Amanda Muggleton
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Danielle Carter
DANIELLE CARTER TRAINING Graduated from the National Institute of Dramatic Art (NIDA) in 1993 Moscow Arts Theatre School 2013 MICHA- The Michael Chekhov International Workshop USA 2015/2016/2017 The Michael Chekhov School USA 2015/2016/2017/2019 THEATRE The Norman Conquests (trilogy) Sarah Ensemble Theatre Company Dir: Mark Kilmurry Table Manners Sarah Ensemble Theatre Company Dir: Mark Kilmurry Living Together Sarah Ensemble Theatre Company Dir: Mark Kilmurry Round and Round the Garden Sarah Ensemble Theatre Company Dir: Mark Kilmurry FURY Alice Red Stitch Dir: Brett Cousins & Ella Caldwell E-Baby Catherine Ensemble Theatre Company Dir: Nadia Tass My Zinc Bed Elsa Quinn Ensemble Theatre Company Dir: Mark Kilmurry Richard III Elizabeth Ensemble Theatre Company Dir: Mark Kilmurry The Gingerbread Lady Toby Landau Ensemble Theatre Company Dir: Sandra Bates My Wonderful Day Paula Hammond Ensemble Theatre Company Dir: Anna Crawford Status Update Coral | Adam La Mama Dir: Sue Jones Absurd Person Singular Eva Jackson Ensemble Theatre Company Dir: Andrew Doyle The Cove - 8 Shorts Works Various Dog Theatre | IF Productions Dir: Matt Scholten A Midsummer Night’s Dream Titania Theatre Works Dir: Glenda Linscott Shadow Passion Catherine Harrow Chapel off Chapel Productions Dir: Anthony Crowley Europe Barbara 2006 VCA Directors Season Dir: Matt Scholten Still Order | Want me La Mama | Malthouse Dir: Bernadette Ryan lisa mann creative management pty ltd telephone: +61 2 9387 8207 | fax: +61 2 9389 0615 p.o. box 3145, Redfern, nsw 2016 australia email: -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Robert 'Moxy' Moxham Standby Props
Robert 'Moxy' Moxham Standby props 1 Inglebar Ave, Allambie Heights, NSW 2100 Ph 61 2 9451 9212 Mobile 0411 347 317 [email protected] resume 1975 to 2021 2021 poker face feature film parent up abc kids tv 2020 – 2021 elvis/kat king feature film 2019 ascendant feature film secrets she keeps tv drama peter rabbit 2 feature film 2018 reckoning tv drama the secret city 2 tv drama 2017 riot abc tv drama series easy beats abc tv drama series bite club tv drama series peter rabbit feature film 2016 2 unit on set art director thor ragnarok feature film production designer, dan henna – art director, Richard hobbs director, ben cooke – producer, tom hammel key standby props alien - covenant feature film production designer, chris seagers – art director, ian gracie director, ridley scott – producer, mark huffam key standby props hackshaw ridge feature film production designer, barry robison – art director, mark robbins director, mel gibson – producer, bill mechanic key standby props pirates of the caribbean “ dead men tell no tales” feature film production designer, nigel phelps – supervising art director, ian gracie directors joachim ronning & espen sandberg – producer, jerry bruckheimer 2014 standby props aftrs drama workshop screen content head of screen design, igor nay key standby props san andreas feature film production designer, barry chosid – art director, charlie revai director, brad peyton – producers, beau flynn & hiram Garcia 2013 key standby props unbroken feature film production designer, john hutman - art director, charlie -
66Th Miff Announces Full Program
66TH MIFF ANNOUNCES FULL PROGRAM GURRUMUL WORLD PREMIERE AT CLOSING NIGHT JANE CAMPION, MELISSA GEORGE AND LUCA GUADAGNINO LEAD GUEST LINE-UP SALLY POTTER AND PIONEERING WOMEN RETROSPECTIVES UNVEILED MELBOURNE, 12 JULY 2017 – Celebrating its 66th year, the Melbourne International FIlm Festival (MIFF) unleashes its full program with a mammoth line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from 3 to 20 August 2017. “What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.” After kicking-off the festival with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, presented by Grey Goose Vodka, the festival will wind up with the world premiere CLOSING NIGHT screening of Paul Williams’ GURRUMUL. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master. After the film, the audience will enjoy MIFF’s famous Closing Night party at the Festival Lounge. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
Porter Susie.Pdf
sue barnett & associates SUSIE PORTER TRAINING National Institute of Dramatic Art, 1995 FILM Mercy Road Abigail Arclight Films Dir: John Curran Transfusion Magistrate Deeper Water Films Dir: Matt Nable Gold Stranger One/ Rogue Star Productions Stranger Two Dir: Anthony Hayes Beverly (Short) Beverly Curious Films Dir: Roma D’Arrietta Ladies in Black Mrs Miles Samson Productions/The Ruskin Co. Dir: Bruce Beresford The Second Nina Sense and Centsability/STAN Dir: Mairi Cameron Sink (Short) Mother Roger Joyce Dir: Cloudy Rhodes Cargo Kay Causeway Films Dir: Ben Howling/Yolande Remke Don’t Tell Sue Scriven Tojohage Productions/ Scott Corfield Productions Dir: Tori Garrett Hounds of Love Maggie Maloney Factor 30 Films Dir: Ben Young A Priest in the Family (Short) Eileen Dir: Peter Humble/Anni Finsterer Is This the Real World Anna LAD Feature Film Pty Ltd Dir: Martin McKenna The Turning: On Her Knees Carol Arena Media Pty Ltd Dir: Ashlee Page Summer Coda Angela Revival Film Company Dir: Richard Gray Lonely Lonely’s Mum AFTRS The Caterpillar Wish Susan Dir: Sandra Scriberras Little Fish Jenny Porchlight Films Dir: Rowan Woods Teesh and Trude Teesh Dir: Melanie Rodrigues Better Than Sex Cynthia Better Than Sex Productions Dir: Jonathan Teplitsky Mullet Tully Porchlight Films Dir: David Caesar Star Wars: Episode II Hermione Bagwa Dir: George Lucas The Monkey’s Mask Jill Fitzpatrick Arena Film Dir: Samantha Lang Bootmen Sara Hilary Linstead and Associates Dir: Dein Perry Two Hands Deirdre Palm Beach Pictures Dir: Gregor Jordan Feeling Sexy Vicki Binnaburra Film Company Dir: Davida Allen Amy Anny Dir: Nadia Tass Welcome to Woop Woop Angie Dir: Stephen Elliott Paradise Road Oggi Dir: Bruce Beresford Idiot Box Betty Dir: David Caesar Mr. -
Vince Valitutti
VINCE VALITUTTI IMDB https://www.imdb.com/name/nm1599631/ Po Box 7140 GCMC Gold Coast~Qld 4217~ Australia Australian phone: +61-414069917 www.vincevalitutti.com [email protected] [email protected] FILM STILLS PHOTOGRAPHY 2020 : Godzilla vs Kong: Client: Legendary Ent, Warner Bros. Director: Adam Wingard Cast: Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Rebecca Hall, 2019 : Dora and the lost City of Gold: Client: Paramount Players, Walden Media Director: James Bobin Cast: Isabela Moner, Benicio Del Toro, Eva Longoria, Michael Pena, Eugenio Derbez 2018 : Swinging Safari: Client: Piccadilly Pictures, Wildheart Films Director: Stephan Elliot Cast: Kylie Minogue, Guy Pierce, Julian Mc Mahon, Radha Mitchell, Asher Keddie 2017 Kong Skull Island: Client: Warner Bros, Legendary Director: Jordan Vogt-Rodgers Cast: Samuel L. Jackson, Brie Larson, Tom Hiddleston, John Goodman, John C Riley 2017 Australia Day: Client: Hoodlum Entertainment Director: Kriv Stenders Cast: Bryan Brown, Matthew Le Nevez, Elias Anton, Sean Keenan, Daniel Weber 2016 The Shallows: Client: Sony Pictures Director: Jaume Collet Serra Cast: Blake Lively, Oscar Jaenada, Sedona Legge, 2014 The Inbetweeners 2: Client: Bwark productions Directors: Damon Beesley, Iain Morris Cast: James Buckley, Simon Bird, Joe Thomas, Blake Harrison, Freddie Stroma 2014 Unbroken (Additional stills): Client: Universal Pictures Directors: Angelina Jolie Cast: Jack O'Connell, Domhnall Gleeson, Jai Courtney, Finn Wittrock 2013 Nim’s Island 2: Client: Fox-Walden Director: -
The Byron Kennedy Award
THE BYRON KENNEDY AWARD The Byron Kennedy Award is awarded for outstanding creative enterprise within the film and television industries. The Award is given to an individual or organization whose work embodies the qualities of Byron Kennedy: innovation, vision and the relentless pursuit of excellence. The Award is presented by Kennedy Miller, in association with AFI | AACTA, and includes a cash prize of $10,000. 1984 Roger Savage for his innovative and pioneering work in film and television sound. 1985 Andrew Pike for his unorthodox and comprehensive contribution to the film industry. 1986 Nadia Tass and David Parker for their fiercely independent approach to filmmaking. 1987 Martha Ansara for her uncompromising use of film as a vehicle for consciousness- raising and her consistent help to filmmakers at the beginning of their careers. 1988 George Ogilvie for the profound wisdom of his work in theatre, film, television and ballet, and his highly influential workshops on ensemble performance. 1989 Jane Campion for her innovative, highly individual and uncompromising work in writing, producing and directing a body of outstanding films and television programmes which have gained recognition both in Australia and overseas. 1990 Dennis O'Rourke for his consistent innovation as an artist in the field of documentary. 1991 John Duigan for an impressive and original body of work both as writer and director, and through that work, his discovery and encouragement of new talent. 1992 Robin Anderson & Bob Connolly whose films are not only fine documentaries - they are great human dramas. They will allow no obstacle to divert their single-minded pursuit of excellence. -
Have We Found
ON STAGE The Summer 2005 newsletter of Vol.6 No.1 Have we found it? When offered the opportunity to be directly involved in the new musical production, Eureka, Darien Sticklen found himself asking with many others: Might this be the one? ow many of us over the years about five years—and list the creative team, have wanted to see a truly including Gale Edwards (directing and Horiginal Australian musical make co-authoring a new book with John it to hit status? Countless numbers have Senzcuk), Max Lambert and Michael Tyack tried. Here are selected extracts from (music), Peter England and Gabriella Darien Sticklen's Eureka Diary… Coslovich (set and costume design), Tony March 2004 Bartuccio (choreography) Trudy Dagleish (lighting design)…a talented team indeed. Seemingly out of the blue, I’m given a They’ve just had a workshop of the message that Simon Gallaher would like me new Act I script in Sydney and are to call him. After days of phone tag, we also planning a workshop of Act II finally speak. there in July, before rehearsals start. Simon wonders what my work schedule Their enthusiasm for the new is like in the later part of this year but is musical is infectious, of course. I very mysterious about the ‘acorn of an make it clear that I am not available idea’. Eventually he explains that on behalf during the Act II workshop period— of the producers of Eureka, he wants to this is not seen as a ‘deal- know if I’d be interested in taking the role breaker’. -
2010 - 2011 Annual R
Live Performance AustraliaTM Vision Strategic Priorities Ensure the growth and long term sustainability Workplace Relations Develop and review Industry Codes and of the Australian live performance industry Guidelines Lead industrial vision and policy for the industry • Consumer education & protection Strategic Intent • Develop our long range industrial relations policy position Membership Services, As the peak body for the broad live performance industry Communications and Events LPA will continue to meet the needs and interests • Negotiate new industrial agreements consistent with our policy position and which of members through the delivery of core services, Strengthen membership engagement communication and influence. reflect the global and digital environment Develop best practice frameworks • Ensure members are well informed about, The strategic flagship areas for LPA in the next and can easily access, LPA resources three years are: • Support industry OH&S compliance and practice • Encourage member engagement around key industry issues and policy positions Use industry knowledge • Advise and support members on new to position and influence industrial relations best practice Continue to provide quality membership services Use the knowledge we have Deliver Professional Development developed and continue to build Policy and Strategy including a national Producer Development this resource to represent and Program advance the business interests Build knowledge and information about the of the industry industry Present the annual Helpmann