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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
A New Perspective on the Presley Legend
JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket). -
Simon Gleeson
SIMON GLEESON TRAINING Western Australian Academy of Performing Arts – Graduate 1998 THEATRE Morning Melodies Simon Gleeson-Australia’s Leading Man Performer Arts Centre Australia Bring Him Home Performer Promac Productions Australia An Ideal Husband Sir Robert Chiltem Melbourne Theatre Company Dir : Dean Bryant Oklahoma! Curly McLain The Production Company Dir : Chris Parker Witches Performer Working Arts Productions The Classics : Broadway – Composers of the 21st Century Performer City of Stonnington APO NYE Concert 2017 Performer Australian Philharmonic Orchestra Spirit of Christmas 2017 Performer Queensland Performing Arts Centre Hay Fever Richard Greatham Melbourne Theatre Company Dir: Lee Lewis Les Misérables Jean Valjean Cameron Macintosh Ltd London Curtains Lieutenant Frank Cioffi The Production Company Dir: Roger Hodgman Les Misérables Jean Valjean Cameron Macintosh Australia Dir: Laurence Connor & James Powell Rupert Ensemble Kennedy Centre, Washington DC Rupert Ensemble Melbourne Theatre Co Dir: Lee Lewis Chess Anatoly (The Russian) The Production Company Dir: Gale Edwards Love Never Dies Raoul Gustave Stage Productions Dir: Simon Phillips Starting Here Starting Now Man Manilla Street Productions Dir: Andrew Macbean Imagine This Adam New London Theatre, West End Dir: Timothy Sheader Certified Male Howard Edinburgh Festival Dir: Glynn Nicholas The Silver Lake Severin Wexford Festival Dir: Keith Warner Southwark Fair Angus Royal National Theatre, London Dir: Nicholas Hytner lisa mann creative management pty ltd telephone: +61 -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Acting with Care: How Actor Practice Is Shaped by Creating Theatre with and for Children – Jennifer Andersen Declaration
Acting with care: How actor practice is shaped by creating theatre with and for children Jennifer Andersen ORCID ID: D-4258-2015 Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy December 2017 Melbourne Graduate School of Education The University of Melbourne Abstract Research has investigated the backgrounds, dispositions and skills of artists working with children in both school and in out-of-school contexts (Ascenso, 2016; Brown, 2014; Galton, 2008; Jeanneret & Brown, 2013; Pringle, 2002; Pringle, 2009; Rabkin, Reynolds, Hedberg, & Shelby, 2008; Waldorf, 2002). Actors make a significant contribution to this work but few studies focus in depth on how they create theatre with and for children. Incorporating constructivist, phenomenological (Van Manen, 1990) and case study methodologies, this research investigates the practice of nine actors who create theatre with and for children in diverse contexts. Drawing on document analysis, surveys, semi- structured interviews and performance observations, the research explores two key questions: What characterises the practice of actors who create theatre with and for children? and How is actor practice shaped by working with children? This thesis explores actor practice in relation to being, doing, knowing and becoming (Ewing & Smith, 2001). Shaped to be outward facing and ‘pedagogically tactful’ (Van Manen, 2015), actor practice gives emphasis to four key qualities: listening, reciprocating, imagining and empathising. When creating theatre with and for children, pedagogically tactful actors are guided by a sense of care and respect. This thesis adds to the discourse about artists working with children, making actor practice visible and drawing attention to their beliefs, goals, motivations and acting techniques. -
To Download a List of Locations That Have the Mr Moto Digital Screens
Mr Moto Digital Screen Event Advertising Network 273 Wellington St, Collingwood VIC 3066 +61 3 9417 7008 www.mrmoto.com.au EST.1985 Mr Moto Digital Screen Event Advertising Network 2019 Venue List Tourist Hub Venues All Nations Hotel 2 Spencer Street, Melbourne Athenaeum Theatre 188 Collins Street, Melbourne | Venue features 2 Digital Screens Base St Kilda 17 Carlisle Street, St Kilda Bird’s Basement Singers Lane, Melbourne Blondie Bar Melbourne Recital Centre - 31 Sturt Street, Southbank Bluetrain Southgate Shopping Centre - Level 2, Southgate Campari House 23 - 25 Hardware Lane, Melbourne Cosmopolitan Hotel 2 - 8 Carlisle Street, St Kilda Halftix Melbourne Town Hall, Collins & Swanston Streets, Melbourne Hairy Little Sista** 240 Little Collins Street, Melbourne | **Location currently closed Hotel Discovery 167 Franklin Street, Melbourne Ibis Styles Kingsgate Hotel 131 King Street, Melbourne Melbourne Central Shopping Centre Melbourne Central - Ground Floor, Swanston Street, Melbourne Melbourne Visitor Booth Bourke Street Mall, Melbourne | Venue features 3 Digital Screens Nomads Hotel on A’Beckett 198 A’Beckett Street, Melbourne Nomads St Kilda 24 Grey Street, Saint Kilda Quest on Bourke 155 Bourke Street, Melbourne Quest Abbotsford 612 Victoria Sreet, Abbotsford * Quest Hawthorn 616 Glenferrie Road, Hawthorn | Venue features 2 Digital Screens Quest Kew 19-21 Walpole Street, Kew Quest Williamstown 1 Syme Street, Williamstown * EST.1985 Professional Lifestyle Venues Airstream Cafe Century City Walk - 287 Springvale Road, Glen Waverley -
Amanda Muggleton
BIOGRAPHY AMANDA MUGGLETON MUSICAL THEATRE HAIRSPRAY Velma HARVEST RAIN Callum Mansfield ANNIE Miss Hannigan PACKEMIN PRODUCTIONS DIR. LUKE JOSLIN BLOOD BROTHERS Mrs Johnstone HARVEST RAIN THEATRE COMPANY TORCH SONG TRILOGY Ma DARLINGHURST THEATRE DIR. STEPHEN COLYER THE THREEPENNY OPERA Mrs Peachum MALTHOUSE/VICTORIAN OPERA PRESENTED BY SYDNEY THEATRE CO DIR. MICHAEL KANTOR FOR ALL IT”S WORTH Maggie/Sarah KOOKABURRA (Workshop) DIR.GALE EDWARDS EUREKA! Mercedes Cortez ECHELON PRODUCTIONS DIR. GALE EDWARDS DARLING, IT’S NOEL Lead DIR.RODNEY FISHER WE WERE DANCING Clara, Lilly, Martha QUEENSLAND THEATRE CO DIR. MICHAEL GOW THE LION, THE WITCH, AND THE White Witch MALCOLM COOKE & ASSOC WARDROBE DIR. NADIA TASS HELLO, DOLLY! Dolly Levi THE PRODUCTION COMPANY DIR. RODNEY FISHER ANNIE Miss Hannigan GORDON FROST/ SEL DIR. MARTIN CHARNIN HMS PINAFORE Buttercup ESSGEE PRODUCTIONS DIR. CRAIG SCHAEFER THE SECRET DIARY OF Mrs Mole MICHAEL EDGLEY ADRIAN MOLE AUSTRALIAN TOUR DIR. TERENCE O’CONNELL THEATRE THE BOOK CLUB Deborah THE KING’S HEAD THEATRE (London season) DIR. NADIA TASS THE BOOK CLUB Deborah ANDREW KAY & ASSOCIATES (Melbourne season) DIR. NADIA TASS THE BOOK CLUB Deborah ENSEMBLE THEATRE (Sydney season) (solo show) DIR. RODNEY FISHER BOSTON MARRIAGE Anna QTC DIR. ANDREA MOOR THE BOOK CLUB Deborah HIT PRODUCTIONS (Australian tour) (solo show) DIR. RODNEY FISHER THE HAM FUNERAL Landlady STATE THEATRE COMPANY OF SA 2 LOVE, LOSS AND WHAT I WORE As cast SYDNEY OPERA HOUSE JUST THE TICKET Susan ENSEMBLE THEATRE (solo show) DIR. SANDRA BATES MADAGASCAR Lillian BLACK SWAN THEATRE COMPANY CALENDAR GIRLS Chris GORDON FROST ORGANISATION ME AND JEZEBEL Solo Show HELEN ELLIS PRODUCTIONS RUBY SUNRISE Lois/Ethel Reed ENSEMBLE THEATRE MAN FROM MUKINUPIN Mercy Montebello COMPANY B/ MTC THE FEMALE OF THE SPECIES Margo Mason THE PLAYHOUSE / STATE THEATRE CO SOUTH AUSTRALIA THE BOOKCLUB Deborah NOOSA LONG WEEKEND FESTIVAL (solo show) DIR. -
Our Shared Passion for Music Philanthropy Impact Report 2015–16 $1.3 Million Raised Through Philanthropy
Our Shared Passion For Music Philanthropy Impact Report 2015–16 $1.3 million raised through philanthropy. Philanthropy now provides 11% of the Centre’s income. Accessibility programs for over 1200 Share the Music participants. The launch of the Mary Vallentine Limitless Stage Fund with over $190,000 pledged in support. The launch of the In Conversation series supported by Amplify donors. A strong community of 6000 donors. and so much more... Thank You This is my first opportunity as CEO to acknowledge and thank you for your generous support that has enabled Melbourne Recital Centre to present extraordinary and memorable performances in 2015-16. You have helped the Centre present over 306 concerts, music education and access events experienced by 71,161 people from all walks of life. Highlights have included Helpmann Award-winning concerts, a lively commissioning program, significant growth in the Centre’s access initiatives and an exciting legacy gift in honour of departing CEO Mary Vallentine AO, all made possible by you. The Centre’s ambience, sublime spaces and engaged audiences draw inspired performances virtually every night of the year. Internationally-renowned musicians comment on how much they enjoy performing for us. Pierre-Laurent Aimard’s magisterial performance of Messiaen’s Vingt regards sur l’enfant-Jésus was honoured with a Helpmann Award, and baritone Florian Boesch with pianist Malcolm Martineau’s thrilling readings of the three great Schubert song cycles were nominated. Contemporary music presentations grew significantly in number and scale, led by the September premiere of the Centre’s new commission A State of Grace: The Music of Tim and Jeff Buckley. -
Opera Australia 2018 Annual Report
2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
Everything You Need to Know
EVERYTHING YOU A publication NEED TO KNOW A publication PREMIER EVENTS 15 – 18 MArCh 2012 The ArTs CenTre, sTATe TheATre FIVe shOWs OnLY ! National Ballet of China with the National Ballet of China Symphony Orchestra ★★★★ TICKeTs ‘China's equivalent of Romeo and Juliet... $89 – $159 stands out as a captivating original ’ Group and concession The GuArdIAn tickets also available ‘A ravishing spectacle few will forget’ WALL sTreeT JOurnAL theartscentre.com.au*, 1300 182 183* or the Arts Centre Box Office *Transaction fee applies The Ministry of Culture, People’s Republic of China MIDSUMMA FESTIVAL 15 JANUARY - 5 FEBRUARY 2012 FOR MORE INFORMATION VISIT : WWW.MIDSUMMA.ORG.AU | starobserver.COM.AU PREMIER EVENTS PUBLISHER SSO Media Scott Abrahams PO BOX 537 Prahran, VIC SALES & MARKETING AUSTRALIA 3181 Mike Evans E: [email protected] FEATURE The views expressed are Welcome one and all CO-ORDINATOR not necessarily those of the Andie Noonan It’s Midsumma! Time to come together to celebrate queer culture in Melbourne. publisher. No responsibility is accepted by the publisher for Wherever you are on the LGBTI spectrum the team at Midsumma wants you to feel this is PRODUCTION DESIGN the accuracy of information your festival. Troy Murphy contained in any part of the Tomas Nemecek There’s a rich and diverse program this year and we are proud to deliver it to you. text or advertisements in this publication. Advertisers are To the excellent staff, board, volunteers, sponsors and government support – a huge thanks. WEBSITE www.starobserver.com.au responsible for advertising Book tickets, see shows, enjoy the parties and celebrate the diversity of our community.