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Seduced Copies of Measured Drawings Written
m Mo. DC-671 .-£• lshlH^d)lj 1 •——h,— • ULU-S-S( f^nO District of Columbia arj^j r£Ti .T5- SEDUCED COPIES OF MEASURED DRAWINGS WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Building Survey National Park Service Department of the Interior" Washington, D.C 20013-7127 HISTORIC AMERICAN BUILDINGS SURVEY DUMBARTON OAKS PARK HABS No. DC-571 Location: 32nd and R Sts., NW, Washington, District of Columbia. The estate is on the high ridge that forms the northern edge of Georgetown. Dumbarton Oaks Park, which was separated from the formal gardens when it was given to the National Park Service, consists of 27.04 acres designed as the "naturalistic" component of a total composition which included the mansion and the formal gardens. The park is located north of and below the mansion and the terraced formal gardens and focuses on a stream valley sometimes called "The Branch" (i.e., of Rock Creek) nearly 100' below the mansion. North of the stream the park rises again in a northerly and westerly direction toward the U.S. Naval Observatory. The primary access to the park is from R Street between the Dumbarton Oaks estate and Montrose Park along a small lane presently called Lovers' Lane. Present Owner; Dumbarton Oaks Park is a Federal park, owned and maintained by the National Park Service of the Department of the Interior. Dates of Construction: Dumbarton Oaks estate was acquired by Robert Woods Bliss and Mildred Barnes Bliss in 1920. At their request, Beatrix Jones Farrand, a well- known American landscape architect, agreed to undertake the design and oversee the maintenance of the grounds. -
Dumbarton Oaks Research Library and Collection
Dumbarton Oaks Research Library and Collection 2016–2017 Dumbarton Oaks Research Library and Collection Annual Report 2016–2017 © 2017 Dumbarton Oaks Trustees for Harvard University, Washington, D.C. ISSN 0197-9159 Cover photograph: The Byzantine Courtyard for the reopening of the museum in April 2017. Frontispiece: The Music Room after the installation of new LED lighting. www.doaks.org/about/annual-reports Contents From the Director 7 Director’s Office 13 Academic Programs 19 Fellowship Reports 35 Byzantine Studies 59 Garden and Landscape Studies 69 Pre-Columbian Studies 85 Library 93 Publications 99 Museum 113 Gardens 121 Friends of Music 125 Facilities, Finance, Human Resources, and Information Technology 129 Administration and Staff 135 From the Director A Year of Collaboration Even just within the walls and fencing of our sixteen acres, too much has happened over the past year for a full accounting. Attempting to cover all twelve months would be hopeless. Instead, a couple of happenings in May exemplify the trajectory on which Dumbarton Oaks is hurtling forward and upward. The place was founded for advanced research. No one who respects strong and solid tradi- tions would wrench it from the scholarship enshrined in its library, archives, and research collections; at the same time, it was designed to welcome a larger public. These two events give tribute to this broader engagement. To serve the greater good, Dumbarton Oaks now cooperates vigorously with local schools. It is electrifying to watch postdoc- toral and postgraduate fellows help students enjoy and learn from our gardens and museum collections. On May 16, we hosted a gath- ering with delegates from the DC Collaborative. -
And the Transformation of the Dumbarton Oaks Gardens Film
“Re-discovery” and the Transformation of the Dumbarton Oaks Gardens Film Presented by: Rona Razon Session 16 Stop Me If You’ve Heard This One: Reformatting Audiovisual Collections MARAC Spring 2014 April 26, 2014 Rochester, NY Presented by: Rona Razon Session 16: Stop Me If You’ve Heard This One: Reformatting Audiovisual Collections MARAC Spring 2014 Rochester, NY SLIDE 1: My name is Rona Razon, and I’m the Archivist in the Image Collections and Fieldwork Archives of Dumbarton Oaks, located in Washington, D.C. SLIDE 2: The emphasis of my talk this morning is about the “re-discovery,” importance of documentation, and preservation of the Dumbarton Oaks Gardens film, which is a unique footage of the treasured gardens in Dumbarton Oaks, likely recorded from the 1920s to the 1940s. The film exhibits Dumbarton Oaks as the private residence of Robert and Mildred Bliss in the 1920s and 1930s, and then it transitions to the 1940s when the Blisses gave the property to the President and Fellows of Harvard College, held by the Trustees for Harvard University. SLIDE 3: I will also highlight the transformation of the film, from a home movie to an institutional archival treasure. SLIDE 4: Both Robert and Mildred came from a well-to-do family. Mildred’s father Demas Barnes was the US Congressman from the Brooklyn District in the 1860s and had invested in patent medicines, including Fletcher’s Laxatives.1 SLIDE 5: Robert, on the other hand, came from a family of politics. He served in the US Foreign Service starting in the 1910s and became the US Ambassador to Argentina in 1927.2 SLIDE 6: 12 years after their marriage, the Blisses purchased Dumbarton Oaks in October 1920 and “[transformed] the Victorian house into a Gregorian revival mansion and [created] garden rooms and vistas.”3 Before taking permanent residency in Dumbarton Oaks in 1933, when Robert retired from the Foreign Service,4 they were in-and-out between the United States, Europe, and South America. -
Home of the Humanities at a Serene Harvard Outpost, Scholars find Fertile Ground for Byzantine, Pre-Columbian, and Landscape Studies
Home of the Humanities At a serene Harvard outpost, scholars find fertile ground for Byzantine, pre-Columbian, and landscape studies. by ELIZABETH GUDRAIS On a wintry Wednesday evening, Maria Mavroudi is delivering a lecture on Byzantine science. Using ev- idence from texts and artifacts, she sketches an alter- nate history, one that competes with the common ac- count that the Byzantine empire’s inhabitants were less advanced than their contemporaries in their use and understanding of the sciences. Mavroudi reports that Ptolemy’s Geography, which was produced in Roman Egypt in the second century A.D. and describes a system of coordinates similar to modern latitude and longitude, survives in 54 Greek manuscripts. She argues that the typical explanation of why the text was reproduced—merely to preserve it for Ofuture generations—is wrong, and makes a case that the real purpose was to produce a manual for contem- porary use. She cites texts that describe the richness of Constantinople’s libraries, and others that mention wooden astrolabes; time and the elements, she says, may have erased the evidence of Byzantium’s use of scientific in- Byzantine studies, per se, from Harvard; four di≠erent depart- struments made from this perishable material. Byzantine science, ments—history, classics, art history, and Near Eastern studies— she says, has gone unacknowledged not because it did not exist, were involved. And the setting for her lecture is the world’s fore- but because studying it requires such diverse expertise: knowledge most center of Byzantine scholarship: Dumbarton Oaks, an estate of languages, of Byzantine history, of the history of science. -
Dumbarton Oaks Annual Report, 2012–2013
dumbarton oaks research library and collection 2012–2013 dumbarton oaks research library and collection Annual Report 2012–2013 © 2014 Dumbarton Oaks Trustees for Harvard University, Washington, D.C. ISSN 0197-9159 Cover: Project drawing for the Pre-Columbian wing, ca. 1960. Drawing by Philip Johnson Associates. Frontispiece: Objects on display in the Pre-Columbian wing, 2010. Photograph by Alexandre Tokovinine. www.doaks.org/publications/annual-reports Contents From the Director 7 Director’s Office 13 Fellowships, Project Grants, and Research Stipends 21 Fellowship Reports 33 Byzantine Studies 65 Garden and Landscape Studies 81 Pre-Columbian Studies 91 Library 101 Image Collections and Fieldwork Archives 113 Museum 121 Gardens 137 Publications 143 Friends of Music 151 Finance, Garden Gate, and Information Technology 155 Trustees for Harvard University, Executive Committee, Honorary Affiliates, Senior Fellows, and Staff 161 From the Director When my first term as director of Dumbarton Oaks began, six and a half years ago, I counted blithely on not having to expend much time or energy on the physical plant. After all, we were wrapping up a long campus renewal project that my predecessor, Professor Edward Keenan of Harvard University, had overseen with magnificent results. Instead of meddling with real estate development, my intention was to focus resolutely on people and scholarly programming: that is what my training and experience had prepared me to handle. But it did not take long to realize that human beings demand feeding, heating and cooling, plumbing, lighting, internet connections, and much else that pertains to our physicality, and that the Achilles’ heel in our little body public was our residential housing for fellows. -
Annual Report 2008–2010 | Dumbarton Oaks Research Library
dumbarton oaks dumbarton oaks research library and collection • 2008–2010 • • 2008–2010 w ashington. d.c. At Dumbarton Oaks you have created something very beautiful, It will remain a monument to your taste, knowledge and very special both in the garden and inside the house. understanding—a delight to all who visit it and a great resource to those who are fortunate enough to work there. Robert Woods Bliss to Mildred Barnes Bliss, 1940 dumbarton oaks research library and collection Annual Report 2008–2010 Contents Trustees for Harvard University 9 From the Director 11 Fellowships and Project Grants 23 Byzantine Studies 35 Garden and Landscape Studies 57 Pre-Columbian Studies 67 Publications 83 Library 89 ©2011 Dumbarton Oaks Research Library and Collection Museum 95 Trustees for Harvard University, Washington, D.C. ISSN 0197-9159 Docents 108 Friends of Music 111 Project Editor: Lisa Wainwright Design: Kathleen Sparkes and Lisa Wainwright Gardens 115 Photography: Joseph Mills, Alexandre Tokovinine Facilities 121 Cover: courtesy Outdoor Illuminations / Steve Francis photography Finance and Information Technology 125 Page 2–3: Dumbarton Oaks Garden, Cherry Hill. Dumbarton Oaks Staff 129 Trustees for Harvard University Drew Gilpin Faust, President James F. Rothenberg, Treasurer Nannerl O. Keohane Patricia A. King William F. Lee Robert D. Reischauer Robert E. Rubin Administrative Committee Ingrid Monson, Acting Chair William Fash Sara Oseasohn Michael D. Smith Jan M. Ziolkowski Director Jan M. Ziolkowski From the Director A Home for the Humanities: Past, Present, and Future In our last institutional report, I enumerated activities from the first year and a half of my directorship. -
The Oaks News, March 2016 Not Displaying Correctly? View This Email in Your Browser
The Oaks News, March 2016 Not displaying correctly? View this email in your browser. Upcoming Events Film Screening: Containment (2015) Directed and Produced by Peter Galison and Robb Moss Wednesday, March 23, 2016, 5:30–8:30 p.m. Oak Room, Dumbarton Oaks Fellowship House 4th Floor, 1700 Wisconsin Avenue NW Part wake-up call, part observational documentary, part sci-fi graphic novel, Containment, a new film from Harvard professors and filmmakers Peter Galison and Robb Moss (Secrecy, 2008), tracks our most imaginative attempts to plan for our radioactive future and reveals the startling failure to manage waste in the present, as epitomized by the Fukushima disaster. Galison will be present and will take questions after the screening. This film is presented as part of the Environmental Film Festival in the Nation’s Capital. Find out more about Containment and its creators on our website; book tickets here. Private Collecting and Public Display Art Museums in the Nation’s Capital in the Early Twentieth Century April 8–9, 2016 Music Room, Dumbarton Oaks 1703 32nd Street NW Register at this link. The conference will explore the aesthetic, philosophical, and ideological sources that shaped art collecting in early twentieth-century America, focusing on collections in Washington, D.C., especially the Phillips Collection, Freer Gallery, Textile Museum, Dumbarton Oaks, National Gallery of Art, and Hillwood Estate, Museum and Gardens. The founders of these collections advanced distinct notions of cultural identity by collecting and displaying art outside the general canon of early twentieth-century art collecting. Papers will contextualize the individual foundations within the broader history of related American institutions, focusing on the modernist notion of art collecting as a form of self-expression, a visual rendition of a collector’s worldview, and a specific understanding of the course of history. -
Annual Report
Dumbarton Oaks Research Library and Collection 2018–2019 Dumbarton Oaks Research Library and Collection Annual Report 2018–2019 © 2019 Dumbarton Oaks Trustees for Harvard University, Washington, DC ISSN 0197-9159 Cover: Stained glass window created for the exhibit Juggling the Middle Ages by Jeffrey Miller, Sarah Navasse, and Jérémy Bourdois for Atelier Miller, Chartrettes, France, 2018. Photograph by Jérémy Bourdois, 2018. Frontispiece: A quiet afternoon in the Orangery www.doaks.org/about/annual-reports Contents From the Director 7 Director’s Office 11 Academic Programs 19 Plant Humanities Initiative 37 Fellowship Reports 43 Byzantine Studies 67 Garden and Landscape Studies 79 Pre-Columbian Studies 91 Library 99 Publications and Digital Humanities 105 Museum 115 Garden 121 Music at Dumbarton Oaks 125 Facilities, Finance, Human Resources, and Information Technology 129 Administration and Staff 137 From the Director Over the next three years, two paramount goals will inform Dumbar ton Oaks and provide rallying points. First, access. Never has it mat tered as much as presently. We have been entrusted resources to maintain, develop, and study, and we carry an obligation to make them approachable. Researchers flock from near and far, often funded by fellowships. Other audiences include visitors and school groups drawn to our garden and museum. Second, teamwork. Through intelligent and intensified collaboration, our upward trajectory will continue. To assist more individuals demands heightened efficiency. We can accomplish more by taking combined action, both within individual departments and across them. Dumbarton Oaks boasts many specializations, with historic garden, art museum, special collections, research library, and photographic and documentary archives, and with Byzantine, PreColumbian, and Garden and Land scape Studies. -
James Stevens Cox (1910-1997)
WING BOOKS PRINTED IN ENGLAND 1641-1700 FROM THE LIBRARY OF JAMES STEVENS COX (1910-1997) Catalogue 1447 MAGGS BROS LTD 2011 LONDON 2 MAGGS BROS LTD Maggs Bros Ltd 50 Berkeley Square London W1J 5BA Telephone: 0207 493 7160 Fax: 0207 499 207 Email: [email protected] Bank Account: Allied Irish Bank (GB) 10 Berkeley Square London W1J 6AA Sort code: 23-83-97 Account number 47 77 70 70 VAT no: GB 2393813 47 EU members: please quote your VAT/TVA number The goods shall legally remain the property of the seller until the price has been paid in full © Maggs Bros Ltd 2011 Designed and printed by Creeds the Printers, Bridport DT6 5NL MAGGS BROS LTD 3 WING: THE LAST HURRAH? For over half a century librarians, collectors and booksellers have relied on, as one of their major bibliographical props, the monumental Short-title Catalogue of books printed in England, Scotland, Ireland, Wales, and British America and of English books printed in other countries 1641-1700. Originally compiled by Donald Wing of Yale University (hence its own eponymous short-title Wing), it was originally published in three volumes between 1945 and 1951. A massive process of revision culminated in 1994 with the publication of the revised edition of Vol. 1 (A-England). It was, as the preface to the 1994 volume notes, “quickly recognized as the premier reference tool available to scholars, librarians, and students of the late seventeenth and early eighteenth centuries” and “hailed as an indispensable bibliographical tool”. Booksellers, particularly those servicing the voracious new University Rare Books rooms springing up across America, would keep notebooks with the holdings of their favoured libraries and sweep up any books that might fill a gap. -
Kettle's Yard
KETTLE’S YARD: ANTI-MUSEUM H.S. Ede, modernism and the experience of art Elizabeth Anne Fisher Clare College October 2018 This dissertation is submitted for the degree of Doctor of Philosophy DECLARATION This dissertation is submitted for the degree of Doctor of Philosophy. It is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University of similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit of 80,000 words. 2 ABSTRACT This thesis attempts to tackle the question of what is, or more precisely, what was Kettle’s Yard, by exploring the intellectual origins of the institution initially conceived and developed by H.S. Ede. Ede bought Kettle’s Yard in 1956, and began to welcome visitors into his home in 1957. As a private initiative, Kettle’s Yard promoted an unusually intimate encounter with art. Following its transferral to the University of Cambridge in 1968, Kettle’s Yard still offered a qualitatively different experience to that of a conventional museum. -
Early Christianity Karen King Plumbs the Other Texts
Juggler’s Tale • 29-29 • Mitochondrial Mysteries Inaugurating President Bacow NOVEMBER-DECEMBER 2018 • $4.95 Early Christianity Karen King plumbs the other texts Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 what is CIT I ZEN HOW HAVESHIP? WOMEN SHAPED THE 2018 MIDTERM ELECTIONS? HOW CAN MATHEMATICAL THEORY PREVENT GERRYMANDERING? WHY DO WE FEAR OUTSIDERS DURING A REFUGEE CRISIS? HOW DO OUR CHANGING BORDERS AFFECT INTERNATIONAL TRADE? HOW CAN ART INFORM CONVERSATIONS ABOUT RACE IN AMERICA? WHAT DOES #METOO MEAN FOR GENDER EQUALITY? WHAT IS AMERICA’S ROLE IN GLOBAL AFFAIRS? Join us this academic year as the Radcliffe Institute explores timely questions about the nature of citizenship. Participate in the conversation: radcliffe.harvard.edu/events Support our work: radcliffe.harvard.edu/give Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 181138_Radclilffe.indd 1 10/9/18 8:56 AM NOVEMBER-DECEMBER 2018, VOLUME 121, NUMBER 2 FEATURES 40 The Bits the Bible Left Out | by Lydialyle Gibson Karen King plumbs early Christianity 46 Vita: Millicent Todd Bingham | by Julie Dobrow Brief life of an unlikely Dickinson scholar: 1880-1968 48 The Cell’s Power Plant | by Jonathan Shaw Vamsi Mootha, on the trail of mitochondrial dysfunction p. 16 54 Te Juggler’s Tale | by Sophia Nguyen A Dumbarton Oaks exhibition on enchantment and the human condition 58 Te Players | by George Howe Colt The ’68 Crimson footballers and a changing Harvard JOHN HARVARD’S JOURNAL 16 With the inauguration of President Lawrence S. Bacow, a new Harvard administration focuses squarely on the current challenges to American higher education. -
The Foreign Service Journal, March 1969
■HH fj l l ; i ■ 1 ■ ¥fenii i '^irf i !>i I - 1- - - —»- T [■L* I ft , 1 1 ' • PW‘ 1 1 «1 IHUflll mi 1 w * I r/ '1 §f; ,/SK flpSI^SN w t ,i>. h •,*• v ' [JH&ttMMHKfiSsSf F l ' Everybody knows that Foreign Service people are unusually perceptive, literate, multi-talented, amusing and well-informed. In the pages of the FOREIGN SERVICE JOURNAL all these admirable qualities show up monthly— in colorful covers painted by Foreign Service personnel, and in a wide range of articles brimming with vital information, authoritative analysis, sometimes controversial viewpoints, fascinating historical sidelights, and a generous sprinkling of humor. It’s the professional journal of the American Foreign Service Association. Members may send gift subscriptions to friends and relatives at the special low rate of $5.00 a year. FOREIGN SERVICE JOURNAL 2101 E Street, N.W., Washington, D. C. 20037 Please enter a JOURNAL subscription for one year, $6.00, to be sent to: Name - » Street - City and State Zip Please enter a GIFT subscription for one year, $5.00, to be sent to: Name - Street City and State Zip DONOR (must be AFSA member) - Street City and State Zip CONTENTS: March I960, Volume 46, No. 4 19 DR. ARNOLD TOYNBEE TALKS ABOUT . an interview by Dr. Edward D. Myers and William B. King 24 PROFESSIONALISM AND THE FOREIGN SERVICE by Louis J. Halle 26 POLITICAL AMBASSADORS—THEN AND NOW by James K. Penfield 29 A HALF CENTURY IN PERSPECTIVE AMERICAN FOREIGN SERVICE ASSOCIATION by George V. Allen President, PHILIP HABIB First Vice President, HARRY K.