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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
In Concert OCTOBER–NOVEMBER 2012
ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music. -
Hyperreal Australia the Construction of Australia in Neighbours and Home & Away
Hyperreal Australia the construction of Australia in Neighbours and Home & Away Melissa McEwen March 2001 This volume is submitted in partial fulfilment of the requirements for the degree of Master of Arts of the Australian National University in the Department of Australian Studies I wish to confirm that the thesis is my own work and that all sources used have been acknowledged. Melissa McEwen 30 March 2001 TABLE OF CONTENTS Statement of authorship ii Table of contents iii Acknowledgments iv 1. Introduction 1 2. Neighbours 5 Employment 7 Education 10 E thnicity 12 W om en 14 Masculinity 18 Relationships and sexuality 20 Lifestyle 22 Disease and mental illness 25 C onclusion 26 3. Home & Away 27 Employment 30 Education 32 Ethnicity 34 W om en 37 Masculinity 42 Relationships and sexuality 45 Lifestyle 48 Disease and mental illness 49 Conclusion 51 4. National Stories 52 What is soap opera? 52 National myths and representation 56 Jobs and education 60 Ethnicity and racism 64 W om en 67 Masculinity 72 Relationships and sexuality 75 Lifestyles 77 Disease and mental illness 79 C onclusion 80 iii j. Constructing Australia 81 Construction and reception of soaps 81 Impact of television 88 Hyperreal Australia 92 Conclusion 107 i. A Moment’s Reflection 108 Mbliography 111 iv ACKNOWLEDGMENTS As this thesis has been a long time in gestation, there are a number of people to thanks for their assistance and help: Jon McConachie for starting me down this path and John Docker for guiding me to the end; Ann Curthoys and Noel Purdon for helping to ensure -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Kuwait Times 1-11-2017.Qxp Layout 1
SAFAR 12, 1439 AH WEDNESDAY, NOVEMBER 1, 2017 Max 32º 32 Pages 150 Fils Established 1961 Min 21º ISSUE NO: 17370 The First Daily in the Arabian Gulf www.kuwaittimes.net Passenger seatbelt required to Jordan water crisis worsens as Historic Jewish quarter of Invincible Guardiola is 3 avoid vehicle impoundment 11 Mideast tensions slow action 32 Marrakesh sees revival 15 ripping up record books IMF urges Gulf to switch from oil, projects deficits of $160bn Fund warns GCC rift could dampen growth, endorses Saudi business zone DUBAI: The IMF yesterday advised economies to accelerate their diversi- energy-rich Gulf economies to speed fication outside oil and to promote a Dust hits up their diversification away from oil greater role for the private sector to after projecting the worst growth for lead growth and create additional the region since the global financial jobs,” said Jihad Azour, director of Kuwait with crisis. Oil exporters in the Middle the Middle East and Central Asia at East, especially those in the Gulf IMF. “Preparing their economies to cold winds Cooperation Council, have been hit the post-oil era is something that is hard by the collapse in crude prices becoming a priority for authorities all KUWAIT: A dust wave gripped which provided a major part of their over the GCC,” Azour said. “We are Kuwait in the early hours of yesterday, finances. Following the slump, GCC seeing governments developing causing visibility to drop drastically. members Bahrain, Kuwait, Oman, diversification strategies and intro- Along with the storm, relatively cold Qatar, Saudi Arabia and United Arab ducing a certain number of reforms to winds were blowing with the visibility Emirates undertook fiscal measures allow the economy to be prepared for level at 500 m in some areas. -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
Index to Marrickville Heritage Society Inc Newsletter Issn 0818-0695
INDEX TO MARRICKVILLE HERITAGE SOCIETY INC NEWSLETTER ISSN 0818-0695 Vol 1 No 1 June 1984 To Vol 25 No 10 June 2009 Compiled by Robert Thompson The first issue of Marrickville Heritage Society’s Newsletter appeared in June 1984, just a short time after the formation of the Society. That first issue boldly declared itself to be vol 1 no 1. That we are now able to present an index to Volumes 1 to 25 is due to the determination and skill of each of the editors and contributors who have continued to produce a publication of such high quality. An early decision taken by members of the Society was that it should be an active organisation, rather than a remote one where members would simply pay their subscriptions and leave all the work to a committee. Because of its superb program of activities it has become a true ‘society’. The resulting comradeship has seen members working together to preserve not only the built environment of Marrickville but, perhaps more importantly, our social history as well. The story of Marrickville’s people is a vibrant, ongoing one in which each of us continues to play a part. And while members’ research will uncover and document more of our past, the initiatives and activities of Marrickville Heritage Society will ensure its relevance to a wider society, encouraging the protection of our heritage into the future. The Newsletter records each of our excursions and the speakers – from within and outside the Society – who have entertained and informed us; the fascinating, the horrifying and the sometimes bizarre in Marrickville’s unique story. -
Sydney a Story of a City All Credits
(Head credits): (Animated title - the lettering starts in an old style, then turns into a modern font): In 1770 the English navigator James Cook charted the east coast of Australia. Eighteen years later a fleet of eleven ships dropped anchor off a small inlet that became known as Sydney cove. (The presentation credit is also animated, using old fashioned lettering which turns into a modern font, and with "presents" turning up in the process). City of Sydney presents (The main title is also animated, with the green cubes turning into the name of the city, and the old fashioned lettering giving away to a more modern font) SYDNEY A STORY OF A CITY (Tail credits): Starring Lucy Bell ● Paul Mercurio Directed by Geoff Burton ● Bruce Beresford Produced by Bruce Beresford ● Sue Milliken ● Philip Gerlach Written by John Izzard From a concept by Philip Gerlach Narration written by Stephen Sewell ● John Izzard Director of Photography Andre Fleuren ACS Editor Nicholas Holmes Music composed and conducted by Christopher Gordon Visual Effects Supervisor Belinda Bennetts Production Designer Roger Ford Unit Production Manager Anne Bruning First Assistant Director Jamie Crooks This film was developed with the financial assistance of Qantas The spirit of Australia - logo + insert of 747 taking off, with bonus Sydney smog Sydney Airport - logo This film was developed with the financial assistance of Tourism New South Wales - logo New South Wales Department of State and Regional Development - logo Sydney Showboats - logo Mercure hotels - logo Accor Feel Welcome -
Highlights-Week-45.Pdf
1 Top Pick Sunday 01 November, 8:30pm or later on iview The Beautiful Lie Anna lies and tells Xander the affair is over but she continues to sneak away to see Skeet whenever she can. Xander is paranoid so he checks Anna’s phone and whereabouts all the time, he hates the man he’s turning into. But when he sees Skeet sneaking out of their house, Xander is furious, he demands Anna move out. She goes to Skeet’s house for the first time and is completely enchanted. It’s magical and she manages to forget for one brief moment that the rest of her life is in pieces. Meanwhile, Dolly and Kingsley have moved to the country where Dolly finds it less romantic than she thought it was going to be. The irony is that due to Kingsley’s enforced commute to work she now spends more time alone with Gabriela. Determined to be a better person, and with her parents giving her the push she needs, Kitty moves in with Dolly. Peter’s sickly brother Nick arrives on the farm and wants to stay. Peter knows that Nick wants money, it’s an issue that constantly arises between them. Xander and Kasper head to the country to stay with Dolly and Kingsley. Dolly plans an impromptu dinner party, inviting Peter and Nick also. The night provides Peter the opportunity to have a moment with Kitty. She confesses to him that she regrets turning him down. They kiss and it’s fantastic. Short Synopsis Anna doesn’t like Xander keeping tabs on her, Skeet receives news that shocks him, Dolly arranges the worst dinner party ever but it does allow Peter and Kitty to meet again. -
Amanda Muggleton
BIOGRAPHY AMANDA MUGGLETON MUSICAL THEATRE HAIRSPRAY Velma HARVEST RAIN Callum Mansfield ANNIE Miss Hannigan PACKEMIN PRODUCTIONS DIR. LUKE JOSLIN BLOOD BROTHERS Mrs Johnstone HARVEST RAIN THEATRE COMPANY TORCH SONG TRILOGY Ma DARLINGHURST THEATRE DIR. STEPHEN COLYER THE THREEPENNY OPERA Mrs Peachum MALTHOUSE/VICTORIAN OPERA PRESENTED BY SYDNEY THEATRE CO DIR. MICHAEL KANTOR FOR ALL IT”S WORTH Maggie/Sarah KOOKABURRA (Workshop) DIR.GALE EDWARDS EUREKA! Mercedes Cortez ECHELON PRODUCTIONS DIR. GALE EDWARDS DARLING, IT’S NOEL Lead DIR.RODNEY FISHER WE WERE DANCING Clara, Lilly, Martha QUEENSLAND THEATRE CO DIR. MICHAEL GOW THE LION, THE WITCH, AND THE White Witch MALCOLM COOKE & ASSOC WARDROBE DIR. NADIA TASS HELLO, DOLLY! Dolly Levi THE PRODUCTION COMPANY DIR. RODNEY FISHER ANNIE Miss Hannigan GORDON FROST/ SEL DIR. MARTIN CHARNIN HMS PINAFORE Buttercup ESSGEE PRODUCTIONS DIR. CRAIG SCHAEFER THE SECRET DIARY OF Mrs Mole MICHAEL EDGLEY ADRIAN MOLE AUSTRALIAN TOUR DIR. TERENCE O’CONNELL THEATRE THE BOOK CLUB Deborah THE KING’S HEAD THEATRE (London season) DIR. NADIA TASS THE BOOK CLUB Deborah ANDREW KAY & ASSOCIATES (Melbourne season) DIR. NADIA TASS THE BOOK CLUB Deborah ENSEMBLE THEATRE (Sydney season) (solo show) DIR. RODNEY FISHER BOSTON MARRIAGE Anna QTC DIR. ANDREA MOOR THE BOOK CLUB Deborah HIT PRODUCTIONS (Australian tour) (solo show) DIR. RODNEY FISHER THE HAM FUNERAL Landlady STATE THEATRE COMPANY OF SA 2 LOVE, LOSS AND WHAT I WORE As cast SYDNEY OPERA HOUSE JUST THE TICKET Susan ENSEMBLE THEATRE (solo show) DIR. SANDRA BATES MADAGASCAR Lillian BLACK SWAN THEATRE COMPANY CALENDAR GIRLS Chris GORDON FROST ORGANISATION ME AND JEZEBEL Solo Show HELEN ELLIS PRODUCTIONS RUBY SUNRISE Lois/Ethel Reed ENSEMBLE THEATRE MAN FROM MUKINUPIN Mercy Montebello COMPANY B/ MTC THE FEMALE OF THE SPECIES Margo Mason THE PLAYHOUSE / STATE THEATRE CO SOUTH AUSTRALIA THE BOOKCLUB Deborah NOOSA LONG WEEKEND FESTIVAL (solo show) DIR. -
Belvoir Annual Report 2019
BELVOIR CONTENTS 2019: At A Glance 04 Chair’s Report 08 Artistic Director’s Report 10 Executive Director’s Report 12 2019 Season 14 Belvoir 2019 in Review 32 Corporate Governance Statement 50 Board & Staff 54 Supporters, Trusts & Foundations, and Partners 55 Donors 56 In the Rehearsal Room 58 Tom Hobbs. Photo by Brett Boardman. BELVOIR 2019 AT A GLANCE 98,575 44% NEW SINGLE TICKET FEMALE 9,692 BUYERS IN 2019 ATTENDEES WRITERS AT BELVOIR PRODUCTIONS 6 AUSTRALIAN PLAYS PLUS ONE NEW AUSTRALIAN TRANSLATION $4,626,583 & 3 WORLD PREMIERS BOX OFFICE REVENUE OF A BELVOIR PRODUCTION 59% CALD ARTISTS ON STAGE WORKSHOPS HOSTED IN 3,240 IN A WORKSHOP PARTICATED STUDENTS 40 REGIONAL SCHOOLS WRITERS 56% FEMALE UNDER COMMISSION STUDENT WORKSHOPS DIRECTORS 21 175 6,701 ATTENDEES AT ATTENDEES 5,069 STUDENTS & TEACHERS TO UNWAGED who attended a schools 25A or evening performance PERFORMANCES 1,667 PERFORMANCE SUDENTS ATTENDED A SCHOOLS PERFORMANCE 6,374 APPLICATIONS 62,391 646 FOR FREE SUBSCRIPTIONS SOLD 163 FOR 25A SOCIAL PERFORMANCES BELVOIR’S POPULAR PRODUCTION CHALLENGE MEDIA INDIVIDUAL NATIONAL (OPEN TO ALL INDEPENDENT 247 COMPANIES & EMERGING ARTISTS) PROPS FOR ARTISTS 1,979,616 PAGE VIEWS FOLLOWERS COUNTING & CRACKING OVER 250 EMPLOYED 80 ARTISTS ENGAGED THROUGH 25A ACROSS 8 PRODUCTIONS 561 WESTERN SYDNEY STUDENTS IN WORKSHOPS AT THEIR SCHOOLS 104 4 5 HELPMANN AWARDS MATILDA AWARDS BEST WRITING / ADAPTATION FOR THE AUSTRALIAN STAGE (THEATRE BEST PRODUCTION OF A PLAY BEST MUSICAL OR CABARET COMPANIES) Counting and Cracking Fangirls Belvoir / Co-Curious Belvoir, Queensland Theatre and Brisbane Alana Valentine and Ursula Yovich, Festival, in association with Australian Barbara and the Camp Dogs, BEST NEW AUSTRALIAN WORK Theatre for Young People Belvoir in association with Vicki Gordon S. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison.