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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
VIEW from the BRIDGE Marco Melbourne Theatre Company Dir: Iain Sinclair
sue barnett & associates DAMIAN WALSHE-HOWLING AWARDS 2011 A Night of Horror International Film Festival – Best Male Actor – THE REEF 2009 Silver Logie Nomination – Most Outstanding Actor – UNDERBELLY 2008 AFI Award Winner – Best Guest or Supporting Actor in a Television Drama – UNDERBELLY 2001 AFI Award Nomination – Best Actor in a Guest Role in a Television Series – THE SECRET LIFE OF US FILM 2021 SHAME John Kolt Shame Movie Pty Ltd Dir: Scott Major 2018 2067 Billy Mitchell Arcadia/Kojo Entertainment Dir: Seth Larney DESERT DASH (Short) Ivan Ralf Films Dir: Gracie Otto 2014 GOODNIGHT SWEETHEART (Short) Tyson Elephant Stamp Dir: Rebecca Peniston-Bird 2012 MYSTERY ROAD Wayne Mystery Road Films Pty Ltd Dir: Ivan Sen AROUND THE BLOCK Mr Brent Graham Around the Block Pty Ltd Dir; Sarah Spillane THE SUMMER SUIT (Short) Dad Renegade Films 2011 MONKEYS (Short) Blue Tongue Films Dir: Joel Edgerton POST APOCALYPTIC MAN (Short) Shade Dir: Nathan Phillips 2009 THE REEF Luke Prodigy Movies Pty Ltd Dir: Andrew Traucki THE CLEARING (Short) Adam Chaotic Pictures Dir: Seth Larney 2006 MACBETH (M) Ross Mushroom Pictures Dir: Geoffrey Wright 2003 JOSH JARMAN Actor Prod: Eva Orner Dir: Pip Mushin 2002 NED KELLY Glenrowan Policeman Our Sunshine P/L Dir: Gregor Jordan 2001 MINALA Dan Yirandi Productions Ltd Dir: Jean Pierre Mignon 1999 HE DIED WITH A FELAFEL IN HIS HAND Milo Notorious Films Dir: Richard Lowenstein 1998 A WRECK A TANGLE Benjamin Rectango Pty Ltd Dir: Scott Patterson TELEVISION 2021 JACK IRISH (Series 3) Daryl Riley ABC TV Dir: Greg McLean -
Danielle Carter
DANIELLE CARTER TRAINING Graduated from the National Institute of Dramatic Art (NIDA) in 1993 Moscow Arts Theatre School 2013 MICHA- The Michael Chekhov International Workshop USA 2015/2016/2017 The Michael Chekhov School USA 2015/2016/2017/2019 THEATRE The Norman Conquests (trilogy) Sarah Ensemble Theatre Company Dir: Mark Kilmurry Table Manners Sarah Ensemble Theatre Company Dir: Mark Kilmurry Living Together Sarah Ensemble Theatre Company Dir: Mark Kilmurry Round and Round the Garden Sarah Ensemble Theatre Company Dir: Mark Kilmurry FURY Alice Red Stitch Dir: Brett Cousins & Ella Caldwell E-Baby Catherine Ensemble Theatre Company Dir: Nadia Tass My Zinc Bed Elsa Quinn Ensemble Theatre Company Dir: Mark Kilmurry Richard III Elizabeth Ensemble Theatre Company Dir: Mark Kilmurry The Gingerbread Lady Toby Landau Ensemble Theatre Company Dir: Sandra Bates My Wonderful Day Paula Hammond Ensemble Theatre Company Dir: Anna Crawford Status Update Coral | Adam La Mama Dir: Sue Jones Absurd Person Singular Eva Jackson Ensemble Theatre Company Dir: Andrew Doyle The Cove - 8 Shorts Works Various Dog Theatre | IF Productions Dir: Matt Scholten A Midsummer Night’s Dream Titania Theatre Works Dir: Glenda Linscott Shadow Passion Catherine Harrow Chapel off Chapel Productions Dir: Anthony Crowley Europe Barbara 2006 VCA Directors Season Dir: Matt Scholten Still Order | Want me La Mama | Malthouse Dir: Bernadette Ryan lisa mann creative management pty ltd telephone: +61 2 9387 8207 | fax: +61 2 9389 0615 p.o. box 3145, Redfern, nsw 2016 australia email: -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
Australian Television, Music and Place
Screen Sound n1, 2010 SOUNDING EAST OF EVERYTHING Australian Television, Music and Place Liz Giuffre Abstract East of Everything is a contemporary Australian television drama series shot on the New South Wales North Coast in and around the popular tourist destination of Byron Bay. In addition to utilising the region’s visual beauty – a cinematographic technique commonly employed in Australian drama – East of Everything has harnessed the musical culture that has developed in the area over time. The series relies on its soundtrack to create a sense of place and illuminate the program’s dramatic progression. This article will explore the use of music to ‘place’ East of Everything, examining the incorporation of pre-existing and specially commissioned material. I will show that the sonic representation of place through music has been key to the program’s success, and that place in the Australian drama is revealed sonically to be as diverse, emotive and striking as the region’s visual landscape. Keywords Television, Soundtrack, Australian music, Byron Bay, Surfing Culture Introduction Billingham (2000) argues that television drama often relies on the creation of ‘geo- ideological’ relationships to attract audiences. As part of his evaluation of various contemporary British and American television drama series, he suggests that many successful programs created a “dialectic of literal notions of place and location, transposed with their ideological marking, signing and delineation” (2000: 1). For Billingham the depiction of place was central to the success of these television texts, with the program’s target audience engaged as visuals and sound worked in “symbiotic tandem” to create an “imagined city” (2000: 119). -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Inaugural Samsung Aacta Awards
INAUGURAL SAMSUNG AACTA AWARDS WINNERS BY PRODUCTION TELEVISION The Slap ‐ 5 Awards AACTA Award for Best Telefeature, Mini Series or Short Run Series AACTA Award for Best Direction in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Screenplay in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Lead Actor in a Television Drama ‐ Alex Dimitriades AACTA Award for Best Guest or Supporting Actress in a Television Drama ‐ Diana Glenn ‐ Episode 3 ‘Harry’ Cloudstreet ‐ 2 Awards AACTA Award for Best Young Actor ‐ Lara Robinson ‐ Part 1 AACTA Award for Outstanding Achievement in Television Screen Craft ‐ Herbert Pinter ‐ Production Design Angry Boys‐ 1 Award AACTA Award for Best Performance in a Television Comedy ‐ Chris Lilley East West 101, Season 3 ‐ The Heroes' Journey ‐ 1 Award AACTA Award for Best Television Drama Series The Gruen Transfer, Series 4 ‐ 1 Award AACTA Award for Best Light Entertainment Television Series Killing Time ‐ 1 Award AACTA Award for Best Guest or Supporting Actor in a Television Drama ‐ Richard Cawthorne ‐ Episode 2 Laid ‐ 1 Award AACTA Award for Best Television Comedy Series My Place, Series 2 ‐ 1 Award AACTA Award for Best Children's Television Series Packed To The Rafters ‐ 1 Award Switched On Audience Choice Award for Best Television Program Paper Giants: The Birth of Cleo ‐ 1 Award Switched On Audience Choice Award for Best Performance in a Television Drama ‐ Asher Keddie Sisters Of War ‐ 1 Award AACTA Award for Best Lead Actress in a Television Drama ‐ Sarah Snook INAUGURAL SAMSUNG AACTA -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Star-Studded Line-Up Set for the 7Th AACTA Awards Presented by Foxtel
Media Release Strictly embargoed until 12:01am Wednesday 22 November 2017 Star-studded line-up set for the 7th AACTA Awards presented by Foxtel The Australian Academy of Cinema and Television Arts (AACTA) has today announced the star-studded line- up of presenters and attendees of the 7th AACTA Awards Ceremony presented by Foxtel. Held at The Star Event Centre in Sydney on Wednesday 6 December and telecast on Channel 7, tickets are still available to enjoy a night of glamour and entertainment with the country’s biggest stars. Tickets are open to the public and industry and are selling fast. To book, visit www.aacta.org. The Ceremony will see some of Australia’s top film and television talent take to the stage to present, including: Jessica Marais, Rachel Griffiths, Bryan Brown, Charlie Pickering, Noni Hazlehurst, Shane Jacobson, Sophie Monk, Rob Collins, Samara Weaving, Daniel MacPherson, Tom Gleeson, Erik Thomson, Melina Vidler, Ryan Corr, Dan Wyllie and celebrated Indian actor and member of the Best Asian Film Grand Jury Anupam Kher. Nominees announced as presenters today include: Celia Pacquola, Pamela Rabe, Marta Dusseldorp, Stephen Curry, Emma Booth, Osamah Sami, Ewen Leslie and Sean Keenan. A number of Australia’s rising stars will also present at the AACTA Awards Ceremony, including: Angourie Rice, Nicholas Hamilton, Madeline Madden, and stars of the upcoming remake of STORM BOY, Finn Little and Morgana Davies. Last year’s Longford Lyell recipient Paul Hogan will attend the Ceremony alongside a number of this year’s nominees, including: Anthony LaPaglia, Shaynna Blaze, Luke McGregor, Don Hany, Jack Thompson, Kate McLennan, Sara West, Matt Nable, Jacqueline McKenzie and Susie Porter. -
TWG Presskit TX Date Compre
SEASON ONE SYNOPSIS The Wrong Girl is a new contemporary show called The Breakfast Bar, who drama that centres on the adventures fi nds herself torn between two very of 29-year-old Lily Woodward. different men. Brimming with exuberance, optimism Joining Jessica is a star-studded, and cheeky energy, The Wrong Girl is virtual Hall of Fame cast including a sharp, playful and fresh fresh look at Craig McLachlan (The Doctor Blake men and women, friendship, work and Mysteries, Packed To The Rafters), family. It is for anyone who has fallen Kerry Armstrong (Bed of Roses, in love with someone they were never Lantana), Madeleine West (Fat Tony meant to love. & Co., Satisfaction), comedian, author Great job? Tick. Great best friend? and actor Hamish Blake, and Christie Tick. Great fl atmate? Tick. So what Whelan Browne (Spin Out, Peter Allen: could possibly go wrong? Not The Boy Next Door). Based on the best-selling novel by Zoë Fast-rising local acting sensation Foster Blake, The Wrong Girl features Ian Meadows (The Moodys, 8MMM) Jessica Marais – the award-winning stars as Pete Barnett, Lily’s confl icted star of television hits such as Packed best friend. The dynamic Rob Collins, To The Rafters, Love Child and Carlotta fresh from his star turn as Mufasa – as Lily, the producer of a cooking in the acclaimed Australian stage segment on a morning television production of The Lion King, portrays Jack Winters, the charismatic television chef who might just have the essential ingredients for capturing Lily’s heart. Stunning newcomer Hayley Magnus (The Dressmaker, Slide) plays Simone, Lily’s always intriguing fl atmate. -
Amanda Muggleton
BIOGRAPHY AMANDA MUGGLETON MUSICAL THEATRE HAIRSPRAY Velma HARVEST RAIN Callum Mansfield ANNIE Miss Hannigan PACKEMIN PRODUCTIONS DIR. LUKE JOSLIN BLOOD BROTHERS Mrs Johnstone HARVEST RAIN THEATRE COMPANY TORCH SONG TRILOGY Ma DARLINGHURST THEATRE DIR. STEPHEN COLYER THE THREEPENNY OPERA Mrs Peachum MALTHOUSE/VICTORIAN OPERA PRESENTED BY SYDNEY THEATRE CO DIR. MICHAEL KANTOR FOR ALL IT”S WORTH Maggie/Sarah KOOKABURRA (Workshop) DIR.GALE EDWARDS EUREKA! Mercedes Cortez ECHELON PRODUCTIONS DIR. GALE EDWARDS DARLING, IT’S NOEL Lead DIR.RODNEY FISHER WE WERE DANCING Clara, Lilly, Martha QUEENSLAND THEATRE CO DIR. MICHAEL GOW THE LION, THE WITCH, AND THE White Witch MALCOLM COOKE & ASSOC WARDROBE DIR. NADIA TASS HELLO, DOLLY! Dolly Levi THE PRODUCTION COMPANY DIR. RODNEY FISHER ANNIE Miss Hannigan GORDON FROST/ SEL DIR. MARTIN CHARNIN HMS PINAFORE Buttercup ESSGEE PRODUCTIONS DIR. CRAIG SCHAEFER THE SECRET DIARY OF Mrs Mole MICHAEL EDGLEY ADRIAN MOLE AUSTRALIAN TOUR DIR. TERENCE O’CONNELL THEATRE THE BOOK CLUB Deborah THE KING’S HEAD THEATRE (London season) DIR. NADIA TASS THE BOOK CLUB Deborah ANDREW KAY & ASSOCIATES (Melbourne season) DIR. NADIA TASS THE BOOK CLUB Deborah ENSEMBLE THEATRE (Sydney season) (solo show) DIR. RODNEY FISHER BOSTON MARRIAGE Anna QTC DIR. ANDREA MOOR THE BOOK CLUB Deborah HIT PRODUCTIONS (Australian tour) (solo show) DIR. RODNEY FISHER THE HAM FUNERAL Landlady STATE THEATRE COMPANY OF SA 2 LOVE, LOSS AND WHAT I WORE As cast SYDNEY OPERA HOUSE JUST THE TICKET Susan ENSEMBLE THEATRE (solo show) DIR. SANDRA BATES MADAGASCAR Lillian BLACK SWAN THEATRE COMPANY CALENDAR GIRLS Chris GORDON FROST ORGANISATION ME AND JEZEBEL Solo Show HELEN ELLIS PRODUCTIONS RUBY SUNRISE Lois/Ethel Reed ENSEMBLE THEATRE MAN FROM MUKINUPIN Mercy Montebello COMPANY B/ MTC THE FEMALE OF THE SPECIES Margo Mason THE PLAYHOUSE / STATE THEATRE CO SOUTH AUSTRALIA THE BOOKCLUB Deborah NOOSA LONG WEEKEND FESTIVAL (solo show) DIR. -
The Getting of Wisdom
The getting film of wisdom Bruce Beresford has learned to accept that lights and camera don’t always mean action, writes Sandra Hall s a Sydney University want to lie and say it’s a masterpiece. student, film director “It might be okay. You just sort of Bruce Beresford (BA’64) hope. You can’t tell, you know.” A had thick, curly dark hair He will allow that it’s a great story. and an intense look that could well What struck him, he says, is the have scored him an audition to play determination shown by Li Cunxin, Byron or Heathcliff. These days, the who realised early on at the Beijing hair has thinned and the intensity Dance Academy that he wasn’t has been moderated by a mingling as naturally gifted as some fellow of self-deprecation, frank practicality students. Yet he worked so hard that and wry amusement at the wonders of he became one of the best. the industry in which he’s worked for A similar tenacity has marked almost 50 years. Beresford’s long career. He’s We meet at a coffee shop in the weathered tough times. Even better, Queen Victoria Building concourse. he’s written about many of them in He hasn’t eaten this morning and one of the frankest and funniest film having already discovered that the memoirs to be published in recent breakfasts here are good value; he years. Josh Hartnett Really Wants To Do orders a hearty bacon and eggs. This recounts his experiences during Newgate Prison on trial for her life.