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Whale Rider: the Re-Enactment of Myth and the Empowerment of Women Kevin V
Journal of Religion & Film Volume 16 Article 9 Issue 2 October 2012 10-1-2012 Whale Rider: The Re-enactment of Myth and the Empowerment of Women Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Recommended Citation Dodd, Kevin V. (2012) "Whale Rider: The Re-enactment of Myth and the Empowerment of Women," Journal of Religion & Film: Vol. 16 : Iss. 2 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss2/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Whale Rider: The Re-enactment of Myth and the Empowerment of Women Abstract Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions taken by critics, it then analyses the traditional myth as well as how the book first worked with it. The onclusionc is, in distinction to the book, that the film drives a wedge between the myth’s original sacred function to provide meaning in the world for the Maori people and its extended intention to empower women, favoring the latter at the former’s expense. -
Te Runanga O Ngati Porou NATI LINK October 2000 ISSUE 14
Te Runanga o Ngati Porou NATI LINK October 2000 ISSUE 14 The launch of the Tuhono Whanau/ Family Start programme at Hamoterangi House provided a strong message to the several hundred people attending – affirm your whanau, affirm your family. Pictured from left are kaiawhina Sonia Ross Jones, Min Love, Makahuri Thatcher, whanau/hapu development manager Agnes Walker, Runanga chief executive Amohaere Houkamau, Tuhono Whanau manager Peggy White, kaiawhina Phileppia Watene, supervisor Waimaria Houia, kaiawhina Heni Boyd- Kopua (kneeling) and administrator Bobby Reedy. See story page five. Coast is ‘best kept’ tourism secret Runanga CEO Amohaere Houkamau Porou tourist operators achieve maximum images were to have been used as one of the top launched the Tourism Ngati Porou strategic exposure. 16 tourist attractions promoted by the Tourism plan earlier this month, but not before The network will also work with regional Board internationally. explaining the area was the “best kept tourism tourism organisations and help co-ordinate and “Culturally-based tourism can provide secret in New Zealand”. promote Ngati Porou tourism initiatives. employment for each hapu. She believes the area’s natural features — “The strategy is to pool our skills, to work “The key principle is to support Ngati Porou Hikurangi Maunga, secluded bays, native collaboratively, limit competition and ensure tourism, with limited resources, we have to bush, surf-beaches, historical attractions such that in the process we do not compromise our support ourselves. as the Paikea Trail and significant art works culture. “Our experience in the past has been that including the Maui Whakairo and carved “We must also ensure that our intellectual people have taken a lot from Ngati Porou in meeting-houses — are major attractions. -
The Whare-Oohia: Traditional Maori Education for a Contemporary World
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. TE WHARE-OOHIA: TRADITIONAL MAAORI EDUCATION FOR A CONTEMPORARY WORLD A thesis presented in partial fulfilment of the requirements for the degree of Masters of Education at Massey University, Palmerston North, Aotearoa New Zealand Na Taiarahia Melbourne 2009 1 TABLE OF CONTENTS He Mihi CHAPTER I: INTRODUCTION 4 1.1 The Research Question…………………………………….. 5 1.2 The Thesis Structure……………………………………….. 6 CHAPTER 2: HISTORY OF TRADITIONAL MAAORI EDUCATION 9 2.1 The Origins of Traditional Maaori Education…………….. 9 2.2 The Whare as an Educational Institute……………………. 10 2.3 Education as a Purposeful Engagement…………………… 13 2.4 Whakapapa (Genealogy) in Education…………………….. 14 CHAPTER 3: LITERATURE REVIEW 16 3.1 Western Authors: Percy Smith;...……………………………………………… 16 Elsdon Best;..……………………………………………… 22 Bronwyn Elsmore; ……………………………………….. 24 3.2 Maaori Authors: Pei Te Hurinui Jones;..…………………………………….. 25 Samuel Robinson…………………………………………... 30 CHAPTER 4: RESEARCHING TRADITIONAL MAAORI EDUCATION 33 4.1 Cultural Safety…………………………………………….. 33 4.2 Maaori Research Frameworks…………………………….. 35 4.3 The Research Process……………………………………… 38 CHAPTER 5: KURA - AN ANCIENT SCHOOL OF MAAORI EDUCATION 42 5.1 The Education of Te Kura-i-awaawa;……………………… 43 Whatumanawa - Of Enlightenment..……………………… 46 5.2 Rangi, Papa and their Children, the Atua:…………………. 48 Nga Atua Taane - The Male Atua…………………………. 49 Nga Atua Waahine - The Female Atua…………………….. 52 5.3 Pedagogy of Te Kura-i-awaawa…………………………… 53 CHAPTER 6: TE WHARE-WAANANGA - OF PHILOSOPHICAL EDUCATION 55 6.1 Whare-maire of Tuhoe, and Tupapakurau: Tupapakurau;...……………………………………………. -
Pacific Island History Poster Profiles
Pacific Island History Poster Profiles A Note for Teachers Acknowledgements Index of Profiles This Profiles are subject to copyright. Photocopying and general reproduction for teaching purposes is permitted. Reproduction of this material in part or whole for commercial purposes is forbidden unless written consent has been obtained from Queensland University of Technology. Requests can be made through the acknowldgements section of this pdf file. A Note for Teachers This series of National History Posters has been designed for individual and group Classroom use and Library display in secondary schools. The main aim is to promote in children an interest in their national history. By comparing their nation's history with what is presented on other Posters, students will appreciate the similarities and differences between their own history and that of their Pacific Island neighbours. The student activities are designed to stimulate comparison and further inquiry into aspects of their own and other's past. The National History Posters will serve a further purpose when used as a permanent display in a designated “History” classroom, public space or foyer in the school or for special Parent- Teacher nights, History Days and Education Days. The National History Posters do not offer a complete survey of each nation's history. They are only a profile. They are a short-cut to key people, key events and the broad sweep of history from original settlement to the present. There are many gaps. The posters therefore serve as a stimulus for students to add, delete, correct and argue about what should or should not be included in their Nation's History Profile. -
Local Government on the East Coast
Local Government on the East Coast August 2009 Jane Luiten A Report Commissioned by HistoryWorks for the Crown Forestry Rental Trust 1 Table of Contents Introduction................................................................................................................................ 5 Local Government.................................................................................................................. 5 Project Brief ........................................................................................................................... 7 Statements of Claim ............................................................................................................... 9 The Author ........................................................................................................................... 11 Executive Summary ................................................................................................................. 13 Part One: The Historical Development of Local Government................................................. 27 1. Local Government in the Colonial Context: 1840-1876................................................... 28 1.1 Introduction.............................................................................................................. 28 1.2 Local Government in the Crown Colony, 1840-1852.............................................. 29 1.3 Constitution Act 1852 .............................................................................................. 35 1.4 Financing -
He Atua, He Tipua, He Tākata Rānei: an Analysis of Early South Island Māori Oral Traditions
HE ATUA, HE TIPUA, HE TAKATA RĀNEI: THE DYNAMICS OF CHANGE IN SOUTH ISLAND MĀORI ORAL TRADITIONS A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Māori in the University of Canterbury by Eruera Ropata Prendergast-Tarena University of Canterbury 2008 1 Table of Contents Acknowledgments .............................................................................................5 Abstract..............................................................................................................7 Glossary .............................................................................................................8 Technical Notes .................................................................................................9 Part One: The Whakapapa of Literature..........................................................10 Chapter 1......................................................................................................... 11 Introduction......................................................................................................12 Waitaha.........................................................................................................13 Myth and History .........................................................................................14 Authentic Oral Tradition..............................................................................15 Models of Oral Tradition .............................................................................18 The Dynamics -
The Canoe Is the People Indigenous Navigation in the Pacific
The Canoe Is the People Indigenous Navigation in the Pacific NAVIGATING NAVIGATING ..................................................................................................1 Video 1 - Cook Islands navigator Tua Pittman .....................................................1 Video 2 - Satawalese navigator Mau Piailug ........................................................2 Video 3 - Satawalese navigator Jerome Rakilur....................................................2 Video 4 - Maori master canoe builder, Hekenukumai Busby (New Zealand) .......2 1 Preparing and Starting Out .....................................................................................3 Video 1 - Maori master canoe builder, Hekenukumai Busby (New Zealand) .......3 Video 2 - Satawalese navigator Mau Piailug prepares his crew and visits his father’s grave before a voyage ..............................................................................3 Video 3 - A spiritual cleansing ceremony takes place in the Cook Islands ...........4 Story 1 - Turtle and Canoe: The Importance of Preparation (Palau,Micronesia)4 1.1 Canoe ...................................................................................................................5 Video 1 - Satawalese navigator Jerome Rakilur....................................................5 Video 2 - Satawalese navigator Lewis Repwanglug..............................................5 1.2 Food .....................................................................................................................5 Video -
Social Change in the South Pacific: Rarotonga and Aitutaki
SOCIAL CHANGE IN THE SOUTH PACIFIC Rarotonga and Aitutaki BY ERNEST BEAGLEHOLE D136D1., ? | ey ro Be Ca ow ; NEW YORK THE MACMILLAN COMPANY FIRST PUBLISHED IN 1957 This book is copyright under the Berne Convention. Apart from any fair dealing for the purposes of private study, research, criticism or review, as per- mitted under the Copyright Act 1956, no portion may be reproduced by any process without written permission. Enquiries should be made to the publisher. © The Macmillan Company, 1957 PRINTED IN GREAT BRITAIN 9d -O PREFACE THIS monograph summarizes the results of applying historical and contemporary fieldwork methods to the analysis of the processes of social change in the two small Pacific islands of Rarotonga and Aitutaki. In its earlier historical sections it relies very largely upon the surviving early Cook Island missionaries’ records now lodged in the London library of the London Missionary Society. I have to thank Miss Irene M. Fletcher, librarian and archivist of the London Missionary Society, for making available these records, and the Secretaries of the Society for their generous permission to use them in any way that suited the purpose of this study. My wife spent many laborious days that might have otherwise been more enjoyably used working through the early Cook Island mission res files in the L.M.S. library. She also read the proofs and prepared the index. I thank her now, as always, for her unfailing help and a ye encouragement. | Thelatter part of this monograph is based on some two months’ intensive fieldwork in Aitutaki in the summer of 1948-49. -
Polynesian Oral Traditions RAWIRI TAONUI1
Polynesian Oral Traditions RAWIRI TAONUI1 CREATION Creation traditions explain the origins of all things, including the universe, heavens and earth, the gods of nature, all things animate and inanimate in the phenomenological world, male and female forms, and life and death. These mythologies reflect deep-seated philosophical, religious, cultural and social beliefs about the nature of reality and the unknown, being and non- being and the relationship between all things; hence they are regarded as the most sacred of all traditions. MAORI SPEECHMAKING New Zealand Maori celebrated Rangi (Skyfather) and Papa (Earthmother) in whakatauki (aphorisms), waiata (songs) and whaikorero(formal speechmaking) as the following example shows: E mihi atu ki Te Matua, ki a Ranginui, ki a Rangiroa, Greetings to the Skyfather, the Great Heavens, Tawhirirangi, Te Hauwhakaora, the Expansive Heavens Te Hau e pangia nga kiri o te tangata. The Heavenly Winds, the Life Giving Winds, E mihi atu ki a Papatuanuku, ki a Papatuarangi the Winds that caress the skin of all people. Te Papa i takatakahia e nga matua tupuna, Greetings to the Earthmother, Te Papa i waihotia e ratou ma extending beyond the visible land, Te Papa e maroro ki te itinga, e maroro ki te opunga extending beyond the visible heavens Te Papaawhi, e awhi ana i a tatou, o tena, o tena, The Earthmother trampled by our ancestors, o tena o nga whakatupuranga e tupu ake nei the Earthmother left in heritage by them Te Ukaipo, Te Ukaiao mo tatou katoa. The Earthmother that stretches unto the sunrise, that stretches unto the sunset The Embracing Earthmother that embraces each of us from all generations She that sustains us in the night, that sustains us in the day.2 Skyfather And Earthmother The ancestors of the Polynesians transported and relocated their oral traditions as they migrated across the Pacific Ocean. -
Nati Link 3 Raumati 2010-2011.Pdf
1 Nati Link Issue Three Raumati 2010/2011 Editor/Writer: Jasmine Kaa Design: Jasmine Kaa & Stan Baldwin 195 Wainui Rd Gisborne Cover Image: This months cover features one of the 06 867 9960 images from the “Ahi Kaa: Through Our Eyes” exhibition. 1 Barry Avenue “Home”, by Dale Sidney, a Year 12 student of Ruatoria 06 8649 004 Tolaga Bay Area School. www.ngatiporou.com Photo korero: “Papa Tai Crawford at home in Mangatuna up on the hill opposite the kura- his turangawaewae.” Contents CONTRIBUTORS p. 3 : From The Chair Nati Link would like to thank the following writers for their Kaupapa Matua contributions to this issue: p. 4: Ahi Kaa through Our Eyes p. 6: Home Fires Still Burning Tate Pewhairangi Bless Jones p. 14: There’s (Black) Gold In Them There Hills... Barry Soutar Hoana Forrester & Seabed April Papuni Lance Rickard p. 20: Kainga Whenua Katherine Tuhaka Sarah Pohatu p. 22: MLC Info Sharing Days John Manuel Jody Wyllie Mark Ngata Sheree Waitoa Kaupapa Rangatahi Ani Pahuru-Huriwai p. 23: Huinga Rangatahi Whaimutu Dewes p. 25: Te Rangitawaea 2010/Tamararo 2010 Dayle Takitimu Taryne Papuni Nga Korero o Te Wa Kainga Tioreore Ngatai-Melbourne p.28: East Coast Boxing Profile Te Maringi p. 29: Etta Bey Magazine Rawinia Ngatai p. 30: Spanish Whanau Visit 2010/2011 Moki Raroa p. 32: The Cry of The Gull: Tangikaroro Native Reserve He Nati Kei Te Whenua Nati Link Online would appreciate your feedback, p. 35: Viv Rickard suggestions or contributions for future issues. Nati Kei Tawahi Please contact: [email protected] p.36: From East Coast to Far East p. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. ACKNOWLEDGEMENTS I began this journey with the aim of reaffirming my identity as a Cook Islander. This was initiated by the loss of my grandfather, Maka Kea who was the foundation of our family. For our family, my grandfather was the epitome of Cook Island culture and, our visual link to our culture. His contributions as a grandfather, father and mentor instilled many cultural beliefs in the formation of our identities. I must also acknowledge my late grandmother, Elizabeth Kea, a taunga of tivaevae design. Although her presence left many years ago, the memory of her has never faded. This research is dedicated to them both, whose presence and contributions embodied Cook Island culture. Firstly I would like to thank my son Dhyntae, whose continued support and patience has given me the determination to keep going through the years. -
The Whale Rider at the American Museum of Natural History *Billie Lythberg, **Jennifer Newell, ***Wayne Ngata
Museum & Society, 13 (2) 189 Houses of stories: the whale rider at the American Museum of Natural History *Billie Lythberg, **Jennifer Newell, ***Wayne Ngata Abstract In April 2013, fifteen members of theMāori tribal arts group Toi Hauiti travelled to New York to reconnect with their carved wooden ancestor figure, Paikea, at the American Museum of Natural History (AMNH). They gave educational presentations to school groups, museum staff and members of the public about Paikea and the whare kōrero, or house of stories, which Paikea had adorned as a gable figure. Through a discussion anchored in the importance of taonga (ancestral treasures), this paper describes embodied forms of knowledge used by Paikea’s descendants to know him in his absence, and introduce him to diverse audiences. Its foci are: museum education in multicultural contexts; learning by doing through the use of interactive activities; and community outreach and museum education. In addition, it discusses the challenges to protocols and opportunities for learning offered to AMNH staff through this engagement, and examines the impact it had on Toi Hauiti members themselves. Key words (3-5): museums and source communities; object-centered learning; embodied knowledge; outreach; inreach Uia mai koia whakahuatia ake - Ask and you will be told Ko wai te whare nei e? - What is the name of this house? Ko Te Kani - It is Te Kani Ko wai te tekoteko kei runga? - And who is the sentinel on top? Ko Paikea! Ko Paikea! - It is Paikea! It is Paikea! Whakakau Paikea hi! - Paikea who transformed