Carpet a Carpet Is a Textile Floor Covering Consisting of an Upper
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'Nameless Motif'
112 Fig. 1 Anonymous, Tataouine area, Tunisia, c. 1920-50. Knotted rug with primary ‘nameless motif’. Wool, 156 x 128 cm. paul vandenbroeck The ‘Nameless Motif’: On the Cross-Cultural 113 Iconography of an Energetic Form Paul Vandenbroeck * As I strolled through a quiet Tuscan townlet on a late summer’s afternoon in * KMSKAntwerpen/IMMRC-KULeuven 1973, in the days before the rural hinterland was changed for ever by the tourist invasion, I was struck by the sight of an elderly lady sitting at a table by the entrance to her house. Displayed on the tabletop were various home-made items of lace and textile that she was offering for sale. As a student of the his- tory of art, I was all too familiar with canonised Art, with capital A, but en- tirely ignorant about domestically crafted textiles. Yet I stopped in my tracks, captivated as I was by an ungraspable aesthetics that was quite alien to me, as it was light years away from the universe of male-dominated Renaissance art. There was one piece, featuring both abstract and stylised patterns, that I found particularly attractive – despite myself. When I enquired about the price, the woman asked: ‘Are you married?’. I told her I was not. ‘Then I cannot sell this piece to you’, she said. I stood there dumbfound, unable to comprehend why this should be the case, and tried to assure her that I found the piece genuinely beautiful. Speaking in the local dialect, slowly and clearly for my benefit, she said she believed me, but that that was not the point. -
Christophorus House Auction
Christophorus House Auction Collectibles, Fine Art & Antiques auction Sunday - July 11, 2021 Collectibles, Fine Art & Antiques auction 1: Russian Orthodox enameled bronze icon Cross EUR 160 - 200 Russian Orthodox enameled bronze icon Cross 19th century Measurements 27.2 x 13.8 (cm)./ KEYWORDS: ICON; ORTHODOX; ANTIQUE; RUSSIAN; WOOD; BRONZE; ICON CROSS / 2: Russian Orthodox enameled bronze icon Cross EUR 180 - 220 Russian Orthodox enameled bronze icon Cross 19th century Measurements 33.7 x 17.7 (cm) 3: Russian Orthodox enameled bronze Icon St. Nikola EUR 65 - 150 Russian Orthodox folding enameled bronze Icon St. Nikola 19th century Measurements 6.4 x 5.3 (cm) 4: Rare Antique Russian Orthodox enameled bronze Icon EUR 160 - 250 Rare Antique folsing Russian Orthodox enameled bronze Icon 19th century Measurements 10.2 x 14.3 ( cm) 5: Antique Russian Orthodox bronze Icon EUR 65 - 120 Antique folding Russian Orthodox bronze Icon 19th century Measurements 7 x 10.2 (cm) 6: Antique Russian Orthodox enameled bronze Icon EUR 120 - 180 Antique Russian Orthodox enameled bronze Icon 18th century Measurements 13.8 x 11.8 ( cm) 7: Antique Russian Orthodox enameled bronze Icon EUR 120 - 180 Antique Russian Orthodox enameled bronze Icon 19th century Measurements 14.5 x 12.5 (cm) 8: Rare Antique Russian Orthodox enameled bronze Icon EUR 290 - 350 Rare Antique folding Russian Orthodox enameled bronze Icon 19th century Measurements 13.4 x 35 (cm) Bid Live Online at LiveAuctioneers.com Page 1 Collectibles, Fine Art & Antiques auction 9: Antique Russian Orthodox -
Product Catalogue
Product Catalogue - 1 - I would like to take this opportunity to welcome you to our Retailer Reference Guide. This guide has been compiled to offer you an insight into Ulster, our core values, and our long-term commitment to our retailers and to the industry. We have made significant investments in new ranges and refreshed some of our existing ranges and this guide showcases the entire Ulster offering accompanied by stunning room set and close up photography. I know that at Ulster we are extremely fortunate to have such good relationships with our retailers and, indeed we can count many of you as our friends. I thank you for your continued support over the years, and assure you that we are clearly focused on strenghtening those valued relationships going forward. Nick Coburn Group Managing Director Natural Choice Axminster - Garland Natural (11/20042) Find this carpet on Page 22 Contents This Retailer Reference Guide provides you with all of the information you will need on current Ulster Carpets products. We have divided the guide into easily identifiable colour-coded sections which will help you to quickly locate the ideal Ulster product. The colour-coded bars below outline the colours and page numbers of each section. Section/Content Page(s) Section/Content Page(s) Behind the Brand 4 - 5 Open Ground 46 - 54 Ulster History & Sheriden 46 - 48 Key Selling Points 4 - 5 Athenia 49 - 51 Tazmin 52 - 54 Contemporary Traditionals 6 - 21 Country House Kazan 6 - 7 Classic Traditionals 55 - 60 Country House Beaumont 8 - 9 Anatolia 10 - 12 Glenavy -
Download : Iran Mirror March-2019
IRAN AT A GLANCE MIRRORPUBLICATION OF THE CULTURAL COUNCIL OF THE EMBASSY OF THE ISLAMIC REPUBLIC OF IRAN, NAIROBI-KENYA MARCH 2019 | ISSUE NO. 7 ‘Samanoo’, symbolises rebirth Profile The Cultural Council of the Embassy of the Islamic Republic of Iran, Nairobi promotes mutual understanding and cultural co-operation among people of Kenya and Iran in Contents line with the principles of the cultural agreement between Editorial...................................................................................4 Iran and Kenya. Boosting production is the pivotal issue of the new .... 5 The Cultural Council aims to create enduring partnership between Iran and other cultures and we do this by creating President in the New year message to the Iranian opportunities to connect with the latest skills, ideas and experience from Iran. Nation ................................................................................... 7 Activities Imam Khomeini sought material and spiritual progress Library: The Cultural Council has a very rich library consisting on Nowruz .......................................................................... 9 of myriad of books in the field of Persian language Everything you need to know about Persian New Year and literature. Besides, books on human sciences, history of Iran, Islamic studies, world history, religion, Islamic ‘Nowruz” ............................................................................ 10 philosophy, a large number of books on social sciences, political science, culture and art are also available for A Fire Festivity: Cheharshanbeh-Suri ........................... 14 readers and scholars. Nowruz celebration in East Africa ............................. 17 Film and Art Division: The film and art division consists of video and audio tapes Why Iran creates soome of the world’s best films .... 19 of classical Persian music, art books, calligraphy models, Iranian female Proffessor wins UK award in Science attractive sceneries, handicrafts and various prominent Iranian films. -
Advances in Carpet Manufacture
SOFTbank E-Book Center Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Woodhead Publishing in Textiles: Number 87 Advances in carpet manufacture Edited by K. K. Goswami © SOFTbank2009 Woodhead E-Book Publishing Center Limited Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Published by Woodhead Publishing Limited in association with The Textile Institute Woodhead Publishing Limited, Abington Hall, Granta Park, Geat Abington Cambridge CB21 6AH, UK www.woodheadpublishing.com Woodhead Publishing India Private Limited, G-2, Vardaan House, 7/28 Ansari Road, Daryaganj, New Delhi ± 110002, India Published in North America by CRC Press LLC, 6000 Broken Sound Parkway, NW, Suite 300, Boca Raton, FL 33487, USA First published 2009, Woodhead Publishing Limited and CRC Press LLC ß Woodhead Publishing Limited, 2009 The authors have asserted their moral rights. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. Reasonable efforts have been made to publish reliable data and information, but the authors and the publishers cannot assume responsibility for the validity of all materials. Neither the authors nor the publishers, nor anyone else associated with this publication, shall be liable for any loss, damage or liability directly or indirectly caused or alleged to be caused by this book. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming and recording, or by any information storage or retrieval system, without permission in writing from Woodhead Publishing Limited. The consent of Woodhead Publishing Limited does not extend to copying for general distribution, for promotion, for creating new works, or for resale. -
Persian Heritage: a Significant Role in Achieving Sustainable Development
International Journal of Cultural Heritage E. Abedi, D. Kralj http://iaras.org/iaras/journals/ijch Persian heritage: A Significant Role in Achieving Sustainable Development ELAHEH ABEDI1, DAVORIN KRALJ2, A.M.Co., Tehran, IRAN1 ALMA MATER EUROPAEA, Slovenska 17, 2000 Maribor, SLOVENIA2, [email protected], [email protected] Abstract: In every country, heritage plays a significant role in achieving sustainable development. Iran, a high plateau located at latitudes in the range of 25-40 in an arid zone in the northern hemisphere of the East, is a vast country with different climatic zones. In the past, traditional builders have presented several logical climatic solutions in order to enhance human comfort. In fact, this emphasis has been one of the most important and fundamental features of Iranian architecture. To a significant extent, Iranian architecture has been based on climate, geography, available materials, and cultural beliefs. Therefore, traditional Iranian builders had to devise various techniques to enhance architectural sustainability through the use of natural materials, and they had to do so in the absence of modern technologies. Paper describes the principals and methods of vernacular architectural designs in Iran with given examples which is predominately focused on some eclectic ancient cities in Iran as Kashan, Isfahan, and Yazd. Design and technological considerations of past, such as sustainable performance of natural materials, optimum usage of available materials, and the use of wind and solar power, were studied in order to provide effective eco architectural designs to provide the architectural criteria and insights. This study will be beneficial to today architects in the design of architectural structures to provide human comfort and a sustainable life in adverse climatic conditions. -
Sustainability of Handwoven Carpets in Turkey: the Context of the Weaver
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2006 Sustainability of Handwoven Carpets in Turkey: The Context of the Weaver Kimberly Berman University, Ithaca, NY Charlotte Jirousek Cornell University, Ithaca, NY Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Berman, Kimberly and Jirousek, Charlotte, "Sustainability of Handwoven Carpets in Turkey: The Context of the Weaver" (2006). Textile Society of America Symposium Proceedings. 340. https://digitalcommons.unl.edu/tsaconf/340 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Sustainability of Handwoven Carpets in Turkey: The Context of the Weaver Kimberly Berman, graduate student, Charlotte Jirousek, Assoc. Professor Department of Textiles and Apparel Cornell Department of Textiles and Apparel University, Ithaca, NY Cornell University, Ithaca, NY Forms of Production Past research, conducted mainly in the 1970s and 1980s, has identified three forms of production in which carpets are woven as commodities1. These are petty-commodity production, the putting-out system, and workshop production. Petty-commodity production involves weaving in the home, with the male head of the household or other male relatives selling the finished product to a carpet dealer or at a local or regional market (fig. 1). The family owns the loom and other weaving supplies, and family members purchase or prepare the yarn themselves. -
Glossary of Carpet and Rug Terms
Glossary of Carpet and Rug Terms 100% Transfer - The full coverage of the carpet floor adhesive into the carpet backing, including the recesses of the carpet back, while maintaining full coverage of the floor. Absorbent Pad (or Bonnet) Cleaning - A cleaning process using a minimal amount of water, where detergent solutions are sprayed onto either vacuumed carpet, or a cotton pad, and a rotary cleaning machine is used to buff the carpet, and the soil is transferred from the carpet to the buff pad, which is changed or cleaned as it becomes soiled. Acrylic/Modacrylic - A synthetic fiber introduced in the late 1940's, and carpet in the late 1950's, it disappeared from the market in the late 1980's due to the superior performance of other synthetics. Acrylics were reintroduced in 1990 in Berber styling to take advantage of their wool-like appearance. Modacrylic is a modified acrylic. While used alone in bath or scatter rugs, in carpeting it's usually blended with an acrylic. Acrylics are known for their dyeability, wearability, resistance to staining, color retention and resistance to abrasion. They're non-allergenic, mildew proof and moth proof. Adhesive - A substance that dries to a film capable of holding materials together by surface attachment. Anchor Coat - A latex or adhesive coating applied to the back of tufted carpet, to lock the tufts and prevent them from being pulled out under normal circumstances. Antimicrobial - A chemical treatment added to carpet to reduce the growth of common bacteria, fungi, yeast, mold and mildew. Antistatic - A carpet's ability to dissipate an electrostatic charge before it reaches a level that a person can feel. -
Rugs Weave New Lives
Rugs Weave Scholar-in- New Lives Residence n 1978, German chemist Dr. Harald Boehmer sparked “The Great IAnatolian Rug Revolution,” transforming the entire Turkish rug industry. Even more than an industrial revolu tion, it has become a cultural survival project known as DOBAG, a Turkish acronym for Nat ural Dye Research and Development Project, which has restored the ancient art of handwo ven carpets and established the first-ever woman’s rug weaving cooperative in the Islamic world. Boehmer will give a lecture, Nomads of Anatolia, at 7 p.m., Saturday, Sept. 13, in Hudson Audi torium, Nerman Museum of Contemporary Art. The lecture is free and open to the public as part of JCCC’s Scholar-in-Residence program. A reception with Boehmer begins at 6 p.m. During his Sept. 13-17 residency, Boehmer will also address JCCC textile classes. Boehmer’s passion for native rugs began when he was teaching in Turkey. Using thin-layer chromatography, the chemist was able to ana lyze the dyes used in old Turkish rugs and match the vibrant colors to their original plant sources. Under Boehmer’s guidance, weavers stopped buying petroleum-based dyes and returned to Indeed, the DOBAG Project has raised the the natural plant dyes for their wool. The profit- social and economic status of women. Villagers Anatolain rugs are sharing cooperative DOBAG began and now are no longer forced to move to cities to look for displayed here, supports about 400 families in western Turkey. work. A participating weaver must send her photographed by children to school, and no child labor is Boehmer in 2007. -
THE ARMENIAN CULTURAL FOUNDATION Ticipating in Unveiling a Commemorative Plaque Rooms
NOVEMBER 2, 2013 MirTHErARoMENr IAN -Spe ctator Volume LXXXIV, NO. 16, Issue 4310 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Since 1932 School No. 44 in Nishan Atinizian Yerevan Named for Receives Anania Armenian ‘Orphan Rug’ Is in White House Hrant Dink Shiragatsi Medal from Storage, as Unseen as Genocide Is Neglected YEREVAN (Armenpress) — Mayor of Yerevan Taron Margaryan attended the solemn ceremony WASHINGTON (Washington Post) — The of naming the capital’s school No. 44 after President of Armenia rug was woven by orphans in the 1920s and By Philip Kennicott prominent Armenian journalist and intellectual formally presented to the White House in YEREVAN — Every year, during from Istanbul Hrant Dink this week. The 1925. A photograph shows President Calvin Armenia’s independence celebrations, the Information and Public Relations Department of Coolidge standing on the carpet, which is no mere juvenile effort, but a president of the republic hands out awards the Yerevan Municipality reported that aside complicated, richly detailed work that would hold its own even in the largest to individuals in Armenia and the diaspora from the mayor, Dink’s widow Rackel Dink, par - and most ceremonial who are outstanding in their fields and PHOTO COURTESY OF THE ARMENIAN CULTURAL FOUNDATION ticipating in unveiling a commemorative plaque rooms. have contributed to the betterment of dedicated to Hrant Dink. If you can read a Armenia. Hrant Dink was assassinated in Istanbul in carpet’s cues, the This year, among the honorees singled January 2007, by Ogün Samast, a 17-year old plants and animals out by President Serge Sargisian was Turkish nationalist. -
HEYDER ALIYEV CENTRE, Azerbaijan Zaha Hadid Architects Background in 2013, the Heydar Aliyev Center Opened to the Public in Baku, the Capital of Azerbaijan
HEYDER ALIYEV CENTRE, Azerbaijan Zaha Hadid Architects Background In 2013, the Heydar Aliyev Center opened to the public in Baku, the capital of Azerbaijan. The cultural center, designed by Zaha Hadid, has become the primary building for the nation's cultural programs, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation that looks to the future. This report presents a case study of the project. It will include the background information, a synopsis of the architect's mastery of structural design. Also, some special elements of this building will be discussed in detail. And the structural design of the whole complex will be reviewed through diagrams and the simplified computer-based structural analysis. The Heydar Aliyev Center Since 1991, Azerbaijan has been working on modernizing and developing Baku’s infrastructure and architecture in order to depart from its legacy of normative Soviet Modernism. The center is named for Heydar Aliyev, the leader of Soviet-era Azerbaijan from 1969 to 1982, and President of Azerbaijan from October 1993 to October 2003. The project is located in the center of the city. And it played an extremely important role in the development of the city. It breaks from the rigid and often monumental Soviet architecture that is so prevalent in Baku. More importantly, it is a symbol of democratic philosophy thought. Under the influence of the new Azerbaijan party and the Soviet Socialist Republic of Azerbaijan leader’s political and economic reform, the center was also designed to show the potential of the country’s future cultural development, to encourage people to study the history, language, culture, national creed and spiritual values of their own country. -
Vol. XXVII, No. 1 Sept, 2019
View from the Fringe Newsletter of the New England Rug Society Vol. 27 No. 1 September 2019 www.ne-rugsociety.org September Meeting Preview: John Wertime on "Miniature Masterpieces" of NW Iran September 13 Meeting Details Time: 7:00 p.m. Place: Durant-Kenrick House, 286 Waverley Ave. Newton Centre, MA, 02458 Directions: From Boston and east, take Mass Pike to exit 17 and follow signs for Boston/Newton Centre, making a U-turn over the Pike. At Newton Centre sign, go RIGHT on Centre St. for 0.1 miles. Go LEFT on Franklin St. for 0.3 miles. Turn RIGHT on Waverley and go 0.2 miles. House is on LEFT. From Rt. 128 and west, take Mass Pike to exit 17, turn RIGHT onto Centre Street and follow directions above. From Watertown Square: Take Galen Street (Rt. 16) toward Newton Centre for 0.4 miles. Continue to Washington St. toward West Newton/Newton Centre, making a U-turn over the Pike At Newton Centre sign, go RIGHT on Centre Street and follow directions above. Parking: On Kenrick Street. Parking places at the end of the Durant-Kenrick House driveway may be used for dropping off people or supplies, but NOT for parking during the meeting. Food: Provided by members whose1 names begin with A through G. Please arrive before 6:45 to set up, and plan to stay afterwards to Shahsavan khorjin, 23" x 12", slit clean up. John Wertime, speaking tapestry, sumak, and weft-float at the Textile Museum brocading, Famiglia Collection in 2014 Most pile rugs and flatwoven textiles come in large dimensions.