View from the Fringe Newsletter of the New England Rug Society
Total Page：16
File Type：pdf, Size：1020Kb
View from the Fringe Newsletter of the New England Rug Society Vol. XVIII, No. 1 September 2010 www.ne-rugsociety.org September Meeting: Austin Doyle on East Caucasian Rugs Austin Doyle, a Washington, D.C. collector of Caucasian rugs, will kick off the NERS’s 2010-2011 September/October Meeting Details season with a talk on “Development of Design Elements Date: Doyle: Friday, September 10 in Rugs of the Eastern Caucasus.” The meeting will be Festa: Friday, October 8 held on Friday evening, September 10, at 7:30 p.m. at First Parish in Lincoln. Time: 7:30PM The Eastern Caucasus has long been a corridor of Place: First Parish, Bedford Road, Lincoln migration between Europe and Asia, creating a rich cul- Note: Non-members welcomed for $10 fee tural confluence of ethnic traditions in the area. At the Directions: end of the 19th century, East Caucasian weavers, par- From Rte. 95 (128) take the Trapelo Road West exit ticularly in the Kuba and Shirvan areas, produced huge (#28B) in Waltham. Proceed west about 2.5 miles to numbers of rugs and carpets with stereotypical designs a stop sign at the five-way intersection in Lincoln (there associated with particular towns and villages. Smaller is a white planter in the middle of the intersection.) numbers of older pieces from the area also exist. These Go right on Bedford Road for 0.1 miles to Bemis earlier pieces provide a design link between the later Hall, a large brick building on your right. The parish production and earlier design influences such as indig- house is on your left. enous village production, carpets from early area work- From Rte. 2 take Bedford Road, Lincoln Center exit shops, and even Azerbaijani embroideries and flat (eastbound, turn right at light; westbound, go through weaves. Austin will review the design development and light, turn right, and circle 270 degrees to cross Rte. characteristics of color and structure of East Caucasian 2 at the light.) Proceed 0.9 miles and you will see rugs that predate the late 19th century. Bemis Hall, a large brick building on your left. The Austin’s interest in oriental rugs began innocently parish house is on your right. enough when he bought a house with wooden floors. After recovering from a nasty bout of auction fever, he Parking: fell under the spell of the show-and-tell programs at the In back of the parish house plus along the street. It’s Washington Textile Museum. Always interested in his- OK to park in front of Bemis Hall provided the build- tory and art, he gravitated towards the colors of Cauca- ing is dark and not in use. Continued on page 2 October Meeting: Mae Festa on “My First 40 Years of Collecting” On October 8, the NERS will be treated to a view ciation Morning. Using images taken in her home along of the collection and collecting habits of a familiar and with the actual pieces, Wendel became Mae’s voice, long-standing member Mae Festa. The meeting will be showing and describing the selected pieces. The audi- held at 7:30 pm at the First Parish Church in Lincoln. ence, as well as Mae and her husband, Gene, enjoyed From time to time, some of Mae’s wonderful ob- the morning. jects have appeared in exhibitions, but the vast majority The NERS leadership felt that celebrating Mae’s has never been seen or displayed outside her home. long association with our group and re-creating that pre- Wendel Swan persuaded Mae, a member of The Tex- sentation would make for a very special meeting. This tile Museum’s Advisory Council, to bring a selection of program with Mae and Wendel Swan will reprise that pieces from her collection to the Museum this year for a Textile Museum event. Every continent is represented special presentation for the TM Rug and Textile Appre- Continued on page 10 Page 2 View from the Fringe September Meeting Continued from page 1 more individual pieces that offer a glimpse into this fas- sian rugs, and became increasingly attracted to the more cinating weaving tradition. He will bring some examples complex designs and tremendous technical skill of from his collection and encourages NERS members to Shirvan and Kuba weavings. Austin avoids the glut of bring Caucasian pieces for show and tell. later commercial Caucasian rugs and looks for older and October Meeting Continued from page 1 in Mae’s collection, partly the result of her travels and living abroad and partly because of her professional work as an interior designer in a prominent architect’s office. Many of her objects are relatively small and nearly all are technically superior. And, although Mae has col- lected more textiles than rugs and trappings, the ruggie purists among us should nevertheless enjoy seeing this collection. In Mae’s own words: “In my collecting, I became aware that the textile arts are a common thread of all cultures, both ancient and modern.” For this occasion, it would be appropriate for members to share with Mae and the audience samples of the breadth and diversity of their own collections. Due to illness Wendel will be unable to attend. His remarks will be delivered by Ann Nicholas. Right: Silk Tibetan ritual cloth, 18th Century April Meeting: Thomas Farnham on “Classical Persian Carpets: the New England Connections” Reviewed by Jim Adelson On April 16th, Tom Farnham spoke at ALMA Among rugs, Persian carpets stood at the top of about classical Persian carpets in New England and their the hierarchy. They held this position from the Renais- history in the period of the late 19th and early 20th cen- sance through the late 18th century, but then carpets di- tury. While the number of such carpets in New England minished in overall popularity, until a resurgence of in- is not great, the stories of these carpets and their owners terest and demand in the late 19th century. Tom gave an reveal some of the important themes in collecting during interesting explanation of the economic developments this period of resurging popularity of oriental rugs. that underlay this return to popularity: at that time, Ameri- Tom began by clarifying that the term “classical Per- can agriculture exploded, including the export of grains. sian carpets” refers to those rugs woven in the territory This depressed the value of European agricultural prod- of modern-day Iran from the 15th through the 18th cen- ucts, and also the associated agricultural rents. It meant turies. Such carpets first arrived in Europe during the that wealthy families in Europe were in much worse Renaissance, and were considered the epitome of trea- shape, and wound up selling lots of their antiquities to sured goods. When they first came, Persian carpets the US, where the wealth was now concentrated. For went only to the wealthiest and most important collec- example, Italy had been the largest importer of oriental tors. Their expense greatly limited the numbers of both carpets in the Renaissance, and became the largest ex- carpets and collectors. Continued on page 3 Page View from the Fringe 3 April Meeting Continued from page 2 ing the Los Angeles Ardebil carpet, which went to Jo- porter in the late 19th century—even exceeding Turkey. seph Duveen, who sold it in the late 1930s to J. Paul Carpets were perhaps less popular in New En- Getty. gland than in some other areas of the US, such as New Tom mentioned a couple of other wealthy collec- York, Philadelphia, and Chicago. Boston was not as tors with well-known names among American industri- big a city as New York and not as wealthy. Importantly, alists. Richard Crane came from Chicago to Ipswich. Boston had older wealth, and fewer of the nouveau riche His sister, Elizabeth Crane Chadbourne, was really the striving to show off their wealth. There were anti-mate- carpet collector. She was a great benefactor of the Art rialistic sentiments among some of Boston’s wealthy, in Institute of Chicago. A couple of great classical carpets contrast to the newer wealthy in other cities who en- were sold to Joseph V. McMullan; he in turn also gave gaged in fierce competition to demonstrate greatest to the New York Metropolitan Museum, the Art Insti- wealth through greatest collections, including carpets. tute of Chicago, and Harvard’s Fogg Art Museum. Stefan Bardini was a leading antiquities dealer in Abby Rockefeller, too, was a collector of classical car- Italy, and saw that he could make money in carpets. pets in New England. Abby also had a gorgeous, min- Bardini, along with other antiquities dealers, and art iature throne cover. scholar and historian Wilhelm von Bode, convinced Moving beyond the classical carpets themselves, people that Persian classical carpets were the best. Tom named a number of important figures in classical Tom believes that the first Oriental Rug store in the carpet studies who hail from New England: Arthur United States opened in Boston in the 1870s. By the Upham Pope (“a lot of people didn’t like him, and think end of the 19th century or early into the 20th century he was a crook; he may have been a crook, but he still there were carpet dealers in New England cities and did amazing things”), Arthur Dilley, and more recently towns. Dikran Kelekian was probably the pre-eminent Dan Walker and Walter Denny. carpet dealer in New York. In general, Armenians were Tom concluded his prepared remarks paraphras- the leading carpet dealers in the US, while in Europe ing Mark Twain “Boston knows, but New York has.” more of the leading dealers were Sephardic Jews.