Folk Forum Fall Winter 2017
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Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Event Details
This document will assist you with the right choices of music for your event; it contains examples of popular songs used during successful parties. Song Artist Bom Bom Sam and The Womp Blurred Lines Robin Thicke Treasure Bruno Mars Feel This Moment Pitbull & Christina Aguliera Get Lucky Pharrell & Daft Punk Shook Me All Night Long ACDC Jessie Girl Rick Springfield Nutbush Ike & Tina Loveshack B52’s Eagle Rock Daddy Cool Tequila Champs I’m On My way Proclaimers Swing The Mood Jivebunny I wanna Dance With Somebody Whitney Houston Moves Like Jagger Maroon five Timber Ke$ha Jump Girls Aloud Superstitious Stevie Wonder Call Me Maybe Carly Rae Jepsen Call Me Blondie Hot Stuff Donna Summers My Sharona The Knack It’s Tricky Run DMC Summer of 69 Bryan Adams Mr Jones County Crows Are You Going To Be My Girl Jet Sex On Fire Kings Of Leon Blame On Boogie Jackson Five 0402 277 208 | [email protected] | www.djdiggler.com.au | 21 Higgs Ct, Wynnum West, Queensland, Australia 4178 Grease Mega Mix Grease Soundtrack Jailhouse Rock Elvis Shoop Shoop Song Cher 500 Miles Proclaimers Single Ladies Beyonce Crazy In Love Beyonce Sexy and I Know It LMFAO What Makes You Beautiful One direction All Summer Long Kid Rock Bad Romance Lady Ga Ga Party Rock Anthem LMFAO Joker and Thief Wolfmother Lonely Boy Black Keys Raise Your Glass Pink Take On Me Ah Ha We Found Love Rihanna Wish You Well Bernard Fanning April Sun Dragon Nips Are Getting Bigger Mental As Anything Groove Is In The Heart Dee Lite Groove Jet Spiller Low Flo Rider Dynamite Taio Cruz Jump Around House -
St. Patrick's Day Irish Celebration & Day of Irish Dance
FOR IMMEDIATE RELEASE MEDIA CONTACT: March 1, 2021 Krissy Schoenfelder 651.292.3276 | [email protected] Year two of virtual Day of Irish Dance and St. Patrick’s Day Celebration Virtual Irish fun for the whole family SAINT PAUL, Minn. (March 1, 2021)– The Irish Music and Dance Association has been offering a family friendly St. Patrick’s Day celebration at Landmark Center every year since the first concert in 1983! This year’s virtual celebrations bring back many performers who delight audiences each year at historic Landmark Center in St. Paul. In other years, Landmark Center is filled with guests enjoying Irish music, Irish dance, a bit of Irish theatre and special children’s entertainment. This year, the Irish Music and Dance Association and Landmark Center will welcome everyone virtually – on the IMDA website, the new IMDA YouTube Channel, IMDA’s Facebook Page, and on Landmark Center’s website and Facebook pages – for Day of Irish Dance, March 14, and the St. Patrick’s Day Irish Celebration, March 17. March 14 - The Sundays at Landmark event, “Day of Irish Dance,” will have two components. The first, all things Irish dance—history, costumes, music, lessons, etc—on Landmark Center’s website (www.landmarkcenter.org/irish-celebrations). The second component is the only in-person element of either day, a concert with Todd Menton from Landmark Center’s Market Street porch. The outdoor concert will still observe COVID-19 protocols (masks, social distancing), and will be live-streamed for those unable to attend in person. Visit the Landmark Center or IMDA website in the event of inclement weather for concert location info. -
February 2019
FebruaryFebruary Irish Music & 2019 2019 Dance Association Feabhra The mission of the Irish Music and Dance Association is to support and promote Irish music, dance, and other cultural traditions to insure their continuation. St. Paul’s Own Authentic St. Patrick’s Day Celebration for the Whole Family! Saturday, March 16 It will be a great day of music, dance and culture – fun for the whole family. So come on down to the St. Paul before the St. Patrick’s Day Parade for the fun at Landmark Center and come on back after the parade! What’s new for the St. Patrick’s Day Irish Celebration 2019? A sumptuous selection of traditional Irish music and dance with new and favorite bands and dance groups plus theater: . New bands - Irish Pub Rock the SERFs and lush vocals with fiddle, whistle, guitar, mandolin, and percussion from the Inland Seas! . This year’s Cross-Cultural Presentation offers a delightful blend of Irish and Swedish music in “Tullamore Aquavit Dew” with Phil Platt and Eric Platt in the Seminar Room. The Children’s Stage will start earlier this year, with songs with Ross Sutter – for two performances, a parent and kid céilí dance party with the Mooncoin Céili Dancers, songs from Charlie Heymann, interactive storytelling with Sir Gustav Doc’Tain, plus music and dance with Danielle Enblom. Theater with “Sadie the Goat” a one-woman show, written in verse, that tells the purportedly true story of an Irish-American woman in “Gangs of New York”-era Manhattan. Look for more on this presentation elsewhere in this newsletter. -
Children of the Heav'nly King: Religious Expression in the Central
Seldom has the folklore of a particular re- CHILDREN lar weeknight gospel singings, which may fea gion been as exhaustively documented as that ture both local and regional small singing of the central Blue Ridge Mountains. Ex- OF THE groups, tent revival meetings, which travel tending from southwestern Virginia into north- from town to town on a weekly basis, religious western North Carolina, the area has for radio programs, which may consist of years been a fertile hunting ground for the HE A"' T'NLV preaching, singing, a combination of both, most popular and classic forms of American .ft.V , .1 the broadcast of a local service, or the folklore: the Child ballad, the Jack tale, the native KING broadcast of a pre-recorded syndicated program. They American murder ballad, the witch include the way in which a church tale, and the fiddle or banjo tune. INTRODUCTORY is built, the way in which its interi- Films and television programs have or is laid out, and the very location portrayed the region in dozens of of the church in regard to cross- stereotyped treatments of mountain folk, from ESS A ....y roads, hills, and cemetery. And finally, they include "Walton's mountain" in the north to Andy Griffith's .ft. the individual church member talking about his "Mayberry" in the south. FoIklor own church's history, interpreting ists and other enthusiasts have church theology, recounting char been collecting in the region for acter anecdotes about well-known over fifty years and have amassed preachers, exempla designed to miles of audio tape and film foot illustrate good stewardship or even age. -
What Must I Do to Be Saved?
Abilene Christian University Digital Commons @ ACU Stone-Campbell Books Stone-Campbell Resources 1910 What Must I Do To Be Saved? T. B. Larimore Follow this and additional works at: https://digitalcommons.acu.edu/crs_books Part of the Biblical Studies Commons, Christian Denominations and Sects Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Ethics in Religion Commons, Practical Theology Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Larimore, T. B., "What Must I Do To Be Saved?" (1910). Stone-Campbell Books. 190. https://digitalcommons.acu.edu/crs_books/190 This Book is brought to you for free and open access by the Stone-Campbell Resources at Digital Commons @ ACU. It has been accepted for inclusion in Stone-Campbell Books by an authorized administrator of Digital Commons @ ACU. What Must I l '· 111 'I- ,'{.6 •• •, -~,, rm! P T I I> r:•/( •" ,· i.' ,·.,) { ,H)'II:_ .t!'\ •f ,'{hh<!<1t: I l, • .,, (· :· 1! I · ,:J .iv JC .SERMONS I J 1.L J ;Pt 1 ,:,• 'f!1jJI ,: u , ! .lIJ <f ,l l1," r l1 ,=_..... ~ ~ l!tJ~1 ' .. : , . ; mu·h., Jut.J • :· !'fi!J nf fo} 111.•/ l-1.,1 :,.,,rr ~ • ( .1•• ,U. .(t:J :r. t : ROWE, Pu hiish! ',! ' :ahri'.J ·: · c1Nc5'1NNA Yi: h .... 1 ... rt· ; ..,o..r 9d1 , f t1 1 J r::! .. I 1~ I fl ·1 f. What Must I Do to be Saved? This important question may, with per lect propriety, be propounded by alien sin ners. It may, with equal propriety, be propounded by children of the living God. All sinners out of Christ are alien sinners; as all Gentiles are "aliens from the com monwealth of Israel." "Wherefore, re member, that ye being in tlme · past Gen tiles in the flesh , who are called Unclr cumclslon by that which ls called the Cir cumcision In the flesh made by hands; that at that time ye were .without Christ, being aliens from the commonwealth of Israel , and strangers from the covenants of prom ise, having no hope and without God in the world; but now in Christ Jesus ye who sometime were far off are made nigh by the blood of Christ" (Eph. -
Charlie Parr Trucking Into Madison April 21 at the Brink
Volume 38, No. 4 April 2012 Charlie Parr trucking into Madison April 21 at The Brink f you ever listened to ancient field re- which he describes as “...grief, poverty, death, ger picking and plaintive but wry songs have Icordings of eerie mountain music or social justice and hopefully a little humor once made him one of the most important contem- early scratchy blues recordings or the more stark in a while...” The humor is not hard to find, as porary protagonists of the American folk tradi- cuts of Harry Smith’s Anthology of American his website advertises him as “One Man, One tion.” Folk Music, or felt moved by some of the odder Guitar, One Foot In The Grave.” He has been - Bath International Music Festival pieces in the film Oh Brother, Where Art Thou, compared to Dave Van Ronk, and he does have and wondered where the spirit of that earthy some of Van Ronk’s characteristics, like the Charlie has trucked this great raw show all mournful music has gone, well, look no further. rough hewn persona and vocal delivery over a around the world, from Australia to England It has found a home in the performances and rock solid but unassumingly complex accom- back to Duluth, and now, on Saturday, April 21 recordings of Charlie Parr. paniment. Piedmont style fingerpicking -- the to the Brink Lounge in Madison. Charlie Parr, currently based in Duluth, thumb alternating on bass strings while the Minnesota, is one of those rare performers fingers play melody and embellishments, some- who is gaining a worldwide reputation for thor- what like stride piano -
Missouri Folklore Society Journal
Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text. -
Folk Forum Winter Spring 2014
folk forum Winter/ Spring 2014 May the long time sun shine upon you, all love Somehow we got over the myths that the earth was flat, and that surround you, and the pure light within you…guide Earth was the center of the universe. Perhaps it’s time we get over the idea that all the oil under us was once plants and dinosaurs on your way home. top and that we can just take it all out, burn it, and then rescue our from the Incredible String Band’s album climate by planting more trees to capture the carbon again. It is not ‘The Hangman’s Beautiful Daughter’. plausible that all that carbon, all those hydrocarbons once existed as life on the surface and by some extraordinary shift of tectonic plates Hello again fellow Travelers, Hobbits, and Elves slid under the oceans and rock where heat and compression According to the Julian calendar we’re into the 6,727th year since transformed this anaerobic compost pile into huge underground seas they started that calendar. I imagine the early calendars were not of oil, (from which we have pumped billions of barrels/day and the something you hung on a wall…probably written on the wall of a “habit” is increasing). It is more likely that those hydrocarbons were cave in Africa or France. At any rate, the first one, and the last created, in the fusion process that takes place in every star in the Mayan calendar would be real collector’s items by now. With “The universe, just as every other element on our planet was created. -
Casco Bay Weekly (1990) Casco Bay Weekly
Portland Public Library Portland Public Library Digital Commons Casco Bay Weekly (1990) Casco Bay Weekly 5-24-1990 Casco Bay Weekly : 24 May 1990 Follow this and additional works at: http://digitalcommons.portlandlibrary.com/cbw_1990 Recommended Citation "Casco Bay Weekly : 24 May 1990" (1990). Casco Bay Weekly (1990). 19. http://digitalcommons.portlandlibrary.com/cbw_1990/19 This Newspaper is brought to you for free and open access by the Casco Bay Weekly at Portland Public Library Digital Commons. It has been accepted for inclusion in Casco Bay Weekly (1990) by an authorized administrator of Portland Public Library Digital Commons. For more information, please contact [email protected]. RECEIVED MAY 2 4 \990 PORTlAND PUBLIC UBRAP' Greater Portland's news and arts weekly flEE Dave Baff on accord Ian for the Southern Maine Blues Society All Stars (above). On sax, Morgan Wltthoft sits In (below). People who live the blues; peopl wh lose the blues By w.o. Cutlip and helicopters and other neat things fill the screen. If you are particularly unfortunate, you may even If your resolve fails this evening and you do not catch the products themselves singing the blues. On a kick back on the divan to read another 20 chapters of given night, one might be serenaded by automobiles, Proust's "Remembrance of Things Past," you will, in toilets, household cleansers, hamburgers, band aids, all probability, turn your television on and bask in its suppositories - the list is endless. It will be clear to light. you then that Madison Avenue has discovered the This is not a tragedy. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Robbie Williams
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 53 Germany / United Kindom / U S A Robbie Williams No. of Titles Positions Robert Peter Williams (born 13 February 1974) Peak Tot. T10 #1 Tot. T10 #1 is an English singer-songwriter and entertainer. 1 40 13 3 459 68 8 He found fame as a member of the pop group 1 40 31 7 523 89 11 Take That from 1989 to 1995, but achieved 53 2 -- -- 23 -- -- greater commercial success with his solo career, beginning in 1997. 1 43 32 10 1.005 157 19 ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Freedom 08/1996 10 11 1208/1996 2 16 2 Old Before I Die 04/1997 37 8 04/1997 2 14 2 3 Lazy Days 08/1997 90 1 07/1997 8 8 1 4 South Of The Border 09/1997 14 5 5 Angels 12/1997 9 22 51212/1997 4 42 11/1999 53 19 6 Let Me Entertain You 03/1998 3 15 4 7 Millennium 09/1998 41 9 09/1998 1 1 28 4 06/1999 72 4 8 No Regrets / Antmusic 12/1998 60 10 12/1998 4 19 1 9 Strong 03/1999 45 11 03/1999 4 12 1 10 She's The One / It's Only Us 11/1999 27 15 11/1999 1 1 21 3 11 Rock DJ 08/2000 9 12 2508/2000 1 1 24 12 Kids 10/2000 47 10 10/2000 2 22 3 ► Robbie Williams & Kylie Minogue 13 Supreme 12/2000 14 14 12/2000 4 15 2 14 Let Love Be Your Energy 04/2001 68 3 04/2001 10 16 1 15 Eternity / The Road To Mandalay 07/2001 7 19 4507/2001 1 2 22 16 Somethin' Stupid 12/2001 2 18 1012/2001 1 3 12 4 ► Robbie Williams & Nicole Kidman 17 Mr.Bojangles 03/2002 77 3 18 Feel 12/2002 3 18 8412/2002 4 17 19 Come Undone 04/2003 16 9 04/2003 4 14 1 20 Something Beautiful 07/2003 46 9 08/2003 3 8 2 21 Sexed Up 11/2003 53 10 11/2003 10 9 1 22 Radio 10/2004 2 9 2310/2004 1 1 8 23 Misunderstood 12/2004 20 12 12/2004 8 8 1 24 Tripping 10/2005 1 3 17 7610/2005 2 17 25 Advertising Space 12/2005 10 16 2112/2005 8 11 26 Sin Sin Sin 06/2006 18 16 06/2006 22 7 27 Rudebox 09/2006 1 1 13 5209/2006 4 11 28 Lovelight 11/2006 21 9 11/2006 8 9 1 29 She's Madonna 03/2007 4 18 7 03/2007 16 3 ► Robbie Williams With Pet Shop Boys 30 Close My Eyes 04/2009 33 6 ► Sander Van Doorn vs.