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James Stevens Cox (1910-1997)

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James Stevens Cox (1910-1997) WING BOOKS PRINTED IN ENGLAND 1641-1700 FROM THE LIBRARY OF JAMES STEVENS COX (1910-1997) Catalogue 1447 MAGGS BROS LTD 2011 LONDON 2 MAGGS BROS LTD Maggs Bros Ltd 50 Berkeley Square London W1J 5BA Telephone: 0207 493 7160 Fax: 0207 499 207 Email: [email protected] Bank Account: Allied Irish Bank (GB) 10 Berkeley Square London W1J 6AA Sort code: 23-83-97 Account number 47 77 70 70 VAT no: GB 2393813 47 EU members: please quote your VAT/TVA number The goods shall legally remain the property of the seller until the price has been paid in full © Maggs Bros Ltd 2011 Designed and printed by Creeds the Printers, Bridport DT6 5NL MAGGS BROS LTD 3 WING: THE LAST HURRAH? For over half a century librarians, collectors and booksellers have relied on, as one of their major bibliographical props, the monumental Short-title Catalogue of books printed in England, Scotland, Ireland, Wales, and British America and of English books printed in other countries 1641-1700. Originally compiled by Donald Wing of Yale University (hence its own eponymous short-title Wing), it was originally published in three volumes between 1945 and 1951. A massive process of revision culminated in 1994 with the publication of the revised edition of Vol. 1 (A-England). It was, as the preface to the 1994 volume notes, “quickly recognized as the premier reference tool available to scholars, librarians, and students of the late seventeenth and early eighteenth centuries” and “hailed as an indispensable bibliographical tool”. Booksellers, particularly those servicing the voracious new University Rare Books rooms springing up across America, would keep notebooks with the holdings of their favoured libraries and sweep up any books that might fill a gap. The phrase “Not in Wing” was as honey to their ears. As both a bookseller and collector James Stevens Cox was a keen user of this new resource, as he had been for the earlier Short-title Catalogue of books printed before 1641 (STC). This can be seen in the numerous pencil notes in these books giving Wing numbers followed, for example by “3 copies” or the ultimate “Not in Wing”. Unlike STC, Wing merely delivered what it said on the title, a short title (not much help for searching by subject), very brief imprint details, and a list of located copies, with no other bibliographical information and relatively little distinction between variant issues and editions. Now, however, in this world of electronic resources the influence of Wing as a standard reference or first bibliographical port of call is waning fast. It has been replaced with the new honey of “Not in ESTC” - the online English Short Title Catalogue which encompasses the period 1475-1800, formerly covered by both STC and Wing or “Not on EEBO” (Early English Books Online) or “ECCO” (Eighteenth Century Collections Online). Booksellers, being a conservative crowd, will no doubt continue to list Wing numbers in their descriptions, as we do here, but it will become increasingly redundant, rather like an out-of-date telephone number, or the medals of a vanished empire. In the list of located copies in this catalogue we have conflated the locations given by Wing and ESTC and generally, where there are five or less known copies in either UK & Ireland or the USA & Canada, we have given details of the recorded copies. Interestingly, it does tend to give not just a geographical spread of known copies or a basic measure of rarity but more subtle judgements can also be made - a Quaker book, for example, may be known in several located copies but most might be Quaker or Nonconformist collections and it may be largely unrepresented in the larger national or University libaries, an indication that no copies may have changed hands for many decades. When we issued our Catalogue 1350 STC & Wing in 2003 we had little idea of the treasures still remaining in the Stevens Cox collection. It is unlikely that Maggs Bros will be able to produce another catalogue with over 450 books (if you count tract volumes there are well over 500 titles) printed in a 40-year period of the seventeenth century so perhaps we will now have to say this is a final Three Cheers for Wing! For a biography of James Stevens Cox please see the introduction to our Catalogue 1350 STC & Wing: Books printed in England 1500 – 1700 (2003). MAGGS BROS LTD 5 [1] [A. (T.)]. Religio Clerici. 12mo., [12], 231, [5 (adverts)] pp., engraved frontispiece by Van Hove depicting a scene from Matthew 14:30. Small piece (55 x 5mm) neatly sliced away from the lower margin of I2, minor ink spots just touching the fore-edge of G3, G4, E5 and E6, small rust spot to C10 and I7. Early 19th-century calf, gilt spine (upper joint cracked, lower joint rubbed, corners worn). London: for Henry Brome, 1681 £240 Wing A32A (+ in UK; W.A. Clark, Folger, Huntington in USA). Keynes, Sir Thomas Browne, 397. Leaves E11 & 12 have been cancelled as usual (the stubs remain). Wing A32 (+; Boston, Harvard, McGill, Yale) is another 1681 edition with 96pp, with “By T.A.” on the title. There is, however, a great deal of confusion amongst the online catlogues of the located copies as to which edition they actually have. [2] [ABELL (William), attributed to]. A True Discovery of the proiectors of the wine proiect, out of the Vintners owne orders made at their Common hall, whereby it clearley appeares that this project was contrived at Vintners Hall by the drawing Vintners of London, and for their only advantage, to supresse the Coopers, and monopolize the sole benefit of retailing wines through this Kingdome. And hereby is also truly set forth the excessive gaines and great exactions of the Vintners in the retayle of their wines, and their unwholesome mixtures thereof. First Edition. Small 4to., 28 pp. Title-page shaved at the head with some loss to first line, dampstaining to lower corners of C3-4 and D1-2. Early 20th-century half calf and marbled boards (boards slightly faded). London: Thomas Walkley, 1641 £750 Wing T2687 (+;+). “[William] Abell’s unpopularity [as an alderman, sheriff and vintner] was further increased by his involvement with the disputed wine monopoly. This dispute had arisen some years previously in response to the king’s demands for money and his attempt to force the Vintners to raise the duty on wine from £3 to £4 per tun. They in return sought various concessions, only some of which were granted: they were forbidden to sell victuals and tobacco, but granted the monopoly of retailing wine, thus excluding the Coopers, who had previously shared the privilege. [...] At the meeting of the Short Parliament in 1640 complaints about the wine monopoly were made to Abell but he was saved by its dissolution. When the Long Parliament met later that year MPs and the Vintners’ Company accused him of having contrived the monopoly for his personal profit. Abell found himself arraigned as a delinquent and summoned to appear before the parliamentary committee of grievances; by January 1641 he was in custody, having been refused bail. In March parliament resolved that the 40s. impost was illegal, as were the orders which prohibited the Coopers from buying and selling wine, and the Vintners from dressing and selling meat. Isaac Penington, MP for the City, spoke on behalf of Abell, accusing Kilvert as mainly responsible, and Abell himself was the likely author of A True Discovery of the Projectors of the Wine Project (1641), which presented him as having acted with the company’s consent and solely out of concern for the company’s welfare.” - ODNB. Provenance: Once number “3” in a volume of tracts. Mid-20th-century bookseller’s catalogue cutting describing this copy (priced at £2/10/-) loosely inserted. [3] [ALLESTREE (Richard)]. The Ladies Calling in Two Parts. By the Author of the Whole Duty of Man, &c. The Fourth Impression. 8vo., [24], 270, [2] pp., engraved frontispiece, vignette of the Sheldonian Theatre on the title. Some minor rust spotting to B2, I3 and S4 (forming a small hole), occasional marginal dampstaining and with a small (30mm) closed tear to the blank fore-margin of Z1. Contemporary brown morocco, covers gilt panelled with a floral tool at each corner, the spine divided into six gilt tool panels (joints lightly worn). Oxford: at the Theater, 1676 £450 Wing A1144 (+;+). An attractive copy. First published in 1673 The Ladies Calling follows much the same formula as Allestree’s other works by setting out clear guidelines (with reference to the scriptures) on the best way to live a morally good life. 6 MAGGS BROS LTD [4] [ALLESTREE (Richard)]. The Ladies Calling. In Two Parts. By the Author of the Whole Duty of Man. The Fifth Impression. 8vo, [26], 270, [1] pp., engraved frontispiece, vignette of the Sheldonian Theatre on the title. Light marginal browning and occasional spotting, very small paper flaw in the lower blank margin of B2. Contemporary black morocco, covers with a fillet border, gilt panel with a small floral tool at the corners, spine with five raised bands, the panels tooled in gilt, marbled endleaves and gilt edges (corners lightly bumped, a few minor bumps and scuffs). Oxford: At the Theatre,1677 £500 Wing A1146 (+;+). Provenance: The Dymoke family, of Scrivelsby, Yorkshire, hereditary King’s Champions; appropriately owned by a lady of the family, Jane Dymoke, née Snowden (d. 1744) with her ink signature on the flyleaf “J Dymoke” and note in her hand below “was maried ye ffirst day of september being thursday 1687.
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