State of Subtitling 2011 Report
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Terrestrial Special
techMEDIA TECHNOLOGY & INNOVATION issue-i 15 • march 2013 Terrestrial Special Plus • NEW AUDIO TECHNOLOGIES • MISSION: INTEGRATION • INTERCOM INTEROP • MEET THE TLOS • SOLVING SATELLITE JAMMING • DIGITAL AGENDA IN EUROPE and more... tech.ebu.ch viewpoint Keeping tech the digital contents-i economy Issue 15 • March 2013 on the road 3 News & Events Lieven Vermaele 4 News & Events EBU Director of Technology & Innovation 5 News & Events 6 Audio Formats ntil ten years ago the world broadband is not there only because of 7 Binaural Audio of media delivery was simple. growing public demand, but also because it Broadcast networks, whether may be a strategic asset for purchasers. 8 Member Profile: SVT Uterrestrial, satellite or cable, were Undeniably, it can be a strategy to minimize central to the delivery of media (as indeed the relevance of the terrestrial broadcast 9 IMPS they still are). Though some broadcasters platform, and by doing so, make alternative 10 700 mhz Band operated their own terrestrial transmitter but more expensive media delivery methods network, normally there was a direct the only real solution in the market. 12 SP Update: Spectrum (contractual) relationship between the media Continuing with the transport metaphor, Management organization and the network whereby the in today’s digital economy more money is 13 Media Delivery network operator’s function was simply and made with road tolls than with the services solely the transport of media services. using the roads. A fertile digital economy 14 EU Agenda With the growth of IP and broadband should be built around the services that use internet, the world of broadband media was the roads, not with the roads themselves. -
TV Nova S.R.O. GENERAL and PRICING TERMS and CONDITIONS of INTERNET ADVERTISEMENT October 17, 2019
TV Nova s.r.o. GENERAL AND PRICING TERMS AND CONDITIONS OF INTERNET ADVERTISEMENT October 17, 2019 the Advertiser to the Provider that is necessary for the publication of the PREAMBLE Internet Advertisement on the Servers in compliance with the Specific These Terms and Conditions represent the general and pricing terms and Order; conditions concerning the procurement of the publication of an Internet “Advertising Format” shall mean an ordinary technical execution of the Advertisement on the Servers and shall apply to all Advertisers purchasing advertising message, which is different from the Advertising Spot and/or the an Internet Advertisement from the Provider. Non-Standard Advertising, referred to in the Technical Conditions of Internet Advertisement and the relevant Internet Advertisement Price List; These Terms and Conditions shall enter into effect on October 17, 2019, and “Advertising Position” shall mean a specific space on the web page of the shall substitute any and all previous general and pricing terms and given service on the Server where the individual Advertising shall be conditions regulating the publication of an Internet Advertisement purchased presented. The Advertising Positions may be specified in the relevant from the Provider. Internet Advertisement Price List; TABLE OF CONTENTS “Advertising Spot” shall mean an audiovisual or, as the case may be, visual announcement, display or other presentation determined for the support of 1. Definitions business activities, in particular, support of the consumption or sale of 2. Purchase of Internet Advertisement goods, housing, the lease or sale of real estate, the sale or exercise of rights 3. Placement of Internet Advertisement or obligations, support for providing services; 4. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3
1 Reuters Institute Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3 Reuters Institute Digital News Report 2018 Nic Newman with Richard Fletcher, Antonis Kalogeropoulos, David A. L. Levy and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2018 4 Contents Foreword by David A. L. Levy 5 3.12 Hungary 84 Methodology 6 3.13 Ireland 86 Authorship and Research Acknowledgements 7 3.14 Italy 88 3.15 Netherlands 90 SECTION 1 3.16 Norway 92 Executive Summary and Key Findings by Nic Newman 8 3.17 Poland 94 3.18 Portugal 96 SECTION 2 3.19 Romania 98 Further Analysis and International Comparison 32 3.20 Slovakia 100 2.1 The Impact of Greater News Literacy 34 3.21 Spain 102 2.2 Misinformation and Disinformation Unpacked 38 3.22 Sweden 104 2.3 Which Brands do we Trust and Why? 42 3.23 Switzerland 106 2.4 Who Uses Alternative and Partisan News Brands? 45 3.24 Turkey 108 2.5 Donations & Crowdfunding: an Emerging Opportunity? 49 Americas 2.6 The Rise of Messaging Apps for News 52 3.25 United States 112 2.7 Podcasts and New Audio Strategies 55 3.26 Argentina 114 3.27 Brazil 116 SECTION 3 3.28 Canada 118 Analysis by Country 58 3.29 Chile 120 Europe 3.30 Mexico 122 3.01 United Kingdom 62 Asia Pacific 3.02 Austria 64 3.31 Australia 126 3.03 Belgium 66 3.32 Hong Kong 128 3.04 Bulgaria 68 3.33 Japan 130 3.05 Croatia 70 3.34 Malaysia 132 3.06 Czech Republic 72 3.35 Singapore 134 3.07 Denmark 74 3.36 South Korea 136 3.08 Finland 76 3.37 Taiwan 138 3.09 France 78 3.10 Germany 80 SECTION 4 3.11 Greece 82 Postscript and Further Reading 140 4 / 5 Foreword Dr David A. -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Katso Televisiota, Maksukanavia Ja Makuunin Vuokravideoita 4/2017 Missä Ja Millä Vain
KATSO TELEVISIOTA, MAKSUKANAVIA JA MAKUUNIN VUOKRAVIDEOITA 4/2017 MISSÄ JA MILLÄ VAIN. WATSON TOIMII TIETOKONEELLA, TABLETISSA JA ÄLYPUHELIMESSA SEKÄ TV-TIKUN TAI WATSON-BOKSIN KANSSA TELEVISIOSSA. WATSON-PERUSPALVELUN KANAVAT 1 Yle TV1 12 FOX WATSONISSA 2 Yle TV2 13 AVA MYÖS 3 MTV3 14 Hero 4 Nelonen 16 Frii MAKUUNIN 5 Yle Fem / SVT World 18 TLC UUTUUSLEFFAT! 6 Sub 20 National Geographic 7 Yle Teema Channel 8 Liv 31 Yle TV1 HD 9 JIM 32 Yle TV2 HD Powered by 10 TV5 35 Yle Fem HD 11 KUTONEN 37 Yle Teema HD Live-tv-katselu. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu tv-tikun tai Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Vain live-tv-katselu Watson-boksin kautta. Vain live-tv-katselu. KANAVAPAKETTI €/KK, KANAVAPAIKKA, KANAVA Next 21 Discovery Channel C 60 C More First Sports 121 Eurosport 1 HD *1 0,00 € 22 Eurosport 1 C 61 C More First HD 8,90 € 122 Eurosport 2 HD 23 MTV C 62 C More Series 123 Eurosport 2 24 Travel Channel C 63 C More Series HD 159 Fuel TV HD 25 Euronews C 64 C More Stars 160 Motors TV HD 27 TV7 C 66 C More Hits 163 Extreme Sports HD Start 33 MTV3 HD *1 C 67 SF Kanalen 200 Nautical Channel 0,00 € C 75 C More Juniori Base 126 MTV Live HD *1 C More Sport S Pakettiin sisältyy oheisella 8,90 € 150 VH1 Swedish 40 SVT1 4,30 € 41 SVT2 24,95 € tunnuksella merkityt 151 Nick Jr. -
Sveriges Televisions Public Service-Redovisning 2018
SVERIGES TELEVISIONS PUBLIC SERVICE-REDOVISNING 2018 SERVICE-REDOVISNING TELEVISIONS PUBLIC SVERIGES Sveriges Televisions public service-redovisning 2018 Sveriges Televisions public service-redovisning 2018 © Sveriges Television AB 2019 Kontakt: SVT Strategi, 105 10 Stockholm Redaktör: Jocke Norberg Redaktion: Jimmy Ahlstrand, Ulrika von Celsing, Johan Hartman, Annaelisa Hedman, Anna Kåstedt, Johan Lindén, Tomas Lindhé, Sara Ohlsson och Catarina Wilson Layout: Anna Markevärn Omslagsfoto: Bonusfamiljen, Ulrika Malm/SVT och Sommarlov, Mattias Ankrah/SVT Inlagebilder s. 62 och 86: Foap. Övriga bilder SVT. SVT äger rätt till bilder i dokumentet. Tryck: Tryckservice i Ängelholm AB, 2019 Innehåll 1. Inledning 5 1.1 VD har ordet 5 1.2 SVT i ett föränderligt medie landskap 6 1.3 Årets redovisning 6 2. Det här vill SVT 8 2.1 Oberoende 8 2.2 Värde 9 2.3 Genomslag 10 2.4 Framtida målarbete 10 3. Detta har SVT bidragit med 11 3.1 Värde 11 3.2 Genomslag 17 4. Kvalitet och utveckling 21 4.1 Uppdragsprocess 21 4.2 Externa produktionsbolag 21 4.3 Publicistisk kontroll 21 4.4 Nya tjänster 23 4.5 Svenska språket 23 4.6 Decentraliserad organisation 23 4.7 Teknisk eller annan utveckling 26 4.8 Beredskap och sändningskvalitet 26 5. Här finns SVT 28 5.1 Kanaler 28 5.2 Mottagningsplattformar 30 5.3 Kärnverksamhet och kompletterande verksamhet 31 6. Bredden i utbudet 35 6.1 Programkategorier 35 7. Särskilda uppdrag och målgrupper 37 7.1 Jämställdhet, mångfald och spegling 37 7.2 Nyheter och samhällsbevakning 40 7.3 Kulturuppdraget 44 7.4 Barn och unga 46 7.5 Tillgänglighet 50 7.6 Minoritetsspråk 54 7.7 Variation i produktionsformer 56 7.8 Folkbildning 57 7.9 SVT:s samlande roll 58 7.10 Möten och dialoger 60 8. -
Sveriges Televisions Public Service-Redovisning 2019
SVERIGES TELEVISIONS PUBLIC SERVICE-REDOVISNING 2019 SERVICE-REDOVISNING TELEVISIONS PUBLIC SVERIGES Sveriges Televisions public service-redovisning 2019 Sveriges Televisions public service-redovisning 2019 © Sveriges Television AB 2020 Kontakt: SVT Strategi, 105 10 Stockholm Redaktör: Alexandra Björnstjerna Hjelm Redaktion: Ulrika von Celsing, Marianne Falksveden, Johan Hartman, Annaelisa Hedman, Pauline Klang Burvall, Johan Lindén, Tomas Lindhé, Sara Ohlsson, Robert Olsson och Catarina Wilson. Layout: Anna Markevärn Omslag: Landet lyckopiller med Nour El Rafai. Foto: Pia Lehto/SVT och vinnaren av Melodifestivalen 2019 John Lundvik. Foto: Stina Stjernkvist/SVT. Övriga bilder SVT. SVT äger rätt till bilder i dokumentet. Tryck: Tryckservice i Ängelholm AB, 2020 Innehåll 1. Inledning 5 1.1 VD har ordet 5 1.2 SVT i ett föränderligt medie landskap 6 1.3 Årets redovisning 6 2. Det här vill SVT 10 2.1 Oberoende 10 2.2 Värde 11 2.3 Genomslag 12 2.4 Framtida målarbete 13 3. Detta har SVT bidragit med 14 3.1 Värde 14 3.2 Genomslag 19 4. Kvalitet och utveckling 21 4.1 Uppdragsprocess 22 4.2 Externa produktionsbolag 22 4.3 Publicistisk kontroll 22 4.4 Nya tjänster 26 4.5 Det svenska språket 26 4.6 Decentraliserad organisation 26 4.7 Teknisk eller annan utveckling 28 4.8 Beredskap och sändningskvalitet 29 5. Här finns SVT 30 5.1 Kanaler 30 5.2 Mottagningsplattformar 32 5.3 Kärnverksamhet och kompletterande verksamhet 32 6. Bredden i utbudet 37 6.1 Programkategorier 37 7. Särskilda uppdrag och målgrupper 39 7.1 Jämställdhet, mångfald och spegling 39 7.2 Nyheter och samhällsbevakning 43 7.3 Kulturuppdraget 49 7.4 Barn och unga 53 7.5 Tillgänglighet 59 7.6 Minoritetsspråk 63 7.7 Variation i produktionsformer 67 7.8 Folkbildning 68 7.9 Det samlande uppdraget 70 7.10 Möten och dialoger 72 8. -
Sandyblue TV Channel Information
Satellite TV / Cable TV – Third Party Supplier Every property is privately owned and has different TV subscriptions. In most properties in the area of Quinta do Lago and Vale do Lobo it is commonly Lazer TV system. The Lazer system has many English and European channels. A comprehensive list is provided below. Many other properties will have an internet based subscription for UK programs, similar to a UK Freeview service. There may not be as many options for sports and movies but will have a reasonable selection of English language programs. If the website description for a property indicates Satellite television, for example Portuguese MEO service (visit: https://www.meo.pt/tv/canais-servicos-tv/lista-de-canais/fibra for the current list of channels) you can expect to receive at least one free to air English language channel. Additional subscription channels such as sports and movies may not be available unless stated in the property description. With all services it is unlikely that a one off payment can be made to access e.g. boxing or other pay per view sport events. If there is a specific sporting event that will be held while you are on holiday please check with us as to the availability of upgrading the TV service. A selection of our properties may be equipped to receive local foreign language channels only please check with the Reservations team before booking about the TV programs available in individual properties. If a villa is equipped with a DVD player or games console, you may need to provide your own DVDs or games. -
Meine Fernseh- Sender
Informationen und Übersichten MEINE FERNSEH- SENDER TV HERZLICHEN GLÜCKWUNSCH ZU IHREM SCHLAU.COM-KABELANSCHLUSS. Dank der Entscheidung Ihres Vermieters / Ihrer Hausverwaltung / Ihrer Wohnungsbaugenossenschaft, das Glasfasernetz von schlau.com zu nutzen, können Sie jetzt über 50 analoge TV-Programme empfangen. Was Sie vielleicht noch nicht wissen: Mit der einmaligen Anschaffung eines Conaxfähigen Kabelreceivers empfangen Sie sogar über 190 freie digitale Programme – ohne zusätzliche Gebühren! Unser PAY TV-Angebot bietet Ihnen zusätzlich die Möglichkeit, sich ganz nach Ihrem Geschmack Programme zusammenzustellen: in insgesamt 24 Programm-Paketen finden Sie Spielfilm-Sender, Sport, Special Interest und ausländische Programminhalte in großer Vielfalt. Sie können also aus einem Angebot von über 300 TV-Programmen Ihre persönlichen Favoriten wählen! Analoge TV- und Radio-Sender S. 3 Über 50 freie TV-Programme, 33 Radiosender: Hier finden Sie eine Übersicht über alle Programme und Sender, die Sie frei und ohne Kabelreceiver empfangen können. FREE TV digital S. 10 Über 190 Programme frei empfangbar mit Kabelreceiver. Hier finden Sie eine Übersicht über alle TV-Sender, Sendeplätze und Sendezeiten. PAY TV S. 17 Hier finden Sie eine Übersicht über alle Pakete und Preise. Programmvielfalt in 24 Pay-TV-Paketen: deluxe S. 18 deluxe XL S. 19 doku+news S. 20 fun+sports S. 20 lifestyle S. 21 music+emotion S. 21 españa S. 22 mexico S. 22 croatia S. 22 russkij 1 / russkij 2 S. 23 polski 1 / polski 2 / polski 3 S. 24 arabia S. 25 india S. 25 türkiye 1 / türkiye 2 S. 26 italia 1 / italia 2 S. 27 svenska S. 27 serbia 1 / serbia 2 S. 28 greece 1 / greece 2 S. -
Kanavaniput Ja Taajuudet
1 KANAVANIPUT JA TAAJUUDET Päivitetty 20.10.2016 Taajuus 234 Mhz Kanavanippu 1 (qam 128) Ohj. Nro YLE TV1 1 YLE TV2 2 MTV3 3 Nelonen 4 YLE Fem 5 Sub 6 YLE Teema 7 Jim 9 YLE Puhe R 1 YLE Klassinen R 3 YLEMONDO ! R 5 Taajuus 370 Mhz Kanavanippu 2 (qam 128) Ohj. Nro VFilm Premiere 467 VFilm Family 471 VFilm Action 473 VFilm Comedy 475 VFilm Hits 477 Viasat Sport 455 3Sat 367 Taajuus 538 Mhz Kanavanippu 3 (qam 128) Ohj. Nro RTL Television 364 TVE Internacional 374 Rai1 375 ARTE 369 Brazzer TV Europe 395 Rai2 376 Taajuus 354 Mhz Kanavanippu 4 (qam 128) Ohj. Nro Playboy TV 394 VH1 Classic 329 MTV Music 327 TotoTV 398 Viasat Golf 461 2 Viasat History 492 Viasat Explorer 490 Viasat Nature/playboy 494 Nickjr 109 Taajuus 346 Mhz Kanavanippu 5 (qam 128) Ohj. Nro SVT 1 356 SVT 2 357 SVTB/SVT24 361 TV3 358 TV4 Sverige 359 NTV Mir 380 Channel One Russia (ORT) 381 Taajuus 338 Mhz Kanavanippu 6 (qam 128) Ohj. Nro Extreme Sports Channel 338 CBS Reality 321 TV6 360 Cartoon Network 313 Nordic TCM 312 Nelonen Prime 106 Taajuus 322 Mhz Kanavanippu 7 (qam 128) Ohj. Nro CNN International Europe 190 Discovery Channel 100 Animal Planet 124 Discovery Science 168 Discovery World 169 TLC 167 VH1 139 Taajuus 314 Mhz Kanavanippu 8 (qam 128) Ohj. Nro C MoreFirst 400 C More Hits 402 C More Series 407 C More Stars 409 SF Kanalen 411 3 Taajuus 258 Mhz Kanavanippu 9 (qam 128) Ohj. -
Enhancing Content Discovery in Video on Demand Services for Children
Enhancing content discovery in Video on Demand services for children Maja Andersson Maja Andersson Spring 2017 Master Thesis, 30 hp Supervisor: Keni Ren External Supervisors: Erik Wahlgren Examiner: Thomas Mejtoft M.Sc. Interaction Technology and Design, 300 hp Acknowledgements Thanks to SVT’s interactive department and especially Barnplay for supporting this thesis. A special thanks for valuable feedback to the supervisor at Umeå University, Keni Ren, as well as the supervisor at SVTi, Erik Wahlgren, and the UX designer in Barnplay, Sofia Persson. A big thank you to Susanne Eriksson and her colleagues at Enångers förskola, Oskar Englin and his colleagues at Enångers skola, Marie Dellesjö and her colleagues at Hudik skolan and Johanna Nordqvist and her colleagues at Bobygda skolan for letting user studies be conducted there. A special thanks to the children and parents who participated in the interviews and observations. Finally, thanks to the peer reviewers David Bergvik, Simon Johansson and Freja Wieslander. Abstract The media landscape is changing and Internet-based streaming services for children are becoming increasingly popular. The concept of online streaming extends freedom and control over content selection but discovering new content is often experienced as troublesome. The objective of this thesis is to identify parameters to make it easier for users of streaming services for children to discover and watch unfamiliar programs. Guidelines are formed based on literature studies, interviews, observa- tions, a survey, a benchmark, data analysis with Adobe Analytics, a workshop and finally user tests with prototypes. These guidelines conclude that content should be categorized, dynamicized, highlighted and socially engaging.