi Mirchandani at William Heineman ANS Folders 17-28 Consolation Draft 8.3 final Box 14 Consolation 28 folders Partial drafts Contracts/rights Reader’s comments Folders 1-3 Consolation Miscellaneous loose draft Folders 4-6 Consolation Draft with editorial corrections Folder 7 Consolation Prepublication miscellaneous Folder 8 Consolation Foreign contracts and rights Folder 9 Consolation UK contracts Folder 10 Consolation Little, Brown contacts and prepublication Folder 11 Consolation Doubleday contracts and prepublication 10 Ms. Michael Redhill papers Coll. 2011 00668 Folder 12 Re: Toronto 1857, Armstrong, Beere and Hime [panoramas] Folder 13 Consolation The Winter Photograph [text] Folder 14 Consolation Camden/Hampstead 1850 Folder 15 Consolation Detailed readers’ comments by Steve Heighton, Maya Mavjee and Pat Strachan on draft 4 Folders 16-20 Consolation Draft 4.1 with Steve Heighton’s comments Folders 21-22 Consolation Partial draft Folder 23 Consolation ‘IV In Camera, early spring 1856’draft Folder 24 Consolation ‘V the World Below, Toronto, November 15-17, 1997’ draft Folder 25 Consolation Partial draft Folders 26-28 Consolation ‘Hallam of Toronto, Summer 1856’ draft Box 15 Consolation 32 folders Draft Pat Strachan edit Partial draft and notes Folders 1-20 Consolation 11 Ms.
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  • SCL/ÉLC Then and Now

    SCL/ÉLC Then and Now

    Up the Hill: SCL/ÉLC Then and Now John Clement Ball ince I first discovered it as a graduate student, Studies in Canadian Literature has always struck me as the CanLit journal that could. In its modest way (a Maritime thing or a Canadian Sthing?), it has quietly and with minimal fanfare helped disseminate and shape the discourse of Canadian literature criticism for four dec- ades — though perhaps at times overshadowed by the confident elder statesjournal Canadian Literature (1959- ) and the hipper-seeming Essays on Canadian Writing (1974-2009), both founded at bigger (and big-city) universities. SCL/ÉLC began in 1975 at the University of New Brunswick in Fredericton, in a department that had been dominated by Desmond Pacey for three decades until his death that same year. Thanks in no small part to Pacey’s pioneering work and that of many others within and outside UNB, these were heady days for Canadian literature: post- centennial cultural nationalism had been surging for nearly a decade; new writers and literary presses were popping up all over the country; thematic criticism ruled (but not for much longer); and our nation’s fic- tion, poetry, and drama was beginning to become a respectable subject of secondary and postsecondary study. Indeed, my southern Ontario high school had what I believe was its first Canadian literature segment of an English course in my Grade 11 year (1975-76); I remember read- ing Fifth Business, The Stone Angel, and The Watch That Ends the Night and doing a presentation on Gwendolyn MacEwen, whose poetry I con- sidered (in the go-to word of my teenage years) “bizarre.” At my wife’s Halifax high school, though, a full-year CanLit course was introduced only to be threatened with cancellation part way through by provincial officials nervous that the content might not be worthy of Grade 12 English credit.